Pages

Philadelphia Water Works. New mill house at Fairmount. South front.
View looking from the Schuylkill River showing the new mill house under construction on the mound dam at the Fairmount Water Works. The new mill house, built between 1859 and 1862 after the designs of Philadelphia engineer Henry P.M. Birkinbine, housed the engines that replaced the water wheels that previously powered the waterworks., Title from manuscript note by H.P.M. Birkinbine, Chief Engineer, on accompanying label., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Philadelphia Water Works. "Stand Pipe" 24th Ward Works.
View showing the standpipe with an ornate spiral staircase erected at Thirty-Fifth and Sycamore streets as part of the Twenty Fourth Ward Water Works also known as the West Philadelphia Water Works. Completed circa 1855 after the designs of engineers Birkinbine & Trotter, the standpipe served as a reservoir for the waterworks located on the west bank of the Schuylkill River above the Fairmount Dam. The standpipe was removed in 1870., Title from manuscript note by Henry P.M. Birkinbine, Chief Engineer of the Water Department, on accompanying label., Manuscript note on accompanying label: With respects of Henry P.M. Birkinbine Chief Engineer., Blue mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Birkinbine & Trotter was a partnership between Philadelphia engineers Henry P.M. Birkinbine and Edward H. Trotter (1814-1872)., See Poulson's scrapbook vol. VII, pg. 119 for clipping concerning the raising of the stand pipe dated December 15, 1853., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Philadelphia, west from State House
Panoramic view showing several city blocks west from the State House(520 Chestnut Street). Shows the north side of the 500 block of Chestnut Street, including Orleans Hotel in the foreground., Title printed on mount., Photographer's imprint printed on mount., Orange mount with rounded corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Philadelphia Zoo photograph album
Album of photographs predominantly showing the grounds of the Philadelphia Zoo in Fairmount Park, in West Philadelphia. Contains views of the Victorian-style gatehouse after the designs of Frank Furness; "The Dying Lioness" statue after the design of Wilhelm Wolff casted in 1875 at the entrance courtyard; lions, tigers, a jaguar and a zebra walking, standing, and grazing in their caged areas; an elephant, camel, lama, mountain goat, and caribou in fenced yards; buffalo grazing on a pasture; and Solitude, the country retreat of John Penn built in 1785 on the grounds of the zoo (miscaptioned as "Wm Penn's House, Fairmount Park"). Images include zoo keepers, visitors, gates, fencing, "Admission Today" signage, and partial views of other buildings on the zoo grounds. Also contains portrait photographs of a man and woman, probably Josie and Emil, and sculler "Andrew C. Craig, Undine Boat Club" on the Schuylkill River. Craig view also includes cityscape and trees along the riverbank in the background. The Philadelphia Zoo, the first in the nation, opened in 1874., Calligraphed on cover: Photographs., Contains pasted label on front page: Merry Christmas and a Happy New Year to Uncle Joe from Josie & Emil., Contains pasted label on back cover: Ward's Souvenir Album. Made in Light Gray and Dark Gray Leaves. This book is no. 141., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Philadelphia Zoo postcards.
Contains architectural views of various animal habitats at the Philadelphia Zoo, along with views of visitors watching and feeding the animals. Depicts the entrance to the zoo, flanked by two pavilions built 1875-1876 after designs by Furness & Hewitt; the statue of The Dying Lioness designed 1873-1875 by Wilhelm Franz Alexander Friedrich Wolff near the entrance pavilions; a rustic bridge; a flower garden; the Carnivora House; the Monkey House near the lake; the Beaver dam; the shady walk showing fish pond; swan pond; the bird house; the interior of a flying cage in the bird house; the corner of a polar bear den and the zoo barn. Also includes views of bears, beavers, a dromedary (Arabian camel), sea lions, an elephant bathing, a bison herd, a rhinocerous, a white-tailed gnu (antelope), a hippopotamus, moneys, horses and a chimp. Also includes pedestrians walking and riding in carriages through the zoological garden., Contains 55 postcards printed in color and 13 printed in black and white. Also includes 6 linen postcards., The Philadelphia Zoological Garden was the first zoo to open in America in 1874., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Philadelphians have push; what?
