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R. & G.A. Wright [graphic] : Manufacturers of the celebrated gold medal perfumery and importers of French, English & German druggist & fancy articles, no. 23 South 4th St. Philadelphia. / Reen, engr.
Advertisement containing a large central text panel with a background printed in color in a rainbow style and surrounded by an ornate decorative border. Border contains symbols, allegorical figures, and pictorial details representing the United States and patriotism (the American flag, Liberty, a shield adorned with the banner "E Pluribus Unum," and an eagle); Pennsylvania (a portrait of William Penn and the Pennsylvania state seal); and trade, commerce, and farming (barrels, crates, bundles of goods, a scythe, a hoe, sheaves of wheat, a mast of a sailing ship, and a land/marinescape view with a railroad and "John Fitch" steamboat). Some goods are marked "R & G.A.W." or "R." or "C.R." Border also includes a maternal female figure, attired in Roman garb, holding two children, and wrapped in a banner reading "Love One Another"; medals, some with classical figures and one with the text "Reward for 1849"; a book open to an illustration titled "Chemistry Analysis"; scroll-like ornaments; grape vinery; and floral and botanical details. R. & G. A. Wright, a partnership established about 1845 between Richard and George A. Wright, was a premier Philadelphia perfume manufacturer. The business was noted in the mid-19th century as the largest manufactory of its kind in the United States, England, and France. The Wright partnership relocated to 624 Chestnut Street about 1860. The business operated as R. & G. A. Wright until circa 1878., Title from item., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America...Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 45 3/4. (HSP O 458), Not in Wainright., Retrospective conversion record: original entry, edited., LCP AR [Annual Report] 1981, pg. 51-52., Philadelphia on Stone, POSP 295

Race Street between 6th & 7th, Philadelphia.
Book illustration advertisement showing the Franklin Marble Mantel Manufactory operated by Peter Fritz. Includes the manufactory and adjacent marble yard. Signage advertising "Marble Mantels, Tombs, &c. Neatly Executed by Peter Fritz" adorns the building. A factory employee is visible in the doorway and others work with a marble piece lying near slabs resting on the side of the building. Several headstones, monuments, and tombs fill the yard. Also shows the neighboring buildings along the alley at which the manufactory is located. Fritz, a veteran of the War of 1812, was a prominent Philadelphia marble manufacturer and a founder of the Philadelphia Savings Institution in 1833., Artist and publication information supplied by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 118 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 118., Philadelphia on Stone, POS 630, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.5 a&b and in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876., Historical Society of Pennsylvania:

Railroad depot at Philadelphia.
View showing a primitive steam engine locomotive pulling stagecoach-like railroad cars past the "Philadelphia Germantown & Norristown Railway Depot" at the southwest corner of Ninth and Green streets. A driver attired in a top-hat stands and operates the engine from a chariot like platform attached to the locomotive built by Matthias Baldwin. Several passengers occupy the lead coach and partially visible second one. Conductors sit in the cabs of the cars. The Philadelphia Germantown & Norristown Railway, incorporated in 1831, began service to Germantown in 1832 and to Norristown in 1834. The Philadelphia & Reading Railroad leased the company in 1870., Name of possible artist and publication information supplied by Wainwright., Philadelphia on Stone, POS 634, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb862 B756 #43.

Residence & property of James Holgate, n. w. cor. Lehigh Ave. & Eleventh St. Philadelphia, Pa.
View, probably from an atlas, showing the Victorian-style house and substantial property of the state legislator at 1109 Lehigh Avenue in North Philadelphia. The property, surrounded by a fence, contains a carriage house and large landscaped garden, including a wall of trellises, a green house, and a dog house. A gardener works near the trellises. Neighboring buildings, including row houses and W.C. Gill, apothecary, are visible in the background. Also shows street and pedestrian traffic, including horse-drawn carriages; a lamppost with mailbox at the corner; and the names of the streets inscribed on the sidewalks., Contains inset of a view showing three elegant row houses. Includes pedestrian traffic., Not in Wainwright., Philadelphia on Stone, POSP 194, Historical Society of Pennsylvania: Bb 16 H 716

