Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

Pages

[Lockwood & Smith, importers and dealers china, glass and Queensware, 7 South Fourth Street, Philadelphia]
Advertisement showing the five-story storefront for the importer and dealer at 7 South Fourth Street between Market and Chestnut streets. A clerk greets a male patron at one of the open entryways. Shelves of plates, bowls, and pitchers line the walls of the store. In the display windows, more china, glass, and queensware, including tureens and pitchers are on view. On the sidewalk, clerks handle a large hamper lying between large marked barrels and a second large hamper. Marked barrels read "China Withers & Stowers Cynthiana. KY." and "F. Cornog Phoenixville, Pa." Also shows partial views of adjacent buildings. Lockwood & Smith partnered at the address 1845-1846., Date from Poulson inscription on recto: South Fourth Street Oct. 1846., Philadelphia on Stone, POS 441, Wainwright retrospective conversion project., Trimmed and lacking title.
London Coffee House
Exterior view of the coffee house and merchants' exchange at the southwest corner of Front and Market streets in Philadelphia during the colonial era. An auction of enslaved African American people occurs outside the coffee house and pedestrians traverse the sidewalks and street, including an African American woman carrying a basket on her head. Views of the adjacent printing house and book store of "Pennsylvania Journal" publisher, William Bradford, are visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. Razed in 1883., Title from item., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 339., Philadelphia on Stone, POS 442, Gift of James Rush., Description revised 2021., Access points revised 2021.
Louis L. Peck manufacturer & dealer in burning fluid varnishes...
Advertisement showing the busy street corner at Front and Walnut streets near the Delaware River with a view of the building containing the oil manufactory, and the flour and farina store. The scene is depicted within a lithographed tromp l'oeil wood frame containing an inset of an exterior view of Peck's Works at Dock Street. Delivery wagons and drays traverse the business-lined streets, including one for Peck's driven by an African American man. Pedestrians walk the sidewalks and cross the intersection, and a white boy rolls a hoop past a white woman peddler sewing by her food stand. Visible in the background are the busy Walnut Street Ferry wharf and Smith and Windmill Islands in the Delaware River. Louis L. Peck's varnish business operated from around 1848 until 1855., Title from item., Date supplied by Wainwright., Printed below the image: Orders for the City, Country, or Shipping put up, with Care and Despatch, at the lowest market prices., Philadelphia on Stone, POS 444, Reproduced in Edwin Wolf's Quarter of a millennium (Philadelphia: The Library Company of Philadelphia, 1981, rev. 1990), p. 177., LCP exhibition catalogue: Made in America #79., Lithograph reproduced on the cover of Nicholas B. Wainwright's Philadelphia in the romantic age of lithography (Philadelphia: The Historical Society of Pennsylvania, 1958). Proof of cover in the Library Company's collections (W222.1)., Accessioned 1982., Description revised 2021., Access points revised 2021., Wagner & M'Guigan, was an early successful experimenter in chromolithography, winning a silver medal at the 1844 Franklin Institute exhibition.
M. H. Traubel, lithographer, 146 So. Eighth St., Philadelphia. [graphic] : Whatsoever a man soweth that shall he also reap.
Trade card for the Philadelphia lithographer active ca. 1849-ca. 1880s. Shows cherubic figures sowing seeds and reaping sheaths of wheat. Also contains flying birds and vinery details. Textual elements include Gothic and cursive letters. Traubel operated from 146 South Eighth street beginning in 1881., Not in Wainwright., Philadelphia on Stone, POSA 119.1, See POSA 119, LOC proof copies of trade card., LCP copy acquired after 2010., Lib. Company. Annual report, 2016, p. 70-71.
Machine à vapeur sur la rivère Schuylkill. = Walet works on the Schuylkill River. = Machina vapore foeta juxta amnen Schuylkill. = Dampfmachine am Schuykill.
Landscape view looking northwest from Reservoir Hill showing the Fairmount Water Works originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Includes the engine house, mill house, and race bridge. Also shows visitors strolling the landscaped grounds of the works and on a walkway on Fairmount; cows grazing on an adjacent plot of land; residences, including probably Lemon Hill, along the bucolic banks of the Schuylkill River; and the river dam., Published in Itinéraire pittoresque du fleuve Hudson (Paris: H. Gaugain, 1828-29), no. 50., Printed above the image: 13e,, Livraison. Amérique Septentrionale - État de Pensylvanie. Pl. 2., Printed below image: No. 50., Not in Wainwright., Philadelphia on Stone, POS 446/447, Free Library of Philadelphia: Castner 21: 84, uncolored., Milbert, a French naturalist, artist, and scholar, traveled through the Northeastern United States 1815-1823.
