[Migrating emancipated slaves]
Title
[Migrating African Americans emancipated from enslavement]
Description
Drawing by Alexander Kitzmiller, a 24-year-old Pennsylvania German, prisoner Number 4780 at Eastern State Penitentiary. Depicts two African American families of freedom seekers emancipated from enslavement, portrayed in racist caricature, migrating on horseback and on foot. In the left, an African American man, barefoot and attired in a yellow hat, a blue collared shirt, and orange and white patterned pants, rides on a mule with his son and daughter. Behind him walking on foot is a boy, attired in a soldier’s cap, a red collared shirt with a red tie, and blue pants with suspenders and the African American mother, attired in a red head kerchief, hoop earrings, a yellow dress, and yellow and black shoes, who holds the arm of her daughter. The young girl, attired in a blue hat and a red and white striped dress, carries a Black doll. In the right, another family walks, including an African American man, attired in a yellow hat, a red and white striped collared shirt with a brown tie, white pants, and black boots, who carries a bundle on a stick; an African American woman, attired in a white head kerchief, hoop earrings, a red dress, and yellow and black shoes, who carries a baby on her shoulder, and a boy, attired in a soldier’s cap, an orange collared shirt, blue pants with suspenders, and brown shoes, who has his hand in his pants pocket. Adaption of Francis B. Schell's illustration, "Arrival at Chicksaw Bayou of the negro slaves of Jefferson Davis, from his plantation on the Mississippi," published in Frank Leslie's Illustrated newspaper on August 8, 1863., Title supplied by cataloger., Date inferred from content and tenure dates of S.W. Woodhouse as physician at Eastern State Penitentiary., Manuscript note on verso: Presented to me by a German prisoner in the State Penitentiary of Pennsylvania during my residency there. S.W. Woodhouse, M.D., Woodhouse was a Philadelphia surgeon, naturalist, and pioneer ornithologist who served as resident physician at the Eastern State Penitentiary from 1862 to 1863., Lib. Company. Annual report, 1997, p. 37., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Kitzmiller, Alexander, approximately 1839-, artist
Date
[1863]
Location
Library Company of Philadelphia | Print Department Drawings & Watercolors - Kitzmiller [P.9547]
[Fulton House, No. 121 South Second Street, Philadelphia] [graphic] / JMF 1861.
Title
[Fulton House, No. 121 South Second Street, Philadelphia]
Description
Busy view showing the early 1780s former residence of miniature painter and steamboat engineer Robert Fulton when tenanted by a lager beer saloon. Depicts two saloon workers moving barrels across from two men conversing near the entryway of the two-story, wooden building with display window and awning. One worker emerges with a barrel from the cellar in front of the window while the other rolls one of four barrels in his direction and away from a tilted telegraph pole. The pole extends up through the awning and leans into the roof of the adjoining building in the left. “Restaurant” is written on the display window and "Lager Beer Saloon" is written on the awning. A fire insurance marker and signage reading “121 Fulton House” and “ale” also adorn the building. Also shows partial views of adjacent brick buildings, and in the left, a woman attired in a hat, dress, and apron walking on the sidewalk and carrying a ceramic carafe. Building in right, likely a grocery store, is adorned with an awning frame on which a small round sign reading “L” hangs. Building is also adorned with signage that is partially visible and reads "Groc" and "Joh." Fulton lived and worked on South Second Street in the early 1780s. While in Philadelphia, he worked as an apprentice and miniature painter as well as began his experiments with the mechanics of steam power. In 1786 he relocated to Front Street. About 1787 he moved to London and studied painting with American-born artist Benjamin West., Artist and title from manuscript note on oil painting depicting similar scene and given in 1863 to Ferdinand Dreer by James L. Claghorn. Sold on liveauctioneers in 2019. Manuscript note: Ferdinand J. Dreer Esq. with Jas. l. Claghorn’s compliments, House No. 121 South Second Street Philadelphia PA in which Robert Fulton served his apprenticeship to an optician by John M. Falconer for NY Artists Fund Society, October 1863., Title supplied by cataloger., Drawing may be the watercolor listed as entry 291 and for sale by the artist in the United States Centennial Commission International Exhibition 1876 official catalogue, Art gallery and annexes. Department IV. Art. Tenth and Revised Edition (Philadelphia: John R. Nagle & Co., 1876), 14., Artist's initials written in lower right corner., Manuscript notes in modern hand on verso: Fasten title on backs, 132. From the collection of Samuel Castner, Jr. of Philadelphia., John Mackie Falconer (1820-1903), a Scottish-born New York artist, began his career as a painter and watercolorist before also specializing in etching starting in the mid 1860s. Known for works depicting older buildings and ruins, he was a treasurer of the Artist’s Fund Society, a member of the New York Etching Club, and an honorary member of the National Academy of Design.
