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1022 Chestnut Street (rear). [graphic].
Real estate photograph commissioned by the Jackson-Cross Company depicting Clifton Street and the rear of a three-story brick building. Shows the building’s fire escape and security bars protecting the doors and windows. In the foreground is a street sign reading, “Clifton St.” In the left is an adjoining parking lot with cars lined up. Two African American men, one seated and one standing with a cigarette in his mouth, man the lot. The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Label on recto: Jackson-Cross Company., Title from typewritten note on recto., Date inferred from content., Purchase 2000., Description revised 2022., Access points revised 2022.
[1433-1435 South Street, Philadelphia]
Real estate photograph commissioned by Albert M. Greenfield & Co. probably for publication in the firm's monthly Real Estate Bulletin depicting a three-story commercial building containing empty storefronts. Building contains signage for Greenfield & Co. offering the building for sale or rent. In the left, a woman bundled against the cold sits on the front stoop. In the center, an African American man, attired in a cap, a white collared shirt, a tie, a waistcoat with a pocket watch chain, an overcoat, and pants, stands on the sidewalk with his hands in his pockets and looks left. There is a partial view of an adjoining shoe store and two automobiles., Photographer's imprint stamped on verso and embossed on recto., Manuscript notes on verso: 1433-35 South St. [and] 1433-35 South., Manuscript note on verso: S-128., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
1815 Delancey Place, Philadelphia
Exterior view of one of the Victorian style row houses built on the 1800 block of Delancey to accommodate the growing number of the Philadelphia elite moving west in the mid-19th century. The house, designed by an unknown architect, was built in 1853 for Mrs. Alexander H. Scott. An African American man pedestrian walks on the sidewalk in the right and looks at the viewer., Photographer's imprint stamped on verso., Title from manuscript note on verso., Purchase 1986., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
1908 South Street.
Real estate photograph commissioned by Albert M. Greenfield & Company depicting Silverman's Pawn Shop and Old Reliable Clothing House for sale. Clothing, jewelry, and musical instruments are prominently displayed in the store windows. Image includes adjacent buildings at 1906 and 1910 South Street of an African American "Hair Shop of Mme. V.V. Maginley," and an abandoned Army & Navy store. The hair shop displays several beauty products and Black dolls. Posters for the "101 Ranch Wild West Street Parade" hang in the windows of the abandoned store. Also visible in the right is a man pedestrian (out of focus and ghost-like). The real estate firm was established in 1905. The Greenfield Bulletin contained photographic illustrations, property listings, and articles about the firm's important brokerage and development deals., Title from manuscript note on verso., Date based on content and active dates of the photographer., Photographer's imprint inscribed on negative., Negative inscribed: 606 D2., Stamped on verso: Greenfield Bulletin, Issue June. Page 4. No. 4., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rau Studios, established in Philadelphia in 1887 by William Herman Rau, was a respected commercial firm which operated until around the early 1930s.
2 headed girl, Millie Crissie [graphic] / J. H. Fitzgibbon, photographer, 116 North Fourth Street, St. Louis, Mo.
Full-length portrait of the African American women conjoined twins and performers known as the "two-headed nightingale" and "Carolina twins." The twins wear their hair in chin-length pin curls and are attired in an off-the shoulder, short-sleeved, light-colored, calf-lengthed dress, black boots, and crown-shaped headpieces adorned with stars. Millie (left) holds a newpaper to her side in her left hand. Christine (right) holds a book in her hands in front of her. They stand, looking toward the viewer, and posed in front of a backdrop depicting a window view. The feet of a posing stand are visible behind their feet. Millie and Christine were born in Whiteville, North Carolina on July 11, 1851, to Jacob and Monemia McKoy who were enslaved to Jabez McKay. Various enslavers and managers exhibited the twins nationally and internationally. In 1870, the sisters traveled and performed throughout the midwest., Title from item., Photographer's imprint printed on verso., Contains semi-legible printed ink transfer in upper edge of image., See History and medical description of the two-headed girl:...(Buffalo, N.Y.: Warren, Johnson, & Co., 1869). (LCP Am 1869 Hist, 70318.D)., RVCDC, John H. Fitzgibbon was a St. Louis photographer who began as a daguerreotypist. He operated from 116 North Fourth Street between 1866 and 1876 before founding the journal, "The St. Louis Practical Photographer and Illustrated Monthly Journal."
