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(451 - 500 of 13,980)

Title: France
Description: Faded group portrait of four older women seated outdoors on rocks and on the ground. Includes trees in the background., Water damage in upper-left corner., Title from manuscript note on verso., Publisher's printed label pasted on verso., Light mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Views [P.8643.2]

Title: [Workers processing indigo]
Description: Illustration of the processing of indigo with captions describing the work. Captions read: The Negroes cutting ye indigo; the Negroes throwing ye indigo into ye water; a Negro stirring ye indigo in water; Negroes carrying indigo into chests or cafes to dry it; Overseer of ye Negroes; and Anil or indigo., Plate 35 in Pierre Pomet's A compleat history of druggs, written in French by Monsieur Pomet... illustrated with above four hundred copper cutts (London: printed for R. Bonwicke, William Freeman, Timothy Goodwin, John Walthoe, Matthew Wotton [and 5 others in London], 1712), page 90, book 5 and in later editions of the same work issued in 1725, 1737 and 1748., Fels Afro-Americana Image Project.
Date: [1737]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Il Pome 2177.Q plate 35., https://digital.librarycompany.org/islandora/object/Islandora%3A2843

Title: [African weaver]
Description: Report includes William Singleton's "Account of a Visit to the Gambia and Sierra Leone," in which he described the weaver featured in the frontispiece. Recalling his arrival in Tankrowall (Gambia), Singleton wrote, "The African loom here took my attention; and here too I first saw a female use the distaff: she was spinning cotton, and frequently dipped her finger into a white powder, prepared from burnt bones." (p. 30) As the frontispiece attests, the weaver's loom was sheltered, and she sat on the ground as she worked. A similar loom is depicted in René Claude Geoffroy de Villeneuve's L'Afrique, ou histoire, moeurs, usages et coutumes des africains: le Sénégal (Paris: 1814), vol. 4, p. 180., Frontispiece for the London Yearly Meeting's Report of the Committee Managing a Fund Raised by Some Friends for the Purpose of Promoting African Instruction . . . (London: Printed by Harvey, Darton, and Co., 55, Gracechurch-Street, 1822)., Caption below the image read: "The plate presented to the work by some friends to the cause.", Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1822]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Lond Yea Meet 5593.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2927

Title: [Thos. Minford. Wholesale & retail grocery & tea warehouse, s.w. corner of Second and Walnut Streets, Philadelphia] [graphic] / On stone by W. H. Rease, No. 17, So. 5th St.
Description: Location: Second and Walnut Streets, southwest corner., LCP copy lacking title., Wainwright retrospective conversion project., Select link below to view a digital image.
Creator: Rease, W. H. lithographer., creator
Date: ca. 1845.
Location: http://www.lcpgraphics.org/wainwright/W405.htm, Library Company of Philadelphia Print Dept. *W405 [P.2218]

Title: The holiday dance
Description: Set on a plantation, this merry scene portrays a harvest dance. A man and a woman dance bare-foot to the music of a fiddler, who is perched high upon a stool. Others look on. A young man kneels in the foreground, his straw hat and hoe lying on the ground. In the background, two stocky, resolute-looking white women observe the festivities. Both wear kerchiefs, the ties of which, in one case, resemble devil's horns., Plate at the front of Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), np., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D np, https://digital.librarycompany.org/islandora/object/Islandora%3A2654

Title: An inhabitant of Angola
Description: Portrait image of an Angolan man. Subject wears only a tall head-piece, seemingly made of feathers, and a ribbon around his genitals. He holds a long spear in his right hand. An Angolan idol appears in the sky in the background. On the preceding page, Hebert wrote, "In Angola the people are fearfull blacke, their Religion is Ethnick, the Idols are of great esteeme amongst them, and called Mokisso, generally they are so wedded to Superstition, that some adore the Deuill in forme of a bloudie Dragon. Others a Ram-goat, a Leopard, a Batt, an Owle, a Snake or Dogge, to whom they ceremoniously kneele and bow vnto, groueling then vpon the Earth, they throw dust on their faces, and offer Hearbes, Rice, Rootes, Fruits, and such like, which is deuoured by the Witches, a Monster not a little feared and esteemed of amongst these Deuillish Sauages." (p. 8), Illustration in Sir Thomas Hebert's A relation of some yeares travaile, begvnne anno 1626: Into Afrique and the greater Asia, especially the territories of the Persian monarchie: and some parts of the Orientall Indies, and iles adiacent. Of their religion, language, habit, discent, ceremonies, and other matters concerning them . . . (London: Printed by William Stansby, and Jacob Bloome, 1634), p. 9., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Marshall, William, fl. 1617-1650, engraver
Date: [1634]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Stc 13190 902.F (Preston) p 9, https://digital.librarycompany.org/islandora/object/Islandora%3A2892

