This collection includes historical materials or references to or descriptions of historical materials that may be considered offensive or harmful. Historical records are evidence of the time in which they were created and often contain language and images that are racist, homophobic, sexist, ableist, or otherwise derogatory and insensitive. The Library Company takes responsibility for these materials and their importance for the study of the past seriously. The Library does not endorse the views expressed in these materials.

If you encounter language in this digitized collection, or elsewhere that you find offensive or harmful, or if you have questions about the statement above or about our work, we welcome your feedback. A full statement and feedback form where you can alert us of potentially harmful material is available here.

The Race and Visual Culture Digital Collection contains historical visual material and popular art works, often racist in content, that pertain to the visual culture of race and its social, cultural, and historical complexities and biases. The collection, in correlation with the African American History Graphics Digital Collection, includes over 1,600 images and descriptions of visual material that depict or reference the BIPOC community between the 18th and 20th centuries. The sub collections contained within are arranged by date spans based on the creation date of the item. The supplied titles, descriptions, and subject headings were reviewed, revised, and remediated to include anti-racist language as part of a 2021-2022 remediation cataloging project of our African American History Graphics Collection. Many records still include legacy Library of Congress Subject Headings, which conform to national and institutional cataloging standards that are under review for their continued public use in our catalogs. The collection was first published in 2023.

Pages

Sapolio [graphic].
Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting the caricature of an African American child’s head emerging out of a watermelon. The child, portrayed with exaggerated features, smiles as their eyes look to the right. The green watermelon is ripped open revealing pink flesh and black seeds. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Publication information from copyright statement: Copyrighted 1882, by Donaldson Brothers., Advertising text printed on verso: One cake will do more work and will do it better than Three Cakes of any other mineral or scouring soap ever made. Enoch Morgan's Sons Sapolio. Better and cheaper than soap. For all house cleaning purposes. It will clean paint, marble, oil cloths, bath tubs, crockery, kitchen utensils, &c. It will polish tin, brass, copper and steel wares of all kinds better than Emery or Rotten Stone. Ask for it. Take no other as a substitute for it. It is the best and cheapest scouring soap. Hand Sapolio, for every day use, is the best and cheapest toilet and bath soap in the market. Removes stains of all kinds, and leaves the skin white and soft. Prevents chapping of hands. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out [graphic].
Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman bathing her child in a wash tub. Shows the African American woman portrayed with exaggerated features with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; and a blue, short-sleeved dress. The mother kneels on the floor as she bathes her young son in a washtub. She smiles, rubbing a wash cloth on the boy with her right hand. The naked boy stands in the tub with his left leg raised. She says in the vernacular, “Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out.” Behind the tub, in the left, a girl, attired in a black-striped, red nightgown, and a boy, attired in an orange nightgown, watch the scene. In the right, another boy in an orange nightgown looks on. A white towel with two red stripes and decorative fringe is draped over the side of the wash tub. In the right background, a white sheet hangs on a clothesline. Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Schaeffer Bros. Booksellers, stationers & fancy goods, 16 So. Union St. Middeltown PA. [graphic].
Racist trade card illustration depicting an African American man pulling a white man off of a table after a white boy seated behind them spilled a bottle of Carter's Mucilage. The African American man is attired in a blue and white striped collared shirt, a red vest, brown pants, and black boots. He leverages his right foot against the table and pulls the white man with both arms. The white man is attired in a top hat, a monocle, a brown jacket, a yellow vest, brown pants, and black shoes. The white boy is attired in a pink and white striped collared shirt and green pants. Visible on the floor in the foreground is the white man's cane and the African American man's upturned straw hat. The African American man is depicted with exaggerated features. Carter's Ink was founded in the early 19th century by Timothy H. Carter in Boston, Massachusetts. His sons William and Edward Carter, joined the business in the 1850s and took it over in 1860., Title from item., Text printed on recto: Carter's Mucilage, the great stickist., Advertising text printed on verso: How to get an ink that will suit you. For copying, and for general use, buy Carter's Combined Ink. This is the original Carter's ink. It flows freely, copies perfectly, does not transfer on books or smooch, does not mould or fade. After evaporation by exposure, restore fluidity by adding Carter's Writing Fluid. Carter's Raven Black Ink. For writing black from the word "go!" This is a black fluid; writes black; dries black; stays black; does not blot off pale, or get thick or ropy; does not corrode steel pens; can't be removed by acids. For book-keeping and fine writing, buy Carter's Writing Fluid, which is chemically pure, without sediment and permanent. It is very limpid, and will not mould or thicken even after long exposure. The color is dark blue, changing to a deep black. For ruling, buy Carter's Crimson Fluid, which is more brilliant than Carmine, never thickens, and gives a good copy. For a brilliant colored ink, buy Carter's W. & C. Violet Ink. It is non-corrosive; flows freely and gives distinct copies. For "sticking things," buy Carter's Mucilage, "The Great Stickist." It has extra strength and will not mould or sour in any climate. In a recent canvas made of the banks and leading business housesin the principal cities of the United States, more of the above inks were found in use than all other American inks combined. At Paris, at the Centennial, and wherever exhibited for the past twenty years, they have received the highest awards. Carter, Dinsmore & Co., Boston and New York. For sale by Booksellers, Stationers, Fancy Goods Dealers, &c., Gift of David Doret.
See that hump? Something inside for you [graphic].
Racist trade card promoting De Long Hook and Eye Company and depicting a caricature of an African American boy cutting a watermelon. Shows the barefoot boy, portrayed with exaggerated features, and holding a saber-like knife in his right hand while he cuts into a large, green watermelon. Drops of juice drip from the slice in the melon. The boy smiles at the viewer. He is attired in blue shorts with yellow suspenders and a red sleeveless shirt. Brothers Charles F. and Frank E. Delong (1864-1939) established the firm Richardson & DeLong Bros. with Thomas D. Richardson in 1891. The brothers had patented the "Delong hump" fastener in 1889, which prevented the eye of a button hole from slipping out of the hook. "See that hump" became the firm's popular advertising slogan. Scovill Manufacturing Company acquired the company in 1955., Title from item., Place of publication from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The De Long Hook and Ey[e], MF'D by Richardson an[d] De Long Bros. Philadelphia U.S.A., Gift of David Doret.