Depicts a heavily perspiring man pushing a trolley car., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Philadelphia's pride, her public building, Pa., U.S.A.
View looking north toward City Hall (built 1871-1901, John McArthur, Jr., architect) from South Broad Street, where construction on the tower, begun in 1884, is still in progress. In the left foreground stands the Lafayette Hotel, formerly La Pierre House built 1853 after designs by Philadelphia architect John McArthur, Jr., at the northwest corner of Broad and Sansom Streets. The hotel was expanded and renamed in 1876. In the right background stands the Girard Trust Company building at the northeast corner of Broad and Chestnut Streets built 1888-89 after designs by Addison Hutton. Also shows pedestrians on the sidewalks and horse-drawn vehicles, including a double-decker omnibus traveling north on Broad Street and private coaches moving in both directions., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Philip Doersom, carriage builder, Lancaster, Pa.
Trade card containing a view of Agricultural Hall, one of the main buildings at the Centennial Exhibition of 1876. View includes visitors walking and on horseback on the grounds. Also contains length and width of building. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Advertising text on verso: Good Workmanship. Reasonable Prices. Philip Doersom, Successor to Steigerwalt & Doersom, Manufacturer of Carriages, Buggies, Phaetons, Market Wagons, &c., No. 128 East King Street, A Half Square East of the Court House. Lancaster, Pa. Repairing Promptly and Carefully attended to., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Philip Young, wheelwright & blacksmith, No. 396, South Second Street, between Queen and Christian Streets, Southwark,
Calculations written on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
The Phipps Institute for Consumptives, 7th & Lombard Sts. Philadelphia, Pa.
Exterior view of institute looking northeast. Built in 1913. Founded by Henry C. Phipps as the Institutue for the Study, Treatment and Prevention of Tuberculosis., Numbered 539 on verso., Sheet number: 108A07., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Photograph album
Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains landscape and architectural views of the Delaware Valley and Central Pennsylvania, informal portraits of family and friends, and canal boat excursions of the Photographic Society of Philadelphia, including over the Pennsylvania Canal to Harrisburg (1879) and Morris Canal (1880). Images depict "Bartram's house, Gray's Ferry"; Cobbs Creek, including the Old Powder House; Wissahickon; Jay Cooke's Ogontz estate; Mill Creek (Lower Merion Township); the Philadelphia Zoo monkey house; Chelten Hills; Laurel Hill; Delaware Water Gap, including G. W. Childs arbor, Kittany House, Promontory, Lovers Leap, Young's Peak, and Mt. Minsi; falls, creeks, and Dingman's Ferry in Pike County, Pa.; sites along the Juniata Division of Pennsylvania Canal, including mill races, iron furnaces, Pennsylvania Rail Road bridges, and canal locks at or near Bridgeport, Dauphin, and Rockville; and sites along the Morris Canal, including canal boat planes and hoisting tower, Hopatcong Lake, Little Falls, and Passaic Falls., Other images show the English Cottage on the Centennial grounds (1877); strung hunted game and fish; landscape views of Sea Bright and Belvidere, N.J. and the Delaware near Torresdale; a posed "sweethearts" scene "On the Pennypack" (1878); and a group portrait of the Photographic Society (Samuel F. Corlies, Charles Pancoast, Charles Barrington, Samuel Sartain, Joseph William Bates, W. S. Vaux, Dr. Carl Seiler, Thomas H. McCollin, Thomas B. Craig) with cameras and fishing equipment during the Morris Canal excursion. Other portrait views include Mr. and Mrs. S. Fisher Corlies, Mamie Lloyd, Sallie Bacon, Jesse S. Graves, Alice E. Browne, Susie Hacker, Samuel Fox, and Charles Palmer. Some photographs show a photographer using his camera and several of the canal excursion views include the canal boats "Zuleika" (Pennsylvania Canal) and "Katie Kellogg" and her mule team "Tom & Baby" (Morris Canal)., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Majority are date and some annotated "Washed Emulsion.", Red cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., An article by Browne, "The Waterfalls of Pike County, Pa.," describing a trip to photograph natural scenery in Pike County appears in Philadelphia Photographer, Vol. XIII, no. 151 (July 1876), pages 208-211., LCP AR [Annual Reports] 1989 p. 33-34., Browne was a founder of the Photographic Society of Philadelphia.
