Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

Pages

Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia.
Bird's eye view looking west from the Schuylkill River toward the exhibition grounds in West Fairmount Park. Includes the Reading Railroad depot (in the foreground), the Main Building, Machinery Hall, the Art Gallery (Memorial Hall), Judges Hall, Ladies Pavilion, U.S. Government Buildings, Horticultural Hall, Agricultural Hall, the observatory on George's Hill, the 24th Ward reservoir, the Globe Hotel, and the Pennsylvania Railroad Depot. Also shows a train approaching the Reading Railroad station, the bridge over Lansdown Valley, and smaller exhibition venues, including the Photograph Gallery, City Pavilion, Vienna Bakery and Coffee House, restaurants, state buildings, fountains and monuments. The grounds are lined with trees, bushes, and landscaped paths. Contains the names and dimensions of the major buildings, and a miniature diagram of the view and corresponding key below the image. Key identifies 51 depicted sites. Several of the buildings were built after the designs of Henry Petit, Hermann Schwarzmann, and Joseph Wilson. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 42, Gift of David Doret.
Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia.
Bird's eye view looking west from the Schuylkill River toward the proposed buildings on the exhibition grounds in West Fairmount Park. Includes the Main Building, Machinery Hall, the Art Gallery (Memorial Hall), Judges Hall, Ladies Pavilion, U.S. Government Buildings, Horticultural Hall, and Agricultural Hall. The grounds are lined with trees, bushes, and landscaped paths. Also shows the 24th Ward reservoir and buildings surrounding the exhibition grounds. A train travels in the background. Also contains the dimensions in the lower right corner for six of the buildings . The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 41
Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia.
First state of a bird's eye view issued as a promotion by the publisher for "The Illustrated History of the Centennial Exhibition" (1876). View looks south from Belmont Plateau showing the proposed buildings on the exhibition grounds in West Fairmount Park. Includes Horticultural Hall, Main Exhibition Building, Memorial Hall, Agricultural Hall, Judges Hall, Ladies Pavilion, Machinery Hall, and U.S. Government Building. The grounds are lined with trees, bushes, and landscaped paths. Includes several fair visitors traveling by foot and carriage on the paths. Clusters of tree tops are visible in the foreground. Also contains the names and dimensions of the main buildings printed below the image. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 51, Gift of David Doret, See James Dabney McCabe's The illustrated history of the Centennial Exhibition: ... (Philadelphia: Published by the National Publishing Company, 1876). [Am 1876 McCabe 78340.O], Trimmed.
Bird's eye view, Centennial buildings. 1876. Fairmount Park, Philadelphia.
Bird's eye view looking west from the Schuylkill River toward the proposed buildings on the exhibition grounds in West Fairmount Park. Includes the Main Building, Machinery Hall, Memorial Hall, Horticultural Hall, and Agricultural Hall. The grounds are lined with trees, bushes, and landscaped paths. Also shows the 24th ward reservoir and buildings surrounding the exhibition grounds. A train travels in the background. Also contains the names and dimension of the main buildings s printed below the image. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Gift of David Doret., POS 43, Philadelphia on Stone
Bird's eye view, Centennial Exhibition buildings & grounds, Philada.
Bird's eye view looking east showing the exhibition grounds and surrounding area. Grounds are landscaped with trees, bushes, and pathways. Key to 39 depicted buildings and sites printed below the image. Includes the Main Building, Machinery Hall, Memorial Hall & Art Gallery, Agricultural Building, and Horticultural Hall. Also shows the several bridges over the Schuylkill River, including Falls, Columbia, Girard Avenue, and New York Connecting, in addition to "New Bridges over Penna. R.R." south of the grounds. Major roadways include Elm, Belmont, and Girard avenues. Other sites depicted include the 24th Ward reservoir, George's Hill, Sawyer's Elevator, Belmont Mansion, and Globe and Trans Continental hotels. East Fairmount Park is visible in the background., Copyrighted by Sydney Smirke, Distributor's stamp pasted on recto: From J. L. Smith's Map Establishment, 37 S. Sixth St., Philada., Not in Wainwright., Philadelphia on Stone, POS 44, Retrospective conversion record: original entry, edited.