S.H. Zahm & Co., dealers in new and second-hand books, stationery and blank books, Nos. 18 & 20 South Queen Street, Lancaster, PA. [graphic].
Racist trade card illustration depicting an elderly African American man looking out of a window. The gray-haired man is attired in a red long-sleeved shirt and gold-rimmed spectacles. He holds a newspaper in both hands and a pipe in his left hand. The man looks toward the right side of the image and his mouth is agape. He is depicted with exaggerated features. S.H Zahm & Co. was owned by Samuel Hensel Zahm and his business partner Samuel Auxer. Zahm was an active member of the Lancaster community and was a member of the board of health, the Lancaster County Historical Society, and the Pennsylvania German Society. He was also a collector of Native American artifacts., Title from item., Gift of David Doret.
Smith brothers chemically pure Borax. [graphic].
Racist trade card depicting a well-dressed white woman, two white housekeepers, and one African American housekeeper using Smith Brothers Chemically Pure Borax to complete various household tasks while standing in a kitchen. The white woman in the left of the image sprinkles Borax on to a group of cockroaches on the floor. At the center of the image, one white woman holds a white cloth with ruffles while another white woman applies Borax onto it. The African American woman stands in the right background of the image and looks at the two women. Her left hand is submerged in a tub of water. A stove with pots and pans, a table with an iron, and a clothes line are visible in the background. The African American woman is portrayed with exaggerated features. Githens & Rexsamer was a Philadelphia-based exporter and importer of groceries and canned goods., Title from item., Advertising text printed on verso: Directions. Washing. - Dissolve one heaping tablespoonful of Borax in hot water for every tubful of clothes; soap all of the most soiled places and rub on the board through one water; after rubbing throw the pieces intoa tub containing boiling water and Borax; let them remain there while the second tub of clothes is being washed; rinse in one plain water; do not boil the clothes. Starching. - One teaspoonful Borax to one pint boiling starch, adds greatly to the gloss, afact not generally known. To Prevent Mtohs [sic.] - Sprinkle floor with the powder before laying down the carpets, and put it with the clothes when packed away. Removing Cockroaches. - Sprinkle floor, leaving places open for escape, or to kill them, add one part Borax to two parts powdered sugar. Rough face or chapped hands. - One tablespoonful Pulverized Borax to one quart hot water, apply night and morning with a sponge or cloth. Dressing Ulcers, Wounds, Bruises, Sprains, Chilblains and Removing Inflamation. - One tablespoonful Pulverized Borax to one pint hot water, saturate a piece of lint with same, hanging it up to dry, then use for a dressing. For Bathing. - Always add Pulverized Borax to the Bath, it softens the water. Especially use it for infants and children. Arresting Fermentatoin. [sic.] -One-half thimbleful Pulverized Borax to one quart cream or milk, will preserve them perfectly sweet. Cleaning Clothes. - One tablespoonful to one pint of hot water, when cold, use instead of Ammonia or Benzine., Distributor's imprint printed on verso: For sale by Githens & Rexsamer, 40 & 42 South Front Street, and 39 Letitia Street., Gift of David Doret.
Sollers & Co, minstrels. [graphic].
Racist trade card illustration depicting six well-dressed children sitting in chairs arranged on a stage in a semi-circle. Four of the children are white and two of them are African American. At the center of the image is a white boy who attired in a green suit jacket and cropped pants with a pink bowtie pointing and asking the children to his right,"Why do we all wear Sollers & Co's shoes?" The African American boy in the left of the image responds, "Cause dey save de soles ob de children!" The African American boy in the right of the image is depicted saying, "Gib it up!" The two African American boys are attired in blonde wigs, blue coats, yellow pants, and boots. The three white girls are attired in ruffled dresses and hold fans. The white boy is attired in a green jacket, white collared shirt, pink bowtie, green pants, and boots. Two medals earned by Sollers & Co. at the 1876 Philadelphia Centennial Exhibition and the 1878 Exposition Universelle (or World's Fair) in Paris are printed on the trade card's verso. S.D. Sollers & Co. was a Philadelphia manufacturer of women and children's clothing and shoes that operated during the 19th century., Title from item., Text printed on recto: Why do we all wear Soller's & Co's shoes? Cause dey save de soles ob de chil'ren! Gib it up!, Advertising text printed on verso: Sollers & Co's celebrated shoes & slippers for ladies, misses and children. Hand-made and Machine Sewed. Retailed only at our store, 636 Arch Street, Philadelphia. Buy our Protection Toe and Box Toe Tip Shoes for your Children. They are the Best to wear., Gift of David Doret.
Spoiling the slide [graphic] : Clarence Brooks & Co. fine coach varnishes cor. West & West 12th Sts. New York.
Trade card promoting varnish manufacturer Clarence Brooks & Co. and depicting a racist, genre scene of an anguished-looking African American man clerk “spoiling the slide” on a snow-covered sidewalk. Shows the man, attired in a blue shirt; red and yellow striped apron; green pants; and black boots, leaning over and using a scoop and red pan to pour salt onto a bare track in the snow-covered sidewalk outside a storefront. In the near left background, two smiling African American boys throw snowballs at the clerk. The boy in the left, attired in black boots; brown pants; blue jacket and hat; and red scarf around his head, holds a snowball in both hands at his waist. The boy in the right, attired in black boots; blue pants, shirt, and hat; and green jacket pitches back his right arm, snowball in his hand. In the far right of the image, a white boy, attired in brown boots and pants; blue jacket and hat; and a red scarf wrapped over his head and tied under his chin, and his hands in his jacket pockets, walks on the sidewalk. He walks past an iron railing in front of the store that is adorned with a sign reading "Clarence Brooks & Co. Fine Coach Varnishes, Cor. West & West 12th Sts. New York." Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Date deduced from history of the advertised business and visual content., Illegible signature written on verso., Gift of David Doret., Library Company holds a duplicate copy [P.2017.95.29].
Spoiling the slide [graphic] : Clarence Brooks & Co. fine coach varnishes cor. West & West 12th Sts. New York.