[22nd Street, west side north of Market Street, Philadelphia]
View showing an African American man laborer and two horse-drawn carts in front of the Philadelphia Gas Works building. Shows the man, attired in a cap, a coat, pants, and shoes, standing in the street with his right hand on top of the cart. Trolley tracks line the street. Includes partial view of a railroad overpass., Inscribed in negative: 215011., Inscribed in negative: 9 30 13., Title from manuscript note on negative envelope: Penna. R.R. Co. 22nd St. W. side North of Market St. September 29, 1913. Pennsylvania Railroad No. 177. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
24th Regiment, U[nited] S[tates] C[olored] T[roops] at Camp William Penn
View showing the African American 24th Regiment standing in ranks at Camp William Penn, Cheltenham Township. Two white officers stand in front of the regiment gathered next to the camp's barracks. Begun in 1863 with the support of the Union League, Camp William Penn was the first Pennsylvania camp for volunteer African American regiments. Eleven regiments were formed at the camp, including the 24th. Camp William Penn was the largest existing camp for the training of officers to lead African American troops., Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
2nd and Brown St. A stevedore, a family. [graphic].
Depicts an African American dock worker in his work clothes posed outside of his Philadelphia home with his four children. The children are dressed in old, worn clothes. In the left, the teenaged boy, attired in a knit cap, a coat, pants, and shoes, has a stern expression as he looks at the viewer. Beside him stands the African American man, wearing a mustache and attired in a cap, a sweater, torn and worn coveralls, and boots. In the center, the boy, attired in shirt, a coat with a belt at the waist, torn and worn shorts, socks, and worn shoes, stands with his hands at his sides. In the right, the young boy, attired in a hat, an oversized coat, socks, and shoes, and the boy, attired in a hat, a collared shirt, a coat, shoes, socks, and shoes, look at the viewer with their hands at their sides., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Three wives. Wife no. 3 is in the house "fussingup". No Sir-ee you is not gwan to took mah picture in deese ol' c'los., Reproduced in Frederic M. Miller, Morris J. Vogel, and Allen F. Davis' Still Philadelphia: A photographic history, 1890-1940 (Philadelphia: Temple University Press, 1983), p. 164., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[58 Good Street, Philadelphia] [graphic].
Real estate photograph commissioned by the Jackson-Cross Company depicting a young African American girl walking past a residence with a covered porch in the West Mt. Airy section of Philadelphia. The girl, attired in a long-sleeved shirt, a skirt, white socks, and Mary Jane shoes, walks on the sidewalk towards the right. On the porch are several chairs, a side table, and potted plants. The Jackson Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Title from manuscript note on recto., Date inferred from content., Purchase 2000., Description revised 2022., Access points revised 2022.
[714-716 N. 10th Street, Philadelphia] [graphic].
Real estate photograph commissioned by the Jackson-Cross Company depicting several African American laborers working in a coal, ice, and scrap lot for sale by Arthur Boswell in the Spring Garden neighborhood. In the center, an African American man, attired in a brimmed hat, a collared, zipped up jacket, an apron tied around his waist, pants, and shoes, leans on the open wooden door with signs that read, “Sale Arthur Boswell” and “Ice never fails.” The other wooden door has “coal” written in paint. In the scrapyard, several men moving material are visible. Planks of wood lie in piles on the ground. The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Title from manuscript note on verso., Date inferred from content., Number 16., Purchase 2000., Description revised 2022., Access points revised 2022.
[920 Fairmount Avenue, Philadelphia] [graphic].
