Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

Pages

Charles Oakford & Sons, No. 834 & 836 Chestnut St., Philadelphia. 1866. Wholesale and retail dealers and manufacturers of hats, caps & furs.
Advertisement with ornamental lettering depicting a display of 12 numbered men's and women's hats. The women's hats (1-4, 7, 10) are adorned with feathers, ribbons, and other embellishments, except for the "sundown." Hats are displayed on a hat rack and three stands at its base. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852 when he relocated to 624 Chestnut Street. In 1860 he moved his business to the Continental Hotel., Not in Wainwright., Philadelphia on Stone, POSP 25
Charles Oakford's 1848 & 49 fashions for hats, caps & furs, wholesale & retail establishment, no. 104 Chestnut St., Philadelphia.
Advertisement for the hat manufacturer containing a full-length portrait of a young woman wearing a hat and fur accessories surrounded by 11 bust portraits showing men, women and children in a variety of hats. Most of the women's and girl's hats contains ribbons, bows, and feathers. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Philadelphia on Stone, POSP26
Charles Oakford's 1848 & 49 fashions for hats, caps & furs, wholesale & retail establishment, no. 104 Chestnut St., Philadelphia.
Advertisement for the hat manufacturer containing a full-length portrait of a young woman wearing a hat and fur accessories surrounded by 11 bust portraits showing men, women and children in a variety of hats. Most of the women's and girl's hats contains ribbons, bows, and feathers. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Not in Wainwright., Philadelphia on Stone, POSP 26
Charles Oakford's hat & cap store, wholesale & retail, No. 104, Chesnut [sic] Street, Philadelphia.
Advertisement containing a view of the exterior of the hat store (300 block Chestnut Street) surrounded by a decorative border comprised of hats and vignettes. Shows the proprietor of the business standing behind the double-sided glass door of his establishment. Displays of hats adorn the showcase windows of the store. Also shows a ribbon hanging from above the entrance, a shadowy figure of a patron, and a basement cellar door. Border includes military hats, boys caps, a Friend's hat, and beaver hat. Vignettes show a military officer on horseback and an outdoor scene with beavers at a tree. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Philadelphia on Stone, POS 108, Wainwright retrospective conversion project, edited.
Charles Oakford's model hat store, 158, Chestnut Street Philadelphia. Hats, caps and furs, wholesale and retail.
Advertisement showing the ornately furnished interior of a later store, at 624 Chestnut Street, of the the hat establishment established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. An arch labeled "Oakford" is visible to the center of the room that leads to the women's and children's section at the rear of the store. A clerk assists a woman patron seated near a rack of hats and across from a woman and girl as they browse. Large tiles line the floor and the ceiling is plain. Oakford operated from the site 1853-1860 before relocating to the Continental Hotel. Oakford admitted his sons to the firm in 1856., Philadelphia on Stone, POS 109, Wainwright retrospective conversion project, edited.
[Cherry St. Factory (court-yard view.)]
View of the rear of one of two factories owned by Cornelius & Baker, manufacturers of lamps, chandeliers and gas fixtures. Located on Cherry Street between 8th and 9th Streets, construction of the two wings of the U-shaped, multi-storied factory was completed in 1858. Building also contains a tower. In the courtyard, a driver leads a horse-drawn wagon past a few workers and two gentlemen in conversation. Cornelius & Baker was founded in 1835 and operated 2 factories and a storefront by the 1850s. The firm was succeeded by Cornelius & Sons in 1869., Title from duplicate print. (*BW- Industry P.2023), Date from Poulson inscription on recto of companion view. (BW - Industry (P.2024b)), Also published as frontispiece to Description of the establishment of Cornelius & Baker, manufacturers of lamps, chandeliers & gas fixtures, Philadelphia (Philadelphia: J.B. Chandler, Printer, 306 Chestnut Street, 1856?) (LCP Am 1856 Corne (17160.O.15)). Views of both factories issued as a separate print on a single sheet by P.S. Duval & Son's lithographers (LCP P.2023 *BW-Industry)., Not in Wainwright., Philadelphia on Stone, POS 111
Chestnut Street, East of Fifth
Panoramic view showing businesses marked with pre-consolidation addresses on the south side of the 400 block of Chestnut Street (134-140, i.e., 420-428). Signage and ornaments adorn the buildings. Includes L. J. Levy & Co., dry goods store (420); Bailey & Kitchen, jeweler, and Broadbent & Co. daguerreotype rooms (422); W. F. Warburton late W.H. Beebe & Co., hatter and C. Stinger, dressmaker(424); James E. Caldwell & Co., jeweler (426); Root Gallery of Daguerreotypes, Wriggens & Warden, jeweler, and S. Marot, engraver (428). Also shows heavy street and pedestrian traffic, including horse-drawn carriages and an omnibus. Part of the old City Hall at Fifth and Chestnuts is also visible. A crowd of people stands at the tree-lined street corner near the building., Philadelphia on Stone, POS 541.1, Historical Society of Pennsylvania: Bb 856 Sc 57, HSP copy inscribed on recto: Prest by J. C. Browne., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 4th-5th (2 copies), Athenaeum of Philadelphia: General Prints Collection - PRM071, Gift of David Doret.
