Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

Pages

1776. Centennial Fountain, 1876. Fairmount Park, Philadelphia. Erected under the auspices of the Catholic Total Abstinence Union of America.
View showing the fountain designed in honor of prominent Irish or Catholic Revolutionary heroes that was erected 1875-1877 by the national temperance society at Fountain Avenue and Avenue of the Republic on the Centennial grounds. The monument designed in the shape of a maltese cross by Herman Kirn contains statues of Father Theobold Matthew (Irish temperance reformer), Charles Carroll (only Catholic signer of the Declaration), Commodore Barry (Irish-born naval commander known as the Father of the American Navy), and Archbishop Caroll (first Catholic Bishop of the U.S.) mounted on fountain pedestals. The statues surround the central sculpted figure of Moses who holds the Ten Commandments. The Moses sculpture rests upon a rock-mound within a marble basin. Water flows over the rocks into a pool. Also shows visitors, including a woman with a parasol, strolling around the memorial. Another drinks from a cup at the "Matthew" fountain. The names of the revolutionary heros are printed below the image respective to their corresponding statue., Presented to James J. Brannen of Pittsburgh, a subscriber., Not in Wainwright., Philadelphia on Stone, POS 2
1776, Centennial International Exhibition, 1876.
Print containing a central view of the proposed Main Exhibition Building surrounded by titled vignettes showing key events in the history of the United States. View includes trains of people arriving by foot, on horseback, and by omnibus in front of the exhibition hall. The length, width, and square footage of the building are printed below the image. Vignettes, predominately events from the American Revolution, War of 1812, Mexican American and Civil War, include "Drafting the Declaration of Independence - The Committee"; "Reading the Declaration of Independence"; Celebration of the Fourth of July After the [Civil] War"; "Battle at Manmouth"; "Entry into Mexico"; "Battle of Lake Erie"; the raising of the American flag at "Fort Sumter"; "Surrender of Lee"; and Lincoln's celebratory "Entry into Richmond." Many of the images include victorious military leaders in addition to celebratory crowds. Other vignette views show street and pedestrian traffic in front of "Independence Hall or State House, Phila." and "The Memorial Building or "Art Gallery," Phila." Also contains the figure of America; an American eagle; a bee hive icon for "Agriculture" and train icon for "Mechanics"; Native American figures incorporated into the border; and banners reading "Great World Fair" and "Industry of All Nations." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Farimount Park., Not in Wainwright., Philadelphia on Stone, POS 3, Historical Society of Pennsylvania: Bc 8 S 325
37 Crown Street.
Street scene showing the residence of the artist on Crown Street (perpendicular to Race and Vine streets). The view includes other residential buildings and the rear of St. Augustine's Roman Catholic Church and cemetery (260-262 N. 4th) partially concealed behind a wall. A few people and a dog stroll along the sidewalk., Lithograph is based on a drawing by Richard Kern now in the collection of the Huntington Library., Date printed lower left corner., Philadelphia on Stone, POS 5, See David J. Weber. Richard H. Kern: Expeditionary Artist in the Far Southwest, 1848-1853. (Albuquerque: University of New Mexico Press for the Amon Carter Museum, 1985) for a biography of the artist., Gift of David Doret., Kern was a member of an artistic Philadelphia family. His brothers Benjamin, Edward, and John were also artists, and for a short time in the 1840s, Richard shared a Philadelphia studio with Edward and John and taught art. He also supported himself by preparing technical illustrations for some of Philadelphia's scientific organizations. Like his brothers, Benjamin and Edward, Richard served as a topographical draftsman on expeditions to the western United States. He was killed by Native Americans in Utah.
A. Fiot publisher of music, importer of musical merchandize [sic]. Wholesale & retail, No. 196 Chestnut Street Philadelphia. [graphic] : Piano, harps, guitars, violins, flutes, brass instruments, Italian strings. &c. &c. / H. Dacre, del.
Advertisement containing a whimsical view surrounded by an ornamental border to promote the music store of Augustus Fiot. View shows cherubs playing and surrounded by instruments, including a cello, harp, trumpet, flute, guitar, and organ. Scene also includes sheet music resting on the floor and propped on a stand. The ornamental border includes a vignette, cherubs playing instruments (harp, cymbals, trumpet, flute), vinery, and floral details. Vignette shows a woman at a piano and a boy playing the flute at a recital in front of a small audience. Fiot began to publish music in 1835 with partner Leopold Meignan. The partnership operated until 1839. Fiot continued to operate a music store until 1855., Title from item., Date inferred from the content., Gift of David Doret., Philadelphia on Stone, POSP 1, Copy printed in red ink at Free Library of Philadelphia: Jackson Collection of Early Lithographs - J 60, Digital image of Free Library of Philadelphia copy included in Philadelphia on Stone Digital Catalog.