Bird's eye view of International Exhibition buildings
Prospective view showing the main buildings on the exhibition grounds in West Fairmount Park. Includes Machinery Hall, Main Building, Memorial Hall, Horticultural Hall, and Agricultural Hall. Shows fair visitors on the grounds landscaped with paths, fountains, a pond, and foot bridges. George's Hill and the 24th Ward reservoir are visible in the background. In the lower right foreground, a paddleboat and ladies on a rowboat excursion on the Schuylkill river are visible. Key to buildings and building dimensions printed below the image. Several of the main exhibition buildings were built after the designs of Henry Petit, Hermann Schwarzmann, and Joseph Wilson. The Centennial Exhibition celebrated the anniversary of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Date from copyright statement: Entered according to Act of Congress in the year 1875 by Breuker & Kessler in the Office of teh Librarian of Congress at Wash DC., Philadelphia on Stone, POS 53
Birds-eye view of property on Alleghany Avenue Philadelphia 25th Ward formerly 19th looking S.E. from Frankford Road.
Bird's eye view designed as a grid plan looking southeast from Frankford Road (Northeast Philadelphia) toward the Delaware River showing the city between Westmoreland Street and a few blocks south of Columbia Street. Predominately depicts the open land surrounding the Aramingo Canal, Reading Railroad Depot between Lehigh Avenue and Somerset Street, and the Philadelphia, Trenton, and New York Railroad line. A few dwellings, churches, and other structures comprise the landscape with clusters and heavier congestion of buildings visible near Columbia Street. In the foreground, dwellings, most with plots of ground, a church, and the "Second & Third Street Passenger Railway Depot" line Frankford Road. Two street cars, one marked "Second & Third St.," travel in the street. In the background, congested blocks of buildings forms the majority of the cityscape. View also includes the Port Richmond railroad terminus; a train traveling on the Philadelphia, Trenton and New York Railroad line; locomotives pulling coal cars on the Reading Railroad line; industrial buildings; a small number of trees; and street names. The 25th Ward comprised of parts of the 19th and 23rd wards was formed in 1861. View possibly related to the Junction project, a project commissioned by the Philadelphia, Wilmington and Baltimore, the Pennsylvania, and the Reading Railroad to create a non-stop route between New York and Washington. By 1863, a stop gap all-rail passenger service through Philadelphia had been initiated., Copyrighted by R. Weir., Publication information supplied by duplicate in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 54, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Birdseye view of Fairmount Park, Philadelphia, with the buildings of the International Exhibition 1876
Lovely bird's eye view looking east toward the city from Belmont Mansion, the former estate of Judge Richard Peters. In the foreground, visitors to the property partake of the grounds that are landscaped with trees and small gardens. Elegantly-attired men, women, and children stroll; appreciate the vista from benches and chairs; and enjoy refreshments at tables. Other patrons depart in horse-drawn carriages down a path that winds past the Belmont Water Works and Columbia Railroad Bridge. A train approaches the bridge. In the right background, the proposed Centennial Exhibition buildings, and grounds congested with visitors, are visible in West Fairmount Park. The Main Hall and Memorial Hall predominate. In the left background, the expansive cityscape dominates the view and includes Girard College, the Fairmount Water Works, Gas Works, Rodeph Shalom Synagogue, the Cathedral of S.S. Peter and Paul, Masonic Temple, and the future City Hall. Church steeples, industrial smokestacks, blocks of brick buildings, and the distant Delaware River comprise the vista as well. Also visible are the several bridges that span the Schuylkill River. The bridges include the Columbia, New York Connecting Railway, Girard Avenue, Spring Garden Street, Market Street, and Chestnut Street bridges. Several vessels travel the river. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Many of the buildings were designed by Herman Schwartzmann, Henry Pettit, and Joseph M. Wilson., Image arched at top center., Not in Wainwright., Philadelphia on Stone, POS 55, Retrospective conversion record: original entry, edited.
Black Diamond File Works illustrated price list.
Illustrated title page showing an exterior view of the factory complex for the file Works "established in 1863" in Richmond. Shows clerks and laborers moving and loading crates on to a company horse-drawn wagon parked in front of the office building. Individuals stand in the doorway of the building that is adorned with signage containing the name of the company and proprietors. In the rear of the office, the "File Factory" with several operating smokestacks, one adorned with a model of the company trademark, stands. Figures are seen in a window and door of sections of the edifice. At a two-story building, adjacent to the office, a worker carries planks of wood through the door. Also shows a "Richmond & Exchange" horse-drawn omnibus filled with passengers passing in the street., Not in Wainwright., Published as title page in Black Diamond File Works illustrated price list. ([Philadelphia, 1874])., Philadelphia on Stone, POS 57, Gift of David Doret.