Trade card promoting varnish manufacturer Clarence Brooks & Co. and depicting a racist, genre scene of an anguished-looking African American man clerk “spoiling the slide” on a snow-covered sidewalk. Shows the man, attired in a blue shirt; red and yellow striped apron; green pants; and black boots, leaning over and using a scoop and red pan to pour salt onto a bare track in the snow-covered sidewalk outside a storefront. In the near left background, two smiling African American boys throw snowballs at the clerk. The boy in the left, attired in black boots; brown pants; blue jacket and hat; and red scarf around his head, holds a snowball in both hands at his waist. The boy in the right, attired in black boots; blue pants, shirt, and hat; and green jacket pitches back his right arm, snowball in his hand. In the far right of the image, a white boy, attired in brown boots and pants; blue jacket and hat; and a red scarf wrapped over his head and tied under his chin, and his hands in his jacket pockets, walks on the sidewalk. He walks past an iron railing in front of the store that is adorned with a sign reading "Clarence Brooks & Co. Fine Coach Varnishes, Cor. West & West 12th Sts. New York." Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Date deduced from history of the advertised business and visual content., Gift of David Doret., Library Company holds a duplicate copy [P.2017.95.28].
St. Jacobs Oil, "it conquers pain" [graphic].
Racist trade card illustration promoting St. Jacobs Oil, a pain relieiving remedy, and depicting one white and one African American male jockey competing with one another. The African American jockey is attired in a, collared shirt, a yellow and orange striped sweater, white pants, white gloves, a red and white cap, and black boots. He holds his whip in his right hand and his horses reins in his left hand. His dark brown horse kicks its hind legs up toward the man and his carriage, causing the man to frown fearfully and hold his right hand to his forehead. The white jockey is attired in a white collared shirt, a red tie, a blue sport jacket, a blue and yellow cap, yellow gloves, and white pants. He holds his light brown horse's reins in both hands and a whip in his right. The African American man is depicted with exaggerated features. St. Jacobs Oil was invented by August Vogeler, a German immigrant, his son Charles A., and John H. Winkleman after 1878. Charles A. Vogeler evenutally took over the business in the late 19th century., Title from item., Advertising text printed on verso: Blue Grass Breeders. Mr. R.S. Withers, son of Gen'l Wm. T. Withers of Fairlawn Stock Farm, Lexington, Ky., writes: "I have such confidence in St. Jacobs Oil, the great pain-cure, that I use it on everything; myself, my horses, my men. Everybody, for all kinds of aches and pains, believe in its sovereignty as a cure." From Horsemen's Head-Quarters. Messrs. Treacy & Wilson, Lexington, Ky., favorably known throughout the United States and other countries as successful breeders, trainers of and dealers in fine trotting and thoroughbred stock of every description, write as follows: "We find St. Jacobs Oil very useful for both man and horse, and the article has our full endorsement. We are willing our recommendation of it should be given the widest publicity." The Doctors Prescribe It. Dr. William A. Soula, Doctor Veterinary Surgery and for nine years in charge of the Third Avenue Railroad Stables, New York City, working thousands of horses, certifies to the curative qualities of St. Jacobs Oil, the great pain-cure for sprains, galls, rheumatism and all other afflictions to which horses are subject. A Leading Authority Endorses It. Mr. E.A. Buck, Editor and Publisher, The Spirit of the Times, New York, the leading Turf paper and Sporting Authority of the United States, says: "I have used St. Jacobs Oil repeatedly, with satisfactory results." Interviews have been published in the Spirit with leading horsement, stablemen and turfmen, who say that it will do all that is claimed for it, in removing aches and pains from man and beast. The Great German Remedy, St. Jacobs Oil, for the cure of pain, is sold by druggists everywhere. Price, 50 cents a bottle. Directions in eleven languages., Gift of David Doret.
St. Jacobs Oil, "it conquers pain" [graphic].
Racist trade card illustration promoting St. Jacobs Oil, a pain relieving remedy, and depicting two African American men who have fallen off a horse-drawn carriage into a muddy puddle. The man in the right of the image cries while the man in the left of the image stands with his mouth agape and holds his left knee with his left hand. The crying man is attired in a black top hat, an orange jacket, a yellow vest, a white collared shirt, beige pants, yellow gloves, and black and gold boots. The man in the left of the image is attired in a blue jacket, a white ruffled shirt with the collar turned up, a red, white and blue bowtie, a red and white striped vest, red and white striped pants, and black shoes. His blue top hat sits upturned in the puddle. The white horse in the background looks on the scene and is still attached to the overturned carriage by its reins. The men are portrayed with exaggerated features. St. Jacobs Oil was invented by August Vogeler, a German immigrant, his son Charles A., and John H. Winkleman after 1878. Charles A. Vogeler evenutally took over the business in the late 19th century., Title from item., Advertising text printed on verso: Blue Grass Breeders. Mr. R.S. Withers, son of Gen’l Wm. T. Withers of Fairlawn Stock Farm, Lexington, Ky., writes: "I have such confidence in St. Jacobs Oil, the great pain-cure, that I use it on everything; myself, my horses, my men. Everybody, for all kinds of aches and pains, believe in its sovereignty as a cure." From Horsemen’s Head-Quarters. Messrs. Treacy & Wilson, Lexington, Ky., favorably known throughout the United States and other countries as successful breeders, trainers of and dealers in fine trotting and thoroughbred stock of every description, write as follows: "We find St. Jacobs Oil very useful for both man and horse, and the article has our full endorsement. We are willing our recommendation of it should be given the widest publicity." The Doctors Prescribe It. Dr. William A. Soula, Doctor Veterinary Surgery and for nine years in charge of the Third Avenue Railroad Stables, New York City, working thousands of horses, certifies to the curative qualities of St. Jacobs Oil, the great pain-cure for sprains, galls, rheumatism and all other afflictions to which horses are subject. A Leading Authority Endorses It. Mr. E.A. Buck, Editor and Publisher, The Spirit of the Times, New York, the leading Turf paper and Sporting Authority of the United States, says: "I have used St. Jacobs Oil repeatedly, with satisfactory results." Interviews have been published in the Spirit with leading horsement, stablemen and turfmen, who say that it will do all that is claimed for it, in removing aches and pains from man and beast. The Great German Remedy, St. Jacobs Oil, for the cure of pain, is sold by druggists everywhere. Price, 50 cents a bottle. Directions in eleven languages.