Residence of Joseph Harrison, Esqr. Rittenhouse Square, Phila.
Plate in architectural design book illustrating a perspective view of a symmetrical, Italian-style, suburban mansion on the edge of Rittenhouse Square built 1855-1857 for Joseph Harrison, Jr. after designs by Samuel Sloan. Pedestrian traffic, including two gentlemen on horseback, a man and woman walking, and a horse-drawn carriage, pass in front of the mansion near the square in the foreground., Published in Samuel Sloan's city and suburban architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 107, design XXIV for a suburban mansion., Philadelphia on Stone, POS 641, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in *Am 1867 Sloan 7883.F.107, Historical Society of Pennsylvania: Bb16 H32., Atwater Kent Museum: 440.14.103.1

Residence of Thomas Drake, Esqr., Germantown, Pa.
View of grounds, outbuildings, and residence of Thomas Drake. Drake moved into this Italianate house, designed by the well-known Philadelphia architect, Samuel Sloan, about 1863. The house reportedly cost $55,000. Thomas Drake earned his fortune through the manufacture of cotton and woolen goods, and investments in real estate and coal stocks., Philadelphia on Stone, POS 643, Gift of David Doret., Athenaeum of Philadelphia: General Prints Collection - PRM094

Residence of Washington in High Street, Philada.; British Barracks, Philadelphia.
View showing the house, also known as the Robert Morris House, built circa 1767-1768 at 526-530 Market Street, resided in by the president during construction of the executive mansion on Ninth Street. The walled garden adjacent the residence and the neighboring Sheaff's Wine Store (512 Market) are also visible. Includes pedestrian traffic of two men with canes. The residence burned in 1780 and was demolished in 1803., View showing the barracks built in 1757 in Northern Liberties for the quartering of British soldiers. Infantrymen drill across from a soldier presiding over a cannon in the courtyard of the buildings. The Barracks extended between Second, Third, Tammany, and Green streets and were razed soon after the American Revolution., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 361., Manuscript note below images: different from 2 book., Philadelphia on Stone, POS 644a&b. POS 644a: Residence. POS 644b: British Barracks., Retrospective conversion record: original entry, edited., Gift of James Rush., Residence view reproduced in Edward Lawler Jr.'s "The President's house In Philadelphia: The rediscovery of a lost landmark." Pennsylvania Magazine of History and Biography (January 2002), pp. 5-95.

Residence of Wm. Penn 1700.
Book illustration showing the H-shaped building built circa 1687-circa 1699 on the 100 block of South Second Street. The dwelling served as the residence for Penn 1699-1701. A couple approaches the entrance. Evergreens are seen behind the house and a partial view of an adjacent building is visible., Plate opposite page 93 in John F. Watson's Historic tales of olden time : concerning the early settlement and progress of Philadelphia and Pennsylvania ; for the use of families and schools ; illustrated with plates (Philadelphia : E. Littell : Thomas Holden, 1833)., William L. Breton and Kennedy & Lucas created many of the lithographic plates for Watson's Annals of Philadelphia, so it is probable that they also created the plates in Historic tales of olden time., Not in Wainwright., Philadelphia on Stone, POS 645

Interior of the lower audience chamber of the Moravian Church, of 1746.
Interior view of the lower audience chamber of the first Moravian church building in Philadephia built 1742-1743, and expanded in 1746 for the followers of Count Zinzendorf, a Bishop of the Moravian Church. Shows the pulpit, benches, gallery, a ten-plate stove in the middle of the room, a large chandelier suspended from the ceiling, and an organ in the center of the eastern gallery, opposite the pulpit. The church building, which was expanded and a parsonnage added in 1746, housed the congregation until 1819 and the erection of a new sanctuary., Published in Abraham Ritter’s History of the Moravian Church in Philadelphia (Philadelphia: Published by Hayes & Zell, 1857), opposite page 55. [LCP Am 1857 Rit, 75004.0], Not in Wainwright., Philadelphia on Stone, POS 383, Historical Society of Pennsylvania: Ba 138 M 797c

