Pages

California state building.
Elevated, exterior view looking southeast at the California state building with a view of Machinery Hall in the background. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from manuscript note on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Callowhill St. Bridge
View showing a segment of the Callowhill Street railroad bridge, also known as Spring Garden Street Bridge, built 1874-1875 by the Keystone Bridge Company after the designs of engineer Jacob H. Linville. Depicts the lower deck used by pedestrians. Bridge demolished in 1964., Title printed on mount., Photographer's imprint printed on mount., Description of "Philadelphia, Pennsylvania" printed on verso., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Callowhill St. Bridge, Phila.
View from within the Callowhill Street Bridge showing the lower pedestrian deck of the Pennsylvania Railroad bridge spanning the Schuylkill River. The bridge, also known as the Spring Garden Street Bridge, was built by the Keystone Bridge Company from 1874-1875 after the designs of engineer Jacob H. Linville. It was demolished in 1964., Grey mount with rounded corners., Title inscribed in negative., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Callowhill Street Bridge
View showing the Pennsylvania Railroad bridge, also known as Spring Garden Street Bridge, built over the Schuylkill River from 1874-1875 by the Keystone Bridge Company after the designs of engineer Jacob H. Linville. Demolished in 1964. Bridge adorned with ornate ironwork, including lampposts and fencing., Title from manuscript note on verso., Photographer's imprint printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Callowhill Street Bridge, Philadelphia, Pa.
Cigarette card promoting the Honest Long Cut brand of the American Tobacco Company. Depicts a view of the Pennsylvania Railroad bridge, also known as Spring Garden Street Bridge, built over the Schuylkill River from 1874-1875 by the Keystone Bridge Company after the designs of engineer Jacob H. Linville. Demolished in 1964. Bridge adorned with ornate ironwork, including lampposts and fencing., Title printed on recto and verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Calvary Church, 4th Ave. and 22nd St.
Exterior view showing the Gothic-style Protestant Episcopal church built in 1846 after the designs of James Renwick Jr. on Park Avenue South (i.e. 4th Avenue) at 21st Street., Publisher's label pasted on verso., Yellow mount with square corner., Distributor's imprint partially stamped on verso: [McAllister Optician 627 Broadway New York]., Inscribed in negative: 4626., Originally from a McAllister scrapbook of Views of New York, Thomas H. McAllister, brother of Philadelphia antiquarian, John A. McAllister, established an optician shop in New York in 1855., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871.
Camac's Woods, Philadelphia.
Shows a wooded path and fenced corn fields on the estate of gentleman Turner Camac (i.e., Carnac) at the northeast corner of Eleventh Street and Montgomery Avenue. Views also include a man and several boys posed on and near a fence. The Camac estate was built circa 1841 and demolished in 1870., Attributed to John Moran., Yellow paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Cambridge Street.]
Depicts row homes on Cambridge Street., Numbered 5669 on recto., Title illegible., Sheet number: 156B10., Real photo. Divided back. Post marked 1909., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Camden & Atlantic Railroad. The short and popular route to Atlantic City.
Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Camp Rice, Philadelphia, 1876.
View of the Eighth Regiment Infantry of the Massachusetts Volunteer Militia's military camp near George's Hill in West Fairmount Park during the Centennial Exhibition. Shows an American flag flying over rows of tents in the background. Camp named after Boston mayor and Commander-in-Chief Alexander Hamilton Rice. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art from May 10 to October 10, 1876., Title printed on mount., Photographer's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Campuzano Bros., Malaga.
Illustrated trade card surrounded by an ornate gilt border depicting a woman attired in robes standing on a chariot composed of a flower-covered seashell and harnessed to large butterflies., Cataloging funded by a grant from the National Endowment for the Humani+ties (PW-506-19-10), 2010-2012., Digitized.
[Canada Lumber Exhibit]
View showing the Canadian Log House with men standing on the roof and on the tower surmounted by the American and Canadian flags. Men also stand on the ground level looking toward the camera. Train tracks are visible in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title illegible on negative. Supplied by cataloger., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Variant of Holstein stereos - P.2011.47.290 & 291., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Candy at Hayward's. We sell the very finest qualities of Philadelphia candies, at very low prices. We have the prettiest candy department in this city. 305 and 307 Washington Street.
Illustrated trade card depicting a large butterfly and flowers., Title from advertising text printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Cape Town from the Clough Road, Cape of Good Hope, Africa.
View showing the cityscape in the distance with rocky terrain in the foreground., Title from manuscript note on verso., Photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Capitol at Washington, 1857.