Standard java, Chase & Sanborn, Boston [graphic].
Trimmed metamorphic trade card promoting Chase & Sanborn's coffee. Depicts a quirky, racist scene with a trompe l’oeil aesthetic and including the oversized head of a Black man with exaggerated features in a North African setting. Shows an African man attired in a yellow hooded robe on a white horse and holding a long spoon to an enormous face of an African man. His head covered in a green and red turban has torn through a wall. He purses his lips out to the spoon. In the center of the image is a white coffee cup with a blue stripe and the text "Standard java, Chase and Sanborn, Boston" written in red. In the right foreground, holding a basket, is a barefooted African woman attired in a white dress with red stripes and cap sleeves; a yellow vest; and red, head kerchief. In the background is a building with Moresque decorative features in the doorway and window. Illustrated on the verso is a partial view of a black man. Shows his chin and lower lip, his torso, and his legs above his ankles. His arms are raised, and he is attired in white pants with blue stripes; a green jacket with yellow lining; a white collared shirt; and red vest and bowtie. Caleb Chase (1831-1908) established a coffee and tea company in 1864. Chase partnered with coffee seller James Sanborn (1835-1903) in 1874 to form Chase & Sanborn. It was the first company to pack and ship roasted coffee in sealed tins. In 1893, the firm supplied the coffee to all of the salons at the Chicago World's Fair. Chase & Sanborn was acquired in 1929 by Standard Brands, which merged with Nabisco in 1981., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Boston roasted coffees have a national reputation representing the finest grown seal brand java and mocha coffee is justly called the aristocratic coffee of America surpassing all others in its richness and delicacy of flavor always packed whole roasted in 2-lb, air-tight tin cans. Crusade blend coffee is a skillfull blending of three high grade coffees noted for their flavor, strength and aroma, warranted not to contain a single Rio bean, but guaranteed to [?]., Gift of David Doret., Card is trimmed at the top and bottom.
Standard screw fastened boots & shoes are the best in the world. [graphic].
Racist trade card illustration depicting two African American men and one African American woman. The woman walks arm in arm with one of the men; both figures are well-dressed. The man is attired in a black hat, a white collared shirt, a blue jacket, gloves, striped pants, and black heeled shoes with the Standard logo. He holds a flag promoting the Standard brand in his left hand and a flower in his right. The woman is attired in a hat, a white dress with blue dots and a bow at the collar, gloves, blue and white striped tights, and blue heeled shoes. The man in the left of the image is attired in black tattered clothing and worn out shoes that expose his toes. All of the figures are depicted with exaggerated features., Title from item., Text printed on recto: "Go way Ephraim, Ise got a new beau now dat wears Standard Boots!", Advertising text printed on verso: Remember and buy only Standard Screw Fastened Boots and Shoes. They surpass all others., 1882-1883 calendar printed on verso., Gift of David Doret.
Star Clothing House, 808 Elm St. [graphic].
Racist trade card illustration depicting a white man pasting advertisements on an unattended horse and a carriage. The carriage's driver, an African American man, gestures at the white man to get him to stop. The white man is attired in a flat cap, a collared shirt, suspenders, checkered pants, and boots. He carries a messenger bag and holds a pasting brush in his right hand. A bucket of paste is visible on the ground to the left of the man. The African American man is attired in a hat, a jacket, a vest, and a collared shirt. He holds a whip in his right hand and raises both arms in the air. A caption in the bottom left of the image reads, "The Latest.", Title from item., Advertising text printed on verso: The Star Clothing House is the place for you to get any-thing made. Entire line of clothing at the bottom figures. 808 Elm Street., Text printed on recto: For honest goods we warrant our prices lower than the lowest, and [..]h every suit from $10 up we give a hat such as purchasers may select., Printer's imprint partially legible., Series number printed in left corner on recto: 464., Gift of David Doret.
The Star Show [graphic].
Racist trade card illustration depicting an African American man and woman. The woman is attired in a red hat with a white feather, a blue dress with a white ruffled collar, gold bracelets, red stockings, and black boots. The man is attired in a black top hat, a red plaid jacket, a white collared shirt, a yellow tie, black pants, and black shoes. He holds a cane in his right hand. Both figures are depicted with exaggerated features. Called Back was a novel that was written by English playwright Frederick John Fargus (who went by the pen name Hugh Conway) and adapted as a play in the 1880s., Title from item., Date inferred from perpetual calendar., Advertising text on verso: The Star Show, next week! Next week! Monday, Nov. 16. Afternoon and evening. F.H. Glenny's great dramatization of Hugh Conway's famous story, Called Back. A star company! A star play! Matchless scener! Don't miss this one! Called Back. Called Back. No theater goer - Man, Woman, or Child should miss this great Play. Secure your seats now, and avoid the rush! Next! Don't forget Nov. 23. That ever popular play, "Uncle Tom's Cabin," A star company, realistic scenery, and one hundred people on the stage., Gift of David Doret.
The Start [graphic].
Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.269]., Gift of David Doret.
The Start [graphic].
Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.287]., Gift of David Doret.
Strike me pink if it ain't yo' anniversary! [graphic].
Racist, greeting card depicting a caricature portrayed with exaggerated features of an African American child's face. The oversized child's face looks directly at the viewer and purse's their lips. The interior image has a depiction of the same child with pink skin color. The child speaks in the vernacular to "strike me pink if it ain't yo' anniversary." The card is printed on pink paper., Title from item., Date inferred from history of the publisher., Manuscript written on recto: Louis & Ellis- from Wendy & Shie. The "me" in "strike me pink" is crossed out and "us" in written in manuscript., Text printed on interior: Ah hopes yo' has a million mo' each one bettah dan de one befo'!, Manuscript written on interior: drawings of four stick figures, each with an illegible name. "An hopes yo'" has been crossed out and "We" and "yos" is written in manuscript., Gift of David Doret.
Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap [graphic].
Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
"Sweet home soap." J.D. Larkin & Co. [graphic].
Racist trade card promoting J.D. Larkin & Co.’s soap and depicting caricatures of four African American boys standing in a line blowing brass horns. Shows the boys attired in straw hats, white shirts with the sleeves rolled to the elbows, and yellow shoes. The boy in the left is attired in a pink waistcoat and blue striped pants; the second boy in a purple waistcoat and blue pants; the third boy in a pink waistcoat and blue pants with a floral print; and the fourth boy in a purple waistcoat, blue pants, and gold hoop earrings. They all carry in their right hand a long, brass horn. In the background is a house with a chimney surrounded by a stone wall with a gate. John D. Larkin (1845-1926) began a soap manufactory in Buffalo, N.Y. in 1875. He created a yellow bar of laundry soap called, “Sweet Home Soap.” In 1878, Larkin admitted his brother-in-law Elbert G. Hubbard (1856-1915) and established the firm, J.D. Larkin & Co. The firm grew into a mail-order business. The Company was sold in 1941, liquidated in 1942, and the new owners continued the mail-order business until 1962., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from the history of the advertised business., Gift of David Doret.
A tale of the Rising Sun stove polish. [graphic].
Racist trade card circular advertising Rising Sun Stove Polish. Depicts four scenes in which a white woman, identified as Mrs. Smith, buys cheap ineffective stove polish from a "crafty shopkeeper" and proceeds to purchase the more effective Rising Sun Stove Polish. In the background of the scenes in Mrs. Smith's kitchen is her African American housekeeper, Dinah. Also depicted in the scenes are Mrs. Smith's friend Mrs. Jenkins, her husband Mr. Smith, and a small white dog. Mrs. Smith and Mrs. Jenkins are attired in elaborate and colorful dresses, hats, and hair pieces. In the scene titled "The wretched household," Dinah frowns and is attired" in a yellow dress with the sleeves rolled, a white apron, yellow shoes, white socks, and a yellow headwrap. She holds a brush in her left hand. In the scene titled "The happy home," Dinah smiles and is attired in a blue and white dress with a yellow skirt visible beneath it, black flat shoes, and a red and white cap. She holds a brush in her left hand and raises it triumphantly. In both scenes, she is depicted with exaggerated features. Rising Sun Stove Polish Company was founded in Canton, Massachusetts by Elijah Morse in 1864., Title from item., Text printed on recto: The crafty shopkeeper. "It's just as good!" the shopman - he was a vile deceiver. And Mrs. Smith, unused to guile, alas, was a believer. And on the rascal's oily words and lying tongue depended, and bought the swindling compound that the shopman recommended. The wretched household. Next day wise Mrs. Jenkins called on Mrs. Smith, her neighbor, and found the house all upside down, herself distraught with labor: the fire unkindled in the stove, and Dinah vainly trying to black the stove with that vile stuff her mistress had been buying. The dinner not commenced to get, and Mr. Smith expected, each moment home - no wonder that his wife appeared djected. Wise Mrs. Jenkins gazed in tears upon the scene - said she - "For all your troubles, dear, I know a sovereign remedy.", Text printed on verso: The beautiful chromo. Wise Mrs. Jenkins and her friend a little ramble took, and at a splendid chromo in a window took a look. Said Mrs. Jenkins (verbum sap), "'twill all your cares abolish, if you will use the best of all - the Rising Sun Stove Polish." The happy home. "Home, home, sweet home," entranced we gaze upon the peaceful scene, a happy home where everything is quiet and serene. Within the polished stove the fire is burning bright, and on old Dinah's face appears a smile of a calm delight. Kind reader, heed the moral taught, and then our story's done - no stove polish is "just as good" as is the Rising Sun., Gift of David Doret.
Telephone for the Alden fruit vinegar [graphic].
Trade card promoting Alden Fruit Vinegar and depicting a satiric, racist caricature of an older African American man misunderstanding an operator to whom he speaks on a wall-mounted telephone. He faces the viewer, leans against the wall, and remarks in vernacular speech "dis chile's rich..dis man... gib me de city hall." The man is balding and has tufts of hair on the sides of his head. He has a white beard and is attired in a beige coat, an undersized, green vest with buttons, and blue plaid pants rolled up at the bottom exposing his socks and black shoes. On the ground beside his feet is a banjo and brimmed hat. Brothers John Tolman and Walter Alden founded Alden and Bro., later Alden Vinegar Company in St. Louis in 1878. The business expanded to Chicago, Philadelphia, and New York. By 1907, the business collapsed., Title from item., Publication information from copyright statement: Copyright 1883 by J [H. Bufford's] Sons., Distributor's name on verso: O. H. Wilcox, dealer in simple & fancy groceries, Winfield, N.Y., Text printed on recto: Golly! I guess dis chile's rich--dis man him say wait a minute and him gib me de city hall., Advertising text printed on verso: The highest scientific authorities having analyzed, say "it is a pure wholesome vinegar produced by natural fermentations from fruits." The Alden Fruit Vinegar A Specialty., Stamped on recto: O.H. Wilcox, Merchant, Winfield., Gift of David Doret.
[The love drop] [graphic].
Racist post card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title supplied by cataloger based on P.2017.95.249., Date inferred by the date of the original painting., Text printed on verso: Post card. This side for address only. Place stamp here. United States, Cuba, Canada and Mexico one cent. Foreign two cents., Gift of David Doret.
"They all do it" [graphic].
Racist trade card specimen depicting a caricature of an African American man kissing a caricature of an African American woman on a bench in front of a house while people look on. Shows the African American man, attired in a hat, a white collared shirt, a waistcoat, a black jacket, plaid pants, and shoes, sitting on a bench. He carries a stick in his left hand and wraps his right arm around the African American woman’s neck and kisses her cheek. The woman, attired in a long-sleeved dress and apron, sits next to the man on the bench. She holds a flower in her hand on her lap and smiles. In the house behind the bench, a man, a woman, and a boy look down and smile at the couple from the second story window. In the left, a boy, attired in a hat, a long-sleeved shirt, and pants with a suspender, sits on the wooden fence with his back turned to the viewer. In the foreground is a dog scratching its ear., Title from item., Date deduced from the visual content., Gift of David Doret.