Bowlby & Weaver's hardware store No.77 Market Street Philadelphia.
Advertisement showing the four-story, three-bay storefront tenanted by the hardware store of Richard Bowlby and William Weaver (77, i.e., south side of the 200 block of Market Street). Bowlby & Weaver relocated to this site in 1831 from 101 High Street, where they had operated since 1820. The business was managed under the name Bowlby & Weaver until 1835 when it was renamed to William Weaver & Co. In the image, the names of the partners are painted on a saw that hangs above the front door. Visible through the open doorway are two men, who stand face to face, one on each side of a table displaying the store's wares., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831) vol. II, opposite page 113., Philadelphia on Stone, POS 61, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876.D., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Stores & Shops
Breuker & Kessler lithographers, engravers & printers. S. W. corner 7th & Chestnut sts. Philadelphia. Particular attention paid to all kinds of commercial engraving.
Book advertisement containing landscape views, allegorical figures, and artist and printer's tools. Shows the allegorical figure Art as she leans on a pedestal that is covered in vines and displays a vase of flowers. She stands on a moss covered rock marked "Labels" that is surrounded by a stone tablet, possibly a lithographer's stone, inscribed "Manufacturers of Transferable Pictures"; a press machine; and a paint palette resting on a book. In the background, trees, hills, and a bridge spanning a river near townscape are visible. Breuker & Kessler, a partnership between George W. Breuker & Harry C. Kessler, operated circa 1867-1880., Not in Wainwright., Published in Edwin Freedley's Philadelphia and its manufactures: a hand-Book of the great manufactories and representative mercantile houses of Philadelphia, in 1867(Philadelphia: Edward Young & Co., 1867), opp. p. 134., Philadelphia on Stone, POSA 7, Historical Society of Pennsylvania: Ba 39 B 750
Bridesburg Machine Works. Alfred Jenks & Son, manufacturers of cotton and wool carding spinning and weaving machinery, shafting and millgearing, Bridesburg post office Philadelphia.
Advertisement showing the busy industrial complex established circa 1819 by Alfred Jenks and enlarged in 1853 on the east side of Richmond Street between Franklin & Locust streets in Bridesburg. A horse-drawn flatbed truck enters the courtyard of the U-shaped complex containing several buildings that are surrounded by wood fencing. Within the yard, clusters of workers transport boxes and planks of wood by hand near an unhitched wagon surrounded by crates. A carriage with driver waits near a smaller building, landscaped with trees and attached to one of the large workshops. Outside the complex, a driver handles a four-horse team plodding to pull a truck loaded with two large machines as other factory workers transport planks, carry crates, mill about with their tools, drive a dray, and stand at a shed facing the street. Also shows two gentlemen talking to a worker in the middle of the roadway, a worker carrying a box near abandoned carts in an adjacent courtyard, and several working smokestacks on the roofs of the works. Six vignettes of different types of textile machinery illustrate the side borders. Includes a single breaker card, loom, cotton card, railway drawing head, and ring frame thostle., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 79. (HSP O 458)., Philadelphia on Stone, POS 13.1, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc35 B851., Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (A-M)., Reduced variant printed in 1857 by Frederick Bourquin & Co. published in Edwin T. Freedley's Philadelphia and its manufacturers ... in 1857 (Philadelphia, 1859), p. 301.
Bridesburg Manufacturing Company.
Frontispiece illustration depicting the square, industrial complex of the textile machinery manufacturing company on Richmond Street between Walnut and Locust Streets from the Delaware River. View includes a steamboat traveling north on the Delaware River, a docked sailboat, and laborers and horse-drawn carts and drays near the entrance of the complex. Company originally established circa 1819 by Alfred Jenks as Bridesburg Macine Works. Facility was enlarged in 1853, manufactured arms during the Civil War, and returned to manufacturing textile machinery after the Civil War., Not in Wainwright., Published in Bridesburg Manufacturing Company's Descriptive catalogue of machines built by the Bridesburg Manufacturing Company (Bridesburg, Pa., 1867), frontispiece., Catalogue includes fifty-eight lithographs by W. Boell depicting machinery manufactured by the company "to convey to them [patrons] an idea of the innumerable improvements we have made within a few years past, upon the machinery used for carding, spinning, and weaving Cotton and Wool.", Philadelphia on Stone, POS 62
Broad Street Independant [sic] Church, Philadelphia.
