Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

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Odd Fellows' Cemetery, Islington Lane Philadelphia.
View showing the gatehouse, designed by Thomas Ustick Walter, to the cemetery chartered 1849 near Diamond and Twenty-Fourth streets. Street and pedestrian traffic is visible in the foreground. Men, women, and children walk and stand on the sidewalk to and in front of the gatehouse. In the street, a carriage and wagon pass as several individuals ride on horseback, including a man fending off a barking dog raised on his hind legs. Also shows trees, a chapel, and a monument on the cemetery grounds. Cemetery removed 1951. Per contemporary published accounts, architects Hoxie & Button designed the gatehouse constructed., Not in Wainwright., Philadelphia on Stone, POS 518, See Ballou's Dollar Monthly Magazine (April 1860), p. 316.
The offering of the carriers of the press to their patrons.
Carriers' address containing a montage of seven, titled vignette views of historic sites, predominately Independence Hall, used by the Continental Congresses in 1774 and 1776. Includes "Hall of Independence - Front" and "Hall of Independence - Rear" showing the Chestnut Street elevation and rear elevation with Independence Square; "Carpenters' Hall" exterior view; "Signing of the Declaration of Independence" based after the John Trumbull painting; "House in which the Declaration was written, S.W. corner Market and Seventh Sts."; "Carpenters' Hall - Interior"; and "Hall of Independence - Interior" showing the Assembly Room utilized as an exhibit gallery. Most of the views include pedestrian or visitor traffic. "House" view shows the Jacob Graff house used as a storefront and adorned in signage reading "W. Brown & Co.," "Book & Job Printing Office," and "Birth Place of Liberty." Vignettes surrounded by a border of vinery containing an American eagle and shield., Philadelphia on Stone, POS 519, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:, Athenaeum of Philadelphia: General Prints Collection - PRM23
Office of Foreign Affairs at Philadelphia 1780.; Letitia house.
View showing the building utilized as a foreign embassy after the American Revolution on the 100 block of South Sixth Street. Also shows a woman standing in the entranceway of the adjacent building. Building razed in 1846., View showing the building known incorrectly as the Letitia Penn House on Letitia Street between Market and Chestnut streets. The misidentified residence, purportedly built in 1682 by William Penn and given to his daughter in 1701, was relocated to Fairmount Park in 1883., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 365., Manuscript note on recto: Same in 2 book., Not in Wainwright., Philadelphia on Stone, POS 520, Retrospective conversion record: original entry, edited.
The old court house & Friends Meeting
View showing the courthouse (built 1707 by carpenter Samuel Powell) and meeting house known as Market Street Meeting House (erected 1695, rebuilt 1775-1776) on North Second Street above Market Street. Also shows pedestrian traffic, including a woman carrying a basket on her head walking in the street. Courthouse was utilized as the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. Building demolished in 1837., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 295., Philadelphia on Stone, POS 521/522, Gift of James Rush.
The old court house & Friend's Meeting.
Book illustration showing the courthouse (built 1707 by carpenter Samuel Powell) and meeting house known as Market Street Meeting House (erected 1695, rebuilt 1775-1776) on North Second Street above Market Street. Also shows pedestrian traffic. Courthouse was utilized as the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. Building demolished in 1837., Plate opposite page 166 in John F. Watson's Historic tales of olden time : concerning the early settlement and progress of Philadelphia and Pennsylvania ; for the use of families and schools ; illustrated with plates (Philadelphia : E. Littell : Thomas Holden, 1833)., William L. Breton and Kennedy & Lucas created many of the lithographic plates for Watson's Annals of Philadelphia, so it is probable that they also created the plates in Historic tales of olden time., Not in Wainwright., Philadelphia on Stone, POS 521/522
Old Mortality.
View showing the Laurel Hill Cemetery sculpture completed by sculptor James Thom circa 1836. The sculpture, inspired by Sir Walter Scott's novel "Old Mortality," depicts Scott conversing with the main character of his novel, an elderly itinerant Scotsman who re-carved names on gravestones, seated on a tombstone near his horse. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Plate opposite p. 67 in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 526, Athenaeum of Philadelphia: General Prints Collection - PRM (MTD) 15 - 73.
The old Phila. fire department. Period of 1850. The great engine contest on Sunday evening July 7th 1850 at 5th & Market sts.