Real estate photograph commissioned by the Jackson-Cross Company depicting a brick row house converted to apartments. African American men stand in the doorway and look out an open window from the building managed by Samuel T. Fox. The Jackson Cross-Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Label on recto: Jackson-Cross Company, Lincoln-Liberty Building, Philadelphia., Title from manuscript note on recto., Date inferred from content., Number 27., Purchase 2000., Description revised 2022., Access points revised 2022.
923 Olive St. (house torn down) [graphic].
Real estate photograph commissioned by the Jackson-Cross Company depicting African American children leaning against a building adjacent to a vacant lot scattered with debris. Nine boys and girls stand against the wall. The girl in the left holds a broom. The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Label on recto: Jackson-Cross Company, Lincoln-Liberty Building, Philadelphia., Title from manuscript note on recto., Date inferred from content., Purchase 2000., Description revised 2022., Access points revised 2022.
Abolition Hall
Photographic reproduction of a racist anti-abolition cartoon depicting a busy street scene with the hall being used as an interracial brothel by the second Anti-Slavery Convention of American Women on May 16, 1838. The convention, held during the week of interracial ceremonies and services celebrating the opening of the building, fulminated the racist fears of the local citizens, and on May 17th, a mob set the hall aflame, razing the building. Depicts well-dressed interracial couples, including a pair of children, strolling, kissing, and cavorting in the street and near the windows of the building. Among the couples, a Black man frolics upon a broadside referring to abolitionist David Paul Brown, a Philadelphia lawyer who spoke on May 14th, the day of dedication of the hall., Title from item., Date inferred from photographic medium and content., Illustrated in Jean Fagan Yellin and John C. Van Horne, eds. The Abolitionist sisterhood (Ithaca: Cornell University Press in cooperation with The Library Company of Philadelphia, 1994), p. 228., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McAllister Collection, gift, 1884., RVCDC, Description revised 2021., Access points revised 2021.
[Abraham Lincoln]
Bust-length photographic reproduction of engraved portrait vignette of the 16th President of the United States and author of the Emancipation Proclamation of 1863. Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, looks right., Title supplied by cataloger., Accessioned 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Abraham Lincoln] [graphic].
Half-length portrait of the 16th President of the United States and author of the Emancipation Proclamation of 1863. Lincoln, without a beard and attired in a white collared shirt, a black bowtie, waistcoat, and jacket, is in right profile. Photographed in Springfield, Illinois by Chicago photographer Alexander Hesler, the negative was acquired by George B. Ayers in 1865. Ayers printed and distributed a limited number of copy prints from the negative in the 1880s, and large numbers in the 1890s., Title supplied by cataloger., Manuscript note on verso: Copyright George B. Ayers Phila., Gift of Julia S. Obermayer, 1985., Illustrated in James Mellon's The Face of Lincoln (New York: Bonanza Books, 1979), p. 78., LCP also holds larger framed photomechanical print of the same portrait. (Inv. #657)., Description revised 2021., Access points revised 2021.
[African American basketball team]
Group portrait photograph depicting members of an African American basketball team with their coach, probably in Philadelphia. Three players sit on wooden chairs, the middle one with a basketball on his lap. Behind them, the coach and three more players stand and look at the viewer. The athletes are attired in uniforms consisting of a sleeveless shirt with a logo on the front, shorts, knee-length socks, and shoes. Posters for good health and African American participation in athletics hang on the walls, possibly of a Boys' Club or YMCA., Title from item., Photographer's imprint stamped on verso., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American serving boy]
Full-length portrait of a smiling African American boy, attired in a long-sleeved white shirt, black pants, black shoes, and a white apron, standing in front of a balustrade. He holds in front of him a serving tray of dishware., Photographer's imprint stamped on verso., Title supplied by cataloger., Date based on the active working dates of the photographer and attire of the subject., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keenan operated his studio at 526 South Second Street from around 1855 until 1867.
[African American boy playing soldier] [graphic] / Th. Nast.
