| Creator |
National Bank Note Co. |
| Contributor |
Eytinge, Solomon, 1833-1905, artist. |
| Title |
Photographing the baby. [graphic]. |
| Publisher |
New York : National Bank Note Co. lithd |
| Publisher |
N.Y. New York. 1890 |
| Date |
[ca. 1890] |
| Physical Description |
1 print : chromolithograph ; sheet 8 x 11 cm (3.25 x 4.25 in.) |
| Description |
Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre
scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African
American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the
right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a
yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket
and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored
wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the
African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears
a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger
woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white
blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of
the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence
Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the
firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly
illustrations.
|
| Notes |
Title from item. |
|
Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa
Ana: Hillcrest Press, 2005).
|
|
Purchased with funds for the Visual Culture Program (Junto 2015). |
|
Housed with the Emily Phillips Advertising Card Collection. |
|
RVCDC |
|
Description revised 2022. |
|
Access points revised 2022. |
| Subject |
Clarence Brooks & Co. |
|
African American girls -- Caricatures and cartoons. |
|
African American grandmothers -- Caricatures and cartoons. |
|
African American mothers -- Caricatures and cartoons. |
|
African Americans -- Caricatures and cartoons. |
|
African Americans -- Clothing & dress. |
|
Cameras. |
|
Photographers. |
|
Photographic studios. |
|
Portrait photography. |
|
Racism in popular culture. |
|
Varnishing industry -- New York (State) -- New York. |
|
African Americans -- Satire. |
| Genre |
Trade cards -- 1880-1890. |
|
Chromolithographs -- 1880-1890. |
|
Satires (Visual works) -- 1880-1890. |
| Location |
Library Company of Philadelphia| Print Department| trade card - Brooks [P.2016.17.1] |
| Accession number |
P.2016.17.1 |