Arousing scene after the memory of Spieler showing the city's volunteer fire companies battling the July 7, 1850 fire at Peter Wright & Sons glass store on the north side of the 500 block of Market Street. Shows firefighters, in full uniforms, congesting the street around the market houses and in front of the burning building. Members, including an African American firefighter, from the United States, Vigilant, Diligent, Southwark, Pennsylvania, Weccaco, Liberty, and several other companies battle the blaze using hand pump engines and hose carriages. The men run and connect hoses, transport the vehicles, and spray streams of water at the smoking building that also contains the businesses of Hieskell, Hoskins & Co., dry goods and James Smith & Co., booksellers and publishers. Other firefighters pump the engines, blow trumpets, and stand on the roof of the storefronts. Several lines of hoses, several weighed down and or leaking water, criss cross in the street in the foreground. Clusters of spectators, including men, women, and children gather near the firefighters and under the market sheds. Also shows the neighboring buildings on the block, including Pennington's Merchants Dining saloon, which sounded the first alarm bell., Not in Wainwright., Copyrighted by Chas. H. Spieler., Philadelphia on Stone, POSP 250, Historical Society of Pennsylvania: Bc 814 S 753. HSP copy contains handbill describing the provenance of the scene. Transcription of handbill included with LCP copy of print., Free Library of Philadelphia: Oversize - Philadelphiana - Fire Companies
Oliver Brooks, wholesale and retail, hat, cap & fancy fur warehouse
Advertisement depicting an ornate table with scroll legs covered with a jumbled variety of men's and women's hats in addition to an umbella (handle visible). Brooks patented an improvement in cassinmere hats in 1842., Date from Poulson inscription on recto: August 1846., Probably printed by John Frampton Watson., Not in Wainwright., Philadelphia on Stone, POSP 158
On Schuylkill Riv. Philada. Pa.
Landscape view showing a rocky cliff along the river. Trees grow on and near the rock formation. In the background, a row boat passes near the opposite shore where two cows stand. A residence is visible further up the riverbank., Etched in image: Schuylkill Riv. Phila., Etched in image and printed below image: 10., Philadelphia on Stone, POS 529, Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
The original Moravian Church of 1742. S.E. corner of Moravian Alley (now Bread St.) & Race St.
View of the first Moravian church building in Philadephia built 1742-1743 for the followers of Count Zinzendorf, a Bishop of the Moravian Church. Shows the hip-roof building with a front yard containing a path and a white picket fence in the background. Also shows a partial view of a nearby building. The church building, which was expanded and a parsonnage added, housed the congregation until 1819 and the erection of a new sanctuary., Published in Abraham Ritter’s History of the Moravian Church in Philadelphia (Philadelphia: Published by Hayes & Zell, 1857), opposite page 49. [LCP Am 1857 Rit, 75004.0], Not in Wainwright., Philadelphia on Stone, POS 530, Historical Society of Pennsylvania: Ba 138 M 797. HSP copy hand-colored., Free Library of Philadelphia: Castner 23:6, uncolored.
The original Moravian Church of 1746 to 1820 with the parsonage, S.E. corner of Moravian Alley (now Race St.) & Race St.
Oblique view of the expanded Moravian church with the newly constructed parsonage built in 1746. Shows an elongated hip-roof building on a corner lot. Also shows two small frame structures on the south and east sides of the property. The church building, constructed 1742-1743 for the followers of Count Zinzendorf, a Bishop of the Moravian Church, housed the congregation until 1819 and the erection of a new sanctuary., Published in Abraham Ritter’s History of the Moravian Church in Philadelphia (Philadelphia: Published by Hayes & Zell, 1857), opposite page 52. [LCP Am 1857 Rit, 75004.0], Not in Wainwright., Philadelphia on Stone, POS 531, LCP also holds copy with misprint in title: 1742 instead of 1746. [P.9830.23], Historical Society of Pennsylvania: Ba 138 M 797b
The original Moravian church of 1820. S.E. corner of Moravian Alley (now Bread Street) & Race St.
