Visual and textual materials from the Library Company's Asian American and Pacific Islander History Collection.

Pages

Japanese Com.'s Dwelling.
Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A Japanese family. A pretty and interesting cut-out. [graphic] / Lawrence Semon.
Print depicting a Japanese man, boy, and two women, which could be cut out and made into a paper toy. In the left, shows a Japanese woman attired in a red kimono with green trim tied with a black and yellow obi and wearing her hair up and adorned with a kanzashi hair ornament. She looks left with her left hand at her waist and holds a fan in her right hand. In the right at her feet are white flowers. The Japanese man wears a chonmage hairstyle, which is shaved in the front with a top knot, and is attired in a blue, green, and white kimono and slip on shoes, and has a sword in a scabbard at his waist. He stands with his face in right profile. In the top right, the boy, attired in a white and red kimono and socks, sits on the ground beside a white flower. In the bottom right, a Japanese woman, attired in a blue kimono with gray trim tied with a black obi and wearing her hair up and adorned with a kanzashi hair ornament, sits on the floor with her left hand resting on her leg and her right hand up. She is surrounded by two vases, a black stand with a teapot on top, and a decorative screen depicting a bird. In the top center, shows a diagram depicting how the figures could be cut out and flaps used to stand them upright., Title from item., Date from copyright statement: Copyright 1910, by the North American Company., Published in the March 6, 1910 Sunday supplement of the North American newspaper., Text printed on recto: Directions: Paste this sheet upon a sheet of heavy cardboard: let it dry thoroughly, and cut out pieces around heavy black lines. To make figures stand, bend the flabs backward at the dotted lines, A, B, C, D, E, F, as in the diagram. When ready, stand the figures up and arrange to suit yourself., RVCDC, Larry Semon (1889-1928) worked as a cartoonist for Philadelphia and New York newspapers before becoming an actor, director, producer, and screenwriter during the silent film era.
Japanese screen and bronzes. [graphic] / Centennial Photographic Co., International Exhibition, Philadelphia. Edward L. Wilson, W. Irving Adams, proprietors.
View showing a screen and bronze sculpture, urn, and vases on display at the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Shows the ornately decorated pieces on a tablecloth lined table. From left to right are: a vase decorated with flowers; an urn; sculptures of a bird holding a snake in its beak, a dragon, and a crane standing on a turtle; and a pillar vase decorated with a chicken, flowers, and leaves. Behind the table is a screen depicting a tree, flowers, and several kinds of birds. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Raymond Holstein.
Japon [graphic] / J.M.
Trade card promoting druggist John H. Sheehan & Co. and depicting a scene of a Japanese woman and a samurai holding a flag. In the right, the Japanese woman, wearing her hair up with Kanzashi hair ornaments and attired in a multi-colored kimono and yellow shoes, stands and reaches her right hand out towards the man. In the left, the Japanese samurai, attired in a helmet and armor, stands and holds a Japanese flag on a flagpole. A cherry tree with pink flowers grows in the background. In the top left corner is a crest with a Japanese flag., Title from item., Date inferred from content., Text printed on verso: John H. Sheehan, Dealers in Drugs, Medicines, Pefumery and Toilett (sic) Articles, 167 Genesee Street, Utica, N.Y., Gift of William H. Helfand., RVCDC, See related: P.9828.6777.
John F. Patton, York, Penn'a. [graphic].
Trade card promoting John D. Patton and depicting a catamaran with a dragon on the sail. Shows a vignette of a wooden catamaran with a red sail decorated with a dragon traveling on the water. Four men, attired in white shorts, sit and stand on the boat. A large crane and other birds fly in the sky. Vignette is set over a red background with decorative leaves and a scroll with the advertising text. John F. Patton relocated to York, Pennsylvania from Baltimore and started his drug business in 1869., Title from item., Dare inferred from content., Advertising text printed on verso: You will never go amiss, if you go to Wallick’s Book Store, to make your purchases, books and stationery, pictures & frames, and a great variety of fancy goods. Remember Wallick’s Book Store. The city drug store is the best place in York, to buy drugs, medicines, chemicals, toilet articles, perfumery, &c., &c. and John F. Patton, is the man to sell them to you, and don’t you forger it., Gift of William H. Helfand.
John Griffeth. Furniture warerooms, 119 N. Second St., Philad'a, PA. [graphic] : A full assortment of chamber and parlor suits, mattresses and bedding, &c.