Faded view showing the United States Capitol building with a canal in the foreground. Also shows a docked rowboat and piles of lumber stacked on the ground nearby. Capitol building built 1793-1829 after the designs of Benjamin Henry Latrobe and Charles Bulfinch and the current dome and the House and Senate wing extensions by Thomas U. Walter and August Schoenborn in the 1850s., Publication date inferred from color and style of mount., Title from manuscript note on verso., Publisher's label pasted on verso., Green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carey, Bro. & Grevemeyer, 423 Market St., Philadelphia, booksellers, stationers and blank book manufacturers, paper curtains, oil shades and shading, floor and table oil cloth. Also, jobbers and manufacturers of wall paper.
Wall calendar with tear sheets. Mount contains a vignette showing the Carey Bro. & Grevemeyer wallpaper "Factory, 2228 to 2234 North 10th Street." View also shows street traffic, including horse-drawn carts and a locomotive. R. Davis and Theodore Carey and W.H. Grevemeyer partnered circa 1883 with a retail store on Market Street and a wall paper manufactory at North Tenth Street. The firm succeeded Hollowbrush & Carey, booksellers, stationers, and blank book manufacturers., Advertising text printed in borders: Orders by Mail promptly attended to. Blank books of all kinds Made to Order. Estimates furnished for Printing of all kinds., Bottom edge of each calendar page contains printed name of different types of products offered by the firm. Includes: Pocket Books and Satchels; Pocket Cutlery; Looking Glasses; Wrapping Paper, Paper Bags & Flour Sacks; Brushes of All Kinds; Paper and Oil Curtains; Table and Floor Oil Cloth; Store Shades made & Lettered to order; Photograph Frames & Albums; Bibles, Prayer and Hymn Books; Holiday Goods; and Almanacs and Diaries., Text on mount printed in blue and red., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
"Carlton, " or the Smith Mansion postcards.
Exterior view of front facade of Carlton Mansion. Purportedly named after an English castle inhabited by Queen Elizabeth I. The original house was destroyed by the British in 1777 but rebuilt in 1780 by Isaac Tustin. Served as Washington's Headquarters for a few weeks before and after the Battle of Brandywine. Purchased by Cornelius S. Smith in May of 1840 and later bequeathed to his children., Part of the Roxborough Plantation., Sheet number: 102B13., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carnegie Free Library postcards.
Exterior views of front facade of library building constructed in 1906 after designs by Frank Miles Day & Bro., Contains 2 postcards printed in color and 1 printed in black and white., Vernon Park was formerly a private residence purchased by the City of Philadelphia in 1892. Andrew Carnegie's donation enabled the city to construct a Free Library on the property in 1906., Sheet numbers: 100A01 and 132B03., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carpenter's Hall.
View of the front facade of the Hall looking south down Congress Place. Building on left of alley is being demolished. The Hall, built between 1770 and 1774 by the Carpenters' Company of the City and County of Philadelphia after designs by member Robert Smith, served as the meeting place for the First Continental Congress in 1774., Title printed on mount., Yellow mount with rounded corners., Originally part of a McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carpenter's Hall
View from Chestnut Street looking south at Carpenters Hall taken about 1872. First floor windows flanking central door have closed shutters and sign on pediment is missing, possibly in preparation for demolition of adjacent building completed by 1873. The Hall, built between 1770 and 1774 by the Carpenter's Company of the City and County of Philadelphia after designs by member Robert Smith, served as the meeting place for the First Continental Congress in 1774., Photographer's imprint printed on mount., Imprint printed on verso., Title from manuscript note on mount., Pink mount and orange verso with rounded corners., Retrospective conversion record: original entry, with corrections., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert Newell and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Carpenters Hall, 1st Congress 1776, Phila. Pa.
Oblique view of the front facade and east flank of the Hall looking southwest down Congress Place. Includes an advertisement painted on a brick chimney in the background reading "A. Dickes, lithographer, 125 S 4th St." The Hall, built between 1770 and 1774 by the Carpenters' Company of the City and County of Philadelphia after designs by member Robert Smith, served as the meeting place for the First Continental Congress in 1774. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Title from photographer's manuscript note on label pasted on verso., Photographer's imprint from label pasted on verso., Orange mount with rounded corners., Alfred Dickes's photolithography business tenanted 125 South Fourth Street in 1874., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bell began his photographic career in 1848 working for his brother-in-law's daguerreotype studio in Philadelphia and thereafter was associated with many commercial studios as partner or sole proprietor. He served as the chief photographer for the U.S. Army Medical Museum in 1865 and replaced Timothy O'Sullivan on George M. Wheeler's survey of the territories west of the 100th meridian in 1872. He returned to Philadelphia, went into business with his future son-in-law William Rau in 1875, and was active in the photography community until his death in 1910.