Photograph album
Photograph album belonging to Philadelphia amateur photographer John C. Browne. Contains informal portraits of family friends and views of excursions and landmarks in Bethlehem and Nazareth, Pa.; Wilmington, De.; Belividere and Burlington, N.J.; and the Philadelphia area. Images depict the Pennock-Miller family Delaware County mansion Forest Hill, including the library, "Mrs. Pennock's [ceramic] Collection," greenhouse, and Sarah Pennock Miller with her son Caspar on a mule; Old Moravian Boarding School, Moravian Sisters House, Protestant Episcopal Church, and "Old Oil Mill" (Bethlehem); Old Swedes Church (Wilmington); and an old Moravian brewery, buildings, and Whitfield House (Nazareth). Other photographs depict Haines Spring house; "Andersons" at Belvidere; a family picnic at Pierson's Ravine (Belvidere); the Wissahickon; [Fairmount?] "Park guard house"; portraits of a family dog and posed portraits of Mary (Mame) Steele, including one showing the extreme length of her tresses, and Ettie Lewis, Anna, May, Katie and Bessie Shippen attired in costume. Some views include fellow amateur photographer architect George W. Hewitt. One Bethlehem view also shows D. & A. Luckenbach mill., Front free end paper signed John C. Browne., Photographs identified by inscriptions below images. Some annotated "Dry (albumen)" or "Dry.", Green cloth binding, with gilt, and stamped on cover: Album., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Two photographs of "Pennocks House" removed prior to acquisition by repository., Eight inserted loose prints in envelopes removed and housed separately in John C. Browne Collection., LCP AR [Annual Reports] 1989 p. 33-34., Inventory available at repository.
Photograph album
Photograph album compiled by James B. Nicholson containing predominantly portrait photographs of prominent local and national members of the Independent Order of Odd Fellows and their families, including men, women, and children. Photographs depict full-length, bust-length, and vignette portraits; group portraiture; and collages. Several male sitters wear the regalia of the Odd Fellows and most sitters are fashionably attired. Group portraiture depicts employees of Pawson and Nicholson in front of the bookbinding shop (139 S. Seventh), and rosters and meetings and excursions of members of the fraternal organization (1870s-1880s), including Warrior Lodge, no. 873. Collages include portraits of the Rulafson family of San Francisco and examples of work from the respected photographic firm Bradley & Rulafson. Also includes images of the photography department and sculpture at the Centennial Exhibition (1876); photographic reproductions of a Sir Walter Scott manuscript donated to the Sanitary Fair (1864), and an Odd Fellow membership certificate and medal; and a John Sartain engraved portrait of "E. Grand Captain General of Pennsylvania" Varhan Smith., Sitters include James B. Nicholson (often attired in regalia), his wife Adelaide, and sons Clarence and celebrated Civil War Colonel John Page; James Alexander Bartram ("first cousin of my father");; Past Grand Master George F. Borie; orator Henry Armitt Brown; Nicholson's partner James Pawson; Pennsylvania state senator George D. Jackson; businessman and District Deputy Grand Master, Clarion County Ruloff Ruloffson; Philadelphia businessman and Grand Treasurer M. Richards Muckle; Grand Sire Samuel H. Perkins; Past Grand Master Francis M. Rea; "Grand Master" Alfred R. Potter; the family of Past Grand Master Samuel Haworth; and "Gutekunst's daughter" attired in a costume., Green morocco binding., Spine stamped: Photographs., Photographers identified by inscriptions on album page., Several sitters identified by inscriptions on album page. Many noted as "Deceased.", Multiple portraits arranged as collages on many of the album pages., Various photographers include W. H. Bennett, P. E. Chillman, Frederick Gutekunst, and David Lothrop., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album housed in phase box with index to sitters., James Bartram Nicholson was a premier Philadelphia bookbinder in the partnership Pawson & Nicholson established in 1848. He was also a prominent member of the Independent Order of Odd Fellows serving as a Grand Sire (1863-1864), grand scribe, and grand secretary (1863-1901), as well as authored "I.O.O.F.: The Story of 65 or The History of the Grand Lodge of the United States... (1896)." He married Adelaide Broadnix (b. ca. 1822) in 1841 and with her had three sons, Colonel John Page (1842-1922), Howard B. (b. ca. 1855) and bookbinder Clarence S. Nicholson (b. ca. 1858) and a daughter Eliza (b. ca. 1852).