Reproduction of a Thomas Nast drawing showing an African American boy, portrayed as a racist caricature and attired in a striped, collared shirt, torn and worn pants, and boots. He holds a broom like a rifle and marches near a pile of hay., Title supplied by cataloger., Date inferred from Thomas Nast drawing., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American construction crew installing a utility pole]
Scene of a crew of African American men construction workers nearing completion of the installation of a utility pole along a cobblestone city street lined with homes and businesses. Most of the crew members hold their mallets on their shoulders and wait on the sidewalk as another laborer retrieves a long pipe from their nearby utility truck. A mound of freshly dug dirt is piled near his feet. A white pedestrian observes the scene. A gas station is visible on the opposite side of the street., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American family in front of their Pennsylvania residence]
Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
[Young African American nursemaid with her young white charge]
Three-quarter length, forward facing portrait of an African American girl caregiver, possibly an enslaved girl, seated on a wooden chair with spindles. Sitter has short hair and is attired in a long-sleeved dress made of patterned fabric with small checks and an apron with white polka dots. She holds a white girl on her lap (probably her charge), with her right hand on the girl’s chest and her left hand on the left side of the girl’s head. Their heads press together side-by-side. The blond-haired, white girl, attired in a necklace, a short-sleeved, dark-colored, checked dress with a white petticoat, stockings, and black shoes, faces the viewer and smiles. Her cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Leather miniature case embossed with oval motif, contains nonpareil mat, and is missing front cover., Gift of Mrs. A. Douglas Oliver, 1977., Description revised 2021., Access points revised 2021.
[African American man delivering firewood to an African American woman]
Depicts an older African American woman standing in her doorway receiving firewood from an older African American man. The woman, wearing white hair and attired in a long-sleeved dress, a torn and worn apron, and shoes, stands in the doorway of her wooden house with her arms crossed at her waist. In the right, the man, wearing white hair, a torn and worn coat with patches, pants, and shoes, stands with a large bundle of firewood in his hands. In the left are wooden buckets and a bowl., Title supplied by cataloger., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won several prizes.
[African American man sitting near a building, probably in Philadelphia] [graphic].
View showing an African American man sitting on an enbankment next to a stairwell to a building adorned with ornamental ironwork. The man hangs his head down, his hands together, and his elbows on his knees. He is attired in a cap, jacket, pants and laced shoes. A jagged cobblestone walkway is visible in the foreground., Title supplied by cataloger., Date inferred from date inscribed on other photographs in the series., Part of a number of views taken by Fetters within a series of his work in the Swayne Collection [P.2017.88.76.1-52]., Description reviewed 2022., Access points reviewed 2022.
[African American minstrel group performing on a riverboat]
Scene depicting a group of four African American men singing and playing guitars while surrounded by spectators, seated on the deck of a riverboat, possibly in Tennessee. The musicians sit on a raised platform with their feet dangling. The third performer to the right plays a star shaped guitar and sings with his head tilted back and mouth wide open. He props his right foot on a stool. In the right, two African American men sit in wooden chairs. Surrounding the musicians, white men, women, and children sit and stand and look on. In the background, people walk on the deck and the smokestacks are visible., Title supplied by cataloger., Date inferred from content and attire of the sitters., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
[African American primary school classroom]
Depicts two African American women teachers overseeing a class of African American grade school children. The younger children play on the floor and at tables with blocks. The older ones sit and read on benches lining the wall. On the floor, a group of girls play with white dolls as others ride on tricycles and push a carriage. In the left, a teacher stands by two blackboards; one board lists the names of good and bad boys, and the other of good and bad girls. Stencils of animals and playing children decorate the walls., Title supplied by cataloger., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American toddler and baby in a pile of cotton]
Copy print of a circa 1925 print depicting two babies, outdoor, in a large pile of cotton. In the left, the toddle, attired in a beaded necklace with a white cloth wrapped around its waist, sits up with some cotton in its hands and looks to the right at the infant. In the right, the infant lies in the cotton with its arms out., Title supplied by cataloger., Date inferred from photographic medium and content., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Depicts the African American men waiters posed amongst the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white or black jackets, and pants, stand around and in between the tableclothed dining tables facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Unmounted carte-de-visite photograph., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American waiters in the large dining room, Great Central Fair of 1864, Philadelphia, Pa.]