Title: Grigg Block, North Fourth Street, Philadelphia. [graphic] / W.H. Rease, No. 17 1/2 South Fifth Street.
Description: Contains advertisements for six of the depicted businesses below the image., Date from Poulson inscription on recto: Dec. 1848., View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthernware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible.
Creator: Rease, W. H., lithographer., creator
Date: [[1848]
Location: http://www.lcpgraphics.org/wainwright/W162.htm, Library Company of Philadelphia Print Dept. **W 162 [P.2077]

Title: Lacey & Phillips. [graphic] / Drawn on stone by W.H. Rease No. 17 So. 5th St., Philda.
Description: Print trimmed and lacking caption., Poulson inscription on recto: Aug. 1847., Select link below for a digital image., Advertisement depicting William N. Lacey's and Samuel R. Phillips' busy four-story equestrian store at 12 South Fifth Street selling "ladies and gentlemen's saddles, single and double harnesses, and bridles and whips." Saddles, bridles, harnesses, and blankets are prominently displayed in the storefront window and on the building facade. On the upper floors, several employees work by open windows. Elegantly dressed patrons converse near the entryway and four horses are lined up in the street awaiting and receiving service including a pair reined in by an African American coach driver. Partial view of the adjacent building containing the carpenter, W.B. Morrell, is visible. Lacey and Phillips partnership, established in 1845 remained at the site until 1852.
Creator: Rease, W. H., lithographer., creator
Date: [August 1847]
Location: http://www.lcpgraphics.org/wainwright/W215.htm, Library Company of Philadelphia Print Dept. *W 215 [P.2108]

Title: Pennsylvania Institution for the Instruction of the Blind. Philadelphia
Description: Exterior view of the school located at the northwest corner of Sassafras (i.e. Race) and Schuylkill Third (i.e. 20th) Streets. Founded in 1833, the school first occupied this building in October 1836. View includes pedestrians strolling in the street and a watchman's guardhouse., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 12 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838)., Philadelphia on Stone, POS 562.1. Digital image shows fourth state of the print., Historical Society of Pennsylvania: Bd 862 W6442 pl. 20
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Historical Society of Pennsylvania HSP Bd 862 W 6442 pl. 20

Title: [Southwark Coffee & Spice Mills. J. O. Thornley.]
Description: Advertisement showing J.O. Thornley Coffee Roaster & Spice Factory at 1215 South Third Street in Southwark. Depicts the factory buildings, including a “coffee roasting” facility, in the left of the image. Horse-drawn factory wagons, one marked “J.O. Thornley Coffee Roaster & Spice Factory Southwark,” drawn by horse are parked in, and arrive and depart from around the factory, including the alley between the complex and a residence (Mrs. Smith). A laborer hoists a barrel up the front of the main building while in the street below another moves a sack from a pile of them marked “D&B.” Two marked barrels also appear in the pile. Sheds adjoin the main factory building, and workers are visible operating equipment within the structures. Also shows an elegantly-attired couple walking past the residence in the right of the image., Title supplied by Wainwright., Manuscript note on recto: South 3rd St. below Federal Philada. East Side 1855. Residence of Mrs. Smith., pdcp00011, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana - Factories, etc.
Creator: Reynolds, Robert F., artist
Date: [ca. 1847]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Factories, etc. - S

Title: Barbarous treatment of two unfortunate females
Description: Illustration accompanies Miss Harrintgon's (allegedly true) account of her capture by two blacks in the parish of Concordia, Louisiana in 1842. Miss Harrington (standing in the middle) was kidnapped by two black men, Enoch and Joseph (seen at right), who forced their way into her home and murdered her father, Noah Harrington. Thereafter, the two men entered the home of Mr. George Todd, whom they also killed, and then proceeded to take his wife and seven-month old infant into captivity. (Mother and child are seen at left). With a young mulatto girl named Nelly Predello in tow, the two men led Miss Harrington, Mrs. Eliza Todd, and her child into a swampy forest, where they were held for six weeks. As Miss Harrington's narrative emphasizes, Nelly had originally thought that she would be aiding the two men in some sort of simple escape attempt, and she was dismayed to discover the true nature of their murderous plot. In this scene, Nelly protects the two women from their captors. As Miss Harrington wrote, whenever Nelly felt their lives jeopardized, she "would drop on her knees and beg of the blacks to desist, and in the meantime assuring them, 'that if the lives of the two unfortunate captives were thus to be cowardly sacrificed, their bullets would have first to pass through her body, before she would willingly permit them to reach those of the unfortunate victims!'" Eventually, Nelly aided in the women's rescue by a group of white men., Frontispiece for Miss Harrington's Narrative of the Barbarous Treatment of Two Unfortunate Females (New York: Printed for the publishers, 1842)., Fels Afro-Americana Image Project, Resistance.
Date: [1842]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1842 Harr 78297.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2776

Title: [Slave at work with head-frame]
Description: Three-quarter, right profile view of a male slave in a plantation setting. Image shows him at work with a hoe, and draws attention to the accoutrements he is forced to wear: the ankle spurs, the head-frame and mouth-piece, and the heavy weight that is suspended from a chain around his waist. A second slave works in the distant background., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807) p. 269., Engraving attributed to Alexander Anderson., Accompanied by the following text: "A representation of a slave at work cruelly accoutred, with a Head-frame and Mouth-piece to prevent his eating -- with Boots and Spurs round his legs, and half a hundred weight chained to his body to prevent his absconding.", Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of Petitioners for the Abolition of the Slave Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794]); Der Neue Hoch Deutsche Americanische Calender suf das jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no 362 Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 269, https://digital.librarycompany.org/islandora/object/Islandora%3A2712