Photograph album
Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Photograph album of Philadelphia and vicinity
Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns., Images also include neighboring and tenant businesses, including Charles Oakford & Sons, hats, Continental Hotel (29a), John C. Clark & Sons, stationers and printers, L. S. Boyer & Co., coal, and a "Shaving and Hair Cutting Emporium," on 228-232 South Third (29b), and a real estate office, 524 Arch (45b); street vendors (74b); and broadsides displayed on buildings and walls (49b & 79b). Several of the Fairmount views also show visitors, patrons to refreshment saloons, and park guards. Scrapbook also contains a small number of photographic reproductions of engravings, including one of Masonic Hall (700 block Chestnut) and images reproduced in R. Newell & Son's "Old Landmark" series (1876), including Old Swede's Church, Friends Almshouse, and Robert Morris Hotel., Title supplied by cataloger., Some of the contents identified by inscriptions on album pages. Inscriptions annotated and corrected in different hand., Texts from R. Newell & Son's "Old Landmark" series tipped in between album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Images from album reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006)., Album reformatted for conservation. Housed in two phase boxes, including binding and index., Robert Newell, the prominent Philadelphia commercial photographer operated a studio from circa 1855 to 1900. His firm, which originally specialized in portraiture, later focused on "Artistic Business and Landscape Photographs" and was reorganized as R. Newell & Son circa 1872. In 1876, the studio (Robert and Henry Newell) issued a series of six viewbooks under the title "Old Landmarks & Relics of Philadelphia." Newell also produced series of stereographs during the 1860s depicting commercial streets, the volunteer fire companies, and views of Fairmount Park and local cemeteries, as well as invented acid proof photographic ware in the 1870s.
Photograph Dept.
Unmounted stereograph shows a woman sitting behind a desk in the Photograph Department. Framed photographs cover the walls, patriotic bunting hangs from the ceiling, and a banner for "F. Gutekunst" hangs high on the wall behind the woman. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Photograph Dept.
Unmounted stereograph shows a woman sitting behind a desk in the Photograph Department. Framed photographs cover the walls, patriotic bunting hangs from the ceiling, and a banner for "F. Gutekunst" hangs high on the wall behind the woman. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on paper label pasted on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Photographic views of New City Building
Albums of progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub basement; construction materials, equipment, and workers; aerial views of the built foundation; partially completed walls and abutments; and studio views of columns and architectural ornaments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; Pennsylvania Railroad cars on Market Street; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the Masonic Temple (Broad and Filbert); United States Mint (1331-1337 Chestnut Street); the Seventh Presbyterian Church (Broad Street above Chestnut Street); Pennsylvania Railroad Freight Depot (13th and Market); La Salle College High School (Filbert and Juniper); Sharpless & Watts, flooring tile (1325 Market Street); the spires of Arch Street Methodist Episcopal Church (s.w. cor. Broad & Arch) and First Baptist Church (n.w. cor. Broad and Arch); and other surrounding businesses (beer hall, wall paper, and furniture) and residences., Volume 1 (Oct. 1873-Aug. 1874) contains two tipped in letters, dated December 26, 1873 and June 27, 1874, from President of the Commissioners for the Erection of the Public Buildings Samuel C. Perkins. Correspondence presents the stereographs, "authorized to be taken by the commissioners," as a means for the library to "have for preservation in [the] archives a complete photographic record of the progress of a work which under any aspect must be considered as of marked importance in our local history.", Stereographs numbered, dated, and printed with the series title "Views of Construction in Sub-Basement" or "Views of Construction" and the names of the architect, chief assistant, and board of commissioners on the verso., Calf bindings, polished and mottled., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Volume 1 image reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 116., Samuel C. Perkins, a Philadelphia lawyer, served as president of the Commissioners for the Erection of the Public Buidlings 1872-1891., Housed in phase boxes.