Trade card promoting John Griffeth's furniture store and depicting Asian decorative motifs and objects, including fans, a parasol, cranes, and mountains. Shows vignettes of: a parasol and two fans in a blue and white porcelain container; two standing cranes, one eating a frog; and two mountain peaks. John Griffeth established his furniture business in 1880., Title from item., Date inferred from dates of operation of business advertised., Purchased 2015.
A joyous Christmas and a happy New Year [graphic] : Geo. Remsen Jr. & Co., Stationers & engravers, 815 Arch St. Phila.
Trade card promoting engraver and stationer Geo. Remsen Jr. & Co. and depicting racist caricatures of a Chinese woman and two Chinese men. In the right, a Chinese woman, wearing her hair up with decorative pins and a flower and attired in a blue, off-the-shoulder dress, sits in a red chair and holds a bouquet of pink flowers. In the center, the Chinese man, wearing a beard and a queue hairstyle and attired in a purple tunic and green pants, stands with his arms folded. In the left, the Chinese man, wearing a goatee and queue hairstyle and attired in a red tunic, pink-and-white striped pants, and black cloth slip-on shoes, stands in front of the woman with his hands out. Also in the scene are a small dog and a red dragon., Title from item., Date inferred from calendar printed on verso., Text printed on verso: "Geo. Remsen Jr. & Co., Stationers & engravers, 815 Arch St., Philadelphia" with a monthly calendar for 1880., RVCDC.
Just a little Chinaman laundry work fine, will cookie, washee, ironie if you'll be his valentine [graphic].
Racist caricature of a Chinese man laundry worker holding an iron and an ironing board and bending down towards a rat. In the right, the Chinese man wears a queue hairstyle with a red bow tied at the end of his braid and is attired in a blue tunic with gold trim, black pants, red socks, and green cloth slip-on shoes. He holds an iron in his right hand and an ironing board in his left hand. He bends over and looks down at a rat that runs away. In the left are red hearts and a clothespin. The text is written in pidgin English: Just a little Chinaman laundry work fine, will cookie, washee, ironie if you'll be his valentine., Title from item., Date inferred from medium and content., Series no. printed on verso: Series IV., Library Company copy has manuscript message and address written on verso and is postmarked, Blodgett Mills, N.Y., Feb. 12, P.M. 1906; Syracuse Feb. 13, A.M. 1906. Includes one-cent stamp depicting Benjamin Franklin., RVCDC
Kanrokuro Nakayama [graphic] / G.W. Pach, Photo., 841 B'Way, N.Y.
Bust-length portrait of Kanrokuro Nakayama. He wears his hair parted to the left and is attired in a white collared shirt, tie, and jacket. Kanrokuro Nakayama (1855-1934) attended Harvard Law School from 1877 to 1880. He returned to Japan and became Secretary to the Minister of the Interior., Title and date from manuscript note written on verso: Khanrokuro Nakayama, 5 April 1878., Photographer's imprint on verso: G.W. Pach, Photographer, No. 841 Broadway, Cor. 13th St. New York. Branches at Harvard and Yale. Poughkeepsie, Long Branch, and West Point, Ocean Grove. For duplicates order [214]., Gift of E. Perot Walker, 1980.
Kiriu Kosho Kuwaisha [graphic] : The first Japanese manufacturing and trading company.
Illustrated trade card promoting the Kiriu Kosho Kuwaisha, a Japanese manufacturing and trading company, and depicting two dragons with text in English and Japanese. Kiriu Kosho Kuwaisha was founded in 1873 and displayed their goods at the Centennial Exhibition in Philadelphia in 1876. The firm opened a branch in New York in 1877. The firm closed in 1891., Title from item., Date inferred from dates of operation of the advertising business., Text printed on recto: Bronzes, lacquered, pottery and porcelain wares. Tea, silk, curiosities and other Japanese manufactures. No. 16 Takekawacho, Tokio, Japan. English correspondents Alexandra Palace Park Co., Muswell Hill, London. Branch House Sumpya, Hong Kong. Austrian Agent, C. Torou, Wallzeille, No. 1, Vienna., Advertising text printed on verso: Our firm, Kiriu Kosho Kuwaisha, (The First Japanese Manufacturing and Trading Company,) is established for the purpose of encouraging the Japanese industries, and of promoting the greatest possible perfection therein. Kan Gio Rio, (the Bureau of Industry,) fully co-operates with our firm, and we are authorized by that Bureau to sell all the Teas they manufacture. Fancy and useful articles, of the finest as well as the cheapest quality, sold at the lowest possible prices, Wholesale and Retail. Orders by mail promptly attended to. (See other side.), Purchased with partial funds for the Visual Culture Program.