[A. H. Eckhardt. Soap & candle manufactory, No. 326 N. Second Street, Philadelphia]
Advertisement showing the three-and-a-half story storefront for the manufacturer on North Second Street between Noble and Green streets (i.e., 500 block). A store clerk, possibly the proprietor stands at the open doorway, a quill in one hand and the other resting on a stack of boxes. He watches a laborer load boxes onto the "A.H. Eckhardt Soap & Candle Manufacturer No. 326 N. 2nd Street" horse-drawn wagon parked in the street. Boxes, jars, crates, and other small containers adorn the large display window and a crate resting on a table is visible through the doorway. The store is also adorned with poles for an awning; a section of side awning reading "A.H. Eckhardt Soap & Candle Manufacturer"; advertising signs at the doorway; and a fire insurance marker. Augustus H. Eckhardt ran the chandler business from the address 1848-1856., Wainwright dates image as circa 1854., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. North Second Street., Philadelphia on Stone, POS 6, Wainwright retrospective conversion project, edited.
A. Hawley & Co., perfumers and chemists, no. 39 North Fourth Street, above Arch, Philadelphia.
Advertisement with ornate floral border including two female figures and two centaurs surrounding a central text panel listing a large variety of products manufactured by the firm. Products include perfumes; soaps; toothpastes; cosmetics; lotions; extracts; hair oil and dyes., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America...Commercial edition with business cards of the prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 45 1/2. (HSP O 458), Not in Wainwright., Philadelphia on Stone, POSP 2
A. Koellner, painter, No. 74 corner of Chestnut and Exchange Streets, Philadelphia
Advertises Kollner as a painter of portraits of "ladies and gentlemen on horseback" and "horses, correct and in every possition [sic]." Reflects Kollner's failed attempt to establish himself as an equestrian portrait painter upon his arrival in Philadelphia. Soon after this advertisement was issued, Kollner was hired by Duval to create lithographic portraits of military personnel, many on horseback, for the U.S. Military Magazine., Not in Wainwright., Philadelphia on Stone, POSA 2, See Nicholas B. Wainwright's "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography (Vol. 84, 1960), pages 325-351.
A. Russell & Co. 104 Chestnut Street. Philadelphia. Fashionable hat and cap manufacturers.
Advertisement depicting a jumbled assortment of men's and boy's hats on top of an anvil-shaped pedestal. Hats lie on their side, top, and rim., Not in Wainwright., Philadelphia on Stone, POSP 3, Originally part of John McAllister's scrapbook "Costumes, English & American, 1800-1869."
Abbott & Lawrence. Liberty Stove Works, Brown Street above Fourth St. Philada.
Advertisement showing the stove works founded in 1851 on the 400 block of Brown Street in Northern Liberties. Works include a four-story building containing the "office" and adorned with a cupola, a large work yard, and a rear "Foundry." At the multi-story building, a laborer loads stoves that are lined on the sidewalk into a horse-drawn wagon under the eye of a man at the doorway. On the roof, two other men stand in the cupola that is adorned with a statue of Liberty. In the adjacent work yard, laborers shovel and pick at mounds of coal and bricks, and load and transport hand- and horse-drawn carts on the grounds and up a ramp leading to an opening in the foundry. Near the workers, a group of men, one leaning on a shovel convenes and two boys chase each other over a mound. On the sidewalk, men, women, and children pedestrians stroll past a street lamp, watch the workers, and converse near a dog sniffing a fire hydrant. In the street, drivers guide horse-drawn carts, a drayman travels, and a pedestrian crosses in the path of an "Abbott & Lawrence Liberty stove Works" wagon and speeding carriage occupied by a family of three. Street activity also includes a man on horse back, two dogs in a greeting stance, and two gentlemen engaged in conversation. The firm was reestablished as Abbott & Noble in 1858, and operated until 1915 under various proprietors., Philadelphia on Stone, POS 7, Wainwright retrospective conversion project, edited.
Advent Protestant Episcopal Church, Old York Road, Philadelphia.
Exterior view of the Gothic-style church, known as the Church of the Advent, built 1844-1845 after the designs of John E. Carver at York Avenue and Buttonwood Street. Also shows pedestrian traffic, including a woman with a parasol, strolling with a child, and partial views of surrounding buildings., Philadelphia on Stone, POS 11, Accession number amended by cataloger., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
[Advertisement calendar for printer]
Advertisement calendar for 1858 containing classical figures, patriotic imagery, and scenes of a printer's establishment. Imagery includes the allegorical figures for art, music, prosperity, commerce, and time; the American eagle, shield, and flag; birds; cherubs; water sprites; and floral ornamentations. Scenes show artisans at work at lithographic and printing presses, a woman colorist, an artist at his drawing table, and a printer choosing typeface. Other pictorial elements depict symbols of art, trade, and industry, including a palette, globe, and bust. Filigree borders several of the images., Not in Wainwright., Name of possible printer from manuscript note on verso., Inset cut in upper portion of print., Philadelphia on Stone, POSA 3, Originally part of Charles A. Poulson's scrapbooks of illustrations of Philadelphia.