Photographing the Baby
Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Photographs taken by Robert Waln Leaming 1865-1875 at Ashwood, Villa Nova, Delaware County, Penna. Lancaster Pike and Spring Mill Road
Album containing 67 photographs showing the grounds and residence of the Ashwood estate near Villanova during different seasons; neighboring properties in Delaware and Montgomery counties; and formally posed family portraiture. Images include the front and rear facade of the Ashwood residence and landscape views of the grounds; Paxson's Mill and Dam in Radnor; J. Howard Lewis's paper mill at Darby Creek; 'Hammer Hollow," including the mill dam; Gulph Mill (Montgomery County); Leaming's other family estate Waln Grove near Frankford; old spring houses near Gulph Mill and Paxson's Mill; and Ancrum, "Seat of the Scotts Baronets of Ancrum Scotland." Many of the estate views include Leaming's wife and children (attired in clothing appropriate to the season) posed at the residence and on the grounds, including near fences, the barn, woods, and creek and in characters, as tableaux, and with farm and domesticated pets. Also contains photographic reproductions and photo-collages. Reproductions depict the the "Scott of Ancrum" family tree and Leaming's painting "Where the Sea Mew roams" and the collages show Leaming's daughters in a parlor setting (possibly Ashwood) and painted works by Jean Louis Ernest Meissonier, James Reid Lambdin, and Edwin Henry Landseer including the visage of Robert Waln Leaming. Other portrait sitters include Alice Burda, Tom Stewart, "Our Truck-man" in his horse-drawn buggy; the "Coachman" with horse "'Nelly'"and Mrs. Scott, i.e., probably, Leaming's mother-in-law Mary Emlen Scott, Blue morocco binding, plate on front cover: R. W. Leaming and stamped: Photographs., Title from inscription on front free end paper. Also includes family tree of descendants of Robert Waln Leaming and his wife Julia Scott (1821-1914)., Insert: Portrait print of Robert Waln engraved by Samuel Sartain after 1825 painting by Jacob Eicholtz. Verso inscribed with biographical information., Captions by Robert Waln Leaming below the images., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln, was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Photography under a cloud.
Racist trade card illustration depicting a group of barefooted African American men and boys, portrayed in caricature, looking on as a photographer takes a photograph of them. In the left, a boy, attired in a blue jacket, and a man, attired in an orange collared shirt and yellow pants, stand and look at the camera. In the center, a man, attired in a yellow shirt and pink pants, stands directly in front of the camera and peers into the lens. In the right, a boy, attired in an orange shirt and blue pants, crawls toward the scene on all fours. The photographer is crouched under a cloak. Visible in the background is a woman standing beside a cabin., Title from item., Date inferred from content., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Picnic on the Wilson Estate]
View showing the Wilson Estate near Germantown in Philadelphia. Depicts the white men and women family members, some standing and some seated, dining at a table under a tent near a large tree. An African American man, attired in a white chef's hat and apron, stands in the right of the table and oversees the meal. In the right, a young white woman sits astride a horse., Title supplied by cataloger., Date inferred from content and attire of the people., Photographer's label on verso: Photographed by R. Newell, 724 Arch St., Philadelphia., Purchase 1993., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Pictorial lettersheets of Dr. William A. Hammond's Sanitarium for Diseases of the Nervous System, Fourteenth Street and Sheridan Avenue, Washington, D.C.]
Prints include illustration showing the exterior of the sanatorium founded in 1888 by William A. Hammond, neurologist, a founder of the American Neurological Association, and eleventh surgeon General of of the U.S. Army (1862-1864). Pedestrians walk and converse on the sidewalk in front of the mansion-like building and a horse-drawn carriage passes in the street. An iron-wrought fence lines the property landscaped with trees., Title supplied by cataloger., Two of prints attributed to Photo Engraving Co., P.2011.46.156 completed in manuscript to "Father" from Herbert L. Blodgett on December 19, 1890 about the $105 cost for his week-long residency at the sanitarium leaving him short $70 after paying his fare back to Boston., P.2011.46.157 completed in manuscript by William A. Hammond on January 22, 1891 as receipt for "Received of Hon. R. Blodgett $105 in full for medical treatment &c at my institution" to Herbert Blodgett., P.2011.46.158 completed in manuscript on March 22, 1894 to "Dear Sir" from William A. Hammond about his seeing "Herbert before stopping his medicine" for a week's stay at the "reduced price" of $50 to "[ascertain] as far as possible that no traces of his disease exist.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
The picture gallery, Sanitary Fair, Phila.