Laque de Chine [graphic] / J.M.
Trade card promoting druggist John H. Sheehan & Co. and depicting a scene of two Chinese men painting. In the left, show the Chinese man, wearing a queue hairstyle and attired in a blue cap, blue robe, and blue, slip-on shoes. He sits on a bench in front of an easel and paints. In the right, the Chinese man, wearing a queue hairstyle and attired in a green, patterned robe, stands and lacquers a vase. Also in the room are a red lantern, screen, and side table with a blue jar. In the background is a river with boats and a pagoda on the shoreline., Title from item., Date inferred from content., Text printed on verso: John H. Sheehan, Dealers in Drugs, Medicines, Pefumery and Toilett (sic) Articles, 167 Genesee Street, Utica, N.Y., Gift of William H. Helfand., RVCDC, See related: P.9828.6766.
L.C. Smith, druggist, (successor to A.W. Rice), Rockville, Conn. Drugs, medicines, toilet requisites, etc., etc. prescriptions compounded day or night. Prices the lowest. Goods strictly pure. [graphic] / Bufford, Boston
Trade card promoting druggist Louis C. Smith and depicting racist caricatures of Chinese men being attacked by dogs. In the left foreground, shows a large dog chained to a doghouse. The Chinese man, wearing a queue hairstyle, a blue tunic and pants, and white, slip-on shoes, looks at the dog in fear. In the right, a Chinese man runs away with his queue flying behind him. In the background, a Chinese man, his back to the viewer, screams and raises both arms up as a white dog bites his bottom. Text written in pidgin English below the image: What d’yer soy? Ha! Ha! John Chinaman he eatie doggie., Title from item., Date inferred from content., Copyright statement printed on recto: Copyrighted, Bufford, Boston., Gift of William H. Helfand., RVCDC
Li [graphic] / Guth 96.
Full-length portrait depicting a racist caricature of Chinese statesmen, diplomat, and military general Li Hongzhang (1823-1901). Shows Hongzhang, wearing a mustache and attired in spectacles, a cap with a peacock feather, a patterned, gray and gold robe, a yellow jacket with buttons down the front, and black, slip-on shoes. He stands with his right hand out, showing long fingernails, and faces slightly right. Li Hongzhang traveled extensively in 1896, visiting Russia, Britain, Europe, the United States, and Canada to promote Chinese diplomatic interests and trade., Title and date from item., Published in Vanity Fair, August 13, 1896., Gift of Linda Kimiko August, 2024.
[Liberty loan parade on Montgomery Avenue, Philadelphia] [graphic].
Photograph depicting the reviewing stand and a large crowd of spectators in front of 11th District Police Station at 1217 Montgomery Avenue, Philadelphia during the Liberty Loan parade on April 6, 1918. Shows the police station decorated with American flags and Allied flags, including French, British, and Japanese. In front of the building is a large reviewing stand filled with men and women, including police and military officers. Eight women are dressed depicting Liberty, and there are three Boy Scouts. The stand is decorated with American flags and liberty loan posters. A large crowd of spectators faces the stand. People are visible standing in the windows of the buildings. The United States Treasury in conjunction with the Federal Reserve issued Liberty Loans, also known as Liberty Bonds, to finance the cost of America’s participation in the war. Four Liberty Loans were issued on April 24, 1917, October 1, 1917, April 5, 1918, and September 28, 1918 raising a total of 17 billion dollars. A fifth bond called the Victory Liberty Loan was issued on April 21, 1919. Subscribing to bonds was promoted as a patriotic duty., Title supplied by cataloger., Date from manuscript note written on verso: April 6th, 1918. Police station house between Montgomery Ave. and Berks St., Phila., See related: photo - unidentified - processions [8932.3-12]., Retrospective conversion record: original entry, with corrections.
A "lily footed" woman of China - this outrage against nature has been in vogue 900 years. [graphic].
Stereograph depicting a full-length portrait of a Chinese woman with her bound feet on display. Shows the woman wearing her hair tied back and attired in a tunic and pants with decorative stripes and lotus shoes. She sits atop what is probably a wooden shelf with her feet resting on a circular wooden stool. She holds flowers in her left hand and looks slightly left. In the right is a tree stump and a flower pot on a wooden shelf. In the background are two chairs covered in cloth, and a patterned rug is on the floor., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Lloyd O. Woodruff, druggist. Cor. Broadway & Point St., Cape Vincent, N.Y. Don’t read the other side. [graphic].