Agricultural Implement Manufactory. Heebner & Sons. Lansdale, Montgomery Co. PA.
Exterior view showing the three-and-half story brick building "salesroom" and adjacent foundry. A clerk stands near the salesroom entrance in front of which three tractors are displayed in the yard. To the right a train stands on the tracks of the newly constructed North Pennsylvania branch of the Reading Railroad. Also shows a passing horse-drawn carriage. Founded in 1840 by David S. Heebner, the firm moved to Lansdale from Worcester Township in 1872., Similar view published in J.D. Scott's Combination atlas map of Montgomery County, Pennsylvania (Philadelphia: J.D. Scott, 1877), p. 64., Not in Wainwright., Philadelphia on Stone, POSP 6
Alfred Jenks & Son's machine works, Bridesburg.
Advertisement showing the busy industrial complex established circa 1819 by Alfred Jenks and enlarged in 1853 on the east side of Richmond Street between Franklin & Locust streets in Bridesburg. A horse-drawn flatbed truck enters the courtyard of the U-shaped complex containing several buildings that are surrounded by wood fencing. Within the yard, clusters of workers transport boxes and planks of wood by hand near an unhitched wagon surrounded by crates. A carriage with driver waits near a smaller building, landscaped with trees and attached to one of the large workshops. Outside the complex, a driver handles a four-horse team plodding to pull a truck loaded with two large machines as other factory workers transport planks, carry crates, mill about with their tools, drive a dray, and stand at a shed facing the street. Also shows two gentlemen talking to a worker in the middle of the roadway, a worker carrying a box near abandoned carts in an adjacent courtyard, and several working smokestacks on the roofs of the works., Illustration in Edwin T. Freedley's Philadelphia and its Manufactures (Philadelphia: Edward Young, 333 Walnut Street, 1858), opposite page 301., Philadelphia on Stone, POS 13.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1858 Fre 67170.D., Historical Society of Pennsylvania:, Atwater Kent Museum: 40.79.3/2
Alms House. Philadelphia.
Exterior view of the Blockley Alms House on the Schuylkill River from the eastern bank including the Market Street Bridge, Beck's shot tower, and a distant view of Eastern State Penitentiary. The Almshouse, designed by Philadelphia architect William Strickland, was constructed in 1833., Issued as plate 8 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 14.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Poulson)., Historical Society of Pennsylvania: Ba 2 B 651.
Alms House. Philadelphia.
Exterior view of the Blockley Alms House on the Schuylkill River from eastern bank including the Market Street Bridge, Beck's shot tower, and in the far distance Eastern State Penitentiary. The Almshouse, designed by Philadelphia architect William Strickland, was constructed in 1833., Copyrighted by J.T. Bowen., Originally published as plate 8 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and 1848 with hand-coloring., Philadelphia on Stone, POS 14.3, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania: Bb 862 W6442., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Alms House. Philadelphia.
Exterior view of the Blockley Alms House on the Schuylkill River from eastern bank including the Market Street Bridge, Beck's shot tower, and a distant view of Eastern State Penitentiary. Almshouse, designed by Philadelphia architect William Strickland, was constructed in 1833., Issued as plate 8 in Views of Philadelphia, and Its Vicinity. (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75., Philadelphia on Stone, POS 14.1. Digital image shows fourth state of print.
Alms House. Philadelphia.
Exterior view of the Blockley Alms House on the Schuylkill River from eastern bank including the Market Street Bridge, Beck's shot tower, and in the far distance Eastern State Penitentiary. The Almshouse, designed by Philadelphia architect William Strickland, was constructed in 1833., Copyrighted by J.T. Bowen., Originally published as plate 8 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 14.4, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Alois Senefelder. Inventor of lithography
Book illustration containing a portrait of Senefelder in a slightly draped oval frame bordered by scenes, pictorial details and vignettes representative of the lithographic trade. Frame contains a plate marked "1800" to represent the year of the invention of lithography. Pictorial details of lithographer's tools including a pen, ink pot, etching needle, straight edge, compass, sponge, brush, palette, and ink roller flank the upper edges of the frame. Scenes of a lithographic printer rolling ink on a stone on a hand press (left) and a lithographic artist using a hand rest to draw a portrait on stone from a sketch at his drawing table (right) adorn the lower edges. Scenes also include stones stored in a library of shelves and resting against the hand press as well as the artist's portfolio laying against his drawing table. Vignette shows a steam powered lithographic press framed as the base of the pedestal of the portrait. Duval & Hunter, the partnership between P.S. Duval's son Stephen C. Duval and Thomas Hunter operated 1869-1874., Published in J. Luther Ringwalt's The American encyclopaedia of printing (Philadelphia: Meniman & Ringwalt, 1871), opp. p. 280., Not in Wainwright., Philadelphia on Stone, POSP 8
American Classical and Military Academy at Mount Airy, Germantown, 8 miles from Philadelphia.