Magee, Kneass & Co. Philadelphia Saddlery, ware-house no. 6 Magazine Street, New-Orleans, manufactory, no. 18 Decatur St., Philadelphia.
Advertisement containing the firm's logo, "Golden Horse Head" (a horse with bridle, bit and reins) surrounded and above images and text advertising a variety of saddles, whips, and trunks. Also includes a plow and hobby horse., Philadelphia on Stone, POSP 140
The Magnetic Observatory at the Girard College.
Plate illustrating an oblique elevation and floor plan of the Magnetic Observatory building, the first magnetic observatory in the United States, constructed on the west grounds of the college in 1839 after designs by Thomas Ustick Walter. Labels for instruments are included in the floor plan and include a transit; clock; dew point instrument; telescope declinometer; anemometer and rain gauge; barometer; telescope & horizontal force magnetometer; telescope & vertical force megnetometer; and thermometers. The brainchild of Alexander D. Bache, the observatory was moved by master carpenter James O. Sawyer sometime after 1845 to the western ends of the college grounds and later used as a carpentry shop., Title page to Plates to magnetic and meteorological observations. Companion volume to three volume set Observations at the magnetic and meteorological observatory at the Girard College, Philadelphia (Washington: Gales and Seaton, printers, 1847)., Philadelphia on Stone, POS 448, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in *Am 1847 Obser 12240.Q., Girard College:
Main Building International Exhibition 1876. Fairmount Park Philadelphia.
Bird's eye view of the Main Building designed by Henry Pettit and Joseph M. Wilson. View includes heavy visitor traffic by foot, carriage, and omnibus in the foreground. Couples stroll the landscaped grounds, enter the hall, converse, and are transported by carriage. Landscaping includes clusters of bushes and a partial view of a path in the right of the image. Also contains the dimensions (length, width, and area in feet and acres), in the lower corners, for the buildings. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by the Centennial Board of Finance., Philadelphia on Stone, POS 449, Retrospective conversion record: original entry, edited.
Main Exhibition Building. Machinery Hall. International Exhibition. 1876. Fairmount Park, Philadelphia.
Panoramic view of two of the exhibition buildings - the Main Exhibition Building and Machinery Hall designed by Henry Pettit and Joseph M. Wilson. View shows crowds of visitor traffic by foot, carriage, and on horseback in the foreground. Visitors include individuals in native costume, couples, children, and a mother pushing a pram. A tree partially obstructs the view of Machinery Hall in the right of the image. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by Pettit & Wilson., Not in Wainwright., Philadelphia on Stone, POS 451, Gift of David Doret.
Main Exhibition Building. Machinery Hall. International Exhibition. 1876. Fairmount Park, Philadelphia.
Panoramic view of two of the exhibition buildings - the Main Exhibition Building and Machinery Hall designed by Henry Pettit and Joseph M. Wilson. View shows visitor traffic in the foreground. Groups of individuals, including an entourage of Native Americans, walk on the grounds and paths; sit on benches, and visit the pond on which leisure vessels sail. Also shows a fraternal organization with marching band passing Machinery Hall near the Catholic Total Abstinence Fountain. Trees and bushes line the paths and grounds. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by Pettit & Wilson., Not in Wainwright., Philadelphia on Stone, POS 452, Gift of David Doret.
Making sport of the blind boy.
Plate from a children's moral instruction book showing three boys taunting a blind boy by hiding his hat from him. One boy stands behind the blind boy and grasps his shoulders, while the other stands in front of him and holds the blind boy's hat. The third boy stands in the background with his arms up ready to receive the hat., Not in Wainwright., Date supplied by cataloger., Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Originally accompanied by text titled "Who makes us to differ" moralizing that it is cruel "to sport with the calamities of others" and we should be thankful for God's gifts., Philadelphia on Stone, POSP 141, Retrospective conversion record: original entry, edited., LCP copy 7822.F.2 lacking printer's imprint.
Manayunk.
