Shows Union soldiers at the island encampment firing several lines of cannons at the forts and batteries in the distance. Other soldiers man a barricade behind the cannons. Also shows a steamer and submarines firing from the harbor. Includes the names of the forts printed below the image., Originally part of a McAllister scrapbook of Civil War materials., Retrospective conversion record: original entry, edited., Reaccessioned as P.9177.15.
Creator
Currier & Ives
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Charleston [5794.F.2]
Shows the smaller Union ironclad and larger Confederate ironclad, officially renamed Virginia, engaged in a cannon fight. In the background, several warships engaged in battle are visible., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events., Trimmed.
Creator
Currier & Ives
Date
c1862
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Merrimac [5779.F.41]
Shows the Union ironclad firing at the "Nashvile" as it bursts into flame from a previous artillery strike., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Currier & Ives
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Montauk [5779.F.42]
View showing the U.S. gunboat firing upon the burning and sinking Confederate raider ship. Also shows lifeboats sailing between the vessels., Originally part of a McAllister scrapbook of Civil War views, places & events., Retrospective conversion record: original entry, edited.
Creator
Currier & Ives
Date
c1864
Location
Library Company of Philadelphia | Print Department *Civil War - Campaigns & battles - Alabama [5779.F.34]
Battle scene showing a Union warship firing upon the Confederate fort, Fort Walker, amidst streams of smoke and shell bursts., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Currier & Ives
Date
1861
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - P [5779.F.44]
Battlefield scene showing a troop of zouaves from the 9th New York Infantry Regiment charging a Confederate barricade during the battle at Roanoke Island. Fallen zouaves lay in the foreground., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Currier & Ives
Date
[1862]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Roanoke [5779.F.54]
View showing several Union troops entering Atlanta. Military officers on horseback salute, lead a cannon, and direct the troops. Also shows an infantry man nursing his ankle in the foreground and the ammunitions store on fire in the middle of the city in the background., Retrospective conversion record: original entry, edited.
Creator
Currier & Ives
Date
[1864]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Atlanta [5779.F.35]
Shows the ironclad, officially named Virginia, exploding after being set on fire by the Confederate Navy to avoid capture by Union forces following the evacuation of Norfolk, Virginia., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Currier & Ives
Date
[1862]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles [5779.F.52]
View showing the Essex firing upon the Confederate gunboat grounded on the riverbank in the foreground. Flames engulf the Arkansas near a crowd of fleeing people. Also includes the names of the ships printed below the image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator
Currier & Ives
Date
[1862]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Arkansas [5779.F.48]
Cartoon mocking Nicholas Biddle, president of the controversial Bank of the U.S., as a corrupt emperor of finance served by New York's financial district. Depicts a self-effacing Biddle on the steps of a bank delivering a speech to a large crowd of his obsequious cheering subjects comprised of bankers and brokers. Two men, possibly New York editors accused of accepting bribes in return for publishing pro-Bank articles, Charles King and/or Mordecai Manual Noah and/or James W. Webb, hoist him on their knees. Biddle declares that he will bear the burden of the attacks of the Bank opponents as those before him will acquit him of scandal. In the far left background, a group of men describe Biddle as a monster and allude to his dubious relationship with New York merchant Silas E. Burrows, who was accused of bribing Noah and Webb. Contains a fabricated verse below the image from the popular poem "The Devil's Walk," commonly misattributed to Robert Porson (as in the cartoon) about the faithless servility of Satan's subjects., Retrospective conversion record: original entry, edited.
Date
[1832?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1832-18W [5760.F.50]
Plate one from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and every day life such as corporal punishment, public drunkenness, popular fashion, marital relations, and libraries. Includes "Lock on the Understanding in two Toms bound in boards" depicting two "Toms" locked in a stockade without refreshment discussing their "Dry Goods" & "Stationary" business;" Heavy Wet" depicting a white man homeowner shocked to see a bank of snow fall from his roof unto a passerby's head; 'What a piece of work is a Man...." depicting hogs ashamed to be seen with a white man drunkard unconscious in their slop near a distillery; "Cowed Down" depicting a white wife upset about her cow's well-being as she watches her "mischievous" white husband being gored by it; "The Menagerie" depicting a confused African American man witnessing children mistaking a white man dandy and white woman dandiette for wild creatures at an animal menagerie; "Bullying Up" depicting a white farm boy haranguing a bull in front of his angry mother; "The Cat Doth Play & After Slay" depicting a picture "copied from an innkeeper's sign in Jugtown, N. Jersey" showing a cat playing a fiddle in front of a horse-drawn sleigh; "The Library" depicting the interior of a library where a foppish white woman, a Frenchman, and white men librarians misinterpret and misunderstand comments about popular literature; and "A Soporific" depicting an ailing white man unaffected by "laudanum opium" requesting his Reverend to preach a sermon in order to put him to sleep., Title supplied by cataloger., Printed in upper left corner: Plate 1., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 1., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Johnston, David Claypoole, 1799-1865
Date
[1832]
Location
Library Company of Philadelphia | Print Department political cartoons - 1832 Scr (a) [5656.F.25]