Exterior view. Right wing is the former country seat of Pennsylvania Chief Justice William Allen known as "Mount Airy." Founded as Mount Airy Seminary (later Mount Airy College or Collegiate Institute) in 1807, the school served as a military academy 1826-1835 under the superintendence of Augustus L. Roumfort. Demolished in 1848 or 1849., Contains overprinted letterpress title., Cephas G. Childs and Henry Inman were partners 1831-33., Philadelphia on Stone, POS 15.1
American Classical and Military Academy at Mount Airy, Germantown, 8 miles from Philadelphia.
American Classical and Military Academy at Mount Airy, Germantown, 8 miles from Philadelphia.
Exterior view. Right wing is the former country seat of Pennsylvania Chief Justice William Allen known as "Mount Airy." Founded as Mount Airy Seminary (later Mount Airy College or Collegiate Institute) in 1807, the school served as a military academy 1826-1835 under the superintendence of Augustus L. Roumfort. Demolished in 1848 or 1849., Philadelphia on Stone, POS 15.1, Cephas G. Childs and Henry Inman were partners 1831-33., LCP copy right corner torn., Gift of Manuel Kean.
American Hotel. Henry A. Charter. Chestnut Street, opposite the State House Philadelphia.
Advertisement showing the five-story hotel built by John L. Ridgway in 1844 at 181-183 (i.e., 517-519) Chestnut Street. Male and female guests sit under an awning on the front porch, enter the building, and stroll on the second floor balcony. Other patrons are visible, through the open windows and entrance, in the saloon and at the front desk. Curtains adorn several of the upper windows and rolled carpets are showcased in the display windows of the tenanting business of "J. & B. Orne." A couple approach the entrance of the adjacent storefront of "J. Sill & Co. Gloves. Hosiery. Cravats. Shirts. etc." at 185 (i.e., 521) Chestnut Street. Hosiery and bolts of fabric adorn the display windows of the building that also contains columns and a balcony. Also shows a dog behind the couple, a fire hydrant, and a partial view of a parked carriage and neighboring building. Charter, originally with partner C. James McClellan, served as the proprietor 1845-1848., Date from Poulson inscription on recto., Philadelphia on Stone, POS 17, Wainwright retrospective conversion project, edited., Opening of hotel described in the Philadelphia Inquirer, January 20, 1844.
American Life Insurance and Trust Co., Office Walnut Street south east corner of Fourth, Philadelphia.
Exterior view showing the company's central office building, known as the American Building. A couple exits the building while a gentleman walks past. Incorporated in 1850, the company was formed in part to further the cause of temperance by offering considerable discounts to signers of the total abstinence pledge. Company occupied this building from 1854 to 1888., Published in I.L. Vansant ed. The royal road to wealth (Philadelphia: Published by Samuel Loag, 1869?), opp. pg. 31 without attribution. (LCP Am 1870 Van (18316.O)), Date from manuscript note on recto: June 15.60., Originally part of a McAllister scrapbook., Philadelphia on Stone, POS 18
American National Monument of Memorials, for all our people throughout all the land, to honor the fathers of our country forever. To be on Independence Square, in Philadelphia, in the buildings and halls where their work was done.
Promotional print showing Independence Hall remodeled to accommodate an unrealized national monument conceived during the Centennial movement by patriot and roofer Joseph Leeds to honor the Founding Fathers of the United States. Shows Independence, Congress, and old City Hall connected by corridors resting on arches to be interiorly decorated with exhibits representing the history of the country from 1607-1876. Also contains an ornamental border including the American eagle and the forty-eight state seals; several paragraphs explicating the necessity, design, and administration of the monument; and patriotic slogans., Philadelphia on Stone, POS 19, Originally part of a McAllister scrapbook of views of Philadelphia., LCP holds original edition of accompanying pamphlet. See "Honor to the fathers of our country: the duty and privilege of every patriot..." (Philadelphia: Joseph Leeds, 1879). [Am 1879 Lee 23645.D.9]., See also Joseph Leeds's One hundredth anniversary of the Declaration of Independence and Independence Square, and the three main buildings thereon, in Philadelphia, State of Pennsylvania: as a monument of memorials sacred and forever to honor the fathers of our beloved country and their principles (Philadelphia, 1872) in the collections of the Historical Society of Pennsylvania. [UPA/Pam F 158.65.I3 L44 1872].