Chestnut Street Schottisch
Sheet music cover containing a street scene showing "Wm. D. Rogers' Carriage Repository" and the "Young Mens Christian Association Rooms" at 1009-1011 Chestnut. At the lower level of the three-story building, patrons review wagons on display in the Roger's shown room, enter the building, and look at a display window lined with prints and containing a guitar. Several individuals walk and greet each other on the sidewalk. In the street, a "Chestnut Street" omnibus and horse-drawn carriage travel near a man on horseback and traversing couples. Couples include a woman snickering beside her female cohort and a man pointing something out to his lady companion. Also shows the adjacent residence and walled courtyard of trees. Rogers, who established his business in 1846, opened his Chestnut Street repository in 1857., Copyrighted by James W. Roddon., Price printed on recto: 3 1/2., Philadelphia on Stone, POS 114, Wainwright retrospective conversion project, edited., Atwater Kent Museum: 44.86.56 cover and 46.24.1 with music., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 10th-11th. Trimmed sheet music cover illustration only., Gift of Isadore Lichstein.
Chestnut Street, west of Fourth.
Street scene showing south side of Chestnut Street between 4th and 5th Streets depicting two bank buildings designed by Philadelphia architect William Strickland: the Philadelphia Bank building (built 1836) and the custom house (formerly the Second Bank of the U.S., built 1818-24). Philadelphia Bank building (400-408 Chestnut, after renumbering) houses and includes signage for the Western Bank and Girard Life & Trust Company, as well as H.S. & C. Ogden, tailors; Kelly & Bright, stationers; Edward Borheck, optician; Martin Leans, engraver; Wilcox & Delleker, custom house brokers; and Wm. H. Patton, dealer in decorative wall papers. Street scene includes a vendor, two coaches, a man on horseback, and pedestrians., Not in Wainwright., Philadelphia on Stone, POS 115, Gift of Mrs. S. Marguerite Brenner.
[Christ Chapel, Eddington of All Saints Church, Lower Dublin Townhsip, near Torresdale]
Exterior view of the pastoral chapel erected in 1843 for the Protestant Episcopal congregation, All Saints church, organized 1772. Shows parishioners walking the grassy yard to the sanctuary surrounded by trees. Beasley served as rector of the church 1834-1878., Title supplied by cataloguer., Name of artist from manuscript note on recto., Manuscript note on recto: Near Torresdale, Penn. Oak Grove Church. Rev. Mr. Beesleys [sic] ch. PE., Not in Wainwright., Philadelphia on Stone, POS 515, Morton, was rector of St. James Church, Philadelphia.
Christ Church.
Exterior view looking northwest at the Protestant Episcopal church built 1727-1744, including the steeple completed 1754 after the designs of John Harrison and Robert Smith, at 22-34 North 2nd Street. Scene includes pedestrian traffic walking along both Second and Church Streets, a flock of birds near the weathervane and steeple, and trolley tracks running the length of Second Street in the foreground., Frontispiece to Edward W. Clark's A Record of the Inscriptions of the Tablets and Grave-Stones in the Burial-Grounds of Christ Church, Philadelphia (Philadelphia: Collins, printer, 705 Jayne Street, 1864)., Philadelphia on Stone, POS 117, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Uy8 96795.D., Historical Society of Pennsylvania:
Christ Church Hospital.