Book illustration of a landscape view showing the village of Manayunk along the east bank of the Schuylkill River, northwest of Philadelphia. Townscape is visible in the right of the image, including Joseph Ripka’s cotton mills erected 1831 and 1835 near the depicted Flat Rock Turnpike Bridge. Manayunk was incorporated into the city of Philadelphia in 1854., Published in Daniel Bowen's A History of Philadelphia with a notice of villages in the vicinity (Philadelphia: Printed and published by Daniel Bowen, 1839), opposite page 134., Philadelphia on Stone, POS 455.4. Digital image shows third state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1839 Bow 9837.O and 76434.O., Historical Society of Pennsylvania:
[Manayunk]
Landscape view showing a couple walking along the bank of the river near the industrial village. A large tree stands in the foreground and small factories and dwellings are visible in the background. Also shows tree groves, rocks, and ground cover., Artist, title, and publication information from duplicate in the collections of the Free Library of Philadelphia., Philadelphia on Stone, POS 454, Retrospective conversion record: original entry, edited., Reaccessioned as P.2188., Manuscript note with incorrect information on mount: Schuylkill River at Manayunk near Philadelphia. Augustus Kollner., Free Library of Philadelphia: Philadelphiana - Manayunk
Manayunk, near Philadelphia.
Landscape view showing the village of Manayunk along the east bank of the Schuylkill River, northwest of Philadelphia. Townscape is visible in the right of the image, including Joseph Ripka’s cotton mills erected 1831 and 1835 near the depicted Flat Rock Turnpike Bridge. Manayunk was incorporated into the city of Philadelphia in 1854., Copyrighted by J.C. Wild and J.B. Chevalier. Print lacking copyright statement., Issued as plate 18 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 455.1. Digital image shows third state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2093 and (1)1525.F.71d (hand-colored) and in Print Room *Am 1838 Wild 6626.F and Print Room *Am 1838 Wild 3008.Q (Poulson)., Historical Society of Pennsylvania: Bd 862 W644, pl 18., Trimmed., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Manayunk near Philadelphia.
Landscape view showing the village of Manayunk along the east bank of the Schuylkill River, northwest of Philadelphia. Townscape is visible in the right of the image, including Joseph Ripka’s cotton mills erected 1831 and 1835 near the depicted Flat Rock Turnpike Bridge. Manayunk was incorporated into the city of Philadelphia in 1854., Copyrighted by J.T. Bowen., Originally published as plate 18 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 455.2. Digital image shows third state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Manayunk near Philadelphia.
Landscape view showing the village of Manayunk along the east bank of the Schuylkill River, northwest of Philadelphia. Townscape is visible in the right of the image, including Joseph Ripka’s cotton mills erected 1831 and 1835 near the depicted Flat Rock Turnpike Bridge. Manayunk was incorporated into the city of Philadelphia in 1854., Copyrighted by J. T. Bowen., Originally published as plate 18 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 455.3, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2094 and in Print Room *Am 1848 Wild 3007.Q (Poulson) and in Print Room *Am 1848 Wild 1514.F and in Print Room *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Market Street, from Front St.
View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.3, Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (3 copies; 2 hand-colored), Snyder, Martin. "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography (January 1953, Vol. LXXXVII), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Market Street, from Front St. Philadelphia.
View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyright statement printed on recto: Entered according to act of Congress in the year 1840 by J.T. Brown in the Clerk's Office of the Dt Ct for the En Dt of Pa., Originally published as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.2. Digital image shows third state of the print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, See Martin Snyder's "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Gift of Dr. James Rush., Description revised 2021., Access points revised 2021.
Market Street from Front St. Philadelphia.
View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 14 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). A series of Philadelphia views, the first produced by lithography, originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 457.1. Digital image shows the third state of the print., Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (2 copies), Athenaeum of Philadelphia: General Prints Collection - PR250, See Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
[Marriage certificate]
Marriage certificate from a Bible illustrated with an ornate border containing a romantic scene. Scene shows a couple sailing in a gondola adorned with a garland of flowers. Border also includes flowers, vinery, doves, tassels, drapery, clasped hands, and the Bible., Title supplied by cataloguer., Copyrighted by William Flint. Name of copyright holder from duplicate (15129.Q)., Copyright statement partially illegible., Not in Wainwright., Philadelphia on Stone, POSP 143
[Marriage certificate]
Marriage certificate from a Bible illustrated with an ornate border containing a romantic scene. Scene shows a couple sailing in a gondola adorned with a garland of flowers. Border also includes flowers, vinery, doves, tassels, drapery, clasped hands, and the Bible. Certificate attached to a record sheet for marriages and births. Birth section contains annotations., Title supplied by cataloguer., Copyrighted by William Flint., Copy 15129.Q [Roughwood] records the marriage of Daniel Kemmer of Ober Wilford and Maryan Sangler of Wilford Bucks on August 10, 1867 at Fogelsville by William W. Kelfrich, Reformirfer Prediger., Not in Wainwright., Philadelphia on Stone, POSP 145/146, One of prints [P.2009.12] gift of David Doret.