Depicts the African American men waiters posed among and seated at the dining room tables of the patriotically decorated dining room of the Fair's restaurant department. The waiters, attired in white collared shirts, bowties, white jackets, and pants, sit at the tableclothed dining tables and look at the viewer. Nine waiters, attired in white collared shirts, black bowties, black jackets, and pants, stand in a line in the middle of the room facing the viewer. American flags decorate the wall in the background and hang on the pillars. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title supplied by cataloger., Date inferred from content., Probably by Philadelphia photographer A. Watson., Originally part of a McAllister scrapbook on the Sanitary Commission. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American nanny with two white charges in Atlantic City]
Full-length portrait of an African American woman caretaker standing on the steps with a white girl and a white boy. The woman, wearing her hair tied up and attired in a hat and a long-sleeved, white dress with a belt, stands on the sidewalk before the stairs with her right hand in front of her waist and her left hand behind her back. The girl, wearing her curly hair with a bow tied in the left and attired in a long-sleeved white dress with a belt, white socks, and Mary Jane shoes, stands on the steps facing the viewer with her hands at her side. In the right, the boy, attired in a sailor suit with a belt and shoes, stands facing the viewer with his hands at his sides. In the left is "The Criterion," a hair dressing parlor in Atlantic City. The parlor operated from 1907 until 1908, first at the Hotel Islesworth, then The Hotel Bothwell., Title supplied by cataloger., Date inferred from the attire of the sitters., Accessioned 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American woman holding a dog.]
African American woman sitting in a meadow holding up a small dog from her lap. The woman, attired in a short-sleeved dress, smiles and looks at the viewer as she holds a small white and brown dog up. Trees and a vegetable garden are visual in the background., Title supplied by cataloger., Date inferred from attire of sitter and active dates of the photographer., Purchase 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich was a professional Philadelphia landscape photographer and avid traveler who privately produced several candid portraits of family and friends.
[African American woman nursing a baby on a porch in the presence of a man.]
Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[African American woman playing tambourine] [graphic].
Snapshot photograph showing an African American woman outside and playing a tambourine between two white women who play guitars. The white woman in the left is partially removed from the view and the white woman in the right is partially obscured by the woman playing tambourine. The tambourine player has her hair pulled back and wears a silk shawl and long, ruffled, tiered skirt. Spectators, including an African American boy attired in overalls, and white men attired in summer suits stand near and behind the women. Wooden warehouse and barn-like structures, including one with signage reading "Sterline," are visible in the background., Title supplied by cataloger., Date inferred from format of photograph and attire of sitters., Gift of Ivan Jurin, 2019., Description revised 2022., Access points revised 2022.
[African American worker at a work site near the Trenton Elevated Railroad Bridge in Philadelphia.]
Portrait of an African American construction worker standing next to a support column of the Philadelphian & Trenton Railroad Bridge at Trenton Avenue near Frankford Avenue. The man, attired in a bowler hat, a long-sleeved shirt with only the top buttoned, torn and worn overalls, and shoes, tucks his hands into the waist of his overalls and looks at the viewer. Behind him, two laborers perform street work, including a white man holding a shovel that looks at the viewer. In the background is Frankford Avenue. Pedestrians walk on the sidewalk along the row of brick buildings., Title supplied by cataloger., Date inferred from content and attire of the people., Gift of Ruth Molloy, 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[African American youth playing banjo.]