Racist trade card promoting pharmacist Lloyd O. Woodruff and depicting actress Kate Forster dressed in character as Pitti-Sing from the opera, The Mikado or, The town of Titipu, by W. S. Gilbert and Arthur Sullivan. Shows Forster wearing her hair up and attired in a blue kimono with gold decorations and a gold, flower-patterned obi. She holds a fan in both hands behind her head. Kate Forster, whose real name was Kate Jancowski, worked for the D'Oyly Carte Opera Company and performed as Pitti-Sing and Katisha in the Mikado in 1885-1886, 1889-1902. Lloyd O. Woodruff opened a drugstore in Cape Vincent, New York circa 1870., Title stamped on recto., Date deduced from dates of the performance., Text printed on verso: Lloyd O. Woodruff, druggist, keeps a full line of drugs, patent medicines, paints, oils, window glass, dry goods, boots, shoes and rubbers, fine stationery, school books, fancy groceries, watches, chains, plated ware, crockery, and will not be undersold, if you do not see what you want at his store, ask for it. Don’t forget the place, Cor. Broadway & Point St., Gift of William H. Helfand., RVCDC, See related: P.9828.2769-2771; P.9828.2823.
Luncheon for rebuilding Japanese College, Tsuda College [graphic].
Portrait photograph of Yonako Tsuda Abiko, Narcissa C. Vanderlip, and Anna C. Hartshorne fundraising for the Tsuda College Emergency Committee to raise money to rebuild Tsuda College in Tokyo which was damaged in the 1923 earthquake. In the left, Yonako, attired in a kimono, stands and holds a Japanese tea bowl in her hands. In the center, Narcissa, attired in a kimono, geta shoes, a wristwatch, a pearl necklace, and a ring, stands and looks down at the bowl. In the right, Anna, attired in a brimmed hat, a dark-colored dress, two necklaces, and heeled shoes, holds a beaded purse, and looks to the left towards the bowl. Yonako Tsuda Abiko (1880-1944) was the younger sister of Umeko Tsuda (1864-1929) who founded Tsuda College in 1900. The College was a girls school that taught English and trained women to become English teachers. An earthquake and subsequent fire destroyed the school in 1923. Abiko, Hartshorne, and Vanderlip organized the Tsuda College Emergency Committee to help fundraise to rebuild the school. Anna Cope Hartshorne (1860-1944) was a Philadelphia Quaker who met Umeko Tsuda at Bryn Mawr College. She taught at Tsuda College from 1902 to 1940. Narcissa Cox Vanderlip (1880-1966) was active in the women's suffrage movement and worked towards improving relations between the United States and Japan. Yonako Tsuda Abiko moved to San Francisco in 1909. Her husband Kyutaro Abiko founded the Japanese language Nichibei Shimbun newspaper, which she ran after his death in 1936. In 1912, she helped establish Joshi Seinen Kai, a boarding house for Japanese women, and was active with the Y.M.C.A., Title and date from label on verso., Photographer's imprint stamped on verso: World Wide Photos, [illegible] U.S. Pat. Off., [This picture may not be reproduced] rented or loaned, must not be used for advertising [illegible] written permission., Distributor's imprint stamped on verso partially covered by label: [King] Features Syndicate, Inc. [illegible]., Typewritten label pasted on verso: Watch your credit, Photos from Wide World. 309963 Luncheon for rebuilding Japanese College, Tsuda College: Our photo shows a scene today during the luncheon tendered by Mrs. Frank A. Vanderlip in the drive for funds to rebuild Tsuda College which was destroyed in Japan during the quake. Left to right; we have, Mrs. Yona Tsuda Abiko, Mrs. Frank A. Vanderlip and Miss Anna C. Hartshorne, of Philadelphia. The subject is the photo that Mrs. Vanderlip becomes acquainted with the intricate beauty of a Japanese tea bowl.
Main entrance Taj Mahal Sesqui Centennial exposition [graphic].
Exterior view of the India Pavilion designed to resemble the Moghul style of the Taj Mahal at the Sesquicentennial Exposition in Philadelphia held from May to November, 1926. Shows the front entrance of building with a large dome, arches, and columns. A crowd of men and women attendees walk towards the entrance. Lawn in the foreground. The Sesquicentennial Exposition, situated near the Navy Yard, celebrated the 150th anniversary of the signing of the Declaration of Independence through attractions and entertainment in the form of pageants, exhibitions, and sporting events. The India Pavilion was not officially sponsored by the government of India. The Taj Mahal Trading Company of London built the structure, and it contained displays of brassware, carpeting, inlaid woodwork, jewelry, and artwork. The building also held a restaurant, a tea sampling room, reading room, and an imitation jungle., Title from negative., Date inferred from series date., Series no. written on negative: 130., See related: Sesquicentennial [P.8609.92; P.8609.118].