A tip on St. Valentine's day. Lady, I'se a good waiter, but I cain't wait foh'ever! [graphic].
Racist, Valentine card depicting a caricature of an African American man waiter. Shows the man, attired in a white collared shirt, a black bowtie, a black jacket with a white lapel, a white apron, black pants, yellow socks, and black shoes, looking to the right. He has a white towel draped over his right wrist, and he holds his index finger up on his left hand. He stands in front of a red heart and speaks in the vernacular that, “I’se a good waiter, but I cain’t wait foh’ever.”, Title from item., Date deduced from the visual content., Manuscript note on recto: Guess., Manuscript note on verso: G.G., Series number printed on recto: 5V12., Gift of David Doret.
Trexler & Hartzell [graphic].
Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
Try Atmore's mince meat and genuine English plum pudding [graphic].
Trade card promoting Atmore & Son's mince meat and depicting a racist scene of an African American boy street peddler. He stands on a sidewalk and holds a disc-shaped pie in his hands in front of the door to a brick building. The rosy-cheeked boy smiles and looks at the viewer. He is barefoot and attired in a white, collared shirt with orange stripes; yellow suspenders; and blue pants with black stripes that are rolled up to below his knees. In the left, on the ground and behind the peddler, is a handled basket full of pies that is partially wrapped in a white cloth. In the right is a tree with green leaves. Atmore & Son, established in 1842, was located at 141 South Front Street, Philadelphia, Pa. They continued producing mince meat as late as 1948., Title from item., Date deduced from genre of print and visual content., Text printed on recto: Try Atmore's mince meat and genuine English plum pudding., Advertising text printed on verso: [A]tmore'[s] celebrated mince meat and genuine English plum pudding prepared with the most scrupulous care from the choicest materials. Average daily sales in the season, 12 tons! Economical! Rich! Reliable! A standing invitation is extended to all visiting Philadelphia, to inspect the manufacture of our goods in all its details. Come and see for yourself! Oldest house in the trade! Established--1842. More & []. [141 S]outh Fron[t] [Stre]et, [P]hiladelphia, PA., Gift of David Doret., Library Company holds a duplicate copy [1975.F.14].
Try King's quick rising buckwheat. It is the best. The cook likes it [graphic].
Racist trade card promoting King Cereal Manufacturing Company and depicting a caricature of an African American woman domestic serving pancakes to a white couple while an African American man cook smiles in the kitchen. Shows the African American woman domestic, attired in a red dress, a white apron, and a white bonnet, holding her apron up in her hands while looking at the viewer and winking her eye. In the right, a brown-haired, white man with a mustache attired in a black suit, a white collared shirt, and black shoes and a white woman with brown hair in a bun and attired in a blue dress, sit in wooden chairs at a table covered with a white tablecloth. The white woman looks at the viewer as she wipes her mouth with a white napkin. On the table is a plate of pancakes, a coffee pot, glasses, and a condiment tray with various bottles. Through a doorway in the left background, the African American man cook, attired in a white chef’s hat and jacket, a white apron, pants, and black shoes, smiles as he stands behind a table with a box of King’s Quick Rising Buckwheat. In the right on the wall are two framed pictures and a large window with white curtains. Image also includes a red rug and a wooden chair with a green cushion. Edward King (d. 1907) founded King Cereal Manufacturing Company in 1861 in Chicago. He sold his interest in the firm to H. Horner & Co., wholesale grocers in 1903. The firm continued operations into the 1920s., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: We manufacture and sell all the package goods name[?] King’s Quick Ris[ing] Flour, King’s Quick Rising W[heat] For Biscuit, &c. Mrs. Hopper’s Pan[cake] a splendid substitu[te] [spe]cially adapted King’s R[ising] [?]ne Breakfast “Cut Oat Meal. “White Hominy. “Corn Grits or Samp. “Farina. (From the Best Wheat.) “Golden Corn Meal. “Silver Corn Meal. “Flaked Hominy. The best preparation of Corn ever placed on the market. Makes a delicious breakfast dish or after dinner dessert., Gift of David Doret.
Try Lavine for washing [graphic].
Racist trade card promoting Hartford Chemical Works, manufacturers of Lavine Soap, and depicting a scene showing African men in a three-way race. In the center, a man with a white beard, attired in a red-striped turban and robe, smokes a pipe while riding an elephant in full stride and strapped with two large boxes labeled, "Lavine Soap Washing Hartford." To the right front of the elephant, another man, bare chested and attired in a red loincloth, runs slightly ahead of the animal. In the distant right of the image, a third man attired in a red turban, cloak, and yellow shorts races on horseback near a temple. Palm trees are also visible in the background. In the lower right are two, stacked boxes labeled, "Lavine, Hartford Chemical Works 30 Union Place. Try Lavine for Washing." Hartford Chemical Works, located in Hartford, Connecticut, was established in 1879 by Albert B. Gillett. Gillett patented Lavine Soap in 1882. The company operated until at least 1889., Title from item., Place of publication deduced from place of operation of advertised business., Advertising text printed on verso: Lavine for washing. The best and cheapest article ever offered to the housekeeper. Ask your grocer for it and take no other. It has taken the highest awards at the American Institute Fairs, in October, 1880 and 1881 as well as the first premium at every state and county fair where exhibited. Do not pay 15 cents a pound for a washing compound, when you can buy a better one for 13 cents. Make sure that your grocer gives you Lavine. It makes the hardest water soft and will not injure the finest clothes. It does not burn the hands nor chap them in winter. Try it for washing your marble steps, floors, sinks milk pans or anything which may need washing., Distributor’s name on verso: Geo. S. Adams, Manufacturer's Agent, No. 117 North Second Street, Philadelphia., Gift of David Doret.
Tuesday. Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me [graphic].