Exterior view of front facade of hospital building constructed 1856-1861 after designs by John M. Gries at 2100 North Forty-ninth Street. Building adorned with Gothic details, including narrow pointed arched windows, gable roofs, pinnacles and spires. A carriage drives away from the front entrance of the home along the same path where pedestrians stroll the grounds. Founded in 1772 by Dr. John Kearsley to support poor and widowed women of the Church of England., Published in Edward W. Clark's A Record of the Inscriptions of the Tablets and Grave-Stones in the Burial-Grounds of Christ Church, Philadelphia (Philadelphia: Collins, printer, 705 Jayne Street, 1864), opposite page 85., Philadelphia on Stone, POS 119, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Uy8 96795.D., Historical Society of Pennsylvania:
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Originally published as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 120.3, Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.62b in *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Reassigned McAllister accession number., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 102.1, One of the images [(4)1322.F. 61c] originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.61c; 3008.Q; in Print Room * Am 1838 Wild 6626.F and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania: Bb862 W6441 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Originally published as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 120.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania: Bb862 W644 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Chromo lithography,
Book illustration advertising the Philadelphia lithographic studio of P.S. Duval, which received an 1849 Franklin Institute medal for advancement in chromolithography. Contains allegorical, patriotic, romantic, and art-themed iconography. Includes a female allegorical figure, wearing a liberty cap, who holds a cornucopia under one arm, and raises a laurel wreath with the other. She stands on an American shield covered by a sword, palette, book, architectural plan, globe, and mallet. Also shows the American eagle, floral details, and two cherubs entwined in a banner reading "E Pluribus Unum.", Printed upper right corner: Patent Office Report. Part 1. 1849., Printed lower right corner: (See Page 491)., Not in Wainwright., Philadelphia on Stone, POSA 10, Gift of Helen Beitler., Variant of frontispiece published in Catalogue of the twenty-third exhibition of American manufactures... (Philadelphia: William S. Young, 1853). [LCP Am 1853 Exhib 14181.O.5]
The church in 13th Street above Market, Phila.
Exterior view of the front facade and flank of the Ninth Presbyterian Church showing well-dressed men, women and children entering the left and right entrances. The church, adorned with Gothic arched windows and details, was built circa 1815 on North Thirteenth Street with funds donated by Margaret Duncan to serve the poor and working class of Philadelphia. Originally named the Second Associate Reformed Church, the church was also commonly known as Margaret Duncan's Church or the Vow Church. Controversy over John Chambers appointment as a new minister of the church in the mid 1820s influenced his decision to form a new congregation with his supporters in 1830. They moved to the much larger First Independent Church at Broad and Sansom Streets. This lithograph may have been created to commemorate the installation of a new minister at the Thirteenth Street church in 1832., Not in Wainwright., Title from manuscript note on paper pasted onto lithograph., Date supplied by cataloger., Philadelphia on Stone, POS 122, LCP AR [Annual Report] 1999 p. 50.
Church of the Holy Trinity, Rittenhouse Square, Philadelphia
Floor plan of the Protestant Episcopal church built 1856-1859 after the designs of John Notman at 200 South 19th Street. Includes the chancel; vestibules; towers; the center, South, and North galleries of pews; and a porch. Pews are printed with a row number, "value," "seats," and "rent." Values range from $1200 to $200 and pews 146 and 147 are annotated in ink: "3 for rent" and "1 for rent." In March 1859, an auction administered by M. Thomas & Sons was arranged by the vestry to raise funds to complete the construction of the church, particularly a steeple. The steeple was never completed., Philadelphia on Stone, POS 126, Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., For a description of the auction and church, see Poulson's scrapbooks, vol. 1, pp. 46, 48 1/2, and 50.