[Ritter Cotterell & Ritter wholesale drug & chemical warehouse. Paints, oils, glass & dye stuffs. 132 North Third Street, corner of Branch Street, Philadelphia]
Advertisement showing the four-story storefront covered with lettering advertising products at the druggist on the 200 block of North Third Street. Products include "Wetherill & Co.'s Warranted Pure White Lead, Indigo, Madder, Logwood, Turpentine, Linseed Oil, &c, &c. Agency for Golsh's Patent Matches & American Brimstone." A male patron exits one of three open entryways to the store. Another patron is visible inside. Canisters and decanters fill the central display window and crates and barrels line the sidewalk in front of the building. At the side of the storefront, near the open cellar, a drayman stands by his horse that pulls a dray loaded with crates. A weather vane decorated with a fish adorns the roof of the building. The business operated as Ritter, Cotterell & Ritter from the address 1845-circa 1846., Date from Poulson inscription on recto: North Third, corner of Branch Street. Dec. 1846. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 651, Wainwright retrospective conversion project, edited., Trimmed.

[Road to Philadelphy]
[Road to Philadelphy]
Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 652, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand, 1998., RVCDC, Description revised 2021., Access points revised 2021.

[Road to Philadelphy]
Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.

Robert Morris Hotel & Fairmount House
Advertisement showing the four-story hotel opposite the race bridge of the waterworks. Guests stand and walk on the verandahs, roof deck, and observatory tower, and are visible in the entranceways of the hotel. A horse-drawn omnibus filled with passengers passes and a horse-drawn dray is parked across from barrels in front of the building. The back of a coach is also visible under an adjacent passageway. The hotel was often used as a meeting place by the boat clubs nearby on the Schuylkill River. Also shows adjacent businesses. Hotel razed circa 1868., Not in Wainwright., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POS 653

[Robert Shoemaker's wholesale & retail drugstore, corner of Second and Green Streets, Philadelphia]
Advertisement for the three-and-a-half story storefront, covered in signage, on the 200 block of Green Street. Signs advertise Wetherill's Whitelead, drugs, medicines, paints, oils, glass, dyestuffs, "window glass of all sizes," picture glass, "cheap glass for hot beds," "white lead warranted pure by the ton or pound," ready mixed paints, linseed oil, plasters, pot ash, and soda. A male patron enters one of the two open entryways that are lined with barrels and sacks, some open. Within the store, two clerks, one assisting a customer, stand at the counter. Rows of shelves with pharmaceuticals line the wall behind the men. Several canisters and decanters are displayed in the three showcase windows at the front and side of the building. Within the second floor windows, stacks of boxes are visible. At the street corner, crates and boxes of pharmaceuticals, including indigo and oil of vitrol, line the sidewalk and are loaded on a horse-drawn dray accompanied by the driver. Also shows the open cellar, a model of a mortar and pestle adorning the store, and a partial view of the adjacent business with sign "..olds." Shoemaker operated the drugstore under this name and at this location 1837-1856. Shoemaker apprenticed at the store in the 1830's when operated by William Scattergood. He developed an alternative to homemade plasters and was possibly the first U.S. manufacturer of glycerin. He removed to Fourth and Race Streets in 1856 when he established Robert Shoemaker & Co., Title supplied by cataloger., Date from Poulson inscription on recto: S.W. cor. Second & Green. Green. Second Street. Dec. 1846. 1846., Philadelphia on Stone, POS 654, Wainwright retrospective conversion project, edited.

Robert Wood's railing, architectural & ornamental iron works, Ridge Road below Spring Garden St., Philadelphia.
Advertisement showing the long three-story, brick factory occupied by Robert Wood's iron works at 1126 Ridge Avenue. The central portion of the building looms a few feet over the wings, and is adorned by tall, narrow windows on the second story, with a decorative cornice topped by a statue, bell cupola, and advertising flag. Statues of a lion and two dogs adorn an overhang near the open doorway of the iron foundry inside this central portion, under which a man and woman enter the office and warerooms. Visible inside the factory are several men at a forge, along with laborers working in the left and right wings. A man driving a horse-drawn company carriage emerges from the right wing. Four laborers load a lion statue into a cart on Ridge Avenue. Several boxes, addressed to "Mobile, Aa.," "Havana," "Jackson," "San Francisco, Ca.," "Smith & Co., St. Louis," "Cincinnati, Oo.," "Jones & Co., New Orleans," are scattered in the street nearby. Two laborers load (or unload) an iron railing from a covered cart in the foreground. Men working outdoors with unidentified piles, and additional brick factory buildings are visible in the background. A trompe-l'œil frame border surrounds the image., Philadelphia on Stone, POS 655, Wainwright retrospective conversion project, edited.

