The Civil War photographs primarily contain stereograph and cartes-de-visite series issued by the prominent Civil War photographers Mathew Brady, Barnard & Gibson, Alexander Gardner, and Levy & Cohen. The over 150 views principally depict the aftermath of Union campaigns in the South, including the fall of Richmond. Other significant series of Civil War-era photographs include images photographed by A. Watson of the Great Central Fair in Philadelphia, and interior views of the Union Volunteer Refreshment Saloon taken by Robert Newell. Cartes-de-visite caricatures satirizing military figures, battles, the home front, camp life, the Confederacy and African Americans are also a significant portion of the Civil War photographs.

Pages

[Abraham Lincoln caricature satirizing the draft] [graphic].
Photographic reproduction of a racist caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln feeding a bottle of the "Black Draft" to a haggard looking man who sits with his feet in a tub. The bottle of "Black Draft" contains figures of African Americans., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln.
[African American boy playing soldier] [graphic] / Th. Nast.
Reproduction of a Thomas Nast drawing showing an African American boy, portrayed as a racist caricature and attired in a striped, collared shirt, torn and worn pants, and boots. He holds a broom like a rifle and marches near a pile of hay., Title supplied by cataloger., Date inferred from Thomas Nast drawing., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Angel of peace [graphic].
Caricature of New York mayor and Peace Democrat (i.e. Copperhead) Fernando Wood. Shows Wood with devil wings and horns, seated on a rock, with a snake labeled "Copperhead" wrapped around his ankle., Publisher's imprint with logo printed on verso., The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871.
Apartments to let. Fort Lafayette. [graphic] / J.H.G.
Satiric carte de visite of a reproduction of a drawing of the New York island fort opposite Fort Hamilton used a a prison during the Civil War. Includes a boat of prisoners being rowed to the facility. The fort, completed circa 1818, was the first Northern location to receive prisoners of war in July 1861. Fort was razed in 1960., Copyright information partially legible., 5779.F.10c is unmounted carte de visite., Originally part of a McAllister scrapbook of Civil War Views, Events, & Places., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
"As if he had been in a bottle strongly corked." [graphic] / WFG.
Photographic reproduction of a caricature satirizing Benjamin Butler's failed expedition at Bermuda Hundred on the peninsula at the confluence of the Appomattox and James rivers during the Bermuda Hundred Campaign (1864). As quoted in Ulysses S. Grant's 1885-1886 memoirs, Butler's command of the movement of the troops left the general "as if he had been in a bottle strongly corked" by the Confederate line. Shows Butler encased in a corked bottle in front of a map labeled "Bermuda Hundred.", LCP holds original caricature drawing, probably originally part of a McAllister scrapbook [drawings & watercolors - unid. - B (P.2006.1.11)]., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Beauties of the draft [graphic].
Series of six scenes satirizing the inequities and consequences of the Civil War draft. Shows a man bribing a Doctor to declare him as "too delicate" for the draft; a mother having a "last go" at a liquor bottle in front of her departing son; a soldier trying to talk a drunkard into enlisting; a soldier trying to move a stubborn mule; a man forced over by a gushing casket of lager to "avoid the draft"; and an enlisted man kissing his girl in front of a recruiting office as 'No substitute wanted.', Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Turner was a New York daguerreian and photographer., Digitized by Alexander Street Press for Images of the American Civil War.
Billy Morris [graphic] / [Gladding]
Photographic reproduction of a caricature by William J. Gladding, Jr. of minstrel performer Billy Morris. Shows Morris at the bridles of a horse-drawn buggy followed by the grim reaper., Name of artist from duplicate in the collections of the University of Washington Libraries, Special Collections Division., Originally part of a McAllister scrapbook of portraits., Digitized by Alexander Street Press for Images of the American Civil War.
A bitter "draught" [graphic].
