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(201 - 250 of 13,973)

Title: Northern Liberty Fire Company. No. 1. Instituted May 1st 1756. Incorporated March 18th 1833
Description: View of the hand-powered Philadelphia-style fire engine of the fire company that operated from Front Street below Green Street. Engine contains double decker end-stroke hand pumpers. The compressor contains ornate detailing and is adorned with a plate depicting the figure of Liberty standing beside a pedestal adorned with the portrait of Washington. A trumpet hangs from the harness of the engine. Also contains a border with geometric details., Not in Wainwright., Philadelphia on Stone, POSP 154
Creator: Heiss, George G.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department *BW - Fires and Firefighting [P.9943]

Title: Satterlee U.S.A. General Hospital, West Philadelphia
Description: Bird's eye view showing the hospital opened June 9th, 1862 at Forty-fourth Street and Baltimore Avenue. The hospital complex is surrounded by tents to accommodate the high number of patients as a result of the battles of Wilderness and Spotsylvania. Soldiers and visitors mill the grounds and horse-drawn ominbuses enter the compound. Outside the hospital, a horse-drawn wagon travels and soldiers drill in formation. Also contains several lines of descriptive text and the names of the principal officers printed below the image. Text describes the size and dimensions of the hospital, visiting hours, and patient services including Sisters of Charity on call, a sutler store, barber shop, printing office, and a band., Philadelphia on Stone, POS 676, One of the images gift of William Helfand.
Creator: Magnus, Charles, lithographer
Date: c1864
Location: Library Company of Philadelphia | Print Department *BW - Hospitals [P.8690; P.9650.1]

Title: U.S. Custom House (formerly U.S. Bank)
Description: Exterior view of a classical style building constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house from 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Title from item., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Not in Wainwright., Philadelphia on Stone, POS 763, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: 1848
Location: Library Company of Philadelphia | Print Department *BW - Banks and Financial Institutions [P.2283.27]

Title: Philadelphia, from Camden, - 1850
Description: Panoramic view looking west from Camden showing the city to West Philadelphia. In the foreground, several bustling piers line the Camden riverfront. Sail ships and steamboats are docked, horse-drawn wagons are loaded and transport goods, and individuals mill on the piers and near the Market Street ferry house. Several vessels, including sail ships, tug boats, and steam boats sail in the river near both riverfronts and around Smith and Windmill islands. In the background, the cityscape of Philadelphia is visible. Includes the Navy Yard, Spark's Shot Tower, the steeples of Christ Church and Independence Hall, and Girard College. Also shows rows of buildings, smokestacks, undeveloped land, and the Schuylkill River in the distant background., Copyright by Francis Smith in Pennsylvania., Philadelphia on Stone, POS 583, Retrospective conversion record: original entry, edited., The Smith brothers, Benjamin, Francis, David and George, were premier and prolific artists and publishers of panoramic city views during the pre-Civil War era., Free Library of Philadelphia: Oversize Philadelphiana - Views
Creator: Smith, Benjamin F., Jr., 1830-1927, artist
Date: c1850
Location: Library Company of Philadelphia | Print Department ***BW - Views [P.8970.31]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: U.S. Custom House (formerly U.S. Bank)
Description: Constructed 1818-24 as the U.S. Bank (i.e. Second Bank of the United States) based on the designs of Philadelphia architect William Strickland. Served as custom house 1844-1935. Street scene in front depicts white men, women, and children pedestrians. In the street, there is a carriage containing a white man and woman as passengers driven by an African American coachman, a white man on horseback, and a dog., Plate 12 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Title from item., Date inferred from content., Not in Wainwright., Philadelphia on Stone, POS 763, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 4th-5th, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Deroy, Laurent, 1797-1886, artist
Date: [1848]
Location: Library Company of Philadelphia | Print Department BW - Banks [P.2283.19]

Title: Panorama of Philadelphia and Centennial Exhibition grounds
Description: Panoramic view looking east from West Fairmount Park showing the city between the fair grounds and to near Southwark and the Schuylkill and Delaware rivers. The names of major sites depicted are printed above and below the image, respectively. Includes the major exhibition buildings of the U.S. Government Building, Machinery Hall, Women's Pavilion, Judges Hall, Agricultural Hall, Horticultural Hall, Memorial Hall, and the Main Exhibition Building; the Columbia, N.Y. Connecting Railway, Girard Avenue, Callowhill Street, Market Street, and Chestnut Street bridges; Treaty and Smith's islands; Girard College; the Zoological Garden; the N.Y. Connecting Railroad; Camden, N.J.; Independence Hall; the Masonic Temple; Fairmount Water Works; the "new Public Building", i.e., the future City Hall; Cathedral of Saints Peter and Paul; "European Steam Ship Wharves"; and the Penna. R.R. Depot. Also shows scullers in front of Boathouse Row, the gas works, fair visitors, travelling trains, and maritime traffic. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Several of the exhibition buildings were designed by Herman Schwarzmann, Henry Pettit, and Joseph M. Wilson., Not in Wainwright., Philadelphia on Stone, POS 540, Historical Society of Pennsylvania: Bc 865 B 124, Inscribed on verso: William C. Stokes, June 29, 1936.
Creator: Bachmann, Henry
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 865 B 124

Title: The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt
Description: Depicts a scene during the "Boston Massacre" of March 5th, 1770 in which an officer signals seven British soldiers to fire into a mob of protesting colonists. The wounded lie on the ground or are carried away by the crowd. A woman in a shawl observes the carnage. Eighteen lines of verse criticizing the actions of the British and a list of colonists killed or injured appear below the image: "Saml Gray, Saml Maverick, James Caldwell, Crispus Attucks, and Patk Carr (killed) and it is noted that there were "Six wounded; two of them (Christr Monk & John Clark) Mortally." Crispus Attucks, included in the list of colonists but not transparently depicted, was a free man, sailor, and the alleged leader of the crowd who was the first colonist shot and killed., Title from item., Most well-known of Paul Revere's prints, and a nearly identical copy of a print entitled "The Fruits of Arbitrary Power, or the Bloody Massacre" by Henry Pelham who accused Revere of piratism., Facsimile based on the original by Revere., Inscribed: Copy Right Secured., One of the prints originally part of a McAllister scrapbook of views of Massachusetts. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Revere was a Boston silversmith, engraver, and cartoonist, most known for his patriotic activities during the American Revolution.
Creator: Revere, Paul, 1735-1818, artist
Date: March 5, 1832
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1770-1 [1884.F.25; 5738.F.8]

Title: Inde pendence Hall 1776
Description: Probably trimmed, vignette exterior view of Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street, Philadelphia. Shows a crowd of spectators standing outside of Independence Hall listening to public speakers in 1776., Title from item., Date inferred from content., Gift of David Doret, 2019.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.18]

Title: Chil dren of all nations. A series of 50
Description: Series of pop out cigarette cards depicting waist-length portraits of children (boys and girls) of different nationalities attired in their "native" costume. Includes Arabia (boy); Australia (boy); Belgian Congo (boy); Belgium (girl); Bulgaria (boy); Burma (girl); Denmark (girl); Egypt (girl); England (boy); Greece (girl); Holland (girl); Hungary (boy); Italy (girl); Ireland (girl); Mexico (boy); Natal (girl); New Zealand (girl); Norway (girl); Palestine (girl); Patagonia (girl); Poland (girl); Portugal (boy); Rumania (girl); Russia (girl); Scotland (boy); Siam (boy); Spain (girl); Sweden (girl); Tahiti (girl); Tibet (girl); Tunis (girl); Turkey (girl); United States (girl); and Wales (girl). The Ogden Branch was originally founded by Thomas Ogden as the Ogdens Tobacco Company in 1860. In 1901, American Tobacco Company bought Ogden's Tobacco Company and it in turn was bought by Imperial Tobacco Co. in 1902. Ogden started to include cigarette cards in its packaging in 1894., Date inferred from pop out format. Series issued in 1924 as pop outs., Printed above images: Ogden's Cigarettes., Title from series title on items., Versos contain explicative statements describing the depicted children's appearance, social life, and customs., Gift of George Allen., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: [ca. 1924]
Location: Library Company of Philadelphia | Print Department ephemera - Cards [P.2016.56.1-34]

Title: [Young Black girl articulated paper doll]
Description: Paper doll of an unclothed figure of a young Black girl with moveable limbs. The girl is depicted with short, cropped, tightly curled hair, auburn eyes, and slightly smiling. A blue-beaded string necklace adorns her neck. She also wears white, above-the-ankle length socks and black "Mary Jane" shoes. The articulated limbs are attached by brass brads to a white cardboard torso, likely not the original. About the late 1880s, Littauer & Boysen (established circa 1882), a premier German chromolithographer of novelties, began to print articulated dolls for the paper box company. Dennison sold the German firm's dolls to further market its special line of tissue/crepe paper as doll's clothing. The Massachusetts company, established 1844, also manufactured shipping tags, gummed labels, and holiday tags. The firm opened a salesroom in Philadelphia in 1862. In 1898, the firm consolidated operations in Framingham, Ma. from plants in Roxbury, Ma. Brooklyn, N.Y., and Brunswick, Me. where it was originally established in 1844., Title supplied by cataloger., Manufactured and distributed by Dennison Manufacturing Company, Ma., Publication information from Mary Young, 20th Century Paper Dolls Identification and Values (Collector Books, 2006)., Date inferred from published sources, the years of operation of the publisher, and the early era of the style of footwear depicted., Purchased with funds from Walter J. Miller Trust for the Visual Culture Program., Description revised 2021., Access points revised 2021.
Date: [ca. 1885-ca. 1895]
Location: Library Company of Philadelphia | Print Department *ephemera - paper dolls [P.2015.68.1]

Title: City Hall, Philadelphia, Pa
Description: Postcard depicting exterior view of City Hall constructed 1871 to 1901 after designs by John McArthur Jr. at 1 Penn Square, Philadelphia. Pedestrians walk on the sidewalk in front of the building., Title from item., Date inferred from content., Gift of David Doret, 2019.
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.29]

Title: Official first day of issue. Honoring Harriet Tubman, 1821-1913. Abolitionist. Nurse. Escapded slave. Black Heritage USA Series
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Harriet Tubman. Shows a half-length portrait of Harriet Tubman and a view of Tubman with Black persons of all ages, their belongings, and horse-drawn carts on a snow-covered clearing., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Washington. DC. Feb 1 1978 20013 and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Harriet Tubman and an inset of a view of Tubman and three Black persons riding a donkey-drawn wagon. The Tubman stamp issued in 1978, was the first issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Mailing label removed., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date: [1978]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2019.80.6]

Title: Official first day of issue. Honoring Salem Poor, Gallant Soldier, distinguished patriot of Bunker Hill, Valley Forge and White Plains
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) from the "Contributors to the Cause "series issued for the United States Bicentennial. Contains illustration after John Trumbull’s historical painting based on his eyewitness account of the Battle of Bunker Hill while serving as a commissioned officer during the American Revolution. Depicts American Major General Joseph Warren’s death proceeding the Americans’ retreat from the hill and includes the figure of Salem Poor, who has also been identified as another Black soldier, Peter Salem, in the context of the painting., Title from item., Date supplied from content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: Salem Poor received commendation for his heroics during the Battle of Bunker Hill., Contains ink-stamp postmark: Cambridge, MA. Mar 25 1975 02139 and cancelled "First Day of Issue" color-printed U.S. 10-cent stamp "Contributors to the Cause. Salem Poor. Gallant Soldier" depicting a half-length portrait of Poor with a rifles in hand. Poor was an enslaved African-American man who purchased his freedom in 1769 and became a soldier in 1775., Contains printed address., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date: [1975]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2022.42.3]

Title: View of the Philadelphia volunteer refreshment saloons. [graphic] / Lith. from nature by J. Queen; Printed in colors by T. Sinclair. Philada.
Description: Print trimmed., Gift of Isadore Lichstein., Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1861.
Location: http://www.lcpgraphics.org/wainwright/W434.htm, Library Company of Philadelphia Print Dept. **W434 [P.9001.6]

Title: View of the Philadelphia volunteer refreshment saloons. [graphic] / Lith. from nature by J. Queen; Printed in colors by T. Sinclair. Philada.
Description: Print trimmed., Gift of Isadore Lichstein., Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1861.
Location: http://www.lcpgraphics.org/wainwright/W434.htm, Library Company of Philadelphia Print Dept. **W434 [P.9001.6]

Title: This floral card was printed in 8 colors on the celebrated Model Printing Press, J.W. Daughaday & Co., mfrs., 721 Chestnut St., Phila
Description: Illustrated trade card depicting red and blue flowering plants., Advertising text printed on verso: This gorgeous card is a specimen of fine press work done on an ordinary Model Press. There are eight distinct colors and therefore eight separate impressions. A press which will do such work as this, is a safe one to buy for all kinds of printing. Every press sold absolutely guaranteed. J.W. Daughaday & Co., Mfrs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *trade card - Daughaday [P.9728.3]

Title: The United States Centennial International Exhibition
Description: Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: United States, Bureau of Engraving and Printing
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]

Title: Philadelphia from Girard College - 1850
Description: Panoramic view looking south from above Girard College (2000-2490 North College Avenue) showing the city to South Philadelphia. Shows the boy's school predominately featured in the foreground. At the center, Founder's Hall looms. Several visitors walk around the building and a number partake of the vista from the roof. Boys walk and play near the eastern and western outbuildings and a woman hangs wash on a clothesline in one of the courtyards. Near the campus, pasture land and scattered development, including a church, is visible. In the background, blocks of buildings, industrial smokestacks, and church steeples comprise the cityscape. Also shows the Market Street Bridge spanning the Schuylkill River and Blockley Almshouse in West Philadelphia in the right of the image. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Copyrighted by Francis Smith in Pennsylvania., Philadelphia on Stone, POS 585, LCP exhibit catalogue: Made in America #69., Retrospective conversion record: original entry, edited., The Smith brothers, Benjamin, Francis, David and George, were premier and prolific artists and publishers of panoramic city views during the pre-Civil War era., Free Library of Philadelphia: Oversize Philadelphiana - Views - Philadelphia from Girard
Creator: Smith, Benjamin F., Jr., 1830-1927, artist
Date: c1850
Location: Library Company of Philadelphia | Print Department Third floor storage - Rack 7a [7633.F]

Title: Birdseye view of Fairmount Park, Philadelphia, with the buildings of the International Exhibition 1876
Description: Lovely bird's eye view looking east toward the city from Belmont Mansion, the former estate of Judge Richard Peters. In the foreground, visitors to the property partake of the grounds that are landscaped with trees and small gardens. Elegantly-attired men, women, and children stroll; appreciate the vista from benches and chairs; and enjoy refreshments at tables. Other patrons depart in horse-drawn carriages down a path that winds past the Belmont Water Works and Columbia Railroad Bridge. A train approaches the bridge. In the right background, the proposed Centennial Exhibition buildings, and grounds congested with visitors, are visible in West Fairmount Park. The Main Hall and Memorial Hall predominate. In the left background, the expansive cityscape dominates the view and includes Girard College, the Fairmount Water Works, Gas Works, Rodeph Shalom Synagogue, the Cathedral of S.S. Peter and Paul, Masonic Temple, and the future City Hall. Church steeples, industrial smokestacks, blocks of brick buildings, and the distant Delaware River comprise the vista as well. Also visible are the several bridges that span the Schuylkill River. The bridges include the Columbia, New York Connecting Railway, Girard Avenue, Spring Garden Street, Market Street, and Chestnut Street bridges. Several vessels travel the river. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Many of the buildings were designed by Herman Schwartzmann, Henry Pettit, and Joseph M. Wilson., Image arched at top center., Not in Wainwright., Philadelphia on Stone, POS 55, Retrospective conversion record: original entry, edited.
Creator: Inger, Christian
Date: c1875
Location: Library Company of Philadelphia | Print Department ***BW - Views [P.9324]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Columbia's noblest sons
Description: Memorial print published after the assassination of Abraham Lincoln in April 1865 containing portraits, allegorical figures, vignettes, and pictorial details. Depicts Columbia, depicted as a white woman and attired in classical garb and a Phrygian cap, crowning a bust-length portrait of George Washington (left) and bust-length portrait of Lincoln (right) with laurel wreaths. Flagpole finials with flags appear as wings behind her. Documents, partially rolled, associated with Washington and Lincoln, the "Declaration of Independence 1776" and the "Emancipation Proclamation 1863," appear below the portraits of the presidents. Each president's life dates are inscribed on the edge. On the left are vignettes with scenes from the Revolution depicting the Boston Tea Party "Dec. 18th 1773"; the signing of the Declaration of Independence "July, 1776"; and the British surrender at Yorktown "Octr. 19, 1781." On the right, are vignette scenes of the Civil War depicting the bombardment of Fort Sumter "April 14th, 1861"; an encounter between an ironclad and two wooden ships ("Progress"), and Lincoln's triumphant arrival via coach with an African American driver in Richmond "6th April 1861." Latter vignette also includes an African American man cheering in the crowd. Vinery details frame the vignettes. Columbia's right foot rests on the British lion, and an American eagle emerges from behind her other leg. On the ground, near her feet, rest cannons, cannon balls, and broken shackles., Title from item., Name of publisher and date from copyright statement: Entered according to Act of Congress in year of 1865 by Henry & Wm. Voight [illegible] D[istrict of] N[ew York]., Reproduced and described in The Lincoln image, p. 194-195, 197., Gift of Gordon Wright Colket, 1970., Description revised 2021., Access points revised 2021.
Creator: Lang, Manson, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons 1865-9 [7879.F]

Title: Volunteer Refreshment Saloon, supported gratuitously by the citizens of Philadelphia, Pa
Description: Print containing an exterior view and three titled interior views of the saloon and hospital of the volunteer relief agency located near the Navy Yard at Swanson and Washington Avenues. Exterior view shows heavy street activity. A Philadelphia, Wilmington & Baltimore Railroad train stops on the grounds in front of a cheering crowd of spectators. Hundreds of soldiers line up to enter and depart the "Hot Coffee and Refreshment" and "Water" stand and "Dining Saloon Free for Volunteers"; officers direct foot traffic onto the train; and other soldiers enter the adjacent "Post Office" and are greeted by women in front of a row of adjoining row homes. Also shows the O.K. House in the background, the fence of "W. Thorn Lehigh & Schuylkill Coal Yard, and an American flag marked "Union for Ever" adorning the saloon. Interior views, framed by filigree, shows a line of soldiers at, and others waiting for a row of wash basins at the "Washing Department"; the "Interior of the Dining Saloon Free for Union Volunteers" where soldiers wait in line for food, eat standing up at tables, and are served by female volunteers; and civilian spectators watching the men volunteers of the "Cooking Department" attend cauldrons atop ovens and carry baskets of food and large coffee pots. and freedmen., Also contains facsimile signatures of saloon supporters and a vignette portrait of General Winfield Scott below the image. Portrait framed by a laurel wreath held in the beak of an eagle surrounded by American flags, a fasces, cannons, and a banner reading "Respectfully dedicated by the Committee to Winfield Scott General in Chief of the U.S.A." Situated at the transportation hub between the North and the South on land leased en gratis from the Philadelphia, Wilmington & Baltimore Railroad, the agency provided meals, hospital care, washing, sleeping, and writing facilities to military personnel, refugees, and freedmen. It served over 800,000 men, 1,025,000 meals before closing., First state., Philadelphia on Stone, Library of Congress: PGA - Boell--Volunteer refreshment saloon... (C size) [P&P], Historical Society of Pennsylvania: Bc 32 V 58c
Creator: Boell, William
Date: c1861
Location: Library of Congress | Prints and Photographs Division LOC PGA - Boell--Volunteer refreshment saloon... (C size) [P&P]

Title: Washington's triumphal entry into New York, Nov. 25th, 1783
Description: Historic scene from the close of the American Revolution depicting General Washington, carrying his hat in his right hand and holding the reins in his left hand, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Following him closely on horseback are his principal officers: Governor George Clinton, General Frederick William Augustus, Baron von Steuben, General Thaddeus Kosciusko, General Gilbert Motier De La Fayette, Alexander Hamilton, General Henry Knox, General Israel Putnam, General Nathaniel Greene, and General Horatio Gates. Army personnel in the back carry the St. George cross flag, the New England Pine Tree flag, and the Washington life banner. The exuberant spectators, comprised of prominent figures and everyday citizens, line both sides of the thoroughfare and cheer from the street, balconies, and windows and include: Martha Washington; the society ladies of the Republican Court including Mrs. Cornelia [Tappan] Clinton, Mrs. Anne Willing Bingham, Mrs. Elizabeth [Schuyler] Hamilton, Mrs. Sarah [Livingston] Jay, Mrs. Polly Caton, and Mrs. Abigail Adams; Native Americans of the Six Nations including Chief Thayendanegea (Joseph Brant); General Benjamin Lincoln; Thomas Mifflin; John Marshall; Reverend David Jones; Stephen Hopkins; Miss Bingham; Miss J. Marshall; Mrs. Hamlin; the personification of a free press as an older white man reporter; continental guards; an African American woman peddler seated and holding a basket of grapes; and an older white man veteran with a crutch., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1860 by Geo T. Perry in the Clerk’s Office of the District Court of the Eastern District of Pennsylvania., Copyrighted by George T. Perry., Pamphlet titled Description of the print entitled Washington's triumphal entry, New York, November 25th, 1783 (Philadelphia: George T. Perry, 1861) describes and provides a key to figures in the engraving. Copy of Library of Congress original housed with print. Link to digital version below in Koha Catalog., Peter C. Marzio's Chromolithography 1840-1900: The democratic art, pictures for 19th-century America (Boston: David R. Grodine, 1979), p. 27 and 283., Lib. Company. Annual report, 1973, p. 44-45., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Inger, Christian, lithographer
Date: 1860
Location: Library Company of Philadelphia | Print Department ***GC-American Revolution [P.2279], https://www.loc.gov/item/10031942/

Title: Union mottoes. [graphic].
Description: Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies., Uncut sheets, including a half-sheet, of 24 letter and envelope labels containing patriotic slogans in support of the Union. Mottoes exalt death for one's country, the preservation of the union, the constitution, and the American flag as well as predictions of death and doom for traitors. Small number of labels also contain illustrations, including flags, a snake, and a gallows.
Creator: C.Y. Haynes & Co., creator
Date: [ca. 1862]
Location: Library Company of Philadelphia Print Dept. Stationery - Ephemera [5786.F.149b-e & 150b; P.2005.2.13]

Title: Union mottoes. [graphic].
Description: Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies., Uncut sheets, including a half-sheet, of 24 letter and envelope labels containing patriotic slogans in support of the Union. Mottoes exalt death for one's country, the preservation of the union, the constitution, and the American flag as well as predictions of death and doom for traitors. Small number of labels also contain illustrations, including flags, a snake, and a gallows.
Creator: C.Y. Haynes & Co., creator
Date: [ca. 1862]
Location: Library Company of Philadelphia Print Dept. Stationery - Ephemera [5786.F.149b-e & 150b; P.2005.2.13]

Title: Catha y Tea Garden, 1221-23-25 Chestnut St., Philadelphia
Description: Menu for the Cathay Tea Garden located at 1221-1225 Chestnut Street, Philadelphia. The green and gold menu cover depicts a Chinese woman, attired in a dress and high-heeled shoes, raising her left hand to her chin as she faces the viewer. She stands on a balcony or bridge overlooking a landscape of trees and mountains under a moonlit sky. The menu is in English and organized by number in sections for “Wines and Liquors” (#1-167); “Chinese Menu” (#1-179); and “American Menu” (#181-383). The Chinese menu includes categories for chop suey, chow mein, Chinese omelettes, and a prix fixe “Table d’Hote” with three different options and prices from $1.25 to $2.50. The American menu includes categories for sea food, steaks, salads, and sandwiches. The restaurant advertises music, broadcasting, and dancing from 12 to 2:00 P.M., 6 to 8 P.M., and 10 to 1 A.M. with a note that “our patrons are requested to dance only with their escorts. This rule is for the protection of both you and us.” A one sheet insertion, decorated with a red border of bamboo, promotes three Table D’Hote dinners for Tuesday, August 17th for 85 cents, $1.10, and $1.35. The Cathay Tea Garden, also called the Cathay Restaurant, was a Chinese restaurant that had a large dance floor where musicians and bands played. They also broadcasted a live radio show. The restaurant closed in 1973., Title from item., Date inferred from content and active dates of business., Gift of Linda Kimiko August.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department *ephemera - Menus - C [P.2023.43.7]

Title: Barren Hill Hotel, no. 1, (opposite the Germantown Road.) James Mewhinney, proprietor. Choice wines, liquors, and cigars
Description: Trade card for the inn, later known as General Lafayette Inn, containing an embossed image of a man driving a horse-drawn buggy. Also contains a decorative border. Mewhinney operated the inn, first called Barren Hill Hotel in 1869, from 1874 to 1895., Embossed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., LCP also holds duplicate in the Joe Freedman Collection of Philadelphia ephemera [Freedman Collection - Trade Cards, P.2013.87.30].
Creator: McClement Bros., printer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.7a], Library Company of Philadelphia | Print Department Freedman Collection - Trade cards [P.2013.87.30]

Title: [Illustrated letter seals containing admonitions]
Description: Series of single and parts of sheets of illustrated letter seals containing humorous, positive, and negative admonitions. Illustrations predominantly depict modes of transportation, including a sailing ship, steam boat, and locomotive and animals, including a cat holding a rat, parrot, slug, frog, bat, and dog. Other images show a blacksmith, a well, rings, flowers, a house, a church, a couple in an embrace, and a bundle of wheat. Admonitions include "Good Eye"; "All's [Well]"; "Friendship, Love, Truth"; "Stop Your Clatter"; "Forget Me Not"; "I Bear the Hopes of Many"; "How I Love You"; "Contentment"; "Remembrance";"Fidelity"; "We Bloom Today, Tomorrow Die"; "The Road"; "You Deserve Thrashing"; "News"; "Express"; "Slow But Sure"; "Keep Dark"; "God Bless You"; "Are You Musical"; "Strike While the Iron's Hot"; and "Memory.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.177.1-9]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial Exhibition. Philadelphia. MDCCLXXVI [1876]
Description: Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.48]

Title: Centennial pocket album
Description: Souvenir viewbook containing 14 prints connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Includes title page "Centennial Album" illustrated with an allegorical, patriotic scene; Declaration of Independence, July 4th 1776; Carpenter's Hall/Old Liberty 1776 (i.e., Liberty Bell)/Washington's Retreat near Philadelphia; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Faneuil Hall, Boston; Old State House, Boston; Washington's Headquarter, Newburgh, N.Y.; Old City Hall, Wall St. N.Y.; The U.S. Capitol at Washington; Main Building; Agricultural Hall; Machinery Hall; Horticultural Hall; and Art Gallery. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., P.2010.21.13 contains white paper binding, printed in color with ornate border design., P.2010.21.13 inscribed on verso of last fold: Rowland C. Trask, Otego, Ostego Co. N.Y., P.2010.21.14 contains red cloth binding stamped with ornate border design., Includes "The Hymn Sung at the Opening of Our Centennial" pasted on the inside covers., Centennial album registered at the patent office July 20th 1875., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1876]
Location: Library Company of Philadelphia | Print Department Doret Collection Centennial Ephemera [P.2010.21.13 & 14]

Title: Official first day of issue. Honoring Martin Luther King, 1929-1968. Distinguished civil rights leader. Recipient of the Nobel Peace Prize. Black Heritage USA Series
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Martin Luther King, Jr. Shows a bust-length, left-profile portrait of Martin Luther King, Jr. and a view from behind King during his "I Have a Dream" speech at the Lincoln Memorial, Washington D.C., August 28, 1963. View includes a mass of people in the background., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: "I Have A Dream.", Contains ink-stamp postmark: Atlanta, GA Jan 13 1979 3030A and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Martin Luther King, Jr. and an inset of a view of King and several men and women walking at a protest march. The King stamp issued in 1979, was the second issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Contains mailing label., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016.
Date: [1979]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - King [P.2019.80.5]

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