Exterior view of the First Independent Church, later renamed Chambers Presbyterian Church, built 1831 at the northeast corner of Broad and Sansom streets. Also shows a partial view of an adjacent building and pedestrian traffic. Pedestrians include a couple with a child and two men greeting one another. Also contains amateur ink-drawn and hand-colored modifications. Retouches show fire hoses in front of the buildings leading to firefighters using a hand-pumper to fight a blaze in the background. Some pedestrian figures also altered with firefigher hats and capes. The church, altered in 1853 to include a front portico, housed the independent congregation of Rev. John Chambers. Congregation admitted to the Presbytery in 1873., Inscribed on recto: S.A. Jackson; see p. 81., Title annotated with a slash through the "a" in "Independant.", Not in Wainwright., Philadelphia on Stone, POS 64, Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 4, page 85. The scrapbooks contained photographs of 18th-century public, commercial, and residential buildings in the city of Philadelphia collected by Poulson to document the vanishing architectural landscape.
[Brown, Frederick & Kunkel, clothing warerooms, 41 North Third Street, Philadelphia]
Unlettered proof of advertisement showing a North Third Street block of businesses (37-43) above Market Street. Includes (left to right) Sieger, Lamb & Co., dry goods (43); Brown, Frederick & Kunkel, men's and boys' wear and Irwin, Shultz & Peiper, merchants (41); S. Brock Jr., fancy dry goods and Iungerich & Smith, grocers (39); and Lloyd & Walmsley, trimmings (37). Storefronts are four to five stories and are built of stone. Gentlemen patrons enter and exit, including one descending an interior flight of stairs, most of the establishments. A crate rests outside and boxes are piled near the second-floor windows of Brown, Frederick, & Kunkel. Barrels crowd the first floor of Iungerich & Smith into which a laborer rolls a barrel as two line the sidewalk behind him. Outside of Lloyd & Walmsley, a gentleman inspects a large box and men sit on or address crates in front of Sieger, Lamb & Co. Drays, a wagon, and handcart, attended by their drivers, and loaded with goods, many with faint writing, are parked in front of, or depart, from each building. One drayman attempts to settle his horse. Also shows the storefront (without signage) at 45 North Third Street and partial views, with signage, of neighboring businesses, including J.W. Swain, umbrellas and parasols (35). Names of businesses spelled variantly on 41 North Third Street storefront., Title supplied by cataloger., Possibly by W.H. Rease., Date supplied by Wainwright., Philadelphia on Stone, POS 65, Wainwright retrospective conversion project, edited.
Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864.
Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864.
Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Accompanied by souvenir card (2)5781.F.53c., Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983., Free Library of Philadelphia - Oversize Philadelphiana - Fairs, festivals (4 copies)
Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864.
Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864.
Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Originally part of a McAllister scrapbook about the Sanitary Commission., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc8 D983.
Buildings of the Great Central Fair, in aid of the U. S. Sanitary Commission Logan Square, Philadelphia, June 1864.
Bird's-eye view of the exhibition grounds at Logan Square that was printed and for sale daily by P.S. Duval's establishment at the fair. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. Also shows deer and a peacock grazing in a pasture near the tented rotunda of the Horticultural Department. American flags labeled "U.S.S.C." adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare, which was designed by Strickland Kneass. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66, Gift of E. Perot Walker., Historical Society of Pennsylvania: Bc8 D983.
The Bull's Head, Drovers' Hotel, corner of Vine & 65th sts. 24th ward. West Philada. On the estate of the Butchers & Drovers Association.
View showing the front facade of the three-story hotel operated by Mr. Nelson Werntz. The hotel, opened in 1855 for the use of drovers who supplied the Pennsylvania market, includes a verandah and cupola. Cupola adorned with a flag decorated with a bull's head. Also shows red and blue drapery lining the windows. The Butcher's And Drover's Association purchased the West Philadelphia estate in 1855 and sold the hotel and property in 1866., Not in Wainwright., Philadelphia on Stone, POS 68, Retrospective conversion record: original entry, edited.
The Burd Orphan Asylum of St. Stephen's Church.
Exterior view of the orphanage (constructed 1861-1863). Founded by Eliza H. Burd as an orphanage for girls under the management of St. Stephen's Protestant Episcopal Church on Tenth Street in Philadelphia. Located near Cobbs Creek in Delaware County on the border of Philadelphia, the property is bounded by Walnut and Market Streets, and Powell and 63rd Streets., Published in George Smith's History of Delaware County (Philadelphia : Printed by Henry B. Ashmead, 1862) opp. 384., Philadelphia on Stone, POS 69
Burton & Laning. Manufactory: 6th Street above Camac.