View showing the new church building, built 1819 after the designs of master builder Joseph Worrel, near the original parsonnage on the 200 block of Race Street. Part of the front facade is visible behind a gate and courtyard extending between two dwellings situated in front of the church. Two men converse in front of one of the residences. Also shows Moravian Alley, i.e., N. Bread Street, and a partial view of a neighboring building in the right of the image. The building was sold in 1854 when the church relocated to a new building built 1855-1856 at Wood and Franklin Streets, Published in Abraham Ritter's History of the Moravian Church in Philadelphia (Philadelphia: Published by Hayes & Zell, 1857), opposite page 168., Philadelphia on Stone, POS 532, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.8 and Am 1857 Rit 75004.0 and 14341.O., Historical Society of Pennsylvania:
Outline of the monument to liberty to be erected in Independence Square, Philadelphia
View showing an unexecuted monument commissioned by the citizen's group National Commemoration Monument Association and designed by sculptor William Wetmore Story for the re-landscaping of the square for the Centennial celebration of 1876. Shows the figure of Liberty standing upon a column adorned with female allegorical figures; an eagle encircled by stars; fearsome animal heads; and floral ornaments. The monument was to be placed in the center of the square at the intersection of the main paths. In 1876, the committee asked to and was allowed to be released from a city ordinance, passed in March 1875, that required them to raise $50,000 for the erection of the monument and the project effort apparently dissolved., Originally part of a McAllister scrapbook of views of Philadelphia., Philadelphia on Stone, POS 534
[P. Maison's biscuit bakery, 134 N. Front Street, Philadelphia.]
Advertisement showing the busy three-story bakery at 134, i.e., 214 North Front Street. Building contains banners attached to awning posts adorned with a sign to advertise "P. Maison's Bakery 134." Another "Bakery" sign extends over the adjacent alley between the business and neighboring building. A gentleman, possibly the proprietor, stands at the entrance of the building as laborers transport and stack barrels at the open entryway and upper receiving windows. In front of the store, a "P. Maison Biscuit Bakery" conestoga wagon is loaded with barrels next to a dray loaded with goods of which a clerk overlooks. At the side of the building, a driver with a horse-drawn cart loaded with barrels confers with his coworker in an upper floor window. Also shows a gentleman walking down the stairs of the adjacent residence visible in the image., Title supplied by cataloguer., Date from Poulson inscription on recto: April 1847. N. Front St., Philadelphia on Stone, POS 536, Wainwright retrospective conversion project, edited.
[P. R. Schuyler, furnishing undertaker, N.E. cor. Beaver & 4th Sts., Philadelphia. N. B. lots for sale in Monument Cemetery on reasonable terms. Also single interments.]
Advertisement showing a funeral possession led by an empty hearse passing by the two-and-one-half story residential business front of undertaker "P.R. Schuyler." A sign with the name of the proprietor and illustrated with a coffin adorns the arbor adjacent to the building. Trees line the sidewalk on which a lady, holding a parasol, strolls. She precedes the first (and fully visible) horse-drawn carriage in the procession on the cobblestone street. Also shows partial views, predominately roof and upper windows, of neighboring and surrounding buildings. The hearse driver wears mourning attire including a top hat with ribbon., Title from duplicate in the collections of the Atwater Kent Museum., Date from Poulson inscription on recto: [illegible] NE cor. Beaver & 4th. Aug. 1847., Philadelphia on Stone, POS 537, LCP copy trimmed and lacking title in English and German., Wainwright retrospective conversion project, edited.
P. S. Duval & Son lithographers, 22 & 24 South 5th St., ab. Chestnut Philada.
Advertisement containing an allegorical scene surrounded by a floral border. Scene shows a child asleep in her bed labeled "The Dream of Heaven" as angels, including one holding a book of "wisdom" and a basket of fruits hovers near her on a cluster of clouds. The Duval firm operated under the name P.S. Duval & Son or P.S Duval, Son & Co. circa 1857-circa 1879 and from 22 & 24 South 5th Street 1858-1869., Not in Wainwright., Published in Edwin Freedley's Philadelphia and its manufactures: A hand-book exhibiting the development, variety, and statistics of the manufacturing industry of Philadelphia in 1857 (Philadelphia: Edward Young, 1858), opp. p. 182., Philadelphia on Stone, POSA 73, Variant of HSP Tradecard Collection - D and HSP Ba 61 D 956a
P. S. Duval's lithographic establishment & office of the U. S. Mility. Magazine by Huddy & Duval, No. 7, Bank Alley, Philadelphia.