Major E. Newell, with Genl. Tom Thumb's Museum. H.R. Jacobs, manager.
Die cut trade card in the shape of a painting palette. Promotes General Tom Thumb's Museum, a variety company tour, and depicts Edmund Newell, known as Major E. Newell, attired in four costumes. In the top, shows Newell in yellowface impersonating a Chinese man, wearing a queue hairstyle and attired in a blue tunic and pants and black cloth slip-on shoes. He lifts his left leg up; places his right hand on his hip; and holds a red fan in his left hand. Tom Thumb, born Charles Sherwood Stratton, and Edmund Newell, also known as Major E. Newell and General Grant Jr., were people with dwarfism who toured with P.T. Barnum. Newell married Minnie Warren, whose sister, Lavinia Warren, was married to Tom Thumb., Title from item., Date inferred from content., Advertising text printed on verso: General Tom Thumb and his charming little wife with entire troupe. Horticultural Hall positively two weeks only Sept. 25 to Oct. 7th. Every afternoon & evening. Skatorial champion. Major Newell, the impersonator; Zoe Meleke, and her performing canary birds; Whiston, humorist and great facial artist; marvelous midget; Bingham, ventriloquist & illusionist with a congress of brilliants., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
McCless 1417 Chestnut St., (above Broad), fine arts! French plate mirrors [graphic].
Trade card promoting fine art dealer and mirror merchant J.E. McCless and depicting a caricaturized Japanese man pointing to a sign with the advertising text. In the center, the man, wearing a chonmage hairstyle and attired in a purple kimono with white and green trim, a black jacket with gold trim, and sandals stands and points to a wooden sign with advetising text., Title from item., Date inferred from dates of operation of business advertised., Purchased 2015.
The Mikado. [graphic].
Racist trade card promoting thread manufacturer J. & P. Coats and depicting a character from The Mikado or, The town of Titipu, the opera by W. S. Gilbert and Arthur Sullivan. Shows the white man actor in character as the Mikado, or Emperor. He stands holding a closed fan and smiles at the viewer attired in a headpiece, a blue kimono decorated with gold birds and flowers and red trim, with a sword at his waist. An oversized spool of thread labeled, "J & P. Coats 200 yds 50 best six cord," is in the right. Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title from item., Date deduced from the history of the advertised business., Text printed on recto: My object all sublime! Shall attain in time. To let the punishment fit the crime, the punishment fit the crime. All people who have to do sewing and don't use Coats' six cord thread, will be punished with cotton that's snarly and rotten and kinks, till they wish they were dead., Advertising text printed on verso: White, black and colors for hand and machine. J & P. Coats' Best Six Cord Thread.
Model of Japanese Temple. Presented to The Master Builders' Exchange by Edward H. Williams, M.D. Philadelphia 1890 [graphic] / Chas. Truscott, photo expert, 1109 Cuthbert Street, Philada.
View showing the model of the Shinto temple given to the Master Builders' Exchange of Philadelphia by honorary member, former physician, and Baldwin Locomotive Works executive Edward H. Williams. Composed of wood and metal, the ornately-designed miniature temple, possibly after one of the temples located at the shrines of Nikkõ, rests on a cloth-covered pedestal. The shrine includes a gable roof, verandas, and intricate wood carvings. Two parallel displays of long-stemmed white flowers rest in front of the temple. Williams purchased the over 100 year-old model from a Japanese family through the brokerage of Harry Deakin of Yokohama. Williams, also known for his philanthropy, gave the piece to the Exchange for permanent display in the organization's Exhibition Room. Williams desired mechanics be able to view the model in a freely-accessible public place as epitomized by the Exhibition Room at the Exchange. Master Builders' Exchange of Philadelphia was chartered in 1887 with the mission of "encouragement and protection of the building interests in the city and county of Philadelphia; to inculcate just and equitable principles ; establish and maintain uniformity in commercial usages; acquire, preserve and disseminate valuable business information and avoid and adjust, as far as practicable, the controversies and misunderstandings which are apt to arise between individuals engaged in trade, ...", Title from item., Date inferred from years of residency of photographer at the address listed in his imprint., Photographer's imprint stamped on verso., Purchased with funds for the Visual Culture Program (Junto 2015)., Reproduced in Clem Congdon, "History of the Master Builders' Exchange (Philadelphia: Sunshine Publishing Co., 1893), before 289., See Clem Congdon, "History of the Master Builders' Exchange (Philadelphia: Sunshine Publishing Co., 1893), 284-301., Lib. Company. Annual report, 2017, p. 54-56., Charles Truscott (1851-1916) was a Philadelphia photographer known for his technical skill. A member of the Photographic Society of Philadelphia, Photographers' Society of Pennsylvania, and the Photographers' Association of America, Truscott often read and published papers about the photographic process at these organizations' meetings and in their journals.