Title: Town & plantation of the Fulahs
Description: Engraving shows an aerial view of a Fulah town and plantation. According to the text, villages of the Fulahs differed in their arrangement from those of other West African nations: "Their streets are broad and regular, and their houses, though only of clay, and roofed with straw, are always kept very clean and neat by the women. These villages are surrounded by lofty palisades, within which they grow the cotton that they manufacture themselves into cloth. On the outside of these enclosures are, on the one hand, the plantations of maize, and other kinds of grain; and on the other, the cattle, driven from the rich pastures where they graze in the day, are penned, for security, during the night. In the centre of this space stands a watch house, which enables their keepers the more easily to perceive the approach of robbers, or rapacious beasts. The whole is encompassed by a thick fence of strong thorny shrubs, through which there are two entrances, closed with posts and cross-bars, instead of gates. . . . No where do we meet with any building or monument designed to transmit the memory of any remarkable person or event to posterity." (p. 104-106), Fold-out plate in Africa: Containing a Description of the Manners and Customs, with Some Historical Particulars of the Moors of the Zahara and of the Negro Nations between the Rivers Senegal and Gambia (London: Printed for R. Ackermann, 101, Strand, and to be had of all booksellers), vol. 3, p. 104., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1821]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Gen Shob 92251.D v 3 p 104, https://digital.librarycompany.org/islandora/object/Islandora%3A2953

Title: Pavilion
Description: View looking northwest from the forebay at the Fairmount Water Works on the Schuylkill River showing the peristyle temple (i.e., pavilion). The pavilion, built after the designs of Frederick Graff, Jr., was added to the old mill house between 1867 and 1872 during alterations to the structure to replace the building's water wheels with turbines. Also shows the ascending main connected to the old mill house during the remodeling., List of over fifty views of Fairmount Park issued by the publisher printed on the verso., Publisher's imprint printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: H. Ropes & Co.
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department stereo - Ropes - Public Utilities [P.9281.5]

Title: [Curiosities]
Description: Genre scene shows a room full of relics with items hanging on the wall in the background and scattered religious iconography, including a bible, on the floor. A man (a little person) sits on a desk smoking a pipe. A woman sits on the floor to his left., Title supplied by cataloger., Distributor's printed blue label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9585.2]

Title: Wissahickon
Description: Landscape view depicts a man sitting on a large rock on the bank of the Wissahickon Creek in the foreground. Includes a partial view of a stone mill building on the opposite bank., Title on negative., Photographer and publisher's imprint printed on mount in decorative text., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Purviance, W. T. (William T.)
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Purviance - Parks [P.9756]

Title: [Frontispiece for the Curious Adventures of Captain Stedman]
Description: Image relates to an episode that Captain John Stedman witnessed during his travels in Surinam, and went on to describe in his text, Narrative, of a five year's expedition against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America; from the year 1772 to 1777 (London: Printed for J. Johnson, St. Paul's Church Yard, & J. Edwards, Pall Mall, 1796). In the corresponding passage, Stedman described how a beautiful Samboe girl of about eighteen was tied by both arms to a tree limb and flagellated by two overseers in such a manner that "she was from her neck to her ancles [sic] literally dyed over with blood." When Stedman arrived on the scene, the girl had already received 200 lashes, and he begged one of the overseers to let her down. At this point, the overseer explained that, in order to prevent strangers from interfering with his government, he had made an unalterable rule to double any slave's punishment when a stranger tried to intervene on his or her behalf. To Stedman's utter dismay, the girl thus received another 200 lashes. Stedman's own 1796 text included an illustration of this terrible episode: an engraving done by William Blake after one of Stedman's drawings. Like Blake's engraving, the 1809 aquatint shows the two black overseers who carried out the girl's punishment, the planter who presumably ordered it, and the slave girl herself. The aquatint, however, differs substantially in style, composition, and interpretation., Folded frontispiece for the Curious Adventures of Captain Stedman, during an expedition to Surinam in 1773 (London: Printed for Thomas Tegg [1809])., Fels Afro-Americana Image Project, Punishment Scenes.
Date: [1809]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1809 Cur 68448.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2718

Title: A Carib of Morne Ronde, St. Vincent
Description: Portrait image of Mary and her child, two Caribs whom Wentworth met in Morne Ronde on St. Vincent. According to Wentworth, Mary's features "were more of the African character, than of the aboriginal Indians, who were remarkable for the symmetry of their forms, and long straight glossy hair." "Her proportions, too," he wrote, "were singularly out of proportion, as if -- excepting her head and feet, she had been formed of the half limbs of a muscular giantess." (p. 337), Plate in Trelawney Wentworth's West India Sketch Book (London: Printed for Whittaker & Co., Ave Maria Lane, 1834), vol. II, p. 336., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: December 1833
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Wentw 5894.D vol 2 p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2740