Illustration printed on upper half of stationery paper pasted onto front flyleaf of magazine volume. Includes hand-written form letter under the illustration signed by William M. Huddy and P. S. Duval outlining prices of "coloured" versus "plain" plates. Illustration depicts the four-story corner lithographic establishment of P. S. Duval and the headquarters for the United States Military Magazine at the northwest corner of Bank Alley and Dock Street (i.e., 227 Dock Street). A signboard for a house painter adorns the adjacent property facing Dock Street and "Birch's Auctions" occupies the property at the west end of Bank Alley facing Third Street. A row of cavalry soldiers faces east on Dock Street, as pedestrians, soldiers on foot, and a dog congestl the sidewalks in the foreground. The portico and columns of a stately building, probably part of the Merchant's Exchange, are visible across from Duval's establishment. Dock Street building was demolished in 1924., Published in the Military magazine and record of the volunteers of the city and county (Philadelphia, Pa.: [Published by William M. Huddy], 1839)., Duval & Huddy published the military fashion periodical, "U.S. Military Magazine," between 1839 and 1842. P.S. Duval occupied 7 Bank Alley between 1835 and 1848., Philadelphia on Stone, POSA 78, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *Per M 102.3 5531.Q, vol. 1.
Panorama Hill, Hestonville, West Philadelphia.
Print containing panoramic views of Panorama Hill in Hestonville, West Philadelphia and "Panorama of Philadelphia as Seen from Panorama Hill." "References" to 32 sites total in both views printed below the images. Central view shows the Pennsylvania Railroad (labeled) cutting through the area that is lined with trees, farmland, and a small number of residences. In the foreground, trains travel in opposite directions on the rail tracks that overpass Old Lancaster Road (labeled). Horse-drawn carriages and wagons travel on Lancaster and under the overpass, cows and horses graze on the hillsides, and the residences of David George (1), Jesse George (2), and Edmund George (3) are visible in the background. Also shows the ravine for a proposed lake (4), the distant steeple of Episcopal Hospital (5), and the toll house (6) on Lancaster Road. Upper view shows the Philadelphia skyline from Panorama Hill. Cows graze in the foreground in front of fenced pastures. In the distant background, steeples and roofs of prominent landmarks, predominately churches, are visible. Includes Girard College (1); House of Refuge (2); Eastern State Penitentiary (3); Shot tower (15); Catholic Cemetery (23); Delaware River (24); Lunatic Asylum (25) and Pennsylvania Railroad (26). Churches include Christ Church (6); St. Peters (12); St. Marks (16); and Trinity Church Maylandville (22). Also contains an inset map showing the property outline between 49th and 56th streets and Haddington and York avenues. Map also includes proposed lake and compass with north pointing left., Manuscript note on recto: Made about 1867., Philadelphia on Stone., POS 539, Retrospective conversion record: original entry, edited., LCP also holds duplicate in very poor condition., Free Library of Philadelphia: Oversize Philadelphiana - Views (2 copies)
Panorama of Philadelphia.
Derived from a print created by J.C. Wild in 1832, this view looks west from the intersection of Third, Walnut and Dock Streets and depicts the Merchant's Exchange constructed 1832-33 after the designs of Philadelphia architect William Strickland for the Philadelphia Exchange Company. Includes street and pedestrian traffic concentrated near the business center and the City Railroad tracks. Many horse-drawn omnibuses, including the Spruce Street, Navy Yard, West Philadelphia and Fifth Street lines, arrive and depart. Men and women stand and converse in the streets or on the steps of the exchange. Also shows buildings on the south side of Walnut Street and Gold Street., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1856, by Schnabel, Finkeldey & Demme, in the Clerk’s office of the District Court of the Eastern District of Penna., Not in Wainwright., Philadelphia on Stone, POS 543
Panorama of Philadelphia from the State House steeple. East.