Arch Street Bridge at Front Street ; Friends' Bank Meeting
Book illustration containing two views of historical Philadelphia landmarks. Upper view shows the bridge constructed in the late 17th century known as the arch over Mulberry (i.e., Arch) Street to provide access between elevated sections of Front Street near the house and shop of shipbuilder Robert Turner at the Delaware River. Bridge razed circa 1721. View includes two buildings, probably the Turner dwelling; a horse-drawn cart traveling under the bridge; pedestrians; and ships on the river. Lower view shows the exterior of the meeting house built 1685 on Front Street above Arch Street. Shows a group of Quakers proceeding to the meeting house. Building razed in 1789., Published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 335., Manuscript note below each image: Different from book., Philadelphia on Stone, POS 23, Gift of James Rush.
Art Gallery, Centennial International Exhibition. 1876. Fairmount Park Philadelphia.
Bird's eye view of the exhibition building, the Art Gallery or Memorial Hall, designed by Herman Schwartzmann. View includes heavy visitor traffic by foot and carriage in the foreground. Couples stroll the grounds, enter the hall, converse, and are transported by carriage. Also shows a fountain in the right of the image. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by the Centennial Board of Finance., Probably by Louis Aubrun., Philadelphia on Stone, POS 25, Retrospective conversion record: original entry, edited.
Art Gallery. Main Building. Centennial International Exhibition. 1876. Fairmount Park, Philadelphia.
Bird's eye views of two of the exhibition buildings - the Art Gallery or Memorial Hall designed by Herman Schwartzmann and the Main building designed by Henry Pettit and Joseph M. Wilson. Views include heavy visitor traffic by foot, carriage, and omnibus in the foreground. Also contains the dimensions of the buildings in the lower left corner. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by the Centennial Board of Finance., Gift of David Doret., Philadelphia on Stone, POS 26
The Artillery Corps of Philadelphia Greys, (Company D), Comd. by Capt. Geo. Cadwalader, First Regiment of Artillery, 1st Brigade, 1st Division, P. M.
Scene showing Captain George Cadwalader commanding a drill of the mounted artillery troop of the Pennsylvania Militia on a large field near Powelton in West Philadelphia. Shows, in the foreground, Cadwalader, seated on his stead, and signaling a change of formation with his raised saber. Two officers, one blowing a bugle, trot behind him between two lines of men mounted on horses, seated in horse-drawn carriages, or pulling canons by horse-team. Other men on mounts, in carriages, and pulling cannons have broken from the old formation and fan out alongside the lines. The militia men wear blue uniforms comprised of trousers, jackets with epaulets, and tall shakos with plumes. In the background, clusters of trees and a residence with fenced property are visible. Samuel Powel (1818-1885) for whose family the neighborhood depicted was named, was a member of the Philadelphia Greys., Artist's signature lower left corner of stone., Date from untrimmed duplicate., Philadelphia on Stone, POS 27, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb529 H711., Gift of Martin Snyder., Trimmed., Hoffy was the predominate artist of the plates used to illustrate the military fashion periodical, "U.S. Military Magazine," published 1839-1842 by Duval and Huddy.
Assembly Building schottisch
Sheet music cover showing a busy street scene with the "Assembly Buildings" music hall rebuilt 1852 after the designs of John McArthur, Jr. at 1000-1002 Chestnut Street. Signage for tenant F.A. Hoyt & Brother, boys clothing, adorns the frieze of the building used for concerts, exhibitions, and balls. The hall also displays signage for the "Assembly Dinner Saloon," the eating saloon in the basement. Several pedestrians walk on the sidewalks, convene at the intersection, and cross the street in which horse-drawn carriages and an omibus travel. Pedestrians include ladies with parasols, a boy with a hoop, and two men shaking hands. Also shows two men on horseback near a street lamp at the corner, a dog, and neighboring buildings., Not in Wainwright., Copyrighted by J.W. Roddon., Philadelphia on Stone, POS 28, Possibly printed by Jacob Haehnlen.
Athenaeum.
View looking southwest showing the Italianate-style library building built 1845-1847 after the designs of John Notman at 219-221 South Sixth Street. Includes the adjoining building. Also shows trees behind a brick wall in the background. The Athenaeum was founded in 1814 to collect materials "connected with the history and antiquities of America, and the useful arts, and generally to disseminate useful knowledge" for the public benefit., Frontispiece to the Thirty-Second annual report of the Athenaeum of Philadelphia (Philadelphia: Clark, 1847) and Address delivered at the opening of the new hall of the Athenaeum of Philadelphia on Monday, October 18th, 1847, by Thomas I. Wharton, Esq. (Philadelphia: J.C. Clark, printer, 1847)., After an 1845 wash drawing by John Notman in the collections of the Athenaeum, Philadelphia, Pa., Philadelphia on Stone, POS 30, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2014 and in Am 1847 Phi Ath 51463.0.2 (tinted) and in Am 1847 Wha 53378.O.16 (untinted). Both pamphlets are also included in Am 1845 Mick 71148.O (with variations in tinting).