Advertisement showing the factory established in 1852 at Sixth and Columbia Avenue. A worker hoists a barrel up the street-side of the four-and-a-half story "Burton & Laning's Paper Hangings Manufactory" on the industrial block. Sheds, fenced factory yards, and factory buildings dominate the surrounding landscape. Image includes heavy street activity in the foreground. A horse-drawn dray is unloaded in front of the factory; a farmer transports a pile of hay via wagon; and men push handcarts, lead a dray loaded with barrels, drive a covered wagon filled with logs, and ride on horseback. Across the street from the factory, a female vendor serves a boy a cup of milk from her canister beside her. Burton & Laning were active until 1862., Philadelphia on Stone, POS 70, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (A-M).
[C. F. Mansfield. Paper hangings. Wholesale and retail, 275 South Second Street, Philadelphia]
Advertisement showing the three-story storefront of the wallpaper store of Charles E. Manfield at 275, i.e., 621 South Second Street. A couple in winter clothing enters the store while a women wearing a shawl and bonnet views a large landscape print in the display window of the shop. Reams and samples of wallpaper are visible through the store entrance and behind the print. On the sidewalk in front of the store, a box wrapped in wallpaper and marked "Paper Hanging" and a wallpaper sample rest on and under an awning pole not in use. Also shows partial views, including a storefront with display window, of adjacent buildings. An alleyway separates the wallpaper store from the building in the right of the image., Title supplied by cataloguer., Date from Poulson inscription on recto: South Second Street, Dec. 1848., Wainwright suggests date of circa 1845., Philadelphia on Stone, POS 72, Wainwright retrospective conversion project, edited., Trimmed and lacking title.
The Calvary Presbyterian Church, Locust Street, - Philadelphia.
View showing the Gothic-style Presbyterian church built 1851-1853 after the designs of John Notman at 1508-1514 Locust Street. The building includes two towers that flank a center with gabled roof and contains arched doors and windows. Also shows pedestrian traffic, including two women conversing on the sidewalk and a man entering the church. Adjacent buildings are partially visible. The church was completed for a dissenting congregation that included locomotive industrialist Matthias Baldwin who contributed $10,000 to the over $100,000 construction and land fees., Not in Wainwright., Probably by Henry Steinegger, a Swiss-born lithographer active in the West in the later nineteenth century., Philadelphia on Stone, POS 77, Gift of David Doret., LCP AR [Annual Report] 2002, p. 65., See Catalogue of the twenty-second Exhbition of American Manufactures... (Philadelphia, 1852), p. 19, entry 2909.
Camp-meeting
Religious view showing a backwoods revivalist meeting, probably near Philadelphia. On a rickety covered wood stage used as an altar, a minister enthusiastically preaches, his hands in the air, to a crowd of followers. Four men, two distracted by a nearby horn blower, sit on a bench, on the stage, behind the preacher. The followers, predominately women, kneel, dance, stand, and raise their hands with the spirit in an opening between benches. Others, including an older woman and a mother with child, remain seated on the benches as one man holds a fainting woman and another with a euphoric look leans on a tree. Onlookers, many elegantly-dressed, surround the camp meeting attendees. A few look with repugnance and point while others converse in seeming obliviousness. Also shows, in the foreground, three dogs, two wearing collars. One sniffs another's face in greeting. In the distant background, among clearings in trees, the tents and wagons of the attendees are visible. Camp meetings were usually conducted by Methodists in the early 19th century., Copy-right secured., Not in Wainwright., Philadelphia on Stone, POSP 21, LCP exhibit catalogue: Made in America #41., Retrospective conversion record: original entry, edited.
Camp Washington, near Centennial grounds, July, 1876. 7th Regiment N.G. Col. E. Clark, Com.
View showing the campground for the New York National Guard troop participating in the Great Military Parade held July 4, 1876 during the Centennial Exhibition. Most of the regiment stands in formation under the command of an officer on horseback in front of rows of tents in a clearing of trees at West Fairmount Park. Also shows the American flag flying over the camp, cannons, and a few soldiers on guard near a tent in the foreground. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art from May 10 to October 10, 1876. The Great Military Parade included around 10,000 military who processed through the city for over one and half hours., Not in Wainwright., Philadelphia on Stone, POS 80
Carpenter's mansion.