Photographic reproduction of a caricature satirizing the forced conscription of the poor and immigrant classes unable to pay for substitutes during the Civil War. Shows Abraham Lincoln, attired in a smock adorned with stars, feeding "Conscription" medicine from a bowl to a scrawny Irishman who has his mouth wide open. An advertisement for "Dr. Lincoln's Ready Relief Pills" adorns the wall behind them., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Brady's Album Gallery.
Incomplete series of the "Brady Album Gallery" of Civil War views first published in 1862 by New York publishers, E. & H.T. Anthony. Contains camp scenes, views of historic residences and military fortifications, and group portraits predominately photographed by unattributed Brady technicians, James F. Gibson and George N. Barnard. Gibson and Barnard hold copyright to twenty-six of the series. Contains series No. 1, 100, 100 (variant), 289, 302 - photographed by Barnard; No. 355, 360-361, 363-372, 377-380, 382-384, 388 - photographed by Gibson; No. 423-424, 427 - copyrighted and probably photographed by Brady., Views include: the incomplete Capitol in Washington, D.C.; General McClellan's 1862 campaign on the Virginia Peninsula including Union artillery batteries near Yorktown and Union headquarters of Generals McClellan, Scott, and Lafayette; and the inflation and ascent of the Union reconnaissance air balloon, "Intrepid." Group portraits depict African American Civil War freedom seekers, Union officers, and Union soldiers., Copyrighted by Barnard & Gibson and Mathew Brady., Stamp of Philadelphia distributor, McAllister and Brother, 728 Chestnut Street, pasted on verso of two of the series., Names of the photographers supplied by "Catalogue of photographic incidents of the war from the gallery of Alexander Gardner (Washington: H. Polkinhorn, 1863)." (Transcription in LCP research file)., Gift of Jesse G. Haydock, 1981., Description revised 2021., Access points revised 2021., Forms part of Small Civil War Photograph Collection., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Cabinet series - No. 5. "Bombastes furioso." [graphic].
Photographic reproduction of a caricature of the Civil War Commander-in-Chief Henry Wager Halleck (1862-1864) that alludes to the "Bombastes" character in the 1810 opera "Bombastes Furioso." Shows Halleck wearing boots with huge spurs and holding a sword and pointing a finger at a boot marked "Commander in Chief" hanging from a tree. The opera character threatened death to anyone who removed his boot from a tree., Manuscript note on recto: Halleck., Originally part of a McAllister, Hart, Phillips scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
[Caricature of Jefferson Davis attired as a Chinese man] [graphic].
Shows Davis on a coast in front of a fleet of ships labeled "200 Chinese fleet" sailing toward a Chinese pagoda labeled "Richmond" in the background., Title supplied by cataloguer., Originally part of a McAllister scrapbook of Jefferson Davis and Confederate material., Digitized by Alexander Street Press for Images of the American Civil War.
Cartes de visite reproductions of "Campaign Sketches" [graphic] / [Designed and drawn on stone by Winslow Homer]
Series of reproductions of lithographs of military life "sketched on the spot" by Homer and originally published by L. Prang & Co. in 1863. Includes "A Pastime," "The Coffee Call", and "Our Jolly Cook" showing white men soldiers gathered around camp fires to play cards; get coffee; and watch the African American man camp hand, portrayed as a racist caricature, dance. Also shows white men soldiers "Foraging" as they round up a cow on a homestead; the "Baggage Train" with two African American camp hands on the back of a conestoga wagon; and "The Letter for Home" showing a white woman volunteer assist an injured white man soldier in the hospital to write a letter., Title and date based on the L. Prang & Co. publication in 1863., Three of the images signed by artist: Homer del., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Original lithographs described in Katherine McClinton's The chromolithographs of Louis Prang (New York, C. N. Potter distributed by Crown Publishers, 1973), p. 144-147., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War.
Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Cartes de visite satirizing the Civil War revenue systems [graphic].