Robert Wood's steam iron railing works, Ridge Road above Buttonwood St, Philadelphia.
Advertisement showing Robert Wood's long and narrow, four-story steam iron railing works on the 1100 block of Ridge Road. Signboards on the facade advertise "Wood's steam iron railing manufactory all kinds of ornamental & architectural iron work made to order," and "manufacturer of iron railings for cemeteries." Laborers are visible through the open windows and doors on all levels of the factory. Two men carry an iron piece into the ground level of the building, near a display of ornamental iron sculptures, that includes a large lyre. A laborer loads iron railings onto a horse-drawn cart near the entrance. Another man pulls iron bars from a dray and piles them into the open cellar door. Also shows a gentleman starting to exit from the rear of a crowded Girard College & Exchange line omnibus traveling north on Ridge Road, and children playing near a dog on a makeshift seesaw in the empty adjoining lot. Image is surrounded by a border of iron work models, and contains pictorial details of stairs with ornate iron railings., Date from Poulson inscription on recto: April 1847., Philadelphia on Stone, POS 656, Wainwright retrospective conversion project, edited.

Rockhill & Wilson, tailors & clothiers of men & boys wear, Nos. 205 & 207 Chestnut St. & 28 South 6th Street.
Advertisement showing the wide, spacious interior of the clothing store tenanted by Daniel H. Rockhill and Franklin S. Wilson at 205-207 (ie. 603-605) Chestnut Street. Male clerks and patrons organize and sort through goods displayed in piles on tables throughout the ornately decorated store, which is adorned by pilasters, rounded pediments, rosettes, and flowery chandeliers and light fixtures. Two male clerks assist patrons in the foreground; one speaks with a woman and a young boy, and the other helps two gentlemen. Rockhill & Wilson moved their business from 111 (ie. 321) Chestnut Street to this location in 1857, and operated here until 1882., Date supplied by Wainwright., Philadelphia on Stone, POS 658, Wainwright retrospective conversion project, edited.

Roper's Gymnasium. 274 Market Street, Philadelphia.
Advertisement showing the interior of the well-attended gymnasium, operated by James Roper on the 800 block of Market Street, in which several men exercise in front of a crowd of spectators. In the right, three men perform balance moves on a balance beam next to a wall adorned with a rack from which boxing gloves and squash rackets hang. Beside the beam, two men wearing boxing gloves converse near the pommel horse that two men utilize. In the front center and left of the room, two pairs of men, one pair wearing face guards, fence; two men pull weights attached to the ceiling; and another tests his strength on the parallel bars near men climbing poles. To the rear, other exercisers climb vertical and inclined ropes, hang and climb from exercise ladders, straddle and perform pull-ups on horizontal poles, and dangle upside down from a trapeze. Around the room, spectators including several men and a few women in winter clothing, stand and sit to watch the gym attendees. Roper established the gymnasium circa 1831 which relocated to the 800 block of Walnut Street circa 1833., Several of the figures annotated with a number that probably corresponds to an unlocated key., Philadelphia on Stone, POS 659, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:, Lower left corner missing and repaired.

Routes of the two parades by the soldiers and sailors, Friday, October 2d, 1868.
Trade card by Blood & Chew with text describing the divisions and the route for a soldiers' and sailors' parade on Friday, October 2d, 1868. Includes two woodcuts, one depicting a Civil War soldier with a bayonet, and the other a sailor, both attired in uniforms., Not in Wainwright., Advertising text running the length of the card on the right side reads "neat lithographing and wood engraving," and on the left, "all varieties of plain & ornamental printing.", Philadelphia on Stone, POSA 81

Rowley, Ashburner & Co.'s oil, alcohol, fluid & pine oil works.
Advertisement showing the Kensington Screw Dock on North Penn Street above Maiden (ie. Laurel) Street from the tumultuous Delaware River. Three small sailboats navigate the water in the foreground, while shipwrights work on the hull of a square-rigged ship raised in the dry dock in front of the firm's building. At the wharf, horse-drawn drays travel past the neighboring oil manufactory and distillery and a captain, with a dog, leans on a hitching post to which a tugboat is tied. In the rough water of the river, skiffs, sailboats, and a rowboat navigate the choppy waves. Also shows surrounding boathouses, wharves, and buildings lining the riverfront. Edward Rowley, Algernon Ashburner, and George B. Keen purchased the screw dock in 1850., Date supplied by Wainwright., Philadelphia on Stone, POS 662, Wainwright retrospective conversion project, edited.