Carpenter's Hall, interior, Phila., Pa.
View of the interior of the hall built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Shows a table, chairs, and benches in the the room and a large plaque on the wall that reads, "Within these Walls Henry, Hancock, & Adams inspired the Delegates of the Colonies with Nerve & Sinew for the Toils of War Resulting in Our National Independence." Building served as the meeting place for the First Continental Congress in 1774. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members families in need., Title on negative., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Carpenters' Hall, Philadelphia, Pa.]
View of the front facade of the hall built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Shows five men in suits standing and seated on the front steps of the building across from the foundation for the Guarantee Trust Company building (built 1873-1875) under construction at 318-320 Chestnut Street. Also shows a small garden lot and the side of the adjacent building at 324 Chestnut Street. Hall served as the meeting place for the First Continental Congress in 1774. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Orange mount with rounded corners., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Carpenters' Hall, Philadelphia, Pa.]
Series of views entitled "Carpenters' Hall, Philadelphia, Pa." and "Interior view of Carpenters' Hall, Philadelphia, Pa." showing the exterior and interior of the hall built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Exterior view shows the front facade from Carpenter's Court flanked by two towering brick buildings. Interior view shows a Palladian door flanked by two columns and surmounted by a plaque on the wall reading "Within these Walls Henry, Hancock, & Adams inspired the Delegates of the Colonies with Nerve & Sinew for the Toils of War Resulting in Our National Independence." Building served as the meeting place for the First Continental Congress in 1774. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Title supplied by cataloger., Photographer's imprint from labels pasted on versos. Labels include vignettes showing a camera on a tripod superimposed on a scenic mountain view surmounted by medals in the sky, awarded to E. & H.T. Anthony in Austria (1840), Berlin (1840), and at the American Institute Fair (1870, 1872, 1873). To the right of this main vignette are medals awarded at the Vienna Exhibtion (1873); the Kings Co. Industrial Fair (1873) and the Franklin Institute (1873) bordered by decorative foliage., Orange mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William L. Schaeffer., E. & H.T. Anthony & Co. was one of the largest suppliers of photographic apparatus in the second half of the nineteenth century. Their business moved from 501 Broadway to 591 Broadway in 1869.
Carpenters' Hall postcards.
Contains exterior views of Carpenters' Hall built 1770-1774 after designs by Robert Smith., Contains 7 postcards printed in color and 3 printed in black and white., Accession numbers: P.8712.5p, P.9049.45 - 52 and P.9105.7., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carpenters' Hall postcards.
Contains exterior views of Carpenters' Hall built 1770-1774 after designs by Robert Smith. Includes an interior view of the hall and two illustrations of "The First Prayer in Congress.", Contains 29 postcards printed in color and 22 printed in black and white. Also includes 5 linen postcards., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carpenters' Hall. Rear of 322 Chestnut Street.
View of the interior of the hall built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Room includes chairs, a long table, and a plaque on the wall reading "Within these Walls Henry, Hancock, & Adams inspired the Delegates of the Colonies with Nerve & Sinew for the Toils of War Resulting in Our National Independence." Building served as the meeting place for the First Continental Congress in 1774. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Name of photographer, title, and date from duplicate in the collections of George Eastman House, Rochester, N.Y., Yellow mount with rounded corners., Originally part of a McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Carpenters' Hall, rear of 322 Chestnut Street.
View of front facade of hall from Carpenter's Court built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Shows a man attired in a suit, top hat, and cane standing in front of the building. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Title and brief history of the hall from photographer's printed label accompanying print., Yellow paper mount with square corners., HSP copy bears photographer's imprint: Photographed by Bartlett & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
Carpenters' Hall, rear of 322 Chestnut Street. [graphic].
View of front facade of hall from Carpenter's Court built 1770-1774 by the builders association, Carpenters' Company of the City and County of Philadelphia, after designs by member Robert Smith. Shows a man attired in a suit, top hat, and cane standing in front of the building. The Carpenter's Company, organized 1724, was formed to provide instruction in the science of architecture and financial assistance to members and members' families in need., Title and brief history of the hall from photographer's printed label accompanying print., Yellow paper mount with square corners., HSP copy bears photographer's imprint: Photographed by Bartlett & Smith., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
Carriage repository. Medal awarded at the World's Fair of 1851. G.W. Watson, Chestnut St. above Twelfth, Philadelphia.
Illustrated trade card depicting an exterior view of George W. Watson's coach manufactory at 1219 Chestnut Street. Coaches inside the repository are visible through two large doorways on the ground level. Built in 1851, the building also served as a concert hall beginning in 1853., Damaged in upper right corner., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Carrie Perkins.