Shows a gallery wall covered with stacked rows of framed artwork near viewing benches and several bust sculptures. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title and name of photographer from accompanying label., Trimmed yellow paper mount with square corners., Manuscript note on mount: Picture Gallery Sanitary Fair John Moran Photograph., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of the Civil War Sanitary Commission., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The picture gallery, Sanitary Fair, Phila.
Shows a man seated on one of several viewing benches in the gallery of art. Includes stacked rows of framed artwork covering the walls and several bust sculptures. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title and name of photographer from accompanying label., Trimmed yellow paper mount with square corners., Manuscript note on mount: Picture Gallery Sanitary Fair John Moran Photograph., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of the Civil War Sanitary Commission., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
La Pierre House.
View from above Chestnut Street showing the hotel at Broad and Sansom streets opened by George W. and J.G. Edwards in 1853. The hotel built after the designs of John McArthur, Jr. was expanded and renamed the Lafayette Hotel in 1876. View also depicts adjacent buildings, including the Academy of Natural Sciences and the Union League. A horse-drawn carriage rests near the hotel., Yellow mount with rounded corners., Paper label pasted on verso listing over one hundred Philadelphia views published by the firm., Manuscript note on mount: Edward Everett Parker, Philadelphia Penn., Duplicate view published by R. Newell, 724 Arch St. (P.9047.109), Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell and Son, a partnership between Robert and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
La Pierre House.
View from above Chestnut Street showing the hotel at Broad and Sansom streets opened by George W. and J.G. Edwards in 1853. The hotel built after the designs of John McArthur, Jr. was expanded and renamed the Lafayette Hotel in 1876. View also includes the adjacent buildings of the third building of the Academy of Natural Sciences (1840-1876) and the Union League (built 1865) at Broad and Sansom streets. A horse-drawn carriage rests near the hotel., Green mount with rounded corners., Title from photographer's label pasted on verso., Gift of Robert M. Vogel., Poor condition. Glue stained., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Pig tail
Label, possibly a cigar label, containing a vignette of a pig with a curly tail., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Pilgrim Laundry Co., North Philadelphia.
Exterior view of front facade of Pilgrim Laundry Co. at Broad and Glenwood Avenues. Request form for laundry service delivery on verso., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Pine Cottage.
View of a Victorian residence and adjacent hexagonal building adorned with battlements sitting on the slope of a tree-covered hill in the distance. Livestock, probably sheep, graze in the pasture in the foreground., Title and photographer's imprint from label pasted on verso., Photographer's imprint printed on mount., Cream mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894.
[Pine grove, West Fairmount Park, Philadelphia, Pa.]
View from a grove of pine trees in West Fairmount Park looking northeast toward the Schuylkill River. In the right foreground, two African American men park guards, attired in caps and uniformed suits, stand in a field divided with wooden fences. In the distant background, the New York Connecting Railway Bridge is visible., Possibly by R. Newell & Son., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note written on verso: "Pine Grove.", Retrospective conversion record: original entry, edited., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990.
Pine St. from 17th to 18th.
View of four-story, Italianate row houses on the 1700 block of Pine Street., Title inscribed on mount., Numbered 249 on mount., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 30., Arcadia caption text: One of the earliest speculative rows constructed west of Broad Street, this block of four-story, Italianate rowhouses on Pine Street between Seventeenth and Eighteenth streets was built for an upper middle-class market. ..., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Pipe line, and rail road war. Transferring oil across rail road
View showing two men and a horse-drawn tank wagon transporting oil between Millerstown and Pittsburgh stopped in front of a passing West Penn Rail Road locomotive. The tank wagon rests on a platform leading to railroad tracks near a sign inscribed, "Look out for the locomotive." Another tank wagon turns at a fork in the road in the distance. Also includes a residence in the background. Clothes drying on a clothesline in the backyard of the residence are visible. Oil tank wagons were used following the continual destruction of pipe lines by Pennsylvania Railroad Company workers., Buff mount with rounded corners., Title and publisher's imprint printed on verso., Brief history of the conflicts caused by the transport of oil from the fields to storage tanks printed on verso., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A plan of the borough of Harrisburg.