Title: Atlantic City [viewbook]
Description: Souvenir viewbook containing eighteen captioned views of prominent sites and landmarks at the shore town. Contains views of "The New Iron Pier, Massachusetts Ave."; hotels "'The Brighton' Indiana Ave.", "The 'Traymore' and The 'Berkeley,' Illinois Ave."; "Camden & Atlantic and West Jersey R. R. Depot"; "Old Ocean Pier, Kentucky Ave." and "Applegate's Pier, Tennessee Ave."; "Board Walk"; amusement houses and grounds of the "Excursion House" and "Childrens Sea Shore House"; "Bathing Scene, from Ocean Pier"; "Atlantic Avenue" including West Jersey R.R. Depot, C[amden] & A[tlantic] R. R. Depot, City Hall, and St. Nicholas R.C. Church; "Intersection of Pacific and North Carolina Avenues" including First Baptist Church and St. James P.E. Church; "Boat House at the Inlet; "Absecon Light House," including the Buoy House and Life Saving Station; a "Regatta"; the Disston, R. H. Turner, Shirtcliffe and Ladner villas on Indiana, Pacific, and North Carolina avenues; "The Breakers," i.e. waves breaking onto the shore; "Elephant Pavilion, South Atlantic City," i.e., Lucy the Elephant; "The Wreck"; the duties of the "U. S. Life Saving Service," (later the U.S. Coast Guard), including "Launching the Surf Boat," "Taking the Tackle Cart to the Beach, " "Throwing the Life Line" and a person "Saved" during practice maneuvers. Views also show street, pedestrian and maritime traffic, including beach goers; bath houses; amusement rides; and shops along the boardwalk., Title from embossed olive morocco binding, front cover stamped: Atlantic City., Prints connected by accordion folds and separated into two sheets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Helen Beitler., Adolph Witteman was a prolific publisher of souvenir viewbooks from the 1870s through 1880s. He and his brother Herman later established The Albertype Company in 1890, which issued post cards in addition to viewbooks until 1952.
Creator: Wittemann, A. (Adolph), 1845-1938
Date: c1886
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.65]

Title: Writing the Emancipation Proclamation
Description: Pro-Confederacy caricature bombasting Abraham Lincoln's legal and moral authority to write the Emancipation Proclamation. Depicts a demented Lincoln writing the Proclamation seated at a table adorned with a spectral eye; ram horned African American heads, portrayed in racist caricature; and legs ending in cloven hooves. He sits upon a chair with a back decorated with the head of an ass, the "U.S. Constitution" trampled beneath his foot. Atop the table, the devil holds his inkwell before him. A liquor decanter rests upon a sidetable nearby. On the wall, framed paintings hang depicting "saintly" St. Ossawotamie (i.e., John Brown), and the "murderous" rebellion of the enslaved in the 1790s in "St. Domingo"(i.e., Haiti). Behind Lincoln, near window drapes held back by a vulture headed tie back, a statue of liberty, her liberty cap fallen over her face, rests her shield down upon the wall pedestal on which she stands., Inscribed upper left corner: 25., Issued as plate 25 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 25 [2990.F.10]

Title: Bishops of the A.M.E. Church
Description: Commemorative print commissioned by the African Methodist Episcopal Church, in commemoration of the nation's centennial and the church's 160th anniversary. Contains a central portrait of First Bishop Richard Allen surrounded by portraits of ten church bishops and six titled vignettes depicting important events, sites, and symbols in the history of the church. Bishops portrayed are: Morris Brown; William Paul Quinn; Daniel A. Payne; Jabez A. Campbell; Thomas M.D. Ward; John M. Brown; James A. Shorter; Alexander W. Wayman; Willis Nazrey; and Edward Waters. Vignettes depict: Wilberforce University, one of the first African American colleges in the United States founded in Ohio in 1856; an image of the "Old Chart", the Bible; interior scene of a young African American preacher, possibly Richard Allen, before his small congregation near a hearth and anvil from the "Early days of African Methodism"; exterior view of the "Payne Institute," Bishop Payne's log cabin school for African Americans in South Carolina declared illegal by the state in 1835; a marinescape with a group of people welcoming the "First missionaries to Port-Au-Prince Hayti, Rev. Scipio Beans and Richard Robinson, 1824"; and an 1876 exterior view of the "Book Depository A.M.E. Church" in Philadelphia., Title from item., Date from copyright statement: Copyright John H.W. Burley, Washington, D.C. 1876., Framed., Lib. Company. Annual report, 1996, p. 36., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Gift of Roger Stoddard in honor of Edwin Wolf 2nd, 1996.
Date: 1876
Location: Library Company of Philadelphia | Print Department Framed graphics [P.9508]