Panoramic view looking toward the Delaware River predominately showing the area east of Fifth Street between Arch and South streets. Includes the Court House, i.e. City Hall, 500 Chestnut Street (1); Philadelphia Library, i.e., Library Company of Philadelphia, 105 S. 5th Street (2); U.S. Bank, i.e., Second Bank of the U.S., 420 Chestnut Street (3); Philadelphia Bank, 400-408 Chestnut Street (4); Girard Bank, 120 S. 3rd Street (5); Pennsylvania Bank, 134-136 S. 2nd Street (6); [Merchants'] Exchange, 143 S. 3rd Street (7) Christ Church, 22-34 N. 2nd Street (8); Smith's Island, Delaware River (9); and Camden (10) and Kaighn's Point (11) in New Jersey. Also shows part of the State House garden; the north side of the 400 block of Chestnut Street; the adjoined storefronts at 426-434 Chestnut Street; the "Our House" hotel, 408 Library Street; Military Hall, 412 Library Street; rooftop views of several of the surrounding city blocks; and a few pedestrians and a horse-drawn carriage on the 400 block of Chestnut Street and the grounds of the State House., Plate one of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838.) Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 11 landmarks printed below the image., Philadelphia on Stone, POS 542.a.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2153 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Panorama of Philadelphia from the State House steeple. North.
Panoramic view looking North toward North Philadelphia predominately showing the area north of Chestnut Street between the Delaware River and 25th Street. Includes St. Augustine Church, 260-262 N. 4th Street (1); Girard College, 2000-2490 N. College Avenue (2); Zion Church, 100 block N. 4th Street (3); Franklin Square, between Race, Vine, North Sixth, and North Franklin streets (4); and Pennsylvania Hall, 100 block N. 6th Street (5). The north side of the 500 block (501-535) of Chestnut Street, with several businesses, dominates the foreground. Includes the office of "City Resor..," "Eagle Hotel" (533), "Washington Hall" (531), and "Woods Confectionary" (187, i.e., 523-525). Also shows the rooftops of several city blocks, the masts of docked ships along the Delaware, rows of trees in front of the State House, and a figure in one of the doorway of the Chestnut Street shops., Plate 2 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five number of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 5 landmarks printed below the image., Philadelphia on Stone, POS 542.b.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2152 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Trimmed., Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Panorama of Philadelphia from the State House Steeple. North.
Panoramic view looking North toward North Philadelphia predominately showing the area north of Chestnut Street between the Delaware River and 25th Street. Includes St. Augustine Church, 260-262 N. 4th Street (1); Girard College, 2000-2490 N. College Avenue (2); Zion Church, 100 block N. 4th Street (3); Franklin Square, between Race, Vine, North Sixth, and North Franklin streets (4); and Pennsylvania Hall, 100 block N. 6th Street (5). The north side of the 500 block (501-535) of Chestnut Street, with several businesses, dominates the foreground. Includes the office of "City Resor..," "Eagle Hotel" (533), "Washington Hall" (531), and "Woods Confectionary" (187, i.e., 523-525). Also shows the rooftops of several city blocks, the masts of docked ships along the Delaware, rows of trees in front of the State House, and a figure in one of the doorway of the Chestnut Street shops., Plate 2 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., Key to 5 landmarks printed below the image., Second state., Copyrighted by J.T. Bowen. LCP copies lacking copyright statement., Key to 5 landmarks printed below the image., Philadelphia on Stone, POS 542.b.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: 8236.F.2 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: 8236.F.2 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Gift of Mrs. A. Douglas Oliver., Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Panorama of Philadelphia from the State House steeple. South.
Panoramic view looking south toward the Delaware River predominately showing the area between Independence Square, the river, and about 8th Street. Includes the Navy Yard at Southwark (1); Shot Tower, 2nd and Carpenter streets (2); Philadepha. C. Prison, i.e., Moyamensing Prison, 1000 block of Reed Street; Albert Barnes Church, i.e., First Presbyterian Church, 626-630 Locust Street (4); Penna. Hospital, 801-849 Pine Street (5); Washington Square, between Sixth, Eighth, Walnut and Spruce streets (6); and Independence Square (7). Also shows visitors on the grounds of Independence Square, the 500 block of the south side of Walnut Street, including a horse-drawn dray, and the rooftops of several city blocks., Plate 4 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild and J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 7 landmarks printed below the image., Philadelphia on Stone, POS 542.c.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *P.2154 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Panorama of Philadelphia from the State House Steeple. South.