Ruins of St. Augustines Church North 4th Street Phila.
View showing the ruins of the Catholic church, at 260-262 North Fourth Street, destroyed by fire during the Nativist Riots of May 1844. Behind a stone and iron work fence, the damaged outer walls remain standing of the church that was built in 1801 after the designs of Douglas Fitzmaurice Fagan. On the sidewalk, pedestrians, including a pair of men and women and a couple, walk past, point, and discuss the ruins. Also shows another woman facing away from the destroyed church and a dog walking near the pair of men. The congregation formed in 1796 under Father Matthew J. Carr to serve the large German and Irish immigrant community residing in the northern sections of the city. The May riots (May 6-8, 1844) began during a confrontation between Irish-Catholics and participants of an American Nativist Party rally held in the Irish neighborhood of Kensington., Philadelphia on Stone, POS 666, Wainwright retrospective conversion project, edited.

S. Tobias, importer & general dealer in wines, liquors, cordials and syrups, No. 68, North 3d. Street, above Arch, Philadelphia.
Advertisement showing the four-story storefront adorned with signage on the 100 block of North Third Street. A patron enters one of the two open entryways at which a straw basket and wine cask are displayed across from a large-cask shaped sign. Sign reads "S. Tobias No. 68 Importer & Dealer in Wines Liquors Cordials and Syrups." At the other entryway, a laborer rolls a cask out the door near a worker entering the cellar. Within the store, the backs of a patron and a clerk are visible in the rear of the store in which shelves of liquor bottles, straw baskets, wine casks, and barrels are displayed on shelves, the floor, and the open display window. Other boxes, bottles, casks, and barrels are visible at the upper floor windows. Barrels and boxes, one marked "S. Tobias" line the sidewalk, near a street lamp in front of the store. Also shows partial views of the adjacent businesses and the signage adorning the storefronts of Charles M. Schott, dry goods (66 N. 3rd St.) and Scattergood & Whitall, druggists' glassware (70 N. 3rd St.). A clerk is visible working at a table through the doorway of Schott, and a pulley and boxes are visible within the open doorway of Scattergood & Whitall. Tobias tenanted the site starting in 1845 and renamed his business Soloman Tobias & Son in 1847., Date from Poulson inscription on earlier mount: Imperfect dup. impression. Dec. 1845., Philadelphia on Stone, POS 671, Wainwright retrospective conversion project, edited.

S. W. view of the old court house in Market Street, Philada at the time of its being taken down (7th April 1837)
View showing the demolition of the courthouse built 1707 by carpenter Samuel Powell on North Second Street above Market Street. Laborers tear off the roof that is down to the rafters and knock down the eaves of the gutted building adorned with broadsides. Debris covers the area in front of the building, and men and women spectators and passersby watch the work from near a line of crates and barrels in the street. Also shows a horse pulling an unseen dray and partial views of neighboring buildings and the adjacent market stalls (built 1710). The court house was utilized as the town hall, seat of the Legislature, market house and the Pennsylvania statehouse until Independence Hall was opened in 1748. Building demolished in 1837., Philadelphia on Stone, POS 672, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Castner 25:77, Historical Society of Pennsylvania:, See companion print: N. E. view of the old court house in Market Street Philada [W243, P.2101]

Sacred Heart Convent, "Eden Hall." Torresdale, Pa.
View of the girls boarding school and convent administered by the Society of Sacred Heart Sisters that was built 1849-1850 after the designs of Frank Wills at 4800 Grant Avenue in Northeast Philadelphia. The stone building contains several wings and a chapel. Crosses adorn the roofs. Girls play on the grounds landscaped with trees. Also shows a woman and child walking up the path to the school entrance and a man with a horse-drawn wagon near the chapel. A border, arched at the top with simple art details, frames the image. The society purchased the Torresdale estate of F. Cowperthwait in 1847 and operated a school on the property until 1969., Philadelphia on Stone, POSP 199, Retrospective conversion record: original entry, edited., Walker & Co., the Boston lithography firm established in 1879, sought the patronage of Roman Catholic clergy in the early 1880s.