[Morgan & Headly trade cards] [graphic].
Series of illustrated trade cards promoting jewelers Morgan & Headly in the Mutual Life Building at the northwest corner of Tenth and Chestnut Streets in Philadelphia. Trade card depicts a large diamond jewel [1975.F.579]. Illustrated trade card depicts a caricaturized Japanese woman and boy playing a horn. The woman, wearing her hair tied up and decorated with kanzashi (decorative hair ornaments) and attired in a floral patterned kimono, stands before a Japanese-style building. She leans her left arm over a wall and looks down at a boy, wearing a shaved head with a small ponytail and attired in a tunic, a belt, pants, and cloth, slip-on shoes, playing a horn next to a bird with its beak open [1975.F.592]. Trade card depicting a Japanese-stylized scene of a crane bending over and cleaning its feathers with its beak. Also includes flowering tree branches [1975.F.593]., Title supplied by cataloger., Date inferred from content and history of the advertised business., One print [1975.F.579] contains vignette printed on verso depicting a hand-held fan superimposed onto a ribbon., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Mrs. Cornelia Nellie Y. Quil Vot [graphic].
Half-length portrait of Mrs. Cornelia Nellie Y. Quil Vot smiling and looking directly at the viewer sitting in her living room. Shows Cornelia, wearing her hair tied back and attired in a short-sleeved, collared dress in a square pattern, sitting on a couch with her right arm resting on the armrest and her hands loosely together at her knees. Behind her is a side table on which is a letter opener, candle stick holder, framed photograph, and several books. Cornelia Nellie Yee Quil (1904-1996) was born in Philadelphia to a Chinese father, James Yee Quil (1860-1923), and a caucasian mother, Rose Otten Quil (1871-1906). She married William Hing Yot (1885-1960) in 1926, and they subsequently divorced. She was active raising awareness and fundraising for Chinese relief during the Second World War., Title and date based on type-written label pasted on verso: Upsets tradition with suit. Pittsburgh, Penn. July 6. Mrs. Cornelia Nellie Y. Quil Vot, who broke an old Chinese tradition by filing suit for divorce, is shown at her home here. Mrs. Vot admits being a member of the "new school" in Pittsburgh's Chinatown. Her husband, William H. Vot, executive secretary of the Leong Merchants' Association, is a leader of the conservative "old school." Associated Press photo. A List BH 1225A Est 7/7/35 OG STF RSS., Stamped on verso: Jul 19 1935 [PM?].
Nanki-Poo. [graphic].
Racist trade card promoting thread manufacturer J. & P. Coats and depicting a character from The Mikado or, The town of Titipu, the opera by W. S. Gilbert and Arthur Sullivan. Shows the white man actor in character as Nanki-Poo. He stands holding an open fan with his hands up. He wears a blue decoration in his hair and is attired in a blue-striped coat, red shirt, blue and white obi, red tunic, and sandals. A branch of pink flowers is overhead. An oversized spool of thread labeled, "J & P. Coats 200 yds 50 best six cord," is in the left. Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title from item., Date deduced from the history of the advertised business., Text printed on recto: The flowers that bloom in the spring, tra la. breathe promise of merry sunshine, as we merrily dance and we sing, tra la, we welcome the hope that they bring, tra la, of a summer of roses and wine. And so, Coats' spool cotton is always a thing as welcome as flowers that bloom in the spring., Advertising text printed on verso: White, black and colors for hand and machine. J & P. Coats' Best Six Cord Thread.
[Naval Parade on the Delaware River during the Peace Jubilee] [graphic].