Series of eleven satiric pieces with verse by sketch artist George D. Brewerton critical of the revenue systems instituted during the Civil War, particularly paper money. Satires depict montages and layouts of banknotes, coinage, and revenue stamps to mock the Revenue Act of 1862, which instituted revenue stamps, the National Banking Acts of 1863 and 1864, which promoted a national banking system; and the dubious value of Union and Confederate banknotes. Titles include The Almighty Dollar; A Chas[t]e Attempt; Modern Curiosities; A Public Nuisance; Our Bleeding Country's Infernal Revenue Stamps; The Southern Cross; Uncle Abe's Last Joke; and Very Hard Cash. Some montages also include portraits or caricatures of Abraham Lincoln, Jefferson Davis, and U.S. Treasury Secretary Salmon P. Chase., Includes one unmounted carte de viste., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Caught at last! [graphic].
Photographic reproduction of a caricature depicting General George Meade pointing a gun at a Confederate general, depicted as a snake. The men stand near a sign labeled "To Richmond.", Originally part of a McAllister, Hart, Phillips scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Civil War photograph collection [graphic].
Collection of Civil War photographic views predominately of cartes de visite and stereographs from Levy & Cohen's "Views of the Rebel Capital and its Environs"; Mathew Brady's "Album Gallery" or "Photographic Views of the War"; Alexander Gardner's "Illustrations of the War"; and E. & H. T. Anthony's "War for the Union" series. Majority of the photographs depict battlefields; military camps, fortifications, headquarters, depots and ruins; historic sites in Washington D.C.; Virginia and Georgia during Sherman's Expedition to South Carolina; the Virginia campaign from the Battle of Bull Run to the evacuation of Manassas; General McClellan's 1862 campaign on the Virginia Peninsula; General Pope's 1862 Campaign in Virginia; General McClellan's 1862 Campaign in Maryland; General Burnside and Hooker's 1862-1863 Campaign in Virginia; and General Grant's 1864 Overland Campaign. Images also show hospitals, prisons, battle mortalities, and cemeteries. Collection also includes a small number of unidentified views showing ruins of a battery; portraits of soldiers in formation and at leisure; soldiers maintaining cannons at batteries; a birds-eye view of city ruins; views of warehouses occupied by the military, possibly used as hospitals; and a camp scene, including soldiers' laundry drying on a haystack., Also contains a reproduction of a view of soldiers crossing a river by artist Alexander Lawrie; a carte de visite reproduction of a view of Camp Meigs, Philadelphia, Pa; and fourteen cartes de visite portraits of military officers issued as part of Brady's "National Portrait Gallery" as well as group and camp life portraits of officers, soldiers, and servants at Camp Cameron, D.C., Camp Winfield Scott, Foller's Farm, and Brandy Station in Va. One of Camp Cameron portraits includes an African American boy shining shoes. Three photographs of Civil War monuments in honor of the Battle of Gettysburg, including two monuments dedicated to the 28th PA. Regiment Infantry and a monument dedicated to C.S.A. Longstreet's Corps, Hood's Division, Law's Brigade Alabama infantries, also included with the collection., Views show the Georgetown Aqueduct, National Soldiers Cemetery, and the March 5, 1865 second inauguration of President Lincoln in Washington D.C.; Fort Sumter during battle, in ruins, and during the April 14, 1865 flag raising in honor of its recapture by the Union; encampments at Aquia Creek, Va. and Fredericksburg, Va.; the tomb of Washington's mother at Fredericksburg, Va.; cityscape views, and Rappahannock Bridge during and after Burnside's 1862 expedition to N.C.; Union artillery batteries near Yorktown, Va. (1862); Belle Plain, Va., including the Camp of the 150th Pennsylvania Infantry (1863) and Quartermaster Depot (1864); North Anna River, Va. (1864) including Quarles Mill, Jericho Mill and 50th New York Infantry engineers building a road on the south bank; City Point, Va., the Union supply center during the command of General Grant, including Grant's headquarters, the railroad depot, docks, and landing; Union mortalities from the Battle of Antietam and Battle of Gettysburg; Georgia, including the ruins of Union Fort Pulaski (1862), Confederate Fort Atlanta