Reproduction of the grid street map showing the old 8th Ward of the city after incorporation into Harrisburg city limits in 1838. Includes the area between the Susquehanna River and Paxton Creek and Paxton Street to North street. Also includes bridges, the Harrisburg and Lancaster Railroad, and Pennsylvania Canal., Includes "Explanation" of key to twenty major landmarks (A-T), including the State Capitol, Court House, and several churches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
[Plate 1 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
[Plate 1 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Plate depicts section of the 200 block of Chestnut Street (42-59 pre-consolidation). South side includes William McMakin, Tailor (42); Wm. [G.] Mason, Printing and Engraving (46); McAllister & Co., Walking Canes & Spectacles (48); Wm. Curry’s Wholesale & Retail Trimming Store (50); F. H. Smith, Pocket Book & Port Monnaie (52 1/2); J. E. Van Meter & Co., Paper Hangings (54); Charles Ellis & Co., Druggists & Importers of English, French & German Drugs (36); and Joseph Fisher, Thermometers (for distilling). North side includes H. A. Dreer’s Seed & Horticultural Warehouse (59); J. G. Falconer, French millinery and J. N. Torr, Card and Fancy Job Printing (57); Bank of Commerce with the offices of Browns & Bowen (55); Clarenbach & Herder, Cutlery (51); and R. Magee, Bookseller and Stationer (45). Also shows partial view of Strawberry Street. Plate also includes a detail showing a donut-shaped object captioned “Blacking” pasted on the depicted roof of the Curry building (50)., Advertisements promote the businesses depicted, except Bank of Commerce, as well as Thomas Hargrave, Plain and Ornamental Marble Worker and Designer, Corner of Ridge Road and Thirteenth St., Philadelphia; Marble-colored and Fancy Papers, Wholesale and Retail, Manufactured by Joshua M. Raybold, Goldsmith’s Hall, Library Street, Philadelphia; George Hummel’s Premium Essence of Coffee Manufactured and Sold, Wholesale and Retail, by Daniel Bohler & Co., No. 218 Callowhill Street, above Sixth; and J. Dougherty’s Black Expectorant Syrup, No. 26 North Sixth Street, Between Market and Arch Streets, Philadelphia. Majority of advertisements include several lines of promotional text and ornamented types, as well as a few include wood engraved vignettes. Mason (50) advertisement lists the materials produced, including seals, presses, paper stamps, cards, tickets, blanks, and door plates. Vignettes depict a woman leaning on a sepulchral monument (Hargrave), portrait of J. Dougherty holding his “Black” syrup, and a shears (Clarenbach & Herder)., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 2., LCP also holds trimmed duplicate depicting the North side [Rae - Chestnut Street (8)1322.F.7a] .
[Plate 10 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Plate depicts section of the 600 block of Chestnut Street (154-213 pre-consolidation). South side includes Swaim’s Building (160-164) tenanted by Barnum’s Museum and Edward L. Walker, Music Store and Piano Dealer (160); Lee & Walker, Successors to G. Willig, music store (162); and C. G. Henderson & Co., Booksellers and Publishers (164). North side includes Ambrose Smith, Druggist (213); F. Mahan, Publisher of Philadelphia Fashions (211); Leonard Benkert, Boot Store (209); Columbia House operated by Ferguson & Brothers and tenanted by E. G. Dorsey, Tailor (207). Swaim’s Building adorned with a flag, circus billboard illustrated with a seal, and a sign directing individuals to Swaim’s Laboratory. Plate also includes an unidentified residence with walled courtyard adjacent to Swaim’s. Swaim’s Building and Swaim’s Laboratory signage (160-164) included on plate as pasted-on details., Advertisements promote eight of the businesses depicted and Swaim’s Celebrated Panacea (New York agents Schieffelin Brothers & Co., later W.H. Schieffelin & Co.). Swaim’s full-page advertisement contains endorsements, several lines of promotional text, including "Beware of Imposition," and a description of the bottle label composed by Philadelphia bank note engravers Draper & Co. Smaller advertisements contain promotional text and ornamented type. Barnum’s text includes a description of the exhibits and performances at the Lecture Room and Mahan’s provides prices for his fashion plates., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 11., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.4].