Racist trade card promoting Higgins’ soap and depicting a caricature of an African American woman domestic ironing a white sheet. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief, a red and white shawl, a blue dress with black stripes, a white apron with red stripes, orange and white striped stockings, and black shoes. She stands behind an ironing board and holds a white sheet in her left hand and an iron in her right hand. The ironing board sits on top of a wooden stool and a red and yellow box labeled “Higgins’ German Laundry Soap.” The woman smiles at the viewer and says, “Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me.” In the background is a white sheet hanging over a wooden board. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
[Two African American women domestics baking bread] [graphic].
Racist, trade card specimen depicting caricatures of two African American women domestics portrayed with exaggerated features baking bread. In the left, shows an African American woman, attired in a striped head kerchief, hoop earrings, a white collared shirt with the sleeves rolled up to the elbows, and a brown skirt, standing behind a table. She mixes dough in a large bowl with her right hand and reaches her left hand to a bag of flour. In the right, another African American woman, attired in a white and gray striped shirt with the sleeves rolled up to the elbows, a white apron, and a dark green skirt, smiles at the viewer as she holds up a large loaf of bread., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
The Union Pacific Tea Co. [graphic].
Racist trade card illustration depicting an interior scene with two African American women, a toddler, and a cat. One woman, who is thin and gaunt, stands and is attired in a long dark colored robe, a shawl, a head scarf, and shoes. The other woman, who is larger, is seated in a rocking chair and attired in a long sleeved dress, an apron with a star pattern, a headwrap, and shoes. The toddler is seated on the floor in the background. A broken chair and framed picture of a person kneeling are visible in the background of the image. A cat is seated on the floor in the foreground. All of the African Americans in the illustration are depicted with exaggerated features., Title from item., Text printed on recto: "Aunty Fat, and Auntie Lean.", List of firm's branches printed on verso., Gift of David Doret.
United we stand. Divided we fall [graphic].
Racist, satiric trade card promoting the Great American Tea Company. Depicts in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, shows caricatures portrayed with exaggerated features of two barefooted African American children sitting on top of slanted cellar doors. In the left, the boy, attired in a hat, a long-sleeved shirt, and pants with suspenders, holds a striped candy stick in his mouth. In the right, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “united we stand.” In the right panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The boy has been thrown off of the door and lies in the left on the ground with the candy stick still in his mouth. The girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “divided we fall.” George Gilman (1826-1901), a tea and coffee merchant, founded the Great American Tea Company in 1863. He opened a number of stores in New York City and started a national mail order business. The firm was renamed the Great Atlantic & Pacific Tea Company in 1870, though the Great American Tea Company name was still used in the mail order business. George Huntington Hartford (1833-1917) took over management of the company from 1878 to 1917 and grew the business into the chain of grocery stores known as A&P., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The most useful every day premium ever sent out, is our latest and newest design of dinner set, genuine imported English white granite, containing 126 pieces. No crazing—no cracking. Use it for breakfast, dinner and supper. This is just the set for every day use. We will give one of these imported white granite dinner sets, (126 pieces) AWAY with a $40.00 order. Every Lady likes to have a nice closet of dishes—your closet is not complete without this set. Don’t fail to get up an order for our celebrated new goods, --teas, coffees and baking powder. As a trial order we will send 3 ½ pounds, of our best teas, by mail, postage prepaid on receipt of list price. Only pure goods sold. The Great American Tea Company, N.B.—Get “The Lalla Rookh Dress Cutting System Chart.” The Greatest Boon to the Ladies., Gift of David Doret.
United we stand. Divided we fall [graphic].
Racist, satiric trade card specimen depicting in two panels an African American man knocking down two African American children eating a candy stick by opening the cellar doors they were sitting on. In the left panel, shows caricatures portrayed with exaggerated features of two barefooted African American children sitting on top of slanted cellar doors. In the left, the boy, attired in a hat, a long-sleeved shirt, and pants with suspenders, holds a striped candy stick in his mouth. In the right, the girl, attired in a bonnet and a dress, shares the same candy stick and sucks the opposite end in her mouth above the caption, “united we stand.” In the right panel, an African American man has come up from inside the cellar and stands holding both doors open in his hands. He is attired in a white shirt, a striped vest, striped pants, and a cap, and holds a pipe in his mouth. The boy has been thrown off of the door and lies in the left on the ground with the candy stick still in his mouth. The girl has also been flung from the top of the door and lies on the ground beside the cellar with only her feet and left hand visible, as the caption reads, “divided we fall.”, Title from item., Date deduced from the visual content., Gift of David Doret.
The Universal clothes wringer [graphic].
Metamorphic trade card promoting the American Wringer Company's Universal Wringer. Depicts a racist "before and after" scene with and without the product. The before scene shows an African American laundress "Dinah" wringing clothes by hand over a tub. She states in vernacular speech that "de wringing am awful." A white woman chastises her to "look at these torn clothes." She holds up a square shaped cloth with tears. A clock is visible in the background. The women are shown as bust-length. Dinah wears a kerchief, an open collared shirt, and her sleeves are rolled up. The after scene shows a smiling "Dinah," wringing laundry with a "Universal" clothes wringer under the happy gaze of her employer. The women reach a hand out to one another. Dinah wears a high ruffled collar shirtwaist with a bow at her neck, long sleeves, an apron, and kerchief. A clock rests on a sideboard in the background. The American Wringer Company was established about 1861 and operated until at least the early 20th century. The company often provided a clock as a premium to purchase their laundry equipment., Title from item., Date inferred from attire of figures depicted., Text printed on recto: Oh mistis de wringing am awful, always tear de clothes 'spect dat I neber get through. What Dinah, six o'clock and not done yet! And look at these torn clothes. "What Dinah! Finished washing so soon! Why it's only three o'clock." "Hi golly! Mistis, been done dese two hours dis chile hab no more trouble, since you done got dis wringer. Neber tear de clothes neder., Advertising text printed on verso: The Universal Wringer has the following points of superiority. 1. Rolls of solid white rubber. 2. Rowell's double cog-wheels. 3. Two independent pressure screws. 4. Double cogs at both ends of each roll. 5. Folding apron or clothes guide. 6. Rocking springs of wood and rubber., Distributor's name on verso: J. Russell & Co., Dealers in hardware, carpenters' and machinists' tools, 23 Dwight and 23 Race Streets, Holyoke, Mass., Gift of David Doret., Library Company holds a duplicate copy with a variant distributor [113420.D].