Exterior view of the Sixth Street side of the isolated residence of brewer Joshua Carpenter built 1701-1722 at 615-619 Chestnut Street. Two men walk on the path next to the dwelling surrounded by trees. House razed 1826 following its sale by its last owner, Judge Tilghman, to the Arcade Company., Published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 323., Philadelphia on Stone, POS 83, Gift of James Rush.
The castle of the state in Schuylkill.
Exterior view of the clubhouse known as The Castle of the Fishing Company of the State in Schuylkill. Shows men spread out across the grounds, some sitting at a table outside, others walking in the woods near the clubhouse and stables. Two men stand with a dog at the edge of the river, looking toward a man in a rowboat in the foreground. Association formed in 1732 for hunting and fishing, originally on "Eaglesfield" the old estate of William Warner on the western bank of the Schuylkill River. Construction of the Fairmount Dam circa 1822 forced the clubhouse to rebuild their home near Gray's Ferry, across the river from Bartram's Garden on Rambo's Rock., First published in American turf register and sporting magazine, 1, No.5, opposite p. 217 (January, 1830), and then as frontspiece in William Milnor, Jr.'s An authentic historical memoir of the Schuylkill Fishing Company (Philadelphia: Published by Judah Dobson, 1830)., Philadelphia on Stone, POS 84, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1830 Mil 7130.O.frontispiece copy 2 & 3; Per A 184 16783.O v. 1., Historical Society of Pennsylvania: in Am 1830 Mil Ap83 M66 copy 1 & 2 and Wi.2., Free Library of Philadelphia: Castner 21:50. Includes: "Lithd. for the Americana Turf Register & Sporting Magazine."
Cathedral of St. Peter & St. Paul Philadelphia.
Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Contains four columns at the entrance, four niches adorned with statuary on the front elevation, two small spires, and a large dome to the rear of the building. A small number of people stand in front of the sanctuary - a woman with child, two boys, two men, and a couple. Bushes and trees flank the building., Philadelphia on Stone, POS 86, Wainwright retrospective conversion project, edited.
The Catholic Church of St. Mary, Philadelphia.
View showing the rectangular front facade, red-brick Roman Catholic church built 1763 and enlarged 1810-1811 (Charles Johnson, master carpenter) at 242-250 S. 4th Street. Crucifixes, arched windows and entrances, and a tablet reading "Founded 1763 Enlarged 1810" adorn the building protected by a brick wall with iron work fencing and gates. Well-dressed men and women, including two women with parasols and a mother and child, walk outside the church property. Cellar doors jut out from the brick wall and a fire hydrant is visible on the sidewalk. Also shows the side of the church and alley in addition to partial views of neighboring buildings., Inscribed on recto: 1830., Philadelphia on Stone, POS 88, Wainwright retrospective conversion project, edited., Reaccessioned as P.2203., Historical Society of Pennsylvania: Bb 131 S146.
Centennial
Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
Centennial album.
Copyright 1875 by the Centennial Album Co., Lithographed t.p., signed L. Maurer, chiefly ill. depicting Liberty crowning a bust of George Washington with a laurel wreath., Not in Wainwright., Text printed in black and gold., Ill. signed variously: L. Maurer; Lith. of Heppenheimer & Maurer, 22 & 24 N. William St., New York; Winham-Arnold N.Y.; John Andrew-Son; A. Will, NY [i.e., John M. August Will?]; Bricher & Conant; Boetzel [i.e., Ernest Boetzel?]; Pierson, sc.; W.E. Winslow, sc.; C. Wright; Knapp; Tyler & Co., Chi.; Russell & Richardson; Crosscup & West, Phila.; Tuttle, N.Y.; Gregory, N.Y.; Wightman, Buffalo; Holton, eng., N.Y.; J.S. Patterson, sc., N.Y.; Asher-Adams; Photo-Eng Co. N.Y.; Redman-Kenny, sc.; Hochstein, del.; Sears, sc., Illustrations include 10 lithographic plates by Heppenheimer & Maurer containing views of Philadelphia historical scenes and landmarks, and borders comprised of advertisements. Plates depict Independence Hall in 1776 and 1876; Carpenters' Hall; Washington's Retreat near Philadelphia; the old Liberty Bell; the signing of the Declaration of Independence, July 4th, 1776; colonists raising the first Liberty Pole in Philadelphia, July 5th, 1776; and views of Centennial buildings in Fairmount Park, including the Main Building, Art Gallery, Machinery Hall, Agricultural Hall, and Horticultural Hall. Most views also contain street and pedestrian traffic., "Partial list of hotels where a copy of this album is placed."--P. [63]., Includes advertisement for Heppenheimer & Maurer, lithographers, engravers & printers, p. [64]., Bound in leather; stamped in gold; with bosses., Philadelphia on Stone., POS 89
Centennial Circular 1876.