Safe-Harbor Iron [Works, Reeves,] Abbot & Co. Philada.
Advertisement showing the iron works located in Safe Harbor, Lancaster County on the Conestoga Navigation Company canal (formerly Conestoga Creek) near the Susquehanna River. View includes the blast furnace, foundry, and carpenter shop (identified below the image) in addition to smaller out buildings. Carriages, horse-drawn carts, workers, and a large pile of ore are visible on the property near the canal on which canal boats, including the "Ohio," travel. Also shows drivers following a horse-drawn cart loaded with ore traveling on the canal bank in the foreground. Constructed in 1846 after ore was discovered in the area, the iron works supplied "railroad iron." The partnership between the Reeves and the Abbotts lasted from 1849-1851., Not in Wainwright., Philadelphia on Stone, POSP 200, Bottom edge partially torn off.

[Samuel Powell & Co. ship & house work in tin, copper, brass and iron]
Advertisement showing the four-story storefront on an incline at 8 Market Street. Tea kettles, coffee pots, and other metal cookware adorn the shop window. Storefront also contains signage, and an oil can advertising "Oil Cans" hanging from the second story. A railing on a slant is visible in front of the store. Powell operated from the address 1846-1853., Title supplied by Wainwright., Date from Poulson inscription on recto: Aug. 1847. No. 8 Market Street., Philadelphia on Stone, POS 673, Wainwright retrospective conversion project, edited.

The Sanitary Fair grand march /
Dedication: Respectfully dedicated to Mrs. Elizabeth R. Biddle [i.e., Elizabeth Rockhill Biddle, wife of William Biddle (1804-1876)?]., Cover illustration is a chromolithograph showing a bird’s-eye view of the exhibition grounds at Logan Square. Shows the square and surrounding cityscape from the northwest, including the Cathedral of Saints Peter and Paul. Trees are visible beside the buildings and line the outside of the square where throngs of people walk the sidewalk and crowd the fair entrances. Horse-drawn vehicles, including carriages and omnibuses travel the streets and park along the grounds. American flags adorn all of the buildings. Wrigley designed the majority of the fair buildings except for the central thoroughfare designed by Strickland Kneass. Variant of the lithographs printed and for sale daily by P.S. Duval’s establishment at the fair. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Printer: P.S. Duval & Son Lith., Phila., Philadelphia on Stone, POS 646, Gift of David Doret., Digitized by Alexander Street Press for Images of the American Civil War.

The Sarcophagus brought from Syria & presented By Come. Elliott to the Girard College.
View of the marble, garland sarcophagus of the Empress of the Roman Empire Julia Mamaea presented to the college in 1838. Tomb sculpted with garland, cupid, and female figure ornamentations. Jesse Duncan Elliott, commodore of the U.S. Constitution, obtained the sarcophagus in 1837 while commanding the U.S. Fleet during a tour of the Mediterranean. It was "rediscovered" in the basement by the school in 1883 and given on permanent loan to Bryn Mawr College in 1955., Philadelphia on Stone, POSP 201, Retrospective conversion record: original entry, edited., Advertisement for print published in the North American and Philadelphia Inquirier, August 13, 1839 and the National Gazette, August, 20, 1839.

Satterlee Heights. Satterlee Hospital Grounds, 27th Ward. West Philadelphia.
Aerial view showing the area between 46th, 42nd, Walnut streets and Baltimore Avenue. Includes lots for purchase at Satterlee Heights, residences, Mill Creek Culvert (built 1855), ponds, groves of trees and landscaped blocks. Key to 52 property holders printed above and below the image. Properties include Twadell Estate (1), Woodland Presbyterian Church (18), G. C. Fell's Buildings (20), Morton McMichael (25); Clarence H. Clark (i.e., Chestnutwold, later Clark's Park) (29), John McArthur, Jr. (33), William Blasius (38), and Mrs. Josephine Simpson (52). Also shows minimal street and pedestrian traffic, including horse-drawn carriages. The residential development of Satterlee Heights proceeded on land previously occupied by the Civil War hospital Satterlee U.S. General Hospital that operated 1862-1865., Contains pencil annotations of lot numbers on recto., Includes compass pointed to right., Printed on recto: These Lots for Sale by, Philadelphia on Stone, POS 674, Retrospective conversion record: original entry, edited., Lower left edge mended.