Interior view depicting a seated African American boy singing and playing the banjo in a nicely furnished parlor. The boy, attired in a white collared shirt with the sleeves rolled up, a dark-colored waistcoat, pants, and shoes, holds the banjo on his lap and looks up and to the right with his mouth open. In the left, a broom is propped against a wooden chair. Behind him is a closed door and a framed object hung on the wallpapered wall., Title supplied by cataloger., Frances Orlando's "George Bacon Wood, photographer of the 1880s: an introduction to the Wood Collection in the Library Company of Philadelphia. (Master's thesis, Philadelphia College of Art, 1985), p. 42., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international exhibitions. His photographs won several prizes.
[Aftermath of the Broad Street Station fire, Philadelphia, June 1923]
Scene showing a large crowd of men and women commuters on a makeshift walkway stretching to the back of the interior of the train shed. Depicts the crowd, including African Americans, milling about on the landing overseen by a railroad conductor. Two laborers with a plank, one an African American, wait at the front of the crowd. Labor crews on either side of the commuters repair the destroyed platforms and tracks upon which burnt out train cars rest. Under a sign pointing left "To Filbert Street," a conductor and two men consult near a telephone box. The Broad Street Station fire started on a Monday and burned for three days. The fire was still burning when 2000 laborers began repairing the station to reopen that Friday., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Detail of the back of the memorial, sculpted by J. Otto Schweizer, erected in 1934 by the Commonwealth of Pennsylvania in memory of all African American military men who have served in war time. Depicts three of the four female allegorical bronze figures representing War, Liberty, Peace, and Plenty. They flank a commemorative plate embellished with Pennsylvania's seal and listing the monument's commissioners. Erected after much controversy on Lansdowne Avenue in West Fairmount Park, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
View of the back of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the flame, four female allegorical figures representing War, Liberty, Peace, and Plenty, flank a commemorative plaque. Trees are visible in the background. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna. June 30, 1934. No. 786., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
View depicting the front of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the torch, a female allegorical figure of justice stands holding wreaths symbolic of honor and reward. She is flanked by five figures of African American military personnel from each branch of the armed service. A dedication is inscribed into the memorial's granite pedestal which is adorned with a wreath. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna., Inscribed in negative: 786A., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[American Legion parade, Broad Street, Philadelphia, August 30, 1949]
Scene from the parade showing a float of the battleship "Post 654, Waterman ILL" passing a large crowd in front of the Ritz-Carlton Hotel, opposite the Bellevue Stratford Hotel, near Walnut Street. Men, women, and children spectators, including African Americans, sit and stand along the street and look on from windows and balconies. A photographer on a ladder records the event in the street. American flag bunting and a sign that reads, "Welcome Delegates" decorate the awning of the Ritz-Carlton Hotel. The American Legion, chartered in 1919, is a patriotic veterans mutual aid society., Title supplied by cataloger., Date from manuscript note written on verso: 1371 American Legion Parade Aug. 30 49 passing Bellevue Stratford Hotel, Philadelphia., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Amy Smith, April 17, 1876. [graphic] / Photographed by B.F. Reimer, nos. 613, 615 and 617 Nth. Second St. Philad'a.
Half-length portrait of Smith, a young African American woman, posed to the left. She looks forward toward the viewer. She wears a plaid-patterned garment, a white, upturned collar, and a bowtie-like ribbon at her neck. Her hair is pulled back and she wears a hair band. Smith, born in Virginia resided in Philadelphia by 1870. Smith was buried at the Harmony Burial Ground, the burial ground of the African Friends to Harmony at 41st and Chestnut Street in West Philadephia. African Friends, founded in 1826, sought to provide a cemetery for low-income African Americans to be interred with dignity and respect. Several of those buried in the cemetery were associated with the Monument Baptist Church or the Mount Pisgah A.M.E. Church. The property was sold in 1910. In 2020, the remains of over 160 burials were transferred to Eden Cemetery., Title from manuscript note on mount., Photographer's imprint printed on verso., Printed on verso: No. [57860]. Duplicated any time if orderd by the original, or by a responsible person., Manuscript note on verso: died March 23d 1878., Partially purchased with funds for the Visual Culture Program., RVCDC

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