[Church of the Nativity]
Exterior view of the Gothic-style Episcopal church completed in 1846 after the designs of Napoleon LeBrun at the northwest corner of 11th and Mount Vernon streets., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 127, Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Free Library of Philadelphia: Castner 22:93. With title and printer's imprint., Duplicate in the collections of the Historical Society of Pennsylvania [Ba 132 N278] contains printed caption on recto: This Church is to be built of stone, is 50 by 80 feet exclusive of the tower. It will cost $9,000 and seat without side galleries 600 persons. Subscriptions for its erection will be gratefully acknowledged by the wardens and vestry. Brethren will ye not aid as God has prospered you in extending the Gospel in the Church?
Circular and catalogue of the Oakland Female Institute, Norristown, Pa. for the year ending September 26th, 1850.
Contains frontispiece titled "Oakland, Female Institute." of an exterior view of the institute printed by "P.S. Duval Steam Lith. Press" and with the artist's credit line "From nature and on stone by W.E. Hitckcock [i.e. Hitchcock]." Students stroll on the lawn. A passenger train of the Philadelphia, Germantown, and Norrristown (later Philadelphia & Reading) Railroad passes in the foreground and a boat is moored on the river bank. The institute was established in 1845. This view issued shortly before the building underwent major renovation and enlargement 1852-1855. Image with variant imprint used on sheet music cover published by Lee & Walker in 1852. [GC - Education]., Philadelphia on Stone, POSP 155.1
Circular of Oakland Female Institute Norristown, Pa. :
Frontispiece signed: Lehman & Bolton Phila. Lithograph titled "Oakland Female Institute" depicts an exterior view of the institute and tree-covered grounds. Students stroll on the lawn and pedestrians walk on the sidewalk in front of the property. A horse-drawn buggy and a passenger train of the Philadelphia & Reading Railroad passes in the foreground. The institute was established in 1845 and underwent major renovation and enlargement 1852-1855., Title and text printed inside ornamental borders., In printed paper wrapper., Library Company copy wanting the back wrapper., Philadelphia on Stone, POSP 157
Citizens Volunteer Hospital Association of Philadelphia. Instituted, September 5th 1862.
Certificate containing a view showing a bustling street scene around the hospital situated opposite the Philadelphia, Wilmington, and Baltimore Railroad depot at the corner of Broad Street and Washington Avenue. On the sidewalk, soldiers converse, men and women pedestrians stroll, and a female peddler and vendor sell their goods and wares, the latter patronized by Zouaves. In the street, medical personnel and doctors accompany injured soldiers, by stretcher, foot, and on crutches toward the hospital. Men, women, and children walk, converse, and greet each other, and horse-drawn carriages, including possibly an ambulance, travel past and stop near the hospital. Children include a boy carrying a basket and two attempting to help a man with his valise. Also shows surrounding buildings in the background. The hospital provided care to the most seriously injured before their reassignment to other hospitals. The hospital closed on August 11, 1865., Signed Thomas T. Tasker Junr President and F. Bayle Secretary pro tem., Philadelphia on Stone, POS 129, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:, Variant of image used as central scene in Wainwright 69.
Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue.
Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865., Philadelphia on Stone, POS 130, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals.
City Marble Works and Steam Mantel Factory. Corner Tenth and Vine Streets Philadelphia. J.E. & B. Schell.