Illustrated trade card depicting a portrait of nineteenth-century actress Carrie Perkins posed in costume in a landscape setting., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Cars loaded with cotton bales on levee near cotton growing district, Texas.
Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
[Carter Medicine Co. trade cards]
Series of illustrated trade cards depicting a large frog towering over a small, frightened child and a little girl pointing and instructing her ailing grandfather to take Carter's back ache plasters., Title supplied by cataloger., Advertising text printed on versos for products made and sold by Carter Medicine Co., including "Carter's little nerve pills" and "smart weed and belladonna back ache pilasters"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Castle Garden, New York.
Shows the former theater at Battery Park used as the first examining and processing center for immigrants between 1855 and 1890. Building adorned with signage reading "Office of the Commission of Emigration. Castle Garden." View also includes sailing ships in the background., Title from publisher's label pasted on verso., Yellow mount with square corners., Inscribed in negative: 4584., Distributor's imprint partially stamped on verso: [McAllister Optician 627 Broadway New York]., Originally part of a McAllister scrapbook of views of New York., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Catalogue of theatrical and public celebrities
Trade catalog containing pages with rows of numbered vignette-size reproduced portrait photographs of female , male, and child entertainers. Includes bust-length, half-length, and full-length portraiture, with one sitter often depicted in several differently posed portraits. Sitters, predominantly women, are usually attired in costume and occasionally are posed as couples, or in character and with props and ornate backdrops. Costumes and props include hats and head pieces; tights and shorts; nautical, peasant, medieval and roman garb; umbrellas, fans and valises; chairs and hammocks; guns and swords; and instruments and animals. Unique costumes and poses include Jeannie Winston as a devil with wings; Kate Forsyth depicted as a sculpted bust; and Lizzie Harold sprawled on a floor., Sitters include French operatic soprano Marie Roze (1846-1926); American entertainer Lotta [Crabtree] (1847-1924); American actress Annie Pixley (1858-1893); comic actors Charles E. Holland and Ben Maginley (d. 1888); actress and theater manager Mrs. John Drew (i.e., Louisa Lane Drew); French magician Prof. Hermann, i.e., Alexander Hermann(1843-1896), author and actress Lillian Chester; and characters from "Pinafore.", Accompanied by pocket-size, printed catalog with preface promoting Gilbert & Bacon's large stock of portrait views of the "most artistic and prominent in their profession" in the sizes "Cabinets" and "Panels." Includes lists of sitters for 1692 "Cabinets" and 115 "Panels.", Front endpaper inscribed: George P. Campbell, Continental Hotel, August 1880. Campbell, probably a Gilbert & Bacon agent, resided at the hotel in the 1880s., Cloth binding, stamped "Scrap" on front cover and "Patented March 1876" on back cover., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century.
Cataract House, Niagara Falls.
Trade card showing the exterior of the three-story hotel originally built in 1825 near the falls. Also shows the ca. 1835 addition and outbuilding on the bank of the falls in the foreground. Gen. Parkhurst Whitney purchased the hotel in 1831 and leased it to Whitney, Jeraud & Co. in 1846., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Catawissa Creek at Stranger Hollow.
View of a man with his pants and shirt sleeves rolled up steadying a canoe in the calm, shallow waters of the tree-lined creek. Catawissa Creek is a tributary of the North Branch Susquehanna River in east central Pennsylvania., Title from photographer's label pasted on verso., Distributor's stamp on verso: William Y. McAllister Phila., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Catawissa Creek, Pa.
Landscape view showing a man standing on the bank of Catawissa Creek looking across at the opposite tree-lined bank., Title from manuscript note on verso., Attributed to John Moran., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Family groups taken for the stereoscope., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran, a Philadelphia photographer, specialized in landscape photography and often took artistic excursions with his painter brothers, Thomas and Edward. He published views of Catawissa Valley and Catawissa Island, a retreat on the Susquehanna River below the town of Catawissa, between 1862 and 1868.
Cathedral of St. Peter & St. Paul, rear view
Exterior view of rear of church. Scaffolding covers dome. Cathedral built between 1846 and 1864. Exterior design executed by John Notman, interior design by Napoleon LeBrun., Title from inscription on mount., Light grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cathedral of Sts. Peter and Paul postcards.
Depicts the front facade of the cathedral built 1846-1864. Exterior designs executed by John Notman, interior designs by Napoleon LeBrun. Also includes interior views of the nave and sanctuary., Contains 22 postcards printed in color and 13 printed in black and white. Also includes 1 linen postcard., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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