Atlantic Petroleum Storage Company for refined oil. Empire stores for crude oil.
Advertisement containing a view of the company's oil storage facilities at Point Breeze on the Schuylkill River, a plan of the grounds by Hexamer, and text describing the facilities. View depicts sailing ships docked at the wharves adjoining the "refined" and "crude" oil warehouses. Horse-drawn carriages travel on River Road toward the wharves. Individuals mill along the banks and on the wharves. The "Garden Farm" is visible in the background. Hexamer plan contains 7 numbered buildings, including the oil warehouses, crude oil wharf, and office in addition to cooper shops, crude oil tanks, and the railroad. Also identifies the surrounding plots of land including, the Garden Farm, Empire Stores for Crude Oil, Farmland of the Atlantic Petroleum Storage Co., and B.J. Crew's Atlantic Petroleum Refinery. Advertising text promotes the experience and care of the "those having charge of the business" and the erection of "large and commodious" warehouses and docks. It describes the warehouses and docks of the "Crude and Refined Oil Departments," including their length, capacity, and construction. Text also describes the safety of the property from fire due to the separation of the warehouses, tanks and docks in addition to the beneficial proximity of the warehouses to the Pennsylvania Central, and Philadelphia and Erie railroads in allowing a direct connection to the oil regions of the West as well as preventing the loss and destruction of oil from leaks and the sun., Also contains a list of the company's board of directors and officers for 1866. Philadelphia members include James A. Wright, Wm. G. Warden, and Clement A. Griscom. Atlantic was founded by Charles Lockhart and William Warden in 1866 and renamed Atlantic Refining in 1870. The firm was purchased by John D. Rockerfeller in 1874 for incorporation into Standard Oil., Not in Wainwright., Digitized for AMD: Global Commodities., Philadelphia on Stone, POS 31, Reproduced and described in Edwin Wolf 2nd and Marie Lena Korey, eds. Quarter of a Millennium (Philadelphia: The Library Company of Philadelphia, 1981) entry #178., Free Library of Philadelphia: Oversize Philadelphiana - Refineries, Oil, Possibly Wainwright 295.
Awful accident on the North Pennsylvania Rail Road on Thursday July 17th 1856.
Disaster scene showing the "Picnic Train Tragedy", the worst rail disaster at that time. Shows the burning wreck near Ambler, Pa. from the collision of North Pennsylvania excursion trains "Shakamoxon," departed from the Cohocksink depot, and "Aramingo" departed from the Wissahickon station. Burning tangled engines and train cars pile up on the single track line in the middle of farmland. Rear cars remain unscathed and a horse pulling a buggy rears up as it approaches the wreck site. Bodies lay near an overturned car in the foreground. One train carried hundreds of children from St. Michael's Roman Catholic Church Sunday School in Philadelphia. The crash occurred due to an attempt by the "Shakamoxon" engineer to make up time for its late departure. It collided with the regularly scheduled Aramingo, before arriving at a siding pass. The boilers of the trains collided and caused an explosion that decimated the front cars, but left the rear cars intact. Around 60 persons died and 100 were injured from the crash., Not in Wainwright., Philadelphia on Stone, POSP 12, Historical Society of Pennsylvania: Bb 674 N 811, Gift of David Doret.
B. Lieber, importer of brandies, wines, gins, brown-stout, scotch ale, absinthe, segars, &c. and manufacturer of punch essence, cordials, lemon syrup, raspberry, lavender, rose, blackberry and wild-cherry. Brandies, bitters &c. No. 121 North Fourth Street
Advertisement showing the four-story storefront adorned with signage and displays on the 300 block of North 4th Street. Bottles, small boxes, and broadside advertisements, predominately for French cordials and bitters, fill the display window, and a large model cask with advertising text and stacks of labeled boxes flank the open entrance. Box labels include "Ysla de Cuba," "Assorted Cordials," "Glorias," "Habano." A clerk confers with a patron within the entrance as a laborer enters the cellar to continue to retrieve barrels of "Madeira No.1" and "Port," which line the sidewalk. In the street, a drayman departs with his delivery of a cask of "J. Hennesy [sic] & Co. Cognac." Image also includes a massive post adorned with a weather vane designed as a Native American figure, and partial views of adjacent buildings., Date from Poulson inscription on recto: April 1849., Philadelphia on Stone, POS 32, Wainwright retrospective conversion project, edited.