Satterlee U.S.A. General Hospital, West Philadelphia.
Bird's eye view showing the hospital opened June 9th, 1862 at Forty-fourth Street and Baltimore Avenue. The hospital complex is surrounded by tents to accommodate the high number of patients as a result of the battles of Wilderness and Spotsylvania. Soldiers and visitors mill the grounds and horse-drawn ominbuses enter the compound. Outside the hospital, a horse-drawn wagon travels and soldiers drill in formation. Also contains several lines of descriptive text and the names of the principal officers printed below the image. Text describes the size and dimensions of the hospital, visiting hours, and patient services including Sisters of Charity on call, a sutler store, barber shop, printing office, and a band., Philadelphia on Stone, POS 676, One of the images gift of William Helfand.

[Savery & Co. Phila. iron hollow ware foundry]
Advertisement showing the multiple buildings of the foundry established in 1841 at South Front and Reed streets (i.e., 1400 block S. Front). Buildings, most with smokestacks, include an office, sheds, and shops. Foundry employees exit and enter the buildings, pile wood, lead horse-drawn carts and drays into and out of the small complex, and move cauldrons lining the sidewalk. Also shows a couple passing by. Savery operated at the location until the late 19th century. The firm specialized in pots, pan, kettles, and other house wares in addition to agricultural implements., Date from Poulson inscription on recto: Aug. 1847. South Front St. below Navy Yard., Printed on blue paper., Title supplied by Wainwright., Philadelphia on Stone, POS 677, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.

Savournin's Celebrated Snow White Diamond for beautifying the complexion
Diamond-shaped advertisement with ornamental border containing a vignette-size, waist-length portrait of a young lady stroking her hands through her long tresses., Leonhardt operated from 114 So. 3rd Street circa 1868-1871., Philadelphia on Stone, POSP 202, Gift of Margaret Robinson.

Scene at the U. S. Agricultural Society's Fair, Philada. 1856.
Scene showing a harness race at the track on the grounds of the fourth national exhibition of the U.S.A.S held at the Powleton grounds in West Philadelphia on October 7-11, 1856. Spectators, including men, women, and children, a few cheering, crowd outside of the track in the foreground. In the background, throngs of spectators (shown as a smudgy mass) watch the event from stands or standing within the center of the track. The judges' stand and several tents, including one waving the flag for the "President," are also visible inside the track. Also shows the tower of a building in the distance. The United States Agricultural Society, formed in 1852 at a convention called by 12 state agricultural societies, strove" to embody in one central Association, the valuable information already obtained by various local Societies, and to establish a more intimate connection between them; to correspond with foreign Societies, and to diffuse a knowledge of their most important Agricultural improvements and discoveries; and, in various other ways, to aid the promotion of this noble art.", Philadelphia on Stone, POS 678, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb8 Q3., Free Library of Philadelphia: Castner 21:28 and Philadelphiana - Fairs., LOC holds artist's study. [DLC-PP-1997-105-Drawings-USAgricSoc].

Scenery of the Wissahickon near Philadelphia.
Landscape view showing the Wissahickon Creek in Fairmount Park. In the foreground, within a clearing, three visitors, two sitting on a log, admire the scenery. Scenery includes trees, bushes, rocks, hills, and a stone overpass in the distance., Philadelphia on Stone, POS 680, Retrospective conversion record: original entry, edited.