"Fortieth Illustrated" circular advertisement, probably distributed to retail dealers, for the hat manufacturer established in 1841. Contains captioned images of 66 types of men's and children's hats for the "Spring" season of 1876. Captions detail style, finish, and colors. In tribute to the upcoming Centennial Exhibition, vignettes at top depict Carpenters' Hall, Independence Hall, and a buffalo hunt. Building views inlcude pedestrian traffic. Also contains trademark for the firm with motto "Semper Paratus" (i.e., always prepared). Internal text promotes the quality and styles of hats offered, including fine soft hats, fur and wool hats, harvest hats, mackinaws, and trimmed and untrimmed hats. Text on verso encourages business people to visit Philadelphia prior to the opening of the Exhibition in order to become acquainted with the city and its accommodations, and to purchase spring fashions at the firm., Accompanied by advertising envelope for the firm illustrated with a transfer lithograph of the store at 606 & 608 Market Street. View includes crates being loaded on to a horse-drawn dray parked in front of the store. Addressee is Mr. Minot Riley of Springville, Susquehanna County, Pennsylvania, a merchant and store owner (POS 91)., Not in Wainwright, Philadelphia on Stone, POS 90, LCP AR [Annual Report] 1999 p. 43-45.
Centennial Fountain grand march. /
Printer: Thomas Hunter, Philadelphia., Cover illustration is a lithograph of the Centennial Fountain designed in honor of prominent Irish or Catholic Revolutionary heroes that was erected 1875-1877 by the national temperance society at Fountain Avenue and Avenue of the Republic on the Centennial grounds. The monument designed in the shape of a maltese cross by Herman Kirn contains statues of Father Theobold Matthew (Irish temperance reformer), Charles Carroll (only Catholic signer of the Declaration), Commodore Barry (Irish-born naval commander known as the Father of the American Navy), and Archbishop Caroll (first Catholic Bishop of the U.S.) mounted on fountain pedestals. The statues surround the central sculpted figure of Moses who holds the Ten Commandments. The Moses sculpture rests upon a rock-mound within a marble basin. Water flows over the rocks into a pool., Patriotic march for piano., Dedication: Respectfully dedicated to the Catholic Total Abstinence Union of America., Seal of the C.T.U.of A. at bottom of tp; In very poor condition, torn, taped; List of New and Old Popular Standard Ballads by H. P. Danks and W.C. Baker is printed on page 6., Pencilled signature: C. O'Hara., Not in Wainwright, Retrospective conversion record: original entry, with edits., Philadelphia on Stone, POS 92
Centennial music.
Centennial music cover page paired with six different songs. Cover page is bound with the song Grand Centennial march by E. Mack with this copy [11479.F (Zinman)]., Cover page copyrighted by J.E. Ditson & Co., Song copyrighted by Lee & Walker., Publisher's advertisement on last page for Oliver Ditson & Company., Cover illustration is a lithograph depicting an exterior view of the Main Building of the exhibition celebrating the centennial of the United States through an international exhibition of industry, agriculture, and art. Visitor traffic, on foot, and by carriage and omnibus, traverse the paths of the grounds around the building designed by Henry Pettit and Joseph M. Wilson. Landscaping includes clusters of bushes and trees., Printer: J.H. Bufford's Sons Lith., 141 Franklin St. Boston., Not in Wainwright., Philadelphia on Stone, POS 94, Stamped on the cover page: Schaefer Bros. music dealers, Steubenville, O.
Chapel.
Exterior view of the flank of the Gothic-style funeral chapel built 1836-1839 for Laurel Hill Cemetery after designs by John Notman on Ridge Avenue., Plate opposite p. 43 in Guide to Laurel Hill Cemetery, near Philadelphia (Philadelphia: For sale at the cemetery, and by the treasurer, etc.; C. Sherman, printer, 1844)., Philadelphia on Stone, POS 102, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Charity ball of the Sons of Malta at the American Academy of Music Philadelphia March 4th 1859.