Title: Melloy & Ford, wholesale tin ware manufacturers. [graphic] / On stone by W. Rease, No. 17 Sth 5th St.
Description: Print trimmed and lacking caption., Poulson's inscription on recto: Mar. 1849; Market Street., Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates", "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements including a large scale model of a coffee pot contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a couple strolls, two laborers lift a crate onto a horse-drawn sulky, and a female customer enters the store. An African American peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address.
Creator: Rease, W. H., lithographer., creator
Date: [[March 1849]
Location: http://www.lcpgraphics.org/wainwright/W231.htm, Library Company of Philadelphia Print Dept. *W 231 [P.2105]

Title: Girard College, (rear.)
Description: Founder's Hall., Titles from printed label pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett & French
Date: ca. 1868
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & French - Education [P.9573.13]

Title: Philadelphia fashions, 1837
Description: Racist cartoon depicting middle class African American Philadelphians used to arouse Northern anti-Black fears that well-to-do African Americans threatened the racial status quo. Depicts a physically attractive and elegantly dressed African American man and woman couple who have stopped during a stroll. The woman, attired in a large bonnet, elegant gown, and holding a parasol asks in the vernacular, "What you look at Mr. Frederick Augustus?" The man, attired in a suit, a top hat, and holding a walking cane in one hand and a monocle to his eye with the other answers, "I look at dat White loafer wot looks at me. I guess he from New York." The man and woman also each wear broaches depicting portraits. The couple are possibly prominent African American Philadelphians Frederick Augustus Hinton and Elizabeth Willson Hinton., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1837, by H.R. Robinson in the Clerk's Office of the Dist Court of the U.S. of the Southern District of N. York., Due to the similar content of this caricature to the prints from the series, "Life in Philadelphia," the lithograph has been catalogued as a part of the series., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E.W. Clay (1799-1857), born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which racially lampooned middle-class African American Philadelphians of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1837
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1837 - Phi [6281.F]

Title: The times
Description: Satire depicting the economic depression and social misery of the working class following the Panic of 1837. Depicts a figure symbolizing President Jackson composed of a hat, spectacles, and pipe called "Glory" overlooking a city street. Lining the street is a hotel for sale; a Custom House doing no business; "The Mechanics Bank" during a run; the pawn shop of "Shylock Graspall"; a liquor store in front of which an African American shoe shiner greets another African American man; the Sheriff's office doing an active business; and attorney "Peter Pillage" being collected by his horse drawn carriage. In the foreground peaches and flour are for sale at exorbitant prices; several white men laborers sit and stand idle including a mason, sailor, carpenter, and driver; a widowed white mother and child beg a banker for money; and reminiscent of Hogarth's "Gin Lane," a white woman and a child lay on a straw mat next to a white man drunkard and seated militiaman. Visible in the background are an almshouse, "Bridewell" Debtor Prison, an idle wharf, and a deflating balloon marked "Safety Fund" symbolizing Van Buren's failed New Bank insurance program., Title from item., Date from copyright statement: Entered according to Act of Congress, in the Year 1837, by H.R. Robinson in the clerk's office of the District Court of the United States of the Southern District of New York., LCP exhibition catalogue: Made in America #52., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1837
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1837-8 [5760.F.75]

Title: Negro children in America
Description: Card depicting two African American women taking care of African American children in a nursery. In the foreground, three African American children sit on the floor and play with toys. In the left, the girl, attired in a blue dress, yellow socks, and black shoes, plays with blocks. In the middle, the girl, attired in a white shirt and green and red dress, holds a white girl doll costumed in an orange dress. In the right, the girl, attired in a red stocking cap, a yellow shirt, blue pants, and green socks, holds her right hand to her mouth. Beside her on the floor is a white girl doll costumed in a blue dress and a stuffed dog. Behind the seated group, two children stand and pull toys out of a container. In the left, the girl, attired in a white cap and a pink romper, leans over the container. In the right, the girl, attired in an orange dress, carries a teddy bear. In the right background, the woman, attired in a long-sleeved white dress, sits on a wooden chair with a baby wrapped in a yellow blanket on her lap. In the left background, the woman, attired in a long-sleeved pink shirt, a purple skirt, and a white apron, leans over a crib to help a young child attired in a red shirt. Two framed pictures are on the wall., Title from item., Text printed on verso: Bible Picture Card. Vol. 1, no. 14. Second Quarter. January 4, 1942. The Peanut Cow. Miss Mary’s class had met on Sunday morning. Ethel’s brown face seemed very thoughtful. “I want to tell you something,” she said after awhile. “Yesterday I was out walking. I saw six little children. They were very thin. I wish we could help them in some way.” The class was very still. They were thinking hard. “I know!” cried one of the girls. “Let’s parch peanuts and sell them. Then we can buy milk for these children.” Each day the class met. They parched peanuts and took them to be sold. They bought good rich milk with their money. “Those children need fruit.” Ethel said one day after one of her classes. “We learned today that everyone should have fruit.” “But it takes all our peanut money to buy milk,” said one of the girls. “Maybe the other boys and girls at Browning Home would like to help,” suggested Miss Mary. “Put a milk bottle in the lunch room. They can put in their extra pennies, nickels and dimes.” “Let’s call it the Peanut Cow,” suggested Ethel. Eagerly they watched the Peanut Cow. It grew fuller and fuller. How happy they were! Now they could buy both fruit and milk. Verse to Remember: “We are God’s fellow-workers.” I Corinthians 3:9. Published quarterly in sets of 13 at 4 cents per set per quarter. The Methodist Publishing House, 353 Prairie Ave., Providence, R.I. Executive and Editorial Offices, 810 Broadway, Nashville, Tennessee. Entered as second-class matter, September 15, 1941, at the post office at Providence, R.I., under the act of March 3, 1879. c. 1942, by Whitmore & Stone., Gift of David Doret.
Date: 1942
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Negro [P.2017.95.250]