Plate two from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life, such as dueling, juries, the wealthy, debt, education, and the use of coal as a fuel. Includes "Fair Play: Safe Play" depicting two absurd methods of dueling utilizing chalked figures on a rotund man and a barn door; "Hunger Versus Judgment Jury -Room" depicting a hungry jury voting for execution in order to adjourn for dinner; "Who Are You Looking At?" depicting an indignant white man looking at the viewer; "The Last Bell" depicting a wealthy, white "belle" with an entourage transporting her numerous belongings for a river voyage, annoyed with her son who has fallen in the water; "Military Precocity" depicting a young white boy aspiring to fit into his grandfather's oversized military uniform; "Anti-Phlogistic" depicting white gentlemen experimenting with safe, economical "Rhode Island coal" in a fireplace attended by an African American man servant; "Primary School Examination" depicting an elementary classroom where a white man teacher is mocked as a "jackass" and a white girl student reveals during a spelling lesson that her mother takes rum in her tea; "An Incarcerated Monster" depicting a white man artisan debtor on display in his prison cell in front of a wealthy family commenting about his deserved incarceration as a monster., Title supplied by cataloger., Printed in upper left corner: Plate 2., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 2., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., African American household employees
Creator
Johnston, David Claypoole, 1799-1865
Date
[1832]
Location
Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (b) [P.2275.26]
Plate three from the 1832 edition of, "Scraps" Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, gender relationships, bed bugs, the theater, modesty, materialism, parental relationships, and drunkenness. Includes "A Rain Bow" depicting a white man dandy offering to assist a white woman with her parasol under the judging eye of a fellow unwilling to "wear out" his umbrella in the rain; "Great Cry and Little Wool" depicting white chambermaids mocking the fearfulness of a white man being attacked by gigantic, near sated bed bugs and a mosquito; "Pressure of the Times" depicting a crowd of white men fighting with each other for "Boston Theater" box tickets; "Ne Plus Ultra of Delicacy" depicting white men discussing "decently clothed tables and chairs" while tending to an unconscious white woman driven to faint after viewing a sculpture of barely-clad "Chanting Cherubs"; "Sport of His Satanic Majesty" depicting Satan and his minion fishing for white drunkards to be eaten and used as firewood; "Mother's Hope and Father's Joy" depicting a little, white "gentleman" being bid upon by his mother and a little girl; "The Test of Friendship" depicting a white man drunkard showing true friendship by lying in the gutter with his equally inebriated white man friend; "Steamboat Scene" depicting white individuals and a family reacting to a "man overboard" with gawking looks, a cry for a rope, a criticism of drunkenness, anger at his non-removal of expensive shoes, and a desire to exchange places to forgo seasickness; "Going Off Half Cocked" depicting and an intoxicated white man stuttering "good evening" in front of his snickering African American maid, portrayed in racist caricature., Title supplied by cataloger., Printed in upper left corner: Plate 3., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 3., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Johnston, David Claypoole, 1799-1865
Date
1832
Location
Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (c) [P.2275.27]
Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Johnston, David Claypoole, 1799-1865
Date
[1832]
Location
Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]
Cartoon during the Bank War satirizing the Whig Party as greedy, anti-democratic, pro-Bank, pro-business infidels who worship in the Temple of Mammon to the false god of riches. Atop the temple, a white man, holding a flag inscribed "No Veto! The Bank! Down with Democracy!" kneels on a pedestal inscribed "Bank Candidate. War, Pestilence, and Famine." Within the temple sit symbolic and political figures including: the Devil representing the "Hartford Convention" of 1815, which debated Northern secession; the "High Church" as a clergyman pleading for donations to preach; the "High Priest" Henry Clay with his "U.S. Bank Book" sitting on his throne the "Chair of State"; the "High Chancellor," Bank of the United States president, Nicholas Biddle pouring out a bag of money to buy newspaper editors; a Northerner ("High Tarrif") discussing slavery, "You Southern Barons have black slaves will you not allow us to make white slaves of our poor population in our Manufacturing Baronies"; and southern pro-nullification senator John C. Calhoun ("No Tariff"), who bemoans his association with Whigs in his personal campaign against political rival Martin Van Buren. In the foreground, worshipers, including monkeys, pray and are chained near a printing press, pro-Bank newspapers, and flags and banners. The flags and banners denigrate "Jefferson," "democracy," and "equal rights" and support "high tariffs," the "merchant class," the "Bank of the United States," and "white slavery.", Title from item., Artist's initial lower left corner: H., Probably published by labor radical Seth Luther., Retrospective conversion record: original entry, edited., Lib. Company. Annual report, 2001, p. 27, 30., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1833?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1833-20 [5760.F.43]
Cartoon concerning President Jackson's destruction of the Bank of the United States, including his veto of the Bank's recharter and the removal of its federal deposits. Depicts Jackson, "Jack Downing," and others attacking the Bank with axes, "veto mortar," and cannon balls. Jackson and "Downing" hollar about "smashing down" "Monopoly & Oppression" as well as the absence of a "nest of varmants" when the house was originally built. Members of Bank investigative "committees" flee the building, while others are crushed under the bank, its "deposit pillar" destroyed. Spectators, including evil sprites, run a press, clamor for tossed money bags labelled with alleged bribery amounts, and scream "This is a fair business transaction." Also includes sheets of paper scattered on the ground inscribed with allusions to the Bank War, including"Deranged Currency" and "Petitions.", Manuscript note on verso: From his Aunt Isabella 1840., Previous owner, probably C.P. Lukens. See Congressional Elephant political cartoons - 1832 - 2 (5760.f.42)., Retrospective conversion record: original entry, editions.