Fraternal organization invitation incorporating a medieval theme. Includes a knight, a woman in medieval attire shielding her children with her cloak, a globe wrapped in the American flag, the eye of god, and an ivy border. The Sons of Malta Minnehaha Lodge was organized in 1857 and dissolved in 1903. It was the last lodge of the social club., Originally part of a McAllister scrapbook of views of Philadelphia., Clipping dated March 5, 1859 describing the ball included in Poulson's scrapbooks, Illustrations of Philadelphia, vol. 1, p. 45., Philadelphia on Stone, POSP 24
Charles Baeder Philada. Steam Works
Advertisement showing a view of the glue and animal product manufactories of Charles Baeder on a lot of land on the 1700 block of North Sixth Street. Includes the seven-story glue works with cupola and the smaller multi-story starch, hide whip, and curled hair factory. Two outbuildings with active smoke stacks stand between the factories. Trees and bushes are visible on the property. A horse-drawn cart travels in the foreground. The firm, established in 1828 by Baeder, became the premier manufacturer of its kind in the United States. The manufactory, of the firm later renamed Baeder, Adamson & Co., relocated to Richmond Street, Allegheny Avenue, and Westmoreland Street circa 1866., Not in Wainwright, Manuscript note in ink on verso: Glue [illegible] A.D. 10cts. by 80# or 1 bbl. Buffaloe No. 2 at 20 cts., Manuscript notes in pencil on verso: A. & D. 10 [symbol for cents]/ Buffaloe No. 2 15 [symbol for cents]/Horse [edges?] 15 yds [frm?] 2 00, 2 25, 2 50., Philadelphia on Stone, POS 878, Kuhl operated from 120 South Second Street, rear circa 1842-circa 1851.
Charles C. Oat's lamp store No. 32 North Second St. Philadelphia.
Advertisement showing the four-story storefront adorned with signage on North Second Street above Market Street. A female patron stands at the open entry and peers into the display window filled with lavishly-designed lamps, chandeliers, and light fixtures. Inside the store, a clerk assists a female patron reviewing a display table of lamps. On the sidewalk, a couple strolls past a pile of boxes near the store, a street urchin carries a bundle, and a boy peddler walks with his basket of wares. Also shows partial views of neighboring businesses with signage. Includes a hat store, probably Robert F. Maull's, adorned with a display of hats strung from ropes hanging from the roof and sidewalk awning (30) and a shoe store adorned with an awning (32). Partial signage reads "...Maull...Bonnets" and "34 W.H. E...shoe..." Oat tenanted the address 1848-1850., Publication information and date supplied by Wainwright., Philadelphia on Stone, POS 104, Wainwright retrospective conversion project, edited.
[Charles Gilbert's stove manufactory, 249 North Second Street, Philadelphia]
Advertisement showing the stove manufactory covered in signage in German and English on the 400 block of North Second Street. Patrons enter the storefront and a clerk, possibly the proprietor, greets a patron at a second entrance. Stoves line the walls, and are displayed at the entrances and in the shop windows. The appliances, of variant styles, including a cooking stove with a tea kettle, also line the sidewalk. Laborers work at the upper floor windows. A man and woman figure adorn two of the stoves, which flank the entrances. Also shows partial views of the adjacent businesses, including P. McBride & Co., grocer (251) and Salon [sic] Walton (247), operated by Salem Walton. A sign post illustrated with a horse for the tavern stands in front of the building., Date from Poulson inscription Dec. 1846. N. Second Street., Title supplied by cataloguer., Philadelphia on Stone, POS 105, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.
Charles Oakford & Sons model hat store nos 826 & 828, Chestnut Street, Continental Hotel. Philadelphia. Hats, caps & furs, wholesale & retail.
Advertisement showing the ornately furnished interior of the hat store established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. Arches extend toward the visible rear of the store and are labeled "Charles Oakford & Sons"; "Gent's Furnishing Goods"; and "Wholesale Department." Tiles line the floor and the ceiling has minimal molding. Oakford admitted his sons to the firm in 1856 and relocated his business to the Continental Hotel in 1860., Philadelphia on Stone, POS 106, Wainwright retrospective conversion project, edited., Variant of **W58 [P.2030]., Artist's studies of the interior and exterior of the storefront held in the collections of the Library of Congress. [DLC-PP-1997-105-Drawings-Oakford] and [DLC-PP-1997-105-Drawings-Oakfordinterior], Ibbotson & Queen was a partnership between Harvey Ibbotson and James Queen.

Pages