Photographs of ten views of the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The ships depicted are the Tug Philadelphia; Japanese cruiser Kasagi; Texas; Topeka; Columbia; Mayflower; Marblehead; New Orleans; Gloucester; and the Transports Panther and Olivette. The Japanese cruiser Kasagi is depicted with two engine stacks, lines of nautical and national flags, and Japanese flags flying on the masts. Crew men are visible walking and standing on the deck and on the staircase on the side of the ship. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date from manuscript note on verso., Gift of Ann L. Wood.
No more Chinese cheap labor. Celluloid cuffs, collars & bosoms. [graphic].
Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill. [graphic].
Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Omai a native of Ulaietea, brought into England in the year 1774 by Tobias Furneaux esqr. commander of his majesty's sloop Adventure; [graphic] : Humbly inscribed to the Right Honble John Earl of Sandwich, first commissioner for executing the office of th
Full-length portrait of Mai (known as Omai in Britain,) a young indigenous man from Raiatea, who became the second Pacific Islander to visit Europe. Mai is depicted with long, black hair, barefooted, attired in a white robe, and has tattoos on his hands. He holds a feather taumi (gorget) in his right hand and a carved wooden headrest, which may have doubled as a stool, under his left arm. Mai acted as an interpreter to James Cook and joined the crew of the H.M.S. Adventure, traveling to London in 1774. During his two-year stay in England, he became admired by London high society and painted and sketched by a number of artists including Sir Joshua Reynolds, William Hodges, William Parry, and Nathaniel Dance. Mai returned to Tahiti in 1776., Title and date from item.
On the river, Canton, China. [graphic].
Shows the busy Pearl River in Canton (i.e. Guangzhou), China. In the center, a large ship, with steam paddles and a smokestack, is beside a wooden dock. In the foreground are sampans, some with people attired in conical hats and holding poles. In the background, numerous boats of various sizes and buildings along the shoreline are visible., Title from item., Date inferred from content., Text printed on verso: On the River, Canton, China. Lat. 23 degrees N.; Long. 113 degrees E. About one hundred miles from Hongkong on the delta of the Pearl or Canton River is the great city of Canton, the port of outlet for southern China, and one of the largest cities of China. This is one of the most thickly populated parts of the world, and stretching back from the river are miles and miles of fertile fields in which the industrious Chinese raise three crops a year. The city itself is built very closely. Throngs of people crowd the streets, which are incredibly dirty and so narrow that only a strip of sky can be seen overhead. On the river are boats of every description, modern steamers, Chinese junks, sampans, and houseboats. More than a hundred thousand people live in these boats, which are sometimes seventy-five feet long by fifteen feet wide. Such a boat usually has three rooms-a hallroom, a living room, and a sleeping room. These rooms can be broken up easily into additional rooms by the use of screens. The cooking and washing are done in the stern of the boat outside the house proper. Sometimes a family may have a flock of ducks or geese. These are put into the water in the morning and taken on board in the evening. The waters have many fish so the family usually have fish and rice for their food. The houseboats are pushed along by long poles or heavy oars. Sometimes you see little children playing about these houseboats fastened by ropes tied about their waists or with little barrels on their backs which, in case of their falling overboard, will keep them afloat until they are rescued by father or mother. Canton used to be a treaty port. What does that mean? Are all the Chinese seaports now open for trade? Copyright by the Keystone View Company., Gift of Christine Nelson, 2023., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
[P. Madeira trade cards]
Series of illustrated trade cards promoting Pugh Madeira's cutlery and surgical instrument establishment at 115 South Tenth Street, Philadelphia. lllustrations represent world countries by depicting boys attired in styles of clothing native to China, France, Germany, South America, Hungary, United States, Turkey, Spain, Italy, England, Russia, and Mexico. Also shows two boys riding horses. The card labeled, “China,” shows a Chinese boy with a carrying pole across his shoulders, which holds cards on each side. He wears a queue hairstyle and is attired in a red hat with a black brim; a colorful, long-sleeved tunic; yellow pants; and yellow boots. He holds an orange card in his left hand. A piece of wood is yoked across his shoulders and wire or string hangs down on both sides, which balance the weight of the load. The border has decorative Chinese-stylized decorative motifs., Title supplied by cataloger., Date inferred from dates of operation of the advertised business., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Parade, Li Hung Chang's visit to Philadelphia, Pa. [graphic] / Photographed and published by B.W. Kilburn, Littleton, N.H.