Date
[1834?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1834-4W [5760.F.58]
Book illustration reproducing architectural ornaments adorning the U.S. Capitol Rotunda. Depicts Nicholas Grevelet's 1827 sandstone relief "William Penn's Treaty with the Indians" and Enrico Causici's 1826-1827 sandstone relief "Conflict of Daniel Boone and the Indians." Shows William Penn's treaty of 1682 for Pennsylvania as a peaceful interaction with Native Americans in contrast to Daniel Boone in violent combat with Native Americans on the frontier. The treaty scene depicts Penn holding the treaty while shaking hands with a Native American holding a pipe. In the background, another Native American holds his hand up in the sign of peace in front of two doves sitting in a tree. The Boone scene shows Boone brandishing a rifle and knife during a violent struggle with a Native American holding a tomahawk. The men fight over a fallen Native American. Scene includes a tree branch inscribed "1775" - the year Boone explored Kentucky., Published in Public buildings and statuary of the government, the public buildings and architectural ornaments of the Capitol of the U. States, at the city of Washington (Washington, D.C.: P. Haas, 1839) and later 1840 edition., Philadelphia on Stone, POS 555, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Haas was a Washington, D.C. lithographer and publisher active predominately 1837-1845. Augustus Kollner worked under Haas 1839-1840, including as an artist for "Public Buildings and Statuary of the Government, the Public Buildings and Architectural Ornaments of the Capitol of the U. States, at the City of Washington."
Creator
Haas, Philip, fl. 1837-1863
Date
[1839]
Location
Library Company of Philadelphia | Print Department BW - Architecture [(6)1322.F.39c]
View showing the well and ferry on James Farrel's farm, purchased in 1859, near the banks of Oil Creek in Venango County, Pennsylvania. The well, drilled by Orange Noble and George B. Delamater in 1860, struck oil in 1863. In the foreground, three men sit and stand in a ferry boat holding the tow rope near a man seated on a boulder in the creek. In the background, oil tanks line the riverbank., Negative annotated with title., Publisher's imprint printed on mount., Orange mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Union View Co.
Date
ca. 1876
Location
Library Company of Philadelphia | Print Department stereo - Union View Company - Industry [P.9292.2]
Includes partial view of adjacent residence., Photographer and title from accompanying label., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views and political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Coates, Andrew, photographer
Date
ca. 1859
Location
Library Company of Philadelphia | Print Department stereo - Coates - Residences [5759.F.3f]
Shows a cottage possibly in Bristol, Pa., Attributed to Andrew Coates., Title from manuscript note on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Coates, Andrew, photographer
Date
ca. 1859
Location
Library Company of Philadelphia | Print Department stereo - Coates - Residences [(8)1322.F.41h]
Shows gardeners working on the rural estate of Baldwin Locomotive partner Matthew Baird. The gardeners hoe soil near a pole enclosed in a trellis and push a wheelbarrow down a path in front of the residence. Estate extended on Summit Street into Yeadon, Delaware County., Attributed to John Moran., Pale yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Moran, John, 1831-1903
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department stereo - Moran - Residences [5759.F.1i]
Bust-length portrait of the poet, abolitionist, journalist, and editor of the abolitionist newspaper, the "Pennsylvania Freeman." Whittier, with white hair and beard and attired in a white collared shirt, a tie, and a jacket with velvet on the lapels, faces left., Title supplied by cataloger., Date inferred from presented age of the sitter., Photographer's imprint stamped on mount., Sitter incorrectly identified as Ralph Waldo Emerson on verso., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sarony, the leading photographer of celebrity portrait cabinet cards in the 1870s and 1880s, paid the highest sitter fees of the time and often acted as artistic designer as opposed to technician of the portraits.
Creator
Sarony, Napoleon, 1821-1896, photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Whittier [P.9363.14]
Bust-length portrait of the African American abolitionist and orator. Douglass, wearing a beard and white hair and attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly left., Title from manuscript note written on mount., Date inferred from duplicate in LCP cabinet card portrait collection [P.9363.9]., American Celebrities Album., Purchase 1985., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry.
Date
[1876]
Location
Library Company of Philadelphia | Print Department American Celebrities Album [(I)P.9100.33e]