Schlichter & Zug, Proprietors. 929 Market Street, Philadelphia. :
Advertisement showing a bust-length portrait of a beautiful young woman looking over her bare shoulder and holding an open book beside her face displaying the text "If you wish for perfect health use the National Bitters." She wers her hair in pincurls and tied back with a pearl hair clip. She also wears a pearl necklace and a pearl earring., Copyrighted by Schlichter & Zug., Manuscript note on recto: No. 611., Not in Wainwright., Philadelphia on Stone, POSP 204

Schnabel & Finkeldey, lithographers, 218 Walnut St., Phila.
Tradecard containing an ornate border design comprised of scrolls, vinery, and flowers surrounding the text. The partnership, formerly of M.H. Traubel & Co., was active 1858-1863., Not in Wainwright., Philadelphia on Stone, POSA 82, See tradecard with similar design for M.H. Traubel & Co. [P.9349.144q]

Schuylkill boat song.
Schuylkill boat song.
Lyricist: Thomas Dunn English, M.D., Lithographer: Sinclair, Lith. Phila., Price printed on recto: Price 25 Cts., Two extra verses printed on page 5. Price: 25Cts.; listed in "Early American Sheet Music" by Dichter and Shapiro, p.157., Cover illustration of lithograph of view showing two sculling barges on the Schuylkill River near Peter's Island and the Columbia Railroad Bridge. The barges contain crews of eight and a coxswain. A boat house lines the shore of the island and a train is seen exiting the bridge. The Columbia Railroad Bridge, one of the oldest railroad bridges in the United States, was completed in 1834 after the designs of John C. Trautwine for the Reading Railroad Company. The bridge spanned over the Schuylkill River below Belmont Mansion in Fairmount Park., Philadelphia on Stone, POS 682, Gift of the heirs of Helen Beitler, 2002., In excellent condition., Retrospective conversion record: original entry, edited., Trimmed copy of cover illustration held in the Print Collection.

[Schuylkill Boat Song sheet music cover illustration]
View showing two sculling barges on the Schuylkill River near Peter's Island and the Columbia Railroad Bridge. The barges contain crews of eight and a coxswain. A boat house lines the shore of the island and a train is seen exiting the bridge. The Columbia Railroad Bridge, one of the oldest railroad bridges in the United States, was completed in 1834 after the designs of John C. Trautwine for the Reading Railroad Company. The bridge spanned over the Schuylkill River below Belmont Mansion in Fairmount Park., Name of artist attributed by Wainwright., Title supplied by cataloguer, Poulson inscription on recto: Peter's Island R.R. Bridge., Illustration from sheet music cover: Schuylkill Boat Song, Poetry by Thomas Dunn English M.D. Music composed and dedicated to the Atlantic Barge Club by P. Blanchor. (Philadelphia: Osbourne's Music Saloon, 30, South Fourth Street, ca. 1842). [Sheet Music Collection 9913.F], Philadelphia on Stone, POS 682, Trimmed sheet music cover. LCP Print Department copy image only., Library Company of Philadelphia: P.2165 and Sheet Music Collection 9913.F, Atwater Kent Museum: 49.29.1 with music., Wainwright retrospective conversion project, edited.

S.E. view of Philadelphia
Panoramic view looking from Camden, New Jersey showing the Delaware riverfront and harbor. Includes cityscape; docked ships; boathouses; Spark's Shot Tower; Smith and Windmill Island; and several sailing vessels and a steamboat traversing the river. Also shows two men near grazing horses on the riverbank in the foreground., Not in Wainwright., Philadelphia on Stone, POS 667, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.

Second grand ball of the Lithographic Printers Union.
Invitation to the second grand ball for the Lithographic Printers Union illustrated by three vignettes, including a man drawing on a stone in a studio; men and women dancing at a ball; and a man rolling ink onto a stone. The title and illustrations are surrounded and separated by cherubs and filigree enlaced with flowers., Not in Wainwright., On recto in fine print: Master of ceremonies: Henry Morris. Floor managers: John Tolland, John Collins, James Deady, T.S. Whitehead, Wm. Smith. Committee: J.P. Tolland, John Collins, James Deady, T.S. Whitehead, Henry Morris, A.L. Wiese, Peter Alexander, J.N. Conklin., Philadelphia on Stone, POSP 205, The constitution and by-laws of the Lithographic Printers Union were instituted on February 28, 1854. Fred C. Munson, "History of the Lithographers Union," p. 1, suggests that a lithographic trade union existed in Philadelphia as early as 1843.

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