Title: Penn sylvania State Agricultural Society [diploma]
Description: Certificate containing vignettes and graphic elements related to agriculture. Vignettes at the bottom of the print show clusters of farm animals, including cows, pigs, and fowl; a man providing a bowl of feed to a couple of horses with a foul in a fenced pasture in front of a house; and a farmer plowing his field. Graphic elements in the upper corners include farm implements, tools, and equipment, including shovels, pitchforks, sickles, rakes, and a grinding implement. Also includes a vignette depicting the state seal. Flowers, produce, and vinery border the graphics and surround the text of the certificate. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., pdcp00032, Not in Wainwright., Issued to J.E. McClees for Photographs in Watercolors at the exhibition of 1859. Signed Davis Taggert, President; A.O. Hiester, Secretary, Philadelphia on Stone, POSP 168, Free Library of Philadelphia: Philadelphiana - Societies and Certificates, Variant of circa 1851 Pennsylvania State Agricultural Society [diploma] signed in 1857. [Philadelphiana - Societies and Certificates], Rosenthal relocated his lithographic studio to 5th and Chestnut circa 1856.
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1857]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Philadelphiana - Societies - Certificates

Title: Curiosity
Description: Promotional stereograph depicting a maid servant attending to her young mistress. The servant combs her mistress's hair and glances at a private letter that her lady reads., Yellow mount with rounded corners., Title from manuscript note on mount., Contains advertisements for six "Philadelphia Leading Business Houses" located on Eleventh and Second streets printed on verso. Includes: Isaac Dixson & Son, watches; E. Paul, furniture warerooms and manufactory; P. Kayser, ladies' French boot and shoe maker; R. Ross Baird, men's fine furnishing goods; John M. Salin, hat and cap store; and D. Jarrett Walton, manufacturer and dealer in looking glasses, portraits and picture frames., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., U.S. Stereo. View Advertising Company was managed by Ed Trust.
Creator: U.S. Stereo View Advg. Co.
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9856]

Title: Manayunk
Description: Book illustration of a landscape view showing the village of Manayunk along the east bank of the Schuylkill River, northwest of Philadelphia. Townscape is visible in the right of the image, including Joseph Ripka’s cotton mills erected 1831 and 1835 near the depicted Flat Rock Turnpike Bridge. Manayunk was incorporated into the city of Philadelphia in 1854., Published in Daniel Bowen's A History of Philadelphia with a notice of villages in the vicinity (Philadelphia: Printed and published by Daniel Bowen, 1839), opposite page 134., Philadelphia on Stone, POS 455.4. Digital image shows third state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1839 Bow 9837.O and 76434.O., Historical Society of Pennsylvania:
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: [1839]
Location: Library Company of Philadelphia | Print Department W226.4 [Am 1839 Bow 9837.O and 76434.O]

Title: Nugent Home postcards
Description: Exterior views of front facade of baptist home for ministers constructed circa 1895 after designs by J.F. Stuckert & Son., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 100A05 and 100B09., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Buildings - 100]

Title: Hotel Stenton postcards
Description: Exterior views looking northeast of hotel opened in 1893 by Joseph and Hannah Fox. The hotel closed in 1927 and was demolished in 1929., Contains 1 postcard printed in color and 2 printed in black and white., Sheet numbers: 117A08 and 117B05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Lauber's through Stenton - 117]

Title: Logan House postcards
Description: Exterior views of front facade. Original portion of house constructed in 1801 for Philadelphia merchant Thomas Armat by builders Peter L. Berry and John Ardis., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 102A08 and 102B09., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: ca. 1905
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Mansions - 102]

Title: Germantown Hospital postcards
Description: Exterior views., Contains 2 postcards printed in color and 1 printed in black and white., Sheet numbers: 100A02 and 100B04., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Buildings - 100]

Title: Lincoln Drive postcards
Description: Depicts the s-curve of Lincoln Drive near an unidentified pedestrian bridge spanning Paper Mill (Monoshone) Run. View looking north toward Harvey Street., Contains 11 postcards printed in color and 4 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Fairmount Park - Lincoln Drive - 76]

Title: Hotel Adelphia postcards
Description: Exterior views of hotel built in 1912 after designs by Horace Trumbauer. Consisted of 21 stories and 400 guest rooms., Contains 5 postcards printed in color and 2 printed in black and white., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: 1910-1925
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Adelphia - 109]