[Marriage certificate]
Marriage certificate illustrated with an ornate border containing a romantic scene. Scene shows a couple, accompanied by the female allegorical figure Love, sailing in a gondola. Love holds an arrow and torch and the gondola is adorned with a garland of flowers. Border also includes flowers, vinery, doves, the Bible, and clasped hands over the Biblical quote "What God hath joined together let not man put asunder, Matth. XIX.6.", Title supplied by cataloguer., Copyrighted by J.R. Jones in Washington, D.C., Not in Wainwright., Issued to Mr. Daniel S. Schaeffer of Fleetwood Berks co. Pa. and Miss Mary F. Potteiger of Jefferson Twp. Berks Co. Pa. on September 4, 1875. Signed by Rev. Thomas Calvin Leinbach of Womelsdorf. Witnessed by Adam N. Potteiger and Adam S. bright., Philadelphia on Stone, POSP 144
[Marriage certificate]
Contains a border comprised of gothic architectural elements, floral motifs, and two vignettes. First vignette shows the reverend blessing the formally attired couple. The bride wears an off-the-shoulder wedding dress and veil and the groom wears a tuxedo. Second vignette shows the married couple exiting the church, hand in hand, followed by three wedding guests., Title supplied by cataloguer., Not in Wainwright., Issued to Henry W. Shouse of Hauley Wayne Co. Pa. and Ann Eliza Nekerris of District of Spring Garden County Philada. on October 16, 1851. Signed by Edmund Neville, Rector of Christ Church, New Orleans., Philadelphia on Stone, POSP 90
[Marshall House, 207 Chestnut Street, Philadelphia. E. Badger, proprietor]
Stark advertisement showing the front facade of the hotel at 625-631 Chestnut Street. A couple walks toward the entrance. Edmund Badger, a former proprietor of The City Hotel, operated the Marshall House at 207 Chestnut Street 1837-1841. Hotel was later renamed the Columbia House and razed in 1856., Title and date from Poulson inscription on recto: Feb. 1, 1837. E. Badger, Proprietor. Chestnut St. near Seventh St., Philadelphia on Stone, POS 458, LCP copy trimmed and lacking title and imprint., Wainwright retrospective conversion project, edited.
Masonic Hall Chesnut St. Philada. Erected A.D. 1813. Destroyed by Fire A.D. 1819.
Exterior view of the two-story Gothic hall adorned with battlements, pointed windows and doors, and a 180-feet-high wood steeple. Constructed between 1808 and 1811, purportedly after the designs of William Strickland, adjacent to brick row houses on the north side of Chestnut Street. Pedestrian traffic in front of the hall includes three men conversing on the sidewalk, a couple strolling by, two ladies walking arm-in-arm, and an older woman moving with a basket balanced on her head. A fancy horse-drawn carriage moves west along Chestnut Street. The hall, rebuilt in 1820 following a fire the previous year, was demolished in 1853., Transcription of inscription on corner stone of building included on recto., Philadelphia on Stone, POS 460, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc05 S917.
Masonic Temple. New Masonic Hall, Chestnut St. Philadelphia.
Exterior view showing the Gothic-style hall built 1853-1855 after the designs of Sloan & Stewart at 713-721 Chestnut Street. Also shows adjacent businesses, including Washington House hotel, and those tenanting the lower level of the hall. On the sidewalk, pedestrians (men, women, and children) greet one another, converse, stroll, and admire storefront displays. Displays include textiles, books, framed prints, and men's clothing. In the street, a man and woman ride on horseback in the path of a crossing couple. Image surrounded by border designed as an archway comprised of gothic elements. Pictorial elements include gargoyles, masonic iconography, and the figure of a crusader. Also contains the names of the 8 members of the building committee printed below the image. Building sold circa 1873 following the completion of the new Masonic Temple on North Broad Street., Not in Wainwright., Philadelphia on Stone, POS 461, Spieler was a Philadelphia photographer who operated a studio at 720 Chestnut Street 1859-1861.