[Plate 11 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Plate showing a section of the 700 block (166-213 pre consolidation) of Chestnut Street. South side includes Mrs. M. Burke’s Millenery [sic] Rooms and Winchester & Scott, Gentlemen’s Furnishing Store (172); Cornelius & Co., Gas Fixtures (176); Willis P. Hazard, Cheap Book Store (178); and McClees & Germon, Daguerreotype Rooms and Jos. S. Natt, Looking Glasses (182). North side includes the Masonic Hall (built 1808-1811 after the designs of William Strickland) and tenant businesses, including D. A. Warden, Pianos, Melodeons, [A. D. K.] Moore, Fancy Stationery, and A. Hildebrandt, Fancy Baskets & Toys (225); Washington House hotel with offices of the proprietor A. F. Glass (221-223); china ware importers Tyndale & Mitchell (219); Geo. W. Ward, Gentleman’s Furnishings Store (217); Sturdivant’s House hotel (215); and Warne’s Rifle & Pistol Gallery (213). Also shows the Warne façade adorned with a sign illustrated with the figure of a man pointing to the left., Advertisements promote twelve of the businesses depicted, including McClees & Germon who advertise "The increased width of the street, occasioned by the recess formed by the Masonic Hall, (which is directly opposite) and a front almost entirely of glass, give facilities for an operating room on the Second Floor, with a North light, (the most pleasant, effective and certain of all others, where a sufficiency can be obtained,) possessed by no other establishment of the city…." Several of the advertisements contain ornamented type and two contain illustrations depicting a man pointing (Warne’s) and a man’s shirt (Ward’s Improved Pattern, Warranted to Fit)., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 12., LCP also holds trimmed duplicates depicting North side [P.2008.34.16.7 and (1)1322.F.274] and trimmed duplicate depicting South side [P.2008.34.16.9].
[Plate 14 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Plate showing a section of the 800 block (216-277) of Chestnut Street. South side includes J. S. Earle, Looking Glasses, Oil Paintings, Portrait & Picture Frames (216); W.H. Carryl, Curtain Store (218); Welch’s National Circus theater (224); Joseph M. Wilson, Bookseller & Stationer (228); and John Mustin Trimming Store (240). North side (unnumbered) includes Girard House, Presbury & Billings, proprietors., Advertisements promote six of the depicted businesses (Wilson, Mustin, Jr., Welch’s, Carryl, Earle, and Girard House). Advertisements contain lines of promotional text and ornamented type. Earle also promotes "Old and Valuable Paintings repaired, relined, and restored to their original beauty" and the Girard House notes it is "new, large, and probably the most beautiful hotel in the world.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 15.
[Unnumbered plate and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Plate 15 showing a section of the 900 block (244-293) of Chestnut Street. South side includes Burd Mansion (identified with pencil inscription) and C. N. Robinson, Looking Glasses (248). North side includes Markoe House, W. Watson, proprietor (293); the women's exchange Ladies Depository (289); S. H. Mattson, Tailor (287); boot and shoe maker M. Lauer & Co. (285); E. Griffith, Fancy Dry Goods (283); J. H. Farrand’s, Confectionery (281); C. Dan[g]uy , Hair Dresser (279); and Charles S. Rand, Druggist & Chemist (279)., Accompanying advertisements promote ten of the depicted businesses, as well as businesses from adjacent plate, including F. A. Hoyt’s Boy’s Clothing Store (264); T. W. Dufrene, Composition Marble Cement (Chestnut, below Tenth); Rand; Danguy; Farrand; Laurer; Mattson; and the Ladies Depository. Advertisements contain promotional text and ornamented type. Promotions include Rand noting the availability of "Vaccine Virus"; Dufrene highlighting the advantages of imitation marble; and the Ladies Depository listing "Surplices, Ladies and Gentlemans Dressing Gowns, as well as Plain and Fancy Needlework, of every description, neatly executed, - also marking with Indelible Ink.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.13]., Folder 16.

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