Be kind to the needy.
Plate from a children's moral instruction book showing a young girl leading a blind woman across a foot bridge over a creek. The woman wears a bonnet and shawl and carries a basket. In the background, a building resembling a mill is visible and ducks wade in the water., Not in Wainwright., Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Originally accompanied by text titled "Leading the blind" moralizing that choosing kindness and self-sacrifice for the sake of helping others is imitating Jesus Christ, who "was rich, yet for our sakes he became poor, that we, through poverty, might be rich. We imitate him when we deny ourselves, that we may do good to others.", Philadelphia on Stone, POSP 13, Gift of David Doret., Trimmed.
[Benjamin H. Shoemaker, French Plate Glass Depot, 205-211 North Fourth Street, Philadelphia, Pa.] [graphic].
Frontispiece showing the five-story storefront of the window and plate glass dealer at 205-211 North Front Street. Signage adorns the building and reads "French Plate Glass Depot"; "French, English and American Window Glass"; "Plate Glass"; and "Window Glass." A patron enters one of the entryways near a couple with their child walking on the sidewalk. Two men, possibly the proprietor and a clerk, stand in adjacent entries and watch drayman unload large boxed sheets of glass from a horse-drawn cart in the street. Shoemaker established his glass depot in 1855 when he left the druggist business of his brother Robert Shoemaker. Shoemaker served as president of the Pennsylvania Hospital for several years., Date inferred from publication date of catalog in which print is included., Frontispiece to Benjamin H. Shoemaker, importer, dealer, and sole agent in Philadelphia for the sale of French thick white plate glass (Philadelphia, 1875). [Am 1875 Benja, 117681.D]., Philadelphia on Stone, POS 879
Bennett & Co. Tower Hall, clothing bazaar No. 182 Market St, between Fifth & Sixth. Philadelphia.
Advertisement showing the four-story, tower-shaped clothing store adorned with signage at 182, i.e., 518 Market Street. Statuary and a flag reading "Tower Hall" embellish the building and signs advertise "Quick Sales" and "Small Profits." A store clerk consults with a patron near one of the four open entryways to the establishment. Clothing adorns the entries and hangs from racks inside the store in which another clerk assists a patron at a display table. Coats and other piles of clothing are visible in the upper floor windows. In front of the store, several crates line the sidewalk. A laborer nails one shut as other workers load a horse-drawn dray. A few of the crates are marked with addresses, including Independence, Mo., Nashville, Tenn., and Augusta, Ga. The three-and-one-half story "Clothing Ware Rooms" stands adjacent to the "Tower Hall." Signage advertising "Shirts, Collars, Bosoms, Cravats, Wrappers, Hosiery, Handkerchiefs &c. &c. &c. and [Edward] "Allman Hatter" and [Robert] "Winchester Grocer" adorns the facade. Patrons exit and enter the doorways of the building in front of which a laborer loads a "Bennet & Co. Tower Hall Clothing Bazaar" wagon. On the sidewalk, near the delivery worker, a woman strolls near two boys in conversation and a man carrying a large package. Partial views of the outerlying, neighboring businesses complete the scene. Signage reading "...T Toland," (i.e., George Toland, accountant, 180 Market), and "Robert..." adorn the buildings. Also contains a trompe l'oeil wood frame border around the image., Col. Joseph M. Bennett (1816-1898) established his business, which he named Tower Hall in 1853, at the address in 1849. He was a successful businessman who used his wealth for philanthropic pursuits including the establishment of a Methodist orphanage and the bequest of West Philadelphia properties to the University of Pennsylvania in support of women's education., Philadelphia on Stone, POS 35, Wainwright retrospective conversion project, edited.
Bennett's Tower Hall, clothing bazaar, no. 518 Market Street, bet[ween] 5th & 6th, Philadelphia.
Advertisement with a street scene showing "Bennett's Tower Hall Clothing Bazaar." Signage and a flag adorn the tower-shaped storefront in front of which two men converse and ladies approach. Also shows heavy street activity. Two horse-drawn omnibuses travel near an unusually-designed "Tower Hall Clothing Bazaar 518 Market St." wagon and a drayman stopping his dray of goods in front of the store. The "West Philadelphia" omnibus is filled with passengers and a lady departs from the rear of the "Hestonville Market Street Camden Ferry" vehicle. Also shows adjacent buildings. Established at this address in 1849, named Tower Hall in 1853, renumbered as 518 Market Street in 1856 (formerly 182 Market Street)., Not in Wainwright., Date from Poulson inscription on recto: Dec. 1858., Philadelphia on Stone, POS 37, Originally part of a Poulson scrapbook of illustrations of Philadelphia.