Mayer, Strouse & Baum's continental bitters. No. 116 North 3rd St. Philadelphia.
Tradecard containing a vignette of the "Continental Hotel, Philadelphia" at 824-838 Chestnut Street. View also shows street and pedestrian traffic, including horse-drawn carriages, an omnibus, and a man on horseback. Mayer, Strouse & Baum, was active 1861-1863. The hotel was built 1860 after the designs of John McArthur, Jr., Not in Wainwright., Philadelphia on Stone, POS 462, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871.
McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue]
Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Mechanic Fire Engine Company.
Fire company certificate containing five vignettes: "The Old Engine House"; "View of Steamer" illustrating a steam-powered fire engine; "Race By Moonlight" depicting two groups of fire fighters pulling fire equipment racing down a city street; the new fire house located on Brown Street, east of 15th Street; and "Burning of Maguire's Mill" depicting fire fighters extinguishing a blaze at Maguire's planing mill on Ridge Road (burned October 12, 1870). Additional decorative elements include an eagle grasping a bundle of fire fighting equipment including a fire hose, ladders, and an axe; and two company fire hats., Not in Wainwright., Issued to John A. Supplee on April 6, 1871. Signed by Daniel R. Erdmann, president, and Edwin J. Cress, secretary., Duval and Hunter was a partnership between Stephen Orr Duval (P.S. Duval's son) and Thomas Hunter that lasted from P.S. Duval's retirement in 1869 until 1874., Philadelphia on Stone, POS 464
Melloy & Ford, wholesale tin ware manufacturers.
Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates," "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements, including a large scale model of a coffee pot, contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a white man and woman couple strolls, two white laborers lift a crate onto a horse-drawn sulky, and a woman customer enters the store. An African American man peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address., Title from item., Date from Poulson's inscription on recto: Mar. 1849; Market Street., Philadelphia on Stone, POS 465, Print trimmed and lacking caption., Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Memorial Baptist Church. N. E. corner Broad & Master sts. Philadelphia, Pa.
View showing the Baptist church, its cornerstone laid 1874 and built after the designs of Davis E. Supplee, at Broad and Master streets (i.e., 1400 block of Broad). Handsomely-attired parishioners arrive at the church entrances, walk on the sidewalks, and cross the street. Church includes a circular roof, steeple, and archways over the entrances inscribed "On Earth Peace" and "To God Glory." Trees flank the building., Not in Wainwright., Philadelphia on Stone, POS 466
Memorial chart centennial jubilee.
Print commemorating the Centennial Exhibition of 1876 containing allegorical vignettes bordered by portraits of the eighteen presidents and views of Philadelphia landmarks and Centennial buildings. Allegorical vignettes show the female figures of Justice, Liberty, and Prosperity seated next to each other on a pedestal in front of a mountain valley, and a large assembly of men of international origin attired in native costumes. Depicted Philadelphia landmarks include Independence Hall, Masonic Temple, Girard College, Carpenters Hall, the Academy of Fine Arts, and the Academy of Music. Centennial building exteriors include the Main Building, Machinery Hall, and Memorial Hall. Additional portraits depict prominent figures in the administration of the Centennial and Pennsylvania Governor John F. Hartranft and Philadelphia Mayor William S. Stokley. Portraits include Joseph R. Hawley, President of the U.S. Centennial Commission; Alfred T. Goshorn, Director-General of the Centennial Exhibition; Thomas Cochran, Vice-President of the U.S. Centennial Commission and chairman of the commission on grounds, plans, and buildings; John L. Campbell, Ohio professor who originated the idea of a Centennial exhibition; John Welsh, President of the Centennial Board of Finance; Frederick Fraley, secretary and treasurer of the Centennial Board of Finance; and building engineers H.J. Schwartzmann and Henry Pettit. Also contains a panoramic view from Fairmount Park looking east toward the city; lists of "The Original States of the Union" and "States Admitted into the Union," the text of the Declaration of Independence and President Grant's proclamation in support of the Centennial, and allegorical seals for the Declaration and the Centennial. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 467, Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views.
Merchants' Exchange.