Advertisement depicting a corner view of the three-building showroom and factory operated by the Schells from 1853 until 1856. J.E. Schell continued the business as J.E. Schell & Company starting in 1857. On Tenth Street, patrons enter the four-story storefront and mantle room adorned with signage and statuary displayed on a second floor veranda. At the corner, a coach waits, the disembarked African American man driver standing at the ready. On Vine Street, behind the showroom, a family of passerby admire the marble statuary, monuments, and headstones in the factory's fenced-in yard. White men factory laborers load a headstone onto a horse-drawn cart, inspect open crates lining the street, and review slabs of marble outside the factory's storage building. Partial views of adjacent buildings and the "10th" Street carriage are visible., Title from item., Although Wainwright suggests date of publication as circa 1855, date of circa 1854 is used since Rease relocated to the new business address of 97 Chestnut Street as of 1855., Text printed on recto: Having greatly improved their facilities for the Manufacture of every variety of Marble Works embracing the best styles of Mantels, Table Tops, Flooring, Tombs and Monuments, are prepared to supply all orders upon reasonable terms., Philadelphia on Stone, POS 134, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
City Museum polka /
Copyrighted by G. Vogt., Cover illustration is a lithograph showing a view of the fancifully adorned City Museum originally built as a church in 1823 at 415-417 Callowhill Street. Several individuals, including families, gentlemen, and a b'hoy enter, process, and stand in front of the building. Lamps line the street and a few men are visible on the balcony. Building includes a series of painted billboards across the roof designed as a frieze. Billboards depict animal scenes including a ram, donkey, and a goat; a jungle scene with a giraffe, snake, and a man riding an elephant; a mother tiger with her cubs; and a lion tamer with his big cat. The roof piece also contains two model alligators entwined by snakes, architectural embellishments, and flags. The museum opened in 1854 and housed natural history, science and portrait exhibits on the lower floor and a theatre on the upper floor. Museum burned in 1868., Artist: P. Kramer; Printer: T. Sinclair's Lith., Philadelphia on Stone, POS 136, Wainwright retrospective project, edited., LCP AR [Annual Report] 1986, p. 47-48.
City of Philadelphia, 1867
Advertisement souvenir print distributed by the Philadelphia furniture dealers containing a montage of 3 panoramas, 3 views, and 2 allegorical vignettes. Panoramas show schematic views of Philadelphia, and the views show Independence Hall, 1867 and Gould & Company's Union Depots located at N.E. cor. 9th & Market Sts. and at 37 & 39 N. Second Street. Panoramic views predominately show the Eastern, Western, and Central portions of the city from across the Schuylkill and Delaware rivers. Major landmarks are visually highlighted and identified by text below the images. Includes (lower view) the U.S. Mint, Market St. Bridge, Academy of Music, St. Mark's Church, Academy of Natural Science, Pennsylvania College, New Chestnut St. Bridge, Deaf & Dumb Asylum, Naval Asylum, Alms House, County Prison, Insane Asylum, Nth. Pennsylvania Bridge, Woodland Cemetery, U.S. Arsenal, Gray's Ferry Bridge, Navy Yard, Pennsylvania Hospital, and League Island; (center view) Laurel Hill Cemetery, Fairmount Park, Girard College, Fairmount & Water Works, Wire Bridge, Eastern Penitentiary, House of Refuge, Blind Asylum, [Central] High School, Cathedral (Sts. Peter & Paul), 7th Presbyterian Church, Gas Works, and Philadelphia Library (Library Company); (upper view) Merchant's Exchange, Girard Bank, Custom House, Smith's Island, Post Office, State House, Continental Hotel, Penn Cottage, Girard Hotel, Christ Church, Masonic Hall, Penn Treaty Monument, Petty's Island, Reading Coal Depot, and Port Richmond. Panoramas also contain maritime traffic., Vignettes show an allegorical view of "Peace" represented by a social gathering with food, drink, and music in a parlor and one of "War" represented by a marine battle. "Union Depot" vignettes show the busy storefronts. Merchandise lines the sidewalks of the businesses in which patrons enter, and in front of which heavy street and pedestrian traffic passes. Traffic includes horse and hand-drawn carts loaded with crates and furniture. Also shows the Market Street depot covered in advertising text. Independence Hall view contains heavy street traffic. Horse-drawn carts, carriages, delivery wagons, and omnibuses congest the street aside laborers pushing hand-carts, people on horseback, and pedestrians crossing the street. Pedestrians also walk in front of Independence Hall. American flags adorn the storefronts and Independence Hall. Other pictorial elements include the allegorical figure of peace, a cannon surrounded by other instruments of war, and borders comprised of vinery and filigree., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POS 138, Free Library of Philadelphia: Oversize Philadelphiana - Views
C.J. Fell & Brother, 64 Sth. Front St. Philadelphia
Advertisement containing a view of the Fell & Brother's factory near Wilmington, