Cataract House, Niagara Falls.
Title
Cataract House, Niagara Falls Whitney, Geraud & Co., proprietors
Description
Trade card showing the exterior of the three-story hotel originally built in 1825 near the falls. Also shows the ca. 1835 addition and outbuilding on the bank of the falls in the foreground. Gen. Parkhurst Whitney purchased the hotel in 1831 and leased it to Whitney, Jeraud & Co. in 1846., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.16f]
A. Gsell, dealer in dry goods, notions, boots, shoes, hats, hardware, groceries, produce, salt, fish, &c. Clearspring, - MD.
Title
A. Gsell, dealer in dry goods, notions, boots, shoes, hats, hardware, groceries, produce, salt, fish, &c. Clearspring, - MD Highest market prices paid for country produce
Description
Illustrated bag showing a traveler, his valises at his side, and an umbrella under his arm, stopped on the roadside, and reading a sign marked: For bargains & low prices go to A. Gsell's cheap store where you will get a bargain every time., Advertising text printed on verso: Teething Syrup will save Babys from Cholera Infantum. Teething Syrup will make Baby's Healthy and Hearty. Teething Syrup will make Baby's Teeth Come Easy. Teething Syrup will cure Baby's Sleeplessness and Relieve Pain. Teething Syrup is sold Everywhere for 25 cents per bottle. Teething Syrup is Made Only By Drs. D. Fahrney & Son, Hagerstown, MD., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Ephemera Collection - Bags and envelopes [P.2010.37.100]
Scrapbook
Title
Scrapbook
Description
Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman’s leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Scrapbook contains a number of items depicting Asian people or decorative themes, including a greeting card that reads, "A Happy New Year to You," and showing a Japanese woman, attired in a kimono, sitting and watering a potted plant [p. 9]; a card that reads, "Miss Harris," and depicting a Japanese woman, attired in a kimono made of fabric, standing and facing left [p. 18]; a card titled, "Bric a brac," and showing a blue and white porcelain bowl, vase, and pitcher bordered by hand fans and three flying cranes [p. 29]; and Asian men attired in kimonos having their noses pulled or pulling noses [p. 47]., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents identified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator
Wilson, Mary Campbell Harris, 1862-approximately 1948
Date
[ca. 1877-ca. 1890]
Location
Library Company of Philadelphia | Print Department albums - Harris [P.9682.1]
Mr. Edwin H. Fitler requests the pleasure of your company Thursday, January first, 1891, at the Union League, from twelve until two o’clock. [graphic].
Title
Mr. Edwin H. Fitler requests the pleasure of your company Thursday, January first, 1891, at the Union League, from twelve until two o’clock
Description
Engraved invitation with script lettering from Edwin H. Fitler to Ferdinand J. Dreer. Edwin Henry Fitler (1825-1896) founded Edwin H. Fitler & Company, a cordage manufactory, and served as Mayor of Philadelphia from 1887 to 1891. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-9; P.2019.64.11-15].
Date
1891
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.10]
Mr. Edwin N. Benson requests the pleasure of your Company on Thursday evening, December twenty third, 1880 at eight o’clock. 2107 Walnut Street. An early answer requested. [graphic].
Title
Mr. Edwin N. Benson requests the pleasure of your Company on Thursday evening, December twenty third, 1880 at eight o’clock. 2107 Walnut Street. An early answer requested
Description
Engraved invitation with script lettering from Edwin N. Benson to Ferdinand J. Dreer. Edwin N. Benson (1840-1909) was a former banker and served as president of the Union League of Philadelphia from 1884 to 1888. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Part of title written in manuscript: 1880., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.8-15].
Date
1880
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.7]
Mr. J.W. Brown requests the favor of [Mr. F.J. Dreer’s] company on [Tuesday] evening [Dec. 16th] at 8 o’clock. 411 Chestnut St. [graphic].
Title
Mr. J.W. Brown requests the favor of [Mr. F.J. Dreer’s] company on [Tuesday] evening [Dec. 16th] at 8 o’clock. 411 Chestnut St
Description
Engraved invitation with script lettering from J.W. Brown to Ferdinand J. Dreer. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7; P.2019.64.9-15].
Date
[ca. 1884]
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.8]
Dr. Leidy's san-guin'e-ous sarsparilla panacea vegetable compound.
Title
Dr. Leidy's san-guin'e-ous sarsparilla panacea vegetable compound Prepared only by Dr. Leidy National dispensary, No. 217 N. 6th Street, Philadelphia, Penna
Description
Label for druggist and patent medicine dealer Dr. N. B. Leidy. Comprised of three sections within ornamented borders. Front section includes a vignette portrait of Leidy and directions for use. Side sections include promotional text and names of professional endorsers. Leidy operated a drug dispensary from the 1840s to late 19th century. Leidy operated from North Sixth Street by 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Ephemera Collection - Misc. [P.2010.37.90]
Europe - 1925
Title
Europe - 1925
Description
Whimsical scrapbook comprised of clipped periodical illustrations, souvenirs and keepsakes, newspaper clippings, and manuscript and inscriptions describing the European travels of Janet Morris during the summer of 1925. Contents document Morris’s sea voyages between New York and England; air travel from London to Paris; her social life in Paris; visits to Southern France, Switzerland, Czechoslovakia, Turkey, Italy; romantic adventures in Italy; life on board the Cunard Line. R. M. S. “Mauretania"; and sightseeing in England and France. Scrapbook also contains mementoes from a 1926 trip to England with relatives, including Lydia Rhoads. Keepsakes, souvenirs, and mementoes include sugar and chocolate wrappers, tickets, stickers, and pressed flowers. Sites mentioned include Hotel Luserne-Paris; The Worcester Royal Porcelain Works; Stratford-Upon-Avon; Warwick Hotel; Gorges de Trient; and Chateau Chillon., Title from manuscript note on cover., Illustrated printed farewell card signed “Jack” and “Mac” and clipping reading “Free: this travel book!” pasted on front cover. Farewell card contains artist's initials: MMS., Forms part of the Marriott C. Morris Collection., Janet Morris, later Butler, was the daughter of amateur photographer and philanthropist Marriott C. Morris. She attended Germantown Friends' School and Connecticut College. She married Harvey Butler in Nevada in 1961. She lived in Claremont, Ca. at the time of her death.
Creator
Morris, Janet, 1907-2010, compiler
Date
1925-1926
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2014.69.35]
Pennsylvania Horticultural Society. Member's Annual ticket.
Title
Pennsylvania Horticultural Society. Member's Annual ticket
Description
Illustrated ticket containing an allegorical scene set in lush surroundings. Shows the figure of Pennsylvania under an arch covered in vinery and attended by cherubic-like boys holding baskets of produce above their heads. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Issued to [H.?] J. Sharpless., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date
[1855]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4c]
Pennsylvania Horticultural Society [ticket]
Title
Pennsylvania Horticultural Society [ticket]
Description
Illustrated ticket to "Admit a Lady to the Stated Meetings of the Pennsylvania Horticultural Society on the Third Thursday evening of each month Available for One Year ending Septr. 1855. This will also serve for a single admission to a Lady or Gentleman at the Annual Exhibition." Text framed by garlands of flowers. The society organized in 1827 with the mission "to inspire a taste for one of the most rational and pleasing amusements of man.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator
Illman & Sons, engraver
Date
[1855]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.4b]
[Receipt for chiropodist, 921 Chestnut Street, Philadelphia] [graphic].
Title
[Receipt for chiropodist, 921 Chestnut Street, Philadelphia]
Description
Receipt containing a central vignette showing a foot., Title inferred from text on print., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.144c]
[Abraham Lincoln miscellany] [graphic].
Title
[Abraham Lincoln miscellany]
Description
Collection of miscellaneous Lincoln prints and ephemera, including a circa 1880 right-profile, photo mechanical portrait print of the president; 1909 souvenirs from the Military Order of the Loyal Legion of the United States (MOLUS) and the Philadelphia Electric Company in honor of the 100th Anniversary of the birth of Lincoln; and a series of ca. 1890 illustrations of medals commemorating and memorializing him. Imagery on souvenirs includes a portrait of Lincoln bordered by an American and MOLUS flag and the reproduced Jean Leon Gerome Ferris painting "Lincoln and the Contrabands" depicting Lincoln greeting an African American woman freedom seeker with her two children. Scene also shows African American men and women freedom seekers near a Union soldier, including a woman sitting with her head in her hands and an older man who takes his hat off., Title supplied by cataloger., Artists, printers, and publishers include Jean Leon Gerome Ferris and Wolf & Co., 5792.F.94c contains copyright statement: painting only copyrighted, Wolf & Co, Philada, 1908., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", RVCDC, Description revised 2021., Access points 2021., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886.
Date
1880
Location
Library Company of Philadelphia | Print Department GC - Lincoln [5792.F.88d; 5792.F.92a-d&93a&c; 5792.F.93d; and 5792.F.94c]
Saturday Club. Mr. Henry M. Phillips requests the pleasure of [Mr. Dreer’s] company on Saturday evening, January 10th 1880 at eight o’clock. 1325 Walnut Street. An early answer is requested. [graphic].
Title
Saturday Club. Mr. Henry M. Phillips requests the pleasure of [Mr. Dreer’s] company on Saturday evening, January 10th 1880 at eight o’clock. 1325 Walnut Street. An early answer is requested
Description
Engraved invitation with script lettering from Henry M. Phillips to Ferdinand J. Dreer. Henry Myer Phillips (1811-1884) was a Congressman for Pennsylvania and a lawyer. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector. The Saturday Club was founded in 1867 and met at member’s houses for entertainment and conversation., Title and date from item., Part of title written in manuscript: 1880., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-14].
Date
1880
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.15]
The Reception committee of the Historical Society of Pennsylvania requests the pleasure of the company of [Mr. Ferdinand J. Dreer] 1897 on Thursday evening, March 11th from eight until half-past eleven o’clock. 1300 Locust Street. [graphic].
Title
The Reception committee of the Historical Society of Pennsylvania requests the pleasure of the company of [Mr. Ferdinand J. Dreer] 1897 on Thursday evening, March 11th from eight until half-past eleven o’clock. 1300 Locust Street
Description
Engraved invitation with script lettering from the Reception Committee of the Historical Society of Pennsylvania to Ferdinand J. Dreer. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Part of title written in manuscript: 1897., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-12; P.2019.64.14-15].
Date
1897
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.13]
Wistar party, [Mr. George F. Edmunds] requests the pleasure of [Mr. Dreer’s] company on Saturday evening [February 5th] at nine o’clock at [1724 Spruce Street] The favor of an early answer is requested. [graphic].
Title
Wistar party, [Mr. George F. Edmunds] requests the pleasure of [Mr. Dreer’s] company on Saturday evening [February 5th] at nine o’clock at [1724 Spruce Street] The favor of an early answer is requested
Description
Engraved invitation with script lettering from George F. Edmunds to Ferdinand J. Dreer. In the top is a bust-length, profile vignette portrait of Caspar Wistar. George F. Edmunds (1828-1919) was a U.S. Senator for Vermont. After leaving the Senate in 1891, he moved to Philadelphia to practice law. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Date written in manuscript on recto: 1898., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-10; P.2019.64.12-15].
Date
1898
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.11]
The Reception committee of the Historical Society of Pennsylvania requests the pleasure of the company of [Ferdinand J. Dreer] on Thursday evening, [February 1st] from eight until half-past eleven o’clock. 1894. 1300 Locust Street. [graphic].
Title
The Reception committee of the Historical Society of Pennsylvania requests the pleasure of the company of [Ferdinand J. Dreer] on Thursday evening, [February 1st] from eight until half-past eleven o’clock. 1894. 1300 Locust Street
Description
Engraved invitation with script lettering from the Reception Committee of the Historical Society of Pennsylvania to Ferdinand J. Dreer. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Part of title written in manuscript: 1894., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-11; P.2019.64.13-15].
Date
1894
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.12]
Francis Stearns & Co. Manufacturing pharmacists, Detroit, Mich., U.S.A.
Title
Frederick Stearns & Co. manufacturing pharmacists, Detroit, Mich., U.S.A Frederick K. Stearns, President. Frank C. McLaughlin, Vice Prest. & Treas. Thomas Bennett, Secretary. Established 1855. Incorporated 1882. Detroit, Mich. Windsor, Ont. London, Eng. New York City. 1 Platt St
Description
Billhead containing a vignette exterior view of the manufactory of the business established in 1855 by Frederick Stearns. View shows the multi-story, block long factory building in front of which street and pedestrian traffic, including horse-drawn wagons travel. Also contains pictorial details, including a ribbon, flowers, and the company trademark designed as a coat of arms., Completed in type on September 12, 1895 to H. A. Kerste, Schenectady, N.Y. for 6 items, including "Edel. Cream," "Talc. Powd.," and "Tansy Pills" for $15.05., Typewritten on recto: 1 case. 9 LBS. For Wm. Sauter shipped in you care. Please notify by postal which we enclose in your case., Inscribed on recto: 15.05 Less 3% .45/14.60. Less freight .56/14.04., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Ephemera Collection - Billheads, etc. [P.2010.37.19]
Mr. & Mrs. George W. Childs, request the pleasure of your Company on Friday evening, March 6th from 8 to 11. 1874. To meet Canon Kingsley & Miss Kingsley. Walnut Street. S.E. cor. 22nd St. [graphic].
Title
Mr. & Mrs. George W. Childs, request the pleasure of your Company on Friday evening, March 6th from 8 to 11. 1874. To meet Canon Kingsley & Miss Kingsley. Walnut Street. S.E. cor. 22nd St
Description
Engraved invitation with script lettering from George and Emma Childs to Ferdinand J. Dreer. George W. Childs (1829-1894) was a publisher who co-owned the Public Ledger newspaper. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector. Charles Kingsley (1819-1875) was the Canon of Westminster Abbey and a novelist who toured America in 1874. Rose Georgina Kingsley was the eldest daughter of Charles and an author of several books., Title and date from item., Part of title written in manuscript: 1874., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-8; P.2019.64.10-15].
Date
1874
Location
Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Ephemera [P.2019.64.9]
S. A. Hagner, saddle harness and trunk manufactory, South (No.39) 8th St. 1st Door above Chesnut [sic] Philada.
Title
S. A. Hagner, saddle harness and trunk manufactory, South (No.39) 8th St. 1st Door above Chesnut [sic] Philada
Description
Trade card for manufacturer Samuel A. Hagner containing a vignette of a horse and oval frame with leaf details. Hagner remained in the trade until circa 1850., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Creator
M. & V. Harrison, engraver
Date
[ca. 1845]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.1h]
Globe hotel cor. Frankfort & William sts New York
Title
Globe Hotel cor. Frankfort & William sts New York
Description
Trade card showing the exterior of the multi-story hotel adorned with signage reading "Dining Saloon." Also contains street and pedestrian traffic, including a horse-drawn carriage. Hotel was later renamed the Frankfort House., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F]., Eaves worked in New York between 1845 and 1860.
Creator
Eaves, William, 1792-1879, engraver
Date
[ca. 1855]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.15c]
Europe 1931 – March – April
Title
Europe 1931 – March – April
Description
Scrapbook of souvenirs, keepsakes, clipped illustrations, and manuscript documenting the European travels of Janet Morris during the spring of 1931. Morris’s travels included attending a wedding in Switzerland. Contents include personal letters received on the ship S.S. Bremen, as well as keepsakes like the ship’s log; a wedding souvenir “The Happiness of Your Home by E. Etter, Rohrschach published by The Swiss Society of Public Utility and Public Utility Society of Swiss Women”; numerous programs for musical concerts and theater performances in Germany, Italy, and France (e.g. Berner Stadttheater, Don Kosaken Chor, Societa’ Veneziana Concerti Sinfonici); mementoes from and anecdotes about the Munich Hotel and the Glyptotek (Munich); French chocolate wrappers illustrated with flowers native to Southern France ; business cards for a Parisian seamstress and hairstylist; clothing tag for the Paris department store Aux Galerie Lafayette (i.e. Galeries Lafayette); and pressed flowers., Title from manuscript note on cover., Cover illustrated with clipped color-printed illustration from program cover for the “Galas R. Karsenty” theater company. Shows an outdoor, nighttime scene where a man kisses the hand of a woman in masquerade., Janet Morris, later Butler, was the daughter of amateur photographer and philanthropist Marriott C. Morris. She attended Germantown Friends' School and Connecticut College. She married Harvey Butler in Nevada in 1961. She lived in Claremont, Ca. at the time of her death.
Creator
Morris, Janet, 1907-2010, compiler
Date
1931
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2016.37.1]
[The Singer Manufacturing Company trade cards]
Title
[The Singer Manufacturing Company trade cards]
Description
Series of illustrated trade cards depicting comic views entitled "This coat was sewed on a Singer machine," "What I have sewed together and no one rip asunder," "Making ends meet," and "As ye sew so shall ye rip," showing a man caught and hanging from a windowsill by his coat looking in the face of a frightened cat with its back arched; a couple attired in their wedding clothes, which Cupid stitches together behind them; a boy sewing the ends of two cat's tails together with a Singer sewing machine. Two other boys hold the horrified looking cats, while a dog sits near the machine; a boy sitting on the edge of a sewing machine with his back to the viewer as another boy sews; musicians playing french horn, flute, and baritone; and two men lounging in a hay field, one of them asleep and mischeviously being prodded by the other with a twig, with a post and rail fence in background. The Singer Manufacturing Company relocated to 1106 Chestnut Street from 1609 Ridge Avenue ca. 1876 and moved to 1202 Chestnut Street in 1882., Title supplied by cataloger., Four prints contain the following advertising text printed on versos: Advertising text printed on verso: Principal Office of The Singer Manufacturing Company Removed to 1202 Chestnut Street. Genuine Singer Sewing Machines. At Low Prices For Cash., Two prints contain the following advertising text printed on versos: The world's award. First premium to the singer. 232, 444 (Two hundred and thirty-two thousand four hundred and forty-four,) machines sold in one year, 113, 254 more machines than were sold by the next highest company. Machines sold on easy monthly installments, No. 1106 Chestnut St., Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two prints [P.9387.1 & 2] gift of Alan Smith., For duplicate of "Making ends meet" see Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.59], Digitized.
Date
[ca. 1876-1882]
Location
Library Company of Philadelphia | Print Department trade card - Singer [1975.F.786; 1975.F.864-866; P.9387.1 & 2]
Send for specimens of "orange blossom" and "rose" to Crider & Brother, York, Pa. Marriage certificates.
Title
Send for specimens of "orange blossom" and "rose" to Crider & Brother, York, Pa. Marriage certificates
Description
Illustrated trade card, possibly designed as an insert for the firm's photograph marriage certificates, depicting red roses tied together with a red ribbon. Founded as Kephart, Crider & Co. in 1866, the publishing business changed its name to Crider & Brother when S.L. Kephart left the firm. The publishing house sold their marriage certificates throughout the United States and internationally. The "orange blossom" certificate was copyrighted by David Crider in 1882., Date inferred from the copyright date of the "orange blossom" certificate., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Uncolored state held in the Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.13]., Digitized., See *GC - Certificates - Marriage [P.2007.36.1].
Date
[ca. 1882]
Location
Library Company of Philadelphia | Print Department trade card - Crider [P.2005.24.1]
[Specimens album]
Title
[Specimens album]
Description
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1852-ca. 1876]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up
N. & G. Taylor Co., importers of tin plate, metals, sheet iron &c. [graphic] : Established 1810.
Title
N. & G. Taylor Co., importers of tin plate, metals, sheet iron &c Established 1810
Description
Receipt for the metal house containing a vignette view of a sailing ship on torrent waters. Also contains an anaglyptographic background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Leonhardt relocated his establishment to 114 South Third Street in 1868.
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.133b]
Metropolitan Fair, New York 1864.
Title
Metropolitan Fair, New York 1864
Description
Series of views of the New York fair published by William Langenheim to aid the Sanitary Commission. Views predominately show the Arms and Trophies Department, including the model of Washington's Headquarters at Newburgh, N.Y., the uniform of Col. Ellsworth, the first Union fatality, and a suit of armor. Also includes views of the Firemens' Department, the "Two Swords" donated by Tiffany & Co. to be presented to the military and naval officer who received the greatest number of votes by fair visitors; the Welsh Stand; a coconut tree in the middle of several exhibits; and an unidentified exhibit displaying pottery, glassware, and boots. Also shows patriotic bunting, garlands, and flags; framed painting, prints, and photographs; weaponry; and signage. Signs include printed inspirational quotations; department banners; and business advertisements for exhibit sponsors., Originally part of a McAllister scrapbook on the Sanitary Commission., Contains twelve stereographic prints mounted on yellow or white paper mounts with square corners, including six accompanied by labels and six with manuscript titles and two carte-de- visites., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Metropolitan Fair held April 4-23, 1864 on Fourteenth Street and Union Square in New York was one of several national fairs that displayed art, craft, and historical exhibits to benefit, the U.S. Sanitary Commission, a soldier relief organization. The exhibition, the largest of the fairs, raised over $1,000,000 to benefit the commission. Exhibits included an Arms and Trophies Department, Art Gallery, Book Department, Firemens' Department, and Children's Department.
Creator
Watson, A., photographer
Date
1864
Location
Library Company of Philadelphia | Print Department cdvs - Watson - Great Central Fair [5781.F.161g & j], Library Company of Philadelphia | Print Department stereo - Watson - Great Central Fair [5781.F.167a-c & e-h; 169c-e; 171e; 173g]
Laboratory of Minnie Mueller Tolke, manufacturing chemist. Chemical, dermatological and pharmaceutical preparations. Cincinatti, O.
Title
Laboratory of Minnie Mueller Tolke, manufacturing chemist. Chemical, dermatological and pharmaceutical preparations. Cincinatti, O Tolke's treatment for the skin and the complexion
Description
Letterhead containing a montage of images including an Athena-like figure, pharmaceutical apparatus, and a woman partaking of a Tolke vaporizer treatment for a "beautiful complexion.", Completed in type on February 17, 1898 to "Dear Friend" from Minnie Mueller Tolke, M.C. soliciting for agents by making an "introductory offer" of her beauty treatment to "one person in each locality" to introduce the product into their local market., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Ephemera Collection - Billheads, etc. [P.2010.37.50]
The grounds and buildings of the United States Centennial International Exhibition, May 10th to November 10th 1876.
Title
The grounds and buildings of the United States Centennial International Exhibition, May 10th to November 10th 1876
Description
Bird’s eye view looking toward East Fairmount Park showing the entire expanse of the exhibition grounds in West Fairmount Park. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Shows the English Commissioners Building, U.S. Government Building, Agricultural Hall, Machinery Hall, Ladies’ Pavilion, Judge’s Hall, Horticultural Hall, offices, Photographic Hall, Art Gallery, and the Main Building. Also shows fountains, hotels, and the Columbia, Girard and New York-Connecting Railroad bridges spanning the Schuylkill River. Cityscape is visible in the background. Many of the buildings were designed by Herman Schwartzmann, Henry Pettit, and Joseph M. Wilson., Not in Wainwright., Printed with red tint stone: The Only Complete View of the Centennial Exhibition officially recognized., Signatures of the Director General, Architects, and Engineers printed below the image., Philadelphia on Stone, American Antiquarian Society: Graphic Arts Lithff Pran Smir Grou Copy 3, AAS Graphic Arts Lithff Pran Smir Grou Copy 2, untinted.
Creator
Smirke, Sydney, 1798-1877, artist
Date
c1876
Location
American Antiquarian Society AAS Graphic Arts Lithff Pran Smir Grou Copy 3
The old flag again waves over Sumter raised by Capt. Bragg of Gen. Gillmore's staff on the 18th February 1865. [graphic] / F. Fuchs.
Title
The old flag again waves over Sumter raised by Capt. Bragg of Gen. Gillmore's staff on the 18th February 1865
Description
Shows Capt. Henry M. Bragg on the verge of planting the American flag into the war-ravaged pupit of Fort Sumter, repossessed by the Union as a result of General William T. Sherman's successful campaign through South Carolina. General Quincy A. Gilmore, head of the Department of the South, and a fellow soldier witness the moment as Charleston burns in the background., Originally part of a collection of Civil War ephemera., Retrospective conversion record: original entry, edited.
Creator
Fuchs, F., lithographer
Date
[1865]
Location
Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Sumter [(10)1540.F]
African Americana Civil War envelope collection [graphic].
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
Philip Frey & Co.'s Centennial Exhibition Souvenir Viewbook
Title
Philip Frey & Co.'s Centennial Exhibition Souvenir Viewbook
Description
Souvenir viewbook containing 12 prints connected by accordion folds and depicting Centennial Exhibition buildings. Titles include U.S. Government Building; Delaware Building; Connecticut Building; Indiana Building; Ohio Building; Pennsylvania Building; New Jersey Building; Arkansas Building; Colorado and Kansas Building; Spanish Building; English Commission Building; and Japanese Dwelling. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art.
c-o-7
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-j-15
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-n-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-n-1a
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-o-14-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-o-14-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-s-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-b-8
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-10
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-11
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-12
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-13
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-t-3-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-t-3-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-a-r-18
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-b-5-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
m-t-34
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
o-3-adv-lcp-14-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
o-3-adv-lcp-14-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

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