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants’ Exchange (143 S. Third) built between 1832 and 1833 after the designs of William Strickland. Men walk around, and horse-drawn omnibuses arrive and are parked in front of, the building. Light pedestrian traffic is visible in the street and at the corners, including near the office of the Saturday Courier (72 Dock, pre-consolidation). Also shows streetcar tracks in the foreground and another omnibus passing Girard National Bank (116-120 S. Third) in the background., Originally published as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 472.4, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2092 and in *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Merchant's exchange.
Exterior view from the southeast showing the intersection of Third, Walnut and Dock Streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, streetcars, and wagons, and couples strolling. Exchange constructed 1832-33 by the Philadelphia Exchange Company based on the designs of Philadelphia architect William Strickland., Plate 8 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Copyrighted by Augustus Kollner in New York., Philadelphia on Stone, POS 469/470
Merchant's exchange.
Exterior view from the southeast showing the intersection of Third, Walnut and Dock Streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, streetcars, and wagons, and couples strolling. Exchange constructed 1832-33 for the Philadelphia Exchange Company based on the designs of Philadelphia architect William Strickland., Plate 8 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 469/470
[Merchants' Exchange, 143 South Third Street, Philadelphia]
Proof print of a view looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants' Exchange. Also shows street and pedestrian traffic. Horse-drawn street cars travel past and receive passengers in front of the exchange. A dray transports goods near pedestrians, including a man carrying a bundle on his back, crossing the street. Also contains partial view of Girard Bank (116-120 S. Third) in the background. Exchange built 1832-1833 after the designs of William Strickland. The Girard National Bank, formerly the First Bank of the United States, was built 1795-1797 after the designs of Samuel Blodgett. The bank, operated by Stephen Girard as Girard's Bank from 1812-1831, was chartered by the state in 1832 as the Girard National Bank., Title supplied by cataloguer., Not in Wainwright., Philadelphia on Stone, POS 473, Gift of David Doret
Merchants' Exchange, Philadelphia.
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants’ Exchange (143 S. Third) built between 1832 and 1833 after the designs of William Strickland. Men walk around, and horse-drawn omnibuses arrive and are parked in front of, the building. Light pedestrian traffic is visible in the street and at the corners, including near the office of the Saturday Courier (72 Dock, pre-consolidation). Also shows streetcar tracks in the foreground and another omnibus passing Girard National Bank (116-120 S. Third) in the background., Issued as plate 3 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 472.1. Digital image shows the fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: 6626.F and in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania: Bd 862 W644, pl. 3., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Merchants' Exchange, Philadelphia.
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants’ Exchange (143 S. Third) built between 1832 and 1833 after the designs of William Strickland. Men walk around, and horse-drawn omnibuses arrive and are parked in front of, the building. Light pedestrian traffic is visible in the street and at the corners, including near the office of the Saturday Courier (72 Dock, pre-consolidation). Also shows streetcar tracks in the foreground and another omnibus passing Girard National Bank (116-120 S. Third) in the background., Copyrighted by J. T. Bowen., Originally published as plate 3 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 472.3. Digital image shows the fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Merchants' Exchange. Philadelphia.
View from the intersection of Third, Walnut and Dock Streets showing the Merchant’s Exchange constructed 1832-33 after the designs of Philadelphia architect William Strickland for the Philadelphia Exchange Company. View includes street and pedestrian traffic concentrated near the financial institution. Several men converse and greet one another in front of the exchange as several horse-drawn street cars travel by and around the building. In the left, several couples promenade along a block of Walnut Street lined with buildings and a few trees. Also shows railroad tracks, and Girard National Bank (120 South Third) and neighboring businesses in the right background., Artist's initials on stone lower left corner. Name of artist supplied by Wainwright., Philadelphia on Stone, POS 474, Wainwright retrospective conversion project, edited.
[Merchant's Hotel, No. 38 North Fourth Street, Philadelphia]
Advertisement showing the front facade of the five-story hotel with balcony built 1837 after the designs of William Strickland. The name of the proprietor "Sanderson," i.e., Joseph M. Sanderson, adorns the entranceway. Also shows the hat shop of Lazel Elmes tenanting the building later renumbered to 40-50 North Fourth Street. A display of hats adorns the doorway to the shop. Merchant's Hotel was a premier early 19th-century hotel visited by several presidents and used as James Buchanan’s presidential campaign headquarters in 1856. The building was razed by fire in 1966., Title from Poulson inscription on recto: No. 38 north Fourth St., Philadelphia on Stone, POS 471, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.

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