Title: Carpenters' Hall postcards
Description: Contains exterior views of Carpenters' Hall built 1770-1774 after designs by Robert Smith., Contains 7 postcards printed in color and 3 printed in black and white., Accession numbers: P.8712.5p, P.9049.45 - 52 and P.9105.7., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department LCP postcards - Historic buildings and sites - [various]

Title: Brice Leon Showell
Description: Class photograph showing a bust-length portrait of Showell as a teen. He wears a zippered pullover, collared shirt, and tie. Showell, the nephew of Arthur Showell (1894-1943), was born and resided in Maryland as a child and young adult., Title from manuscript note on verso., Printed above portrait: School Days., Printed below portrait: 1946-47., Gift of Brice C. Showell.
Date: [1946]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc. - sitter - Showell [P.2015.1.4]

Title: Lincoln Drive postcards
Description: Depicts the s-curve of Lincoln Drive near an unidentified pedestrian bridge spanning Paper Mill (Monoshone) Run. View looking north toward Harvey Street., Contains 11 postcards printed in color and 4 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Fairmount Park - Lincoln Drive - 76]

Title: Carpenters' Hall postcards
Description: Contains exterior views of Carpenters' Hall built 1770-1774 after designs by Robert Smith., Contains 7 postcards printed in color and 3 printed in black and white., Accession numbers: P.8712.5p, P.9049.45 - 52 and P.9105.7., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department LCP postcards - Historic buildings and sites - [various]

Title: Germantown Hospital postcards
Description: Exterior views., Contains 2 postcards printed in color and 1 printed in black and white., Sheet numbers: 100A02 and 100B04., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Buildings - 100]

Title: Nugent Home postcards
Description: Exterior views of front facade of baptist home for ministers constructed circa 1895 after designs by J.F. Stuckert & Son., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 100A05 and 100B09., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: ca. 1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Buildings - 100]

Title: Logan House postcards
Description: Exterior views of front facade. Original portion of house constructed in 1801 for Philadelphia merchant Thomas Armat by builders Peter L. Berry and John Ardis., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 102A08 and 102B09., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: ca. 1905
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Mansions - 102]

Title: Hotel Adelphia postcards
Description: Exterior views of hotel built in 1912 after designs by Horace Trumbauer. Consisted of 21 stories and 400 guest rooms., Contains 5 postcards printed in color and 2 printed in black and white., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1910-1925
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Adelphia - 109]

Title: Hotel Stenton postcards
Description: Exterior views looking northeast of hotel opened in 1893 by Joseph and Hannah Fox. The hotel closed in 1927 and was demolished in 1929., Contains 1 postcard printed in color and 2 printed in black and white., Sheet numbers: 117A08 and 117B05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1905-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Lauber's through Stenton - 117]

Title: Merchant's Exchange postcards
Description: Depicts the Merchant's Exchange building constructed 1832-1833 after designs by William Strickland., Contains 4 postcards printed in color and 4 printed in black and white., Also known as the Philadelphia Exchange and the Philadelphia Stock Exchange., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1900-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Buildings - Stock Exchange - 30]

Title: Arcade Building postcards
Description: Exterior views. Built 1900-1902 based on designs by by Furness, Evans & Co. Demolished 1969., Contains 3 postcards printed in color and 1 printed in black and white, Also known as the Commercial Trust Company building., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1902-1911
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Buildings - Arcade - 20]

Title: Masonic Temple postcards
Description: Contains views of the Masonic Temple built 1868-1873 after designs by James Hamilton Windrim. Images depict the temple looking northeast from City Hall. Includes one interior view of Norman Hall., Contains 22 postcards printed in color and 9 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1900-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Buildings - Masonic Temple - 26]