View of the parade celebrating the arrival of Chinese statesmen, diplomat, and military general Li Hongzhang (1823-1901) in Philadelphia on September 3, 1896. Shows members of the First Troop Philadelphia City Cavalry, attired in uniform, and riding on horseback in rows. Crowds of men and women spectators stand on the sidewalk and street to watch. In the right, people are visible standing on awnings and ledges and peering out of windows from the buildings lining the street. Several trolleys and carriages are parked in the right. Li Hongzhang traveled extensively in 1896, visiting Russia, Britain, Europe, the United States, and Canada to promote Chinese diplomatic interests and trade. He arrived in Philadelphia at the Germantown Junction train station on September 3, 1896. Hongzhang and other members of his party then traveled by carriage in a parade procession accompanied by police on bicycles and on horseback, members of the Reception Committee in carriages, and the First Troop Philadelphia City Cavalry, attired in uniform and on horseback. They journeyed to Independence Hall, then to Market Street, past City Hall, and down Broad Street., Title printed on mount., Date from copyright statement: Copyright 1897 by B.W. Kilburn., Photographer's imprint printed on verso: Photographed and published by B.W. Kilburn, Littleton, N.H., Pink curved mount with rounded corners., Gift of Linda Kimiko August, 2024., See related: Stereo - Kilburn - Processions [P.2024.31.2].
Parade, Li Hung Chang's visit to Philadelphia, Pa. [graphic] / Photographed and published by B.W. Kilburn, Littleton, N.H.
View of the parade celebrating the arrival of Chinese statesmen, diplomat, and military general Li Hongzhang (1823-1901) in Philadelphia on September 3, 1896. Shows Li Hongzhang, wearing a mustache and attired in a cap and tunic, riding in a horse-drawn carriage driven by two white men. Members of the First Troop Philadelphia City Cavalry, attired in uniform, ride on horseback around the carriage and hold out their swords across the opening of the carriage. Several horse-drawn carriages follow in the procession. A large crowd of men and women spectators stand in the street surrounding the carriages to watch. In the right, people are visible standing on awnings and ledges and peering out of windows from the buildings lining the street. Several trolleys and carriages are parked in the right. Li Hongzhang traveled extensively in 1896, visiting Russia, Britain, Europe, the United States, and Canada to promote Chinese diplomatic interests and trade. He arrived in Philadelphia at the Germantown Junction train station on September 3, 1896. Hongzhang and other members of his party then traveled by carriage in a parade procession accompanied by police on bicycles and on horseback, members of the Reception Committee in carriages, and the First Troop Philadelphia City Cavalry, attired in uniform and on horseback. They journeyed to Independence Hall, then to Market Street, past City Hall, and down Broad Street., Title printed on mount., Date from copyright statement: Copyright 1897 by B.W. Kilburn., Photographer's imprint printed on verso: Photographed and published by B.W. Kilburn, Littleton, N.H., Pink curved mount with rounded corners., Gift of Linda Kimiko August, 2024., See related: Stereo - Kilburn - Processions [P.2024.31.1].
Paul Lee & bride [graphic].
Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
[Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River] [graphic].
Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
[Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River] [graphic].
Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and a Japanese flag flies on a pole at the rear. Two row boats filled with men float close to the cruiser, and a steamship travels in the left. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915. [graphic].
Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Pooh-Bah. [graphic].
Racist trade card promoting thread manufacturer J. & P. Coats and depicting a character from The Mikado or, The town of Titipu, the opera by W. S. Gilbert and Arthur Sullivan. Shows the white man actor in character as Pooh-Bah. He stands holding a closed fan and frowns. He wears his hair in a chonmage hairstyle and is attired in a blue and white patterned kimono with birds with a red obi and has a sword at his waist. An oversized spool of thread labeled, "J & P. Coats 200 yds 50 best six cord," is in the right. Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title from item., Date deduced from the history of the advertised business., Text printed on recto: I'am so proud, if I allowed, my family pride, to be my guide, you'd never hear, within your ear, Coats six cord thread, stand at the head, but family pride, must be denied, and set aside, and mortified, and so you hear, within your ear, Coats six cord thread, stands at the head., Advertising text printed on verso: White, black and colors for hand and machine. J & P. Coats' Best Six Cord Thread., Stamped on verso: W. Otis Hall, Retail Fancy Goods, Washington Street. Boston, Mass.
Porcelain ware, Japanese Court.
View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Porcelain ware, Japanese Court. [graphic] / Centennial Photographic Co., International Exhibition, Philadelphia. Edward L. Wilson, W. Irving Adams, proprietors.
View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Raymond Holstein., See related: stereo - Centennial Photographic Co. [P.9022.5]; Holstein stereo - Centennial Photo. Co. [P.2011.47.512].

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