under Union control (1864), and the dismantling of Fort McAllister following General Sherman's 1864 raid of Savannah; the 1865 ruins of Charleston, Va. including the South Battery and Cheeves Battery; the ruins of Richmond following the Siege of Petersburg (1865), including Ballard's Hotel, Mills Hall, Libby Prison, the residence of General Lee, the Irish neighborhood known as the Rockets, and the burnt district. Views also include soldiers; civilians; camp hands; refugees, including African American contraband; bridges, wagon caravans; cannons; tents; log cabins; naval vessels, including gunboats, steamers, and frigates; forestry; marshland; and horses., Several images in the collection copyrighted by Barnard & Gibson, Mathew Brady, and Alexander Gardner., Stamp of Philadelphia distributor, McAllister & Brother, 728 Chestnut Street, pasted on verso of two of the cartes de visite in collection., Photographers include George Barnard, Mathew Brady, James Gibson, Alexander Gardner, Timothy O'Sullivan and Philadelphia photographers Levy & Cohen., Publishers include E. & H. T. Anthony, Alexander Gardner, and Levy & Cohen., Title supplied by cataloger., Date inferred from content., Names of the photographers supplied by the original negatives in the Civil War Photographs Collection, Library of Congress, Washington, D.C., Majority of collection originally part of a McAllister scrapbook of Civil War Views, Places, and Events. McAllister Collection, gift, 1886., Barnard & Gibson and Brady negative numbers include 1; 100; 102?; 268; 279; 282; 289; 295; 297; 302-305; 307; 308; 309(variant); 311-312; 314(variant); 317-319; 321; 323; 326; 329; 351; 355; 356(variant); 357(variant); 359?; 360-361; 363-372; 377-380; 382-384; 388; 423-424; 427; 449; 481; 553; 584; 637; 676; 679; 700; 753; 794; 795?; and 941., Levy & Cohen negative numbers include 453-459; 461(variant); 462; 464-469; and 488., Digitized by Alexander Street Press for Images of the American Civil War., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
"Columbia rode safe through the storm." [graphic].
Reproduction of an allegorical print showing the American flag waving among storm clouds., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
[Comic scene showing a Confederate officer fleeing from a U.S. cannonball] [graphic].
Reproduction of a drawing showing the officer, his hat flown off, trampling on a map marked "C.S.A." Also shows soldiers fleeing in the background., Title supplied by cataloguer., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
A copperhead [graphic].
Photographic reproduction of a caricature of Philadelphia Peace Democrat and lawyer William B. Reed depicted as a snake in the grass. Reed, chastised as a traitor, was an outspoken critic of the Lincoln administration who promoted recognition of the Confederacy as the means to peace., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil war.
A copperhead [graphic].
Photographic reproduction of a caricature of Philadelphia Peace Democrat and lawyer William B. Reed depicted as a snake in the grass. Reed, chastised as a traitor, was an outspoken critic of the Lincoln administration who promoted recognition of the Confederacy as the means to peace., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil war.
A distinguished arrival. [graphic] : Negro soldier - "Hi dar! Show dis ole lady a room - one wid a closet to put dis yar skelle in tum in!"
Cartoon satirizing the imprisonment at Fort Monroe, Va. of Confederate president Jefferson Davis, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Shows an African American soldier escorting Davis to a cell door at the "Hotel De Monroe." In front of the door a noose hangs. Davis, attired in a bonnet, shawl, and overcoat, holds a money bag labeled "JD. CSA" (an allusion to Davis's confiscation of the remaining Confederate treasury). The soldier holds a bayonet to which a skirt hoop is attached and speaks in the vernacular "Hi dar! Show dis ole lady a room..." In the background, a smiling sun, an African American soldier, and a ship sailing the bay are visible. Davis was imprisoned at Fort Monroe between 1865 and 1867., Title from item., Date from copyright statement: Ent'd according to act of Congress, in the year 1865, by J. Chapman in the Clerk's Office of the District Court, for the Southern District of New York., Purchase 2004., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
"Done gone." [graphic].