Title: Illustrations of Philadelphia, from fugitive sources only
Description: Scrapbook containing clippings, prints, and ephemera dated between 1778 and 1864 pertaining to the built environment, and social and cultural climate of Philadelphia. Illustrated newspaper and periodical clippings (several from The Casket) describing prominent city landmarks during the 1820s to 1840s forms the majority of the content. Subjects include St. Stephens Church (Poulson's annotation states image includes the rear of President’s House on Ninth Street in background); Pagoda near Philadelphia; Gray's Ferry; the Philadelphia Library (i.e., Library Company of Philadelphia); "Statue of Wm. Penn, at the South Front of the Pennsylvania Hospital"; "New Street Cleaning Machine"; and "Rail Shooting on the Delaware.", Scrapbook also contains newspaper articles, advertisements, and prices lists. Subjects include historical anecdotes about Market Street in 1729, the Library Company of Philadelphia, Walnut Street Theatre, Letitia Court, Dock Street, Superstitions of ‘Ye Olden Times,’ and American “firsts”; improvements and alterations to city architecture, including Walnut Street Theatre and the State House; Infant Schools; the April 25, 1846 Eclipse of the Sun; an 1828 transparency illustrated with a caricature of Andrew Jackson; the dissolution of the circulation of “small notes” (1828); the Labyrinth Garden of Thomas Smith at Arch above Broad; Pennsylvania Museum and Menagerie (Market Street); commemoration of the Landing of William Penn; steamboat and stage coach schedules (1828); shift in social classes in Philadelphia society (1842); the 1837 court case against Commodore Perry sloop Capt. Blankman; and the Mauch Chunk Railway. Ephemera includes a facsimile of the original circular "Proposal for the Printing of a large Bible, by William Bradford" held by Nathan Kite. Many of the articles are accompanied by commentaries or are partially transcribed by Poulson. Scrapbook also includes detailed manuscript notes about Hamilton Mansion and the Old Court House., Graphic materials, predominately advertisements and views of prominent landmarks, include wood engravings, engravings, lithographs, and an albumen print. Views include images of "T.W. Dyott’s Apoth’y and Patent Medicine Store N.E. cor. Vine and Second Street"; "Gray’s Ferry on the Schuylkill (a Relic of the Olden Time)"; "Green Hill, The Seat of Samuel Meredith Esq. near Philadelphia"; Birmingham Meeting House "from a Daguerreotype by Mess. Langenheim"; and Cornelius & Baker manufactories on Cherry Street and Columbia Avenue. Advertisements depict N. Lloyd & Son (Seventh and Cherry) elegant coal grates; John Duross Black Horse Alley Old and Extensive Printing Establishment (showing a printing press); M.B. Dyott, manufacturer of Gas Fixtures and Lamps; Bennett’s Tower Hall Clothing Bazaar; Moore, Henzey & Co., hardware; and Wright, Smith & Co., china, glass, queensware. Graphics also include an 1828 vignette showing a carriage and captioned "High Fashion"; "The Stage Coach in 1816"; an 1857 caricature of a Quaker couple; and material added in the 20th century, including a 1905 photo-engraving of the "House and Counting House of Stephen Girard.", Majority of contents annotated with a date and explicative manuscript notes by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued for Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of front free end paper contains Poulson inscription: “The Dates of the articles herein, are those of the newspapers &c from which they were cut. Cut out designed with floral details frames the inscription., "Index to set in back part of vol. XI.", Artists, engravers, and printers include John Boyd; William Breton; Jacob Hoffman; George Gilbert; John Hill; Kennedy & Lucas; E. Rogers; Frederick Pilliner, Samuel Sartain; M. Schmitz; James W. Steel; and George Worley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Several pages have been removed., Small number of original photographs by McClees removed to the Print Department.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1798-1864, bulk 1829-1845
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 11 [(11)2526.F]

Title: [African climbing palm tree]
Description: Included in Chapter III, the engraving accompanies Winterbottom's discussion of the uses of the palm tree in Sierra Leone. Using an elliptical hoop, a man climbs a palm tree to procure wine. On the ground, another man points at him, and a mother walks with two small children. "To procure the palm wine," Winterbottom explained, "requires no small degree of agility and address." Describing this process in detail, he wrote, "As the trunk of the tree is too rough to allow the hands and knees to be applied in climbing to its summit, the natives use a kind of hoop of an elliptical form, made of bamboo, and open at one side. The person about to ascend, first passes the hoop round the stem of the tree, including himself also, he then fastens the hoop by twisting its two ends into a kind of knot. The hands are applied to the sides of the hoop, while the feet are firmly pressed against the tree, and the lower part of the back supported by the opposite end of the hoop. In order to advance, the person thus prepared draws his body a little forwards, keeping his feet steady, and at the same moment slips the hoop a little higher up the tree, after which he advances a step or two with his feet. In this manner he alternately raises the hoop and his feet, and thus advancing, he gains at length the upper part of the stem, just below where the branches are thrown off. Here, at the height of 50 or 60 feet, with no other support than the pressure of his feet against the tree, and of his back against the hoop, he sits with perfect composure. In a small bag hung round his neck or arm he carries an anger to bore the tree, and a gourd or calibash to receive the wine. A hole is bored, about half an inch deep, below the crown of the tree, and into this is inserted a leaf rolled up like a funnel, the other end of it being put into the mouth of a calibash capable of containing several quarts, which is filled in the course of a single night. . . . When the palm wine has been drawn off, the hole is carefully filled up with mud, to prevent insects from depositing their eggs in it, the larvae of which would destroy the tree." (p. 61-62), Plate in Thomas Winterbottom's An Account of the Native Africans in the Neighborhood of Sierra Leone; to which is Added, an Account of the Present State of Medicine Among Them (London: Printed by C. Whittingham, Dean Street; and sold by John Hatchard, 199, Piccadilly, and J. Mawman, Poultry, 1803), vol. 1, p. 60., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography
Date: 1803
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afr Winte 3027.O v 1 p 60, https://digital.librarycompany.org/islandora/object/Islandora%3A2937

Title: Second Baptist Church postcards
Description: Exterior views., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 101A08 and 101B06., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector.
Date: 1900-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Germantown - Churches - 101]

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