Use Dannemiller's Cordova coffee, in 1 pound papers, because it's the best [graphic].
Racist trade card promoting Dannemiller Coffee Company and depicting a genre scene with an African American boy jockey, white children, and a horse. In the left, the jockey, attired in riding boots; white breeches; a white shirt and red vest; and a red and white jockey cap, stands beside a brown horse onto which he helps a white boy mount. He holds the bridle in his left hand and leans down to help the boy place his foot into the stirrup with his right hand. In the center, the white boy, attired in a Fauntleroy outfit with black boots and hat, grips the saddle to hoist himself up onto the horse. In the right, a smiling white girl with long, brown hair looks at the viewer. She descends a set of stairs holding the railing. She is attired in black shoes, a yellow dress with blue trim, stockings, and a bow in her hair. She carries a doll costumed in a red and white dress with matching red shoes and hat. A greyhound faces the girl at the base of the stairs. Edward Dannemiller (1850-1939) and his son Albert J. Dannemiller (1879-1955) founded Dannemiller Coffee Company in Brooklyn, N.Y., in 1904. The Company operated through the mid-twentieth century., Title from item., Place of publication from place of operation of advertised business., Date deduced from history of advertised business., Advertising text printed on verso: A fair trial is all we ask, and we are sure of the result, if you take quality into consideration. It's merits are unequaled. Don't be deceived judge fore yourself. Lasst euch nicht batriigen urtheilt fiir euch selbst. A beautiful picture with each package., Manuscript note on verso: Stella Leonard., Gift of David Doret.
Use Dunham's concentrated cocoanut [graphic].
Racist trade card promoting Dunham's Concentrated Cocoanut and depicting caricaturized portrayals of African men harvesting coconuts. Two bare-chested men stand with a large basket filled with coconuts in the grassy center of a grove of coconut trees. In the left, the man attired in a red sarong, leans over and grips the basket with both hands. In the right, the man, attired in a blue sarong, a coconut on his head, hops in the air on one leg. Two monkeys, one with their arm in the air, are visible above the man and in a coconut tree. In the distant background two men harvest coconuts into a basket. In the lower left corner is an inset containing an image of a box of "Dunham's concentrated cocoanut." John S. Dunham, his son J. Frank, and James Pannell Wood (1861-1906) founded Dunham's Manufacturing Company in 1885 in New York City and St. Louis. The company continued to manufacture shredded coconut until circa 1950s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of advertised business., Advertising text printed on verso: "The only article of prepared cocoanut on the market that equals the fresh nut. Patented 1879. Always sweet and fresh. Don't pay cocoanut price for sugar. Buy Dunham's concentrated, the only absolutely pure cocoanut, and sweeten according to taste. Packed in one pound fruit cans and one pound and half pound pasteboard packages. Manufactured by [Dun]ham Manufact[?] St. Louis MO." Illustration of a container of Dunham's cocoanut. "Patented screw top for 1879. Dunham's Co[ncen]trated [Cocoanu]t.", Gift of David Doret.
Use Dunham's concentrated cocoanut [graphic].
Racist trade card promoting Dunham's Concentrated Cocoanut and depicting caricaturized portrayals of African men harvesting coconuts. Two bare-chested men stand with a large basket filled with coconuts in the grassy center of a grove of coconut trees. In the left, the man attired in a red sarong, leans over and grips the basket with both hands. In the right, the man, attired in a blue sarong, a coconut on his head, hops in the air on one leg. Two monkeys, one with their arm in the air, are visible above the man and in a coconut tree. In the distant background two men harvest coconuts into a basket. In the lower left corner is an inset containing an image of a box of "Dunham's concentrated cocoanut." John S. Dunham, his son J. Frank, and James Pannell Wood (1861-1906) founded Dunham's Manufacturing Company in 1885 in New York City and St. Louis. The company continued to manufacture shredded coconut until circa 1950s., Title from item., Date deduced from history of advertised business., Advertising text printed on verso: Dunham's concentrated cocoanut. Patented 1879. The only article of prepared cocoanut on the market that equals the fresh nut. Always fresh and sweet. Why pay 35c. per pound for sugar and other cheaper admixtures? Buy Dunham's concentrated, the only absolutely pure cocoanut, and sweeten to taste. [?] by Dunham's Manufacturing Co. St. Louis, Mo., Gift of David Doret.
Use Lautz Bros. & Co's soaps, best in the market [graphic].
Racist trade card depicting an African American man minstrel musician to promote laundry soap. Shows the man, smiling, looking toward the viewer, sitting on a stool, bent over, and playing the cello. He picks the strings near the neck of the instrument with one hand and runs a bow along the strings at the lower body of it with the other. Sheet music is visible behind the man and above his head. The man is attired in a minstrel's costume, including a blue and white striped jacket with long tails, orange and white polka dot pants, and a white shirt with ruffles and the collar up. Lautz Bros. & Co. was originally founded in 1853 in Buffalo, New York as the Lautz Company by German immigrant Wilhelm Lautz Sr. After his death in 1866, his wife, sons, and grandsons continued to run the firm from Buffalo, New York through the early 20th century., Title from item., Gift of David Doret.
Use Lautz Bros. & Co's soaps, best in the market [graphic].
Racist trade card depicting an African American man minstrel musician to promote laundry soap. Shows the man, in profile, sitting on a stool, his left foot wrapped around its leg, and playing the flute. A music stand with pages of sheet music is visible to the man's left. The man is attired in a minstrel costume, including a white and blue cone-shaped hat, an orange and white plaid jacket with long tails, a white shirt with ruffles, and yellow pants with a blue stripe. Lautz Bros. & Co. was originally founded in 1853 in Buffalo, New York as the Lautz Company by German immigrant Wilhelm Lautz Sr. After his death in 1866, his wife, sons, and grandsons continued to run the firm from Buffalo, New York through the early 20th century., Title from item., Gift of David Doret.

Pages