The Bergner & Engel Brewing Co., Philadelphia.
Album containing 37 lithographic illustrations documenting the Philadelphia brewing complex on Thirty-second Street between Jefferson, Master and Thompson Streets, including exterior and interior views of individual buildings within the complex and detailed scenes of laborers operating equipment, transporting the finished product to and from railroad stations, and loading it onto ships. Shows exterior and interior views of the office building on Master Street; exterior views of the brew house and milling department, machine repair shop and fermenting houses; interior views of refrigerating machines, the first and second floors of the brew house, fermenting room, beer storage, cooper shops, racking room, wash house, shipping department, boiler house, pump room, electric light machines, machine repair shop, the ale and porter brewery and bottling house; and modes of transport including a refrigerating car, delivery wagon and locomotive. Other plates depict out-of-state depots and offices in Washington D.C.; Norfolk and Richmond, Virginia; Jacksonville, Florida; and Trenton, Sea Isle City, and Atlantic City, New Jersey and commemorative illustrations of the company's first-place winnings at the Centennial Exhibition in 1876 and Paris Exposition in 1878., The partnership of Bergner & Engel was formed in 1870 at the brewery of Bergner (erected 1857-1858) following the dissolution of the partnership of brewers Wolf & Engel. Construction of new buildings and additions and the purchase of new equipment for the Brewerytown complex took place in the 1870s. At this time, Bergner & Engel was one of the largest breweries in the country and had an international reputation. Bergner & Engel ceased operations during prohibition., Title from cover., Bound in a fine diagonal-ribbed maroon cloth, black and gilt stamped, with the company's trademark phoenix on the front board., Plates signed A.M.J. Mueller., Not in Wainwright., Philadelphia on Stone, POSP 15
The Bergner & Engel Brewing Company, Philadelphia, Pa. [fire insurance survey]
Site plan and perspective drawing of the brewery complex at 32nd and Thompson Streets detailing fire insurance characteristics. Includes ale and porter brewery; refrigerating houses; bottling establishment; shipping house; barrel shed; office building; and stables and carriage houses. Site plan includes adjoining businesses J & P Baltz Brewing Co.; H. Rothacker & Sons' Lager Beer Brewery; Henzler & Flach's Brewery; and F.A. Poth's Malt House., Survey no. 2247-2248., Philadelphia on Stone, POSP 16, Gift of Manuel Kean.
Bergner & Engel's Brewery. Office, 412 Library Street. Brewery, 32d and Thompson Sts. Philadelphia.
Advertisement containing a view of the hectic brewery complex in Northwest Philadelphia, i.e. Brewerytown. Complex includes an office building and dwelling (right), two ice houses (built 1865 and 1871, left), brewery plant, sheds, and courtyard. Outside of the plant, several Bergner & Engel horse-drawn wagons loaded with barrels travel in the street. The vehicles pass carriages, a man on horseback, two unoccupied drivers consulting each other, and a man, probably a brewery worker, seated on barrels talking with a man, possibly a job seeker, who has a carpetbag and a dog at his side. On the sidewalk, women, children, and gentlemen stroll, as brewery laborers work around them. Men load a wagon with barrels from one of the ice houses, as others coordinate the wagons (two excited dogs at his sides), carry barrels, and calm a horse at the courtyard entrance. Near the entrance, Mr. Bergner stands outside his office by his parked carriage and listens to an employee. Barrels line the wall of the courtyard. Within the space, loaded company wagons arrive, idle wagons and crate beds are stored, and laborers move barrels, including one from a huge pile on the terrace of the keg washing room attached to the second ice house. A grove of trees borders the complex in the left of the image. The partnership of Bergner & Engel was formed in 1870 at the brewery of Bergner (erected 1857-1858) following the dissolution of the partnership of brewers Wolf & Engel. Bergner & Engle ceased operations during prohibition., Philadelphia on Stone, POS 38
Bethel African Methodist Episcopal Church, Philada.
Exterior view of the rough cast second edifice of the African American church at 125 South 6th Street. Pedestrians and church attendees, predominately women, stroll the sidewalk and enter the house of worship adorned with a simple stone tablet inscribed, "Bethel Church." Known as "Mother Bethel," the church was formed from African American congregants discriminated against by the Methodist Episcopal Church. The 1805 building, the site of the first convention of the Unified African Methodist Episcopal Church, stood until 1841 when a third building was erected on the site., Title from item., Kennedy and Lucas, operated by David Kennedy and William B. Lucas, printed the city's first commercial lithographs, a series of church subjects drawn by W.L. Breton, probably including "Mother Bethel.", Philadelphia on Stone, POS 39, Wainwright retrospective conversion project, edited., Description revised 2021., Accessioned 1965., Access points revised 2021.

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