Panoramic view looking south toward the Delaware River predominately showing the area between Independence Square, the river, and about 8th Street. Includes the Navy Yard at Southwark (1); Shot Tower, 2nd and Carpenter streets (2); Philadepha. C. Prison, i.e., Moyamensing Prison, 1000 block of Reed Street; Albert Barnes Church, i.e., First Presbyterian Church, 626-630 Locust Street (4); Penna. Hospital, 801-849 Pine Street (5); Washington Square, between Sixth, Eighth, Walnut and Spruce streets (6); and Independence Square (7). Also shows visitors on the grounds of Independence Square, the 500 block of the south side of Walnut Street, including a horse-drawn dray, and the rooftops of several city blocks., Plate 4 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., Second state., Copyrighted by J.T. Bowen. LCP copies lacking copyright statement., Key to 7 landmarks printed below the image., Philadelphia on Stone, POS 542.c.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *8236.F.3 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53., Gift of Mrs. A. Douglas Oliver.
Panorama of Philadelphia from the State House steeple. West.
Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. WIld & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty view under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 15 landmarks printed below the image., Upper right corner missing, including cited landmark "Waterman's Church.", Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *P.2155 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:
Panorama of Philadelphia from the State House Steeple. West.
Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); [Thomas T.] Waterman's Church, i.e., Arch Street Presbyterian Church, 1006 Arch Street (12); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., Copyrighted by J.T. Bowen. LCP copies lacking copyright statement., Second state., Partial key to 8 of 15 landmarks (1-4, 8-12) printed below the image. Copy trimmed., Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *8236.F.4 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania: Bd 862 W 6441 front, Gift of Mrs. A. Douglas Oliver.
Parham's sewing machine manufactory, George St. below Tenth, Philadelphia:
Advertisement containing an exterior view of the four-story factory and "office" at 927 George, i.e., Sansom Street. A clerk stands next to a displayed sewing machine base on the small stoop to the entrance of the first-floor "office" and converses with approaching patrons, a couple. In the street, a laborer loads a horse-drawn wagon near a departing dray and a parked carriage. Also shows a sign reading "Entrance to Factory," views of adjacent buildings, and two drivers conversing near the parked carriage. Factory established at this address in 1858, the year the street name was changed to Sansom., Not in Wainwright., Philadelphia on Stone, POS 545, Originally part of a McAllister scrapbook of views of Philadelphia., Civil war recruitment poster for federal guards printed on verso.
Paris, New York & Philadelphia fashions for fall 1852, published and sold by F. Mahan, no. 211 Chesnut Street, Philadelphia.
Fashion print containing twenty-one full-length models in two rows primarily displaying a variety of men's suits and coats. Top row features figures posed against a domestic interior showing patterned wallpaper and carpeting as well as a chair and fainting couch. Includes one female figure and a boy with a small lap dog on a leash. The bottom row features male figures dressed in outdoor clothing including 1852 presidential candidates Franklin Pierce and Winfield Scott posed in front of the White House. Many models feature boldly patterned trousers and top hats., Possibly drawn on stone by James Queen., Gift of David Doret., Philadelphia on Stone, POSP 161
Pascal Iron Works, Morris Tasker & Morris
Advertisement for the iron works complex originally built in 1836 on Fifth Street below Franklin Street, i.e., Tasker Street (1700 block). Laborers work among machinery parts, including piles of cylinders and wheels, in the courtyard of the works containing several buildings. One worker pushes a handcart. Morris, Tasker, and Morris was founded by Stephen Morris in 1821 as a stove and grate manufactory. In the late 1820's, Henry Morris and Thomas Tasker joined the firm which was renamed S.P. Morris & Co. Circa 1836 the firm was renamed Morris, Tasker, & Morris when Wistar Morris assumed the position of Stephen Morris and the firm began to manufacture gas pipes. In 1856, the firm was renamed Morris, Tasker & Co. The factory closed in 1896., Date from Poulson inscription on recto: Aug. 1847., Not in Wainwright., Philadelphia on Stone, POS 487, Accession number amended by cataloger., Originally part of a Poulson scrapbook of illustrations of Philadelphia.
[Patent improved lead pipe sheet lead and composition gas tubes, manufactured by Tatham & Brothers, office 15 Minor Street, Philadelphia, and No. 249 Water Street, New York.]