Creator
Falconer, John Mackie, 1820-1903, artist
Date
[1861]
Location
Library Company of Philadelphia | Print Department *drawings & watercolors - Falconer [P.2021.1]
New drawing album [graphic].
Title
New drawing album
Description
Friendship album of Helen Frances Baxter containing circa 60 entries, predominantly contributed while she was a student at Hudson Female Academy during the early 1860s. Entries include original and transcribed poems, prose, and essays; miniature watercolor, pencil and ink sketches; and ruled designs in pencil to resemble mosaics of square calling cards. Most of the entries are signed or contain the initials of the contributor, some noted as completed in Texas. Several entries also include or are entirely composed of vignette paper photograph portraits, predominantly bust-length and depicting young women. Topics of the entries include remembrance, friendship, mortality, religion and allusions to the literary works Harriet Beecher Stowe's "Uncle Tom’s Cabin" (p. [99]) (racialized allusion) and Charles Dickens's "A Christmas Carol" and Clement Clarke Moore's "Night Before Christmas" (p. [161-165]). Sketches depict scenes of nature (trees, a waterfall), a cottage, stone ruins, and “crossticks” and are often inserted into four slots in the corresponding page. Mosaics sometimes include names and addresses and/or portrait photographs. Also contains 10 lithographs depicting a composition of a scroll bordered by a type of flower, including lily, tulip, convolvulus, and rose. Lithographs also include printed sentimental prose describing the depicted flower. A small piece of paper with pasted down dried leaves and a final page of bon mots, including “All things lovely have an end. So has this book of yours my friend” also comprise the album., Contributors include Alba K. Fellows (p. [25-26]), Mary Phipps (later Foster) (Hudson, NY) (p. [39]), Sarah Vanderzee (Coeymans, NY) ( p. [55, 141]), William H. Morrison (Hudson, NY) (p. [59)], Eva C. Platt (p. [95]), Angie Smalley (Carmel, NY) (p. [31, 166-167], and Emma V. Claflin (later Parmalee)(Philadelphia) (p. [152]). Hudson Female Academy, established by Reverend John B. Hague in 1851 and under his administration during the 1860s, was a four-year academy for young women in Hudson, NY. The course of study included Mathematics, English Grammar, "Philosophy of Nautral History," Latin, Physiology, Vocal Music, Composition, "Guizot's Civilization," Chemistry, Intellectual and Moral Philosophy, French, German, Drawing, and Painting., Lacquered papier mâché binding with painted imagery depicting a bouquet of flowers framed by filigree, and accented with inlaid mother of pearl., Title from title page: New Drawing Album. J. C. Riker, publisher., Contains presentation page on p. [2]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to.” Imprint: Published by J. C. Riker, 129 Fulton St., N. York., Contains inscription in pencil on p. [9]: Receive me with a smile,/As to each friend [?],/Detain me but a little while,/Then send the wanderer home., Contains presentation page on p. [13]: Hand-colored lithograph signed Lith. Of Sarony & Major, N. Y. and depicting an open scroll of paper bordered by flowers and with text “Presented to” [Miss Helen Frances Baxter, 12th May 155 by J.H.P]. Imprint: Published by Riker, Thorne &Co, 129 Fulton St., New York., Contains gilt marbled end papers., Contains some color paper pages., Gift of Michael Zinman, 2014., List of contributors and transcription of album entries available at repository., Description revised 2021., Access points revised 2021., Possibly compiled by Helen Fisher Baxter (1843- 1920) of Fishkill, later Hughsonville, N.Y. She worked as a music teacher in 1880 and died in Wappingers, N.Y. in 1920.
Creator
Baxter, Helen Frances
Date
[1855-1875, bulk 1860-1861]
Location
Library Company of Philadelphia | Print Department albums [P.2014.79]