Reproduction of an allegorical drawing depicting a tombstone inscribed "Hic Jacet Secesh" to represent the death of the South from Secession. Shows a black drape partially covering the tombstone and objects symbolizing the South, including a straw hat, hoe, corn cob, and dime novel, "the Pretty Milkmaid," laid around it., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
Edwin Booth [graphic] / Gladding.
Photographic reproduction of a caricature by William J. Gladding, Jr. of actor Edwin Booth in the character of Hamlet. Booth portrayed the character for 100 consecutive nights between November 26, 1864, and March 22, 1865, Originally part of a McAllister scrapbook of portraits., Digitized by Alexander Street Press for Images of the American Civil War.
Gen. Gilmore."I have no words, my voice is my gun." [graphic].
Reproduction of a satiric drawing criticizing Gen. Q.A. Gillmore's use of greek fire, i.e., an incendiary shell to bombard Charleston, S.C., a civilian center, in August 1863. Shows Gillmore addressing a soldier holding a protest banner near the cannon at the marsh battery, "Swamp Angel," on Morris Island. The banner reads "Protest of the use of Greek Fire. It is unchristian, uncivilized, and uncomfortable.", Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
The ghost of an "old soger" in camp. [graphic].
Reproduction of a satiric drawing alluding to the "old soger," General Winfield Scott, the retired first commander of the U.S. Army during the Civil War. Shows a huge smoking cigar bud, i.e., an "old soger," propped up in the middle of "Camp Scott." An officer looks on in disbelief., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
The great anaconda or creature of the woods [graphic]
Photographic reproduction of a drawing showing Union Commander in Chief George McClellan, as an anaconda with its tail being pulled by a hand through a hole in a box. Refers to the unadopted Anaconda Plan initally proposed in 1861 by then Commander in Chief Winfield Scott and later interpreted by McClellan who became primarily associated with it. Plan involved blockades of Southern ports, a thrust down the Misssippi Valley, and a line of Federal strongholds., Publisher's imprint with advertising text printed on verso., Manuscript note on verso: George B. McClellan., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Grinning for the presidency. [graphic].
Photographic reproduction of a caricature satirizing the undesirability of the possible candidates for the presidential election of 1864. Shows George McClellan, John Fremont, Abraham Lincoln, and Benjamin F. Butler wearing horse collars on a stage in front of a grinning spectator. A broadside reading, "Great Match. Grinning through Horse Collar. The Ugliest to Win. Prize White House." adorns the stage., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
The guerrilla chieftan. [graphic].
Photographic reproduction of a caricature showing Jefferson Davis, president of the Confederate States, with the body of a guerilla., Unmounted carte de visite., Originally part of a McAllister scrapbook of Jefferson Davis and Confederate material., Digitized by Alexander Street Press for Images of the American Civil War.
The happy governor of Massachusetts [graphic].
Photographic reproduction of a caricature of John Albion Andrew. Shows the rotund governor skipping. Andrew organized the first African American Civil War regiment., Originally part of a McAllister, Hart, Phillips Civil War scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.
Hawkins Zouaves 9th Regt. [graphic] / Gurney & Son, photo. N.Y.
Reproduction of a caricature of a Zoauve from the New York regiment. Shows the soldier with an abnormally long neck, running, with his rifle on his shoulder., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
[Headquarters Lafayette - Headquarters Gen'l Porter. Farinholt's house and York River in the distance.]