Advertisement showing the factory complex at 608 Delaware Avenue (occupied 1844) for the lead pipe manufactory established in 1841 by George N., Henry B., and William P. Tatham. Factory employees work in front of and at the wharf of the industrial building that is covered with signage. Men lift a barrel with a hoist; guide horse-drawn drays into a courtyard, down an alley, and to be unloaded; move planks of wood; and spray a hose into the river. Also shows partial views of surrounding buildings. Tatham & Brothers, a firm established in New York in 1838, operated the Philadelphia branch from the address until circa 1867. The firm patented a hydraulic pressure method to produce pipe in 1841., Title from duplicate in the collections of the Historical Society of Pennsylvania., Date from Poulson inscription on recto: Aug. 1847. Delaware Avenue., Philadelphia on Stone, POS 547, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Ba34 T218., HSP copy contains advertising text about the "better quality" patent leaden pipe process and price lists printed in letterpress. Price lists documents "Water Pipes for Hydrant, Pumps &c."; "Fountain or Aqueduct Pipe"; and "Sheet Lead."
Pegs Run.
View showing the stream running above Callowhill Street in Northern Liberties named after nearby property holder Daniel Pegg. In the foreground, a man steers a boat by pole and exits from the culvert under the dirt road that crosses the waterway. Cows graze on the adjacent marshland and Pegg's farm is visible in the distant background. Also shows a wagon and pedestrian traversing the dirt road and overpass., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 379., Philadelphia on Stone, POS 548
Penn Hotel & Denny's harness shop.
Advertisement depicting the three-and-a-half-story building containing the hotel and tavern operated by John Thompson at 329 Market Street and Robert Denny's saddles and harness store at 327 1/2 Market Street. Harnesses and other horse paraphernalia hang from the shop's display window and entranceways, including a stable entrance marked, "Entertainment for Horses." In front of the building, a white man with his horse enters the marked entrance; a white man clerk from Denny's converses with a white man customer by a stack of trunks; and other horses rest nearby and in front of the adjacent hardware store, including one attached to a sulky attended by an African American man. Hotel guests stand near the second floor windows and enter the hotel entrance. The hotel, tavern, and harness and saddle store resided together at the site only for the year 1848 to 1849., Date from Poulson inscription on recto: Dec. 1848 No. 327 1/2 Market Street., Philadelphia on Stone, POS 550, Print trimmed and lacking caption., Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Penn Steam Engine & Boiler Works. Foot of Palmer Street, Kensington, Philadelphia. Reaney Neafie & Co. engineers, machinists, boiler makers, black smiths & founders.
Advertisement showing several marine vessels docked in front of the engine & boiler works complex at the busy river front. Teams of several horses haul materials on trucks past the boiler works. Laborers work on the docks, piers, and boats at the complex. Docked vessels include the tug boats, steamboats, paddleboats, and a sailboat. The firm established as Reaney, Neafie & Levy in 1844, specialized in iron boats and engines, and later steam fire engines. Reaney left the partnership to start his own shipyard in 1859. Neafie & Levy remained in operation until 1907., Published in The Hibernia Fire Engine Company No.1 (Philadelphia: Printed by J. B. Chandler, 306 & 308 Chestnut St, 1859), page 109., Philadelphia on Stone, POS 551, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in *Am 1859 Hibernia 11750.Q., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Factories, etc.
Penn Steam Engine & Boiler Works. Foot of Palmer Street, Kensington, Philadelphia. Reaney, Neafie & Co. engineers, machinists, boiler makers, black smiths & founders.
Advertisement showing several marine vessels docked in front of the engine & boiler works complex at the busy river front. Complex contains several buildings, including a "boiler works," "iron foundry," "machine shop," and a "black smith shop." Teams of several horses haul materials on trucks past the boiler works. Laborers work on the docks, piers, and boats at the complex. Docked vessels include the tug boats, "Lion" and "Reliance," the steamboats "Carolina," "Edwin Forrest," and "Perseverance," along with paddleboats and a sailboat. Two men in a dory pull a spar marked F.H.S. The firm established as Reaney, Neafie & Levy in 1844, specialized in iron boats and engines, and later steam fire engines. Reaney left the partnership to start his own shipyard in 1859. Neafie & Levy remained in operation until 1907., Artist's initials printed on stone as part of the image., Philadelphia on Stone, POS 552, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc38 R288. HSP copy in color.