View from the Civil War showing the headquarters of General Lafayette and General Porter near Yorktown, Virginia during General McClellan's Campaign on the Peninsula. Depicts white Union soldiers, and African American men and a boy, probably freedom seekers, posed before Farinholt's dilapidated house supported by a large log. Several camp tents and the York River are seen in the background., Title from cdv photograph, Brady's Album Gallery, no. 370., Photographer given in Gardner catalogue (see LCP research file)., Date from copyright statement: Entered according to act of Congress, in the year 1862, by Gardner & Gibson, in the Clerk's Office of the District Court of the District of Columbia., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Alexander Gardner was a respected photographer, businessman, and former manager of Mathew Brady's Washington, D.C. Gallery who produced the acclaimed "Photographic sketchbook of the Civil War.", Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James F. Gibson was a prominent Civil War photographer and one-time manager of Mathew Brady's Washington, D.C. gallery who also provided images for photographer Alexander Gardner's "Catalogue of photographic incidences of the war..." and "Photographic sketchbook of the Civil War."
Home on sick leave. [graphic] / Gurney & Son, photo. N.Y.
Reproduction of a caricature showing a soldier dining with a young lady attired in an absurd hat. The soldier sips from a straw and looks sheepishly at his dining partner., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., See related print: political cartoons - 1863 Hom [5780.F.d].
I cannot sing the old songs. Or, the late home of a Union soldier. [graphic] / Designed and published by N. Monroe, M.D., Philadelphia.
Reproduction of a drawing showing a young widow, in mourning attire, crying over a piano in a parlor. A portrait of her deceased soldier husband hangs in the background., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze.
I wish I was in Dixie [graphic].
Photographic reproduction of a racist and anti-abolition caricature of Abraham Lincoln showing Lincoln as a banjo playing Southerner with a copy of the Emancipation Proclamation in his pocket., Title from item., Date inferred from content., Originally part of McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Intelligent contraband [graphic].
Reproduction of a caricature of Horace Greeley, publisher of the newspaper, The New York Tribune. Shows Greeley as a hobo carrying a bundle on a stick inscribed "New York Tribune. H. Greeley."., Originally part of a McAllister scrapbook of a collection of portraits., Digitized by Alexander Street Press for Images of the American Civil War.
It's no use knocking at the door. [graphic].
Photographic reproduction of a caricature showing George McClellan holding a valise labeled "Strategy" using the knocker of a door labeled "White House" and "1865." James Gordon Bennett, publisher of the New York Herald, attired as a Scotsman and holding a valise labeled "N.Y. Herald" accompanies the former commander-in-chief of the U.S. Army. The New York Herald published several stories critical of Lincoln's management of the war., Originally part of a McAllister scrapbook of materials related to George B. McClellan., Digitized by Alexander Street Press for Images of the American Civil War.
It's no use knocking at the door. [graphic].
Photographic reproduction of a caricature showing George McClellan holding a valise labeled "Strategy" using the knocker of a door labeled "White House" and "1865." James Gordon Bennett, publisher of the New York Herald, attired as a Scotsman and holding a valise labeled "N.Y. Herald" accompanies the former commander-in-chief of the U.S. Army. The New York Herald published several stories critical of Lincoln's management of the war., Originally part of a McAllister scrapbook of materials related to George B. McClellan., Digitized by Alexander Street Press for Images of the American Civil War.
Jefferson Davis smelleth a mice and reflects. [graphic].
Photographic reproduction of a caricature showing a rotund man, turned away from a full length mirror and aghast at a mouse scurrying down a pole resting on the rung of a rolling ladder., Originally part of a McAllister scrapbook of materials related to George McClellan., Digitized by Alexander Street Press for Images of the American Civil War.
John Collins [graphic].
Photographic reproduction of a caricature of the New Jersey Quaker, founder of the New Jersey Horticultural Society, and developer of Miami Beach, Florida., Originally part of a McAllister scrapbook of portraits., Digitized by Alexander Street Press for Images of the American Civil War.
Joseph Hooker [graphic].
Photographic reproduction of a caricature of the Union General known as "Fighting Joe" Hooker. Shows Hooker as a pugilist., Title from manuscript note on mount: Jos. Hooker., Originally part of a McAllister, Hart, Phillips Civil War scrapbook., Trimmed., Digitized by Alexander Street Press for Images of the American Civil War.

Pages