Penn talking to the Indians
Print invoking the treaty made at the village of Shackamaxon (i.e. Penn Treaty Park, Kensington) on the Delaware River. Penn, with his delegates, displays a large sheet of paper to a delegation of Delaware Indians. A crate, barrels, and textiles lie on the ground between the two groups of men. Two of Penn's men open the crate. The top of a barren tree, a cabin, and the outlines of human figures are visible in the background. Contains decorative border., Philadelphia on Stone, POS 554, Gift of David Doret.
Penn's landing at Essex House, Chester.
Book illustration showing the reception of the William Penn landing party arriving ashore at Upland, renamed Chester, from the ship "Welcome" in October 1682. A couple, Robert and Lydia Wade, walks from the Essex House, the residence of Wade, toward the party. Cows graze nearby. Also includes a partial view of Penn's ship. The residence and temporary home for Penn, was situated near the intersection of Chester Creek and the Delaware River. Penn moored his ship at Chester, and arrived in Philadelphia via a barge upriver., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 117., Manuscript note on recto: a different plate from that of the book., Philadelphia on Stone, POSP 163, Gift of James Rush.
Penn's Treaty; Boon and the Indians.
Book illustration reproducing architectural ornaments adorning the U.S. Capitol Rotunda. Depicts Nicholas Grevelet's 1827 sandstone relief "William Penn's Treaty with the Indians" and Enrico Causici's 1826-1827 sandstone relief "Conflict of Daniel Boone and the Indians." Shows William Penn's treaty of 1682 for Pennsylvania as a peaceful interaction with Native Americans in contrast to Daniel Boone in violent combat with Native Americans on the frontier. The treaty scene depicts Penn holding the treaty while shaking hands with a Native American holding a pipe. In the background, another Native American holds his hand up in the sign of peace in front of two doves sitting in a tree. The Boone scene shows Boone brandishing a rifle and knife during a violent struggle with a Native American holding a tomahawk. The men fight over a fallen Native American. Scene includes a tree branch inscribed "1775" - the year Boone explored Kentucky., Published in Public buildings and statuary of the government, the public buildings and architectural ornaments of the Capitol of the U. States, at the city of Washington (Washington, D.C.: P. Haas, 1839) and later 1840 edition., Philadelphia on Stone, POS 555, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Haas was a Washington, D.C. lithographer and publisher active predominately 1837-1845. Augustus Kollner worked under Haas 1839-1840, including as an artist for "Public Buildings and Statuary of the Government, the Public Buildings and Architectural Ornaments of the Capitol of the U. States, at the City of Washington."
Pennsylvania, 1776-1876, City of Philadelphia.
View looking west of the Delaware River and the city of Philadelphia from the Camden, New Jersey ferry terminal. Many people are gathered at the ferry terminal and the river is filled with steamboats and sailing ships. This scene is placed within the borders of a shield. Below the shield is Pennsylvania's state seal flanked by scenes of Pennsylvania's industries including railroads, oil, and agricultural., Not in Wainwright., Image was originally published in William Broadhead's The Centennial Book of Signers (Phila: J.M. Stoddard, 1872) page 219., Philadelphia on Stone, POS 556, In 1872 H.J. Toudy & Co. (Henry J. Toudy, George W. Ward, and William C. Berillat) were listed as practical lithographers and printers at 529 Chestnut Street in Philadelphia.
Pennsylvania Hall.
Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall was erected in 1838 as an arena for "free discussion." On May 17, 1838, after 3 days of interracial dedication ceremonies and services, hostile mobs set the hall on fire. The ruin continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from item., Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Published in: [Samuel Webb's] History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the plate to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Philadelphia on Stone, Accessioned 1982., Description revised 2021., Access points revised 2021.
[Pennsylvania Hall]
[Pennsylvania Hall]
Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall, erected in 1838 as an arena for "free discussion," was set aflame by hostile mobs on May 17, 1838 after three days of interracial dedication ceremonies and services. The building ruins continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from duplicate print., Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Possibly artist's proof., Published in: Samuel Webb's History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the image to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Philadelphia on Stone, POS 557, Accessioned 1982., Description revised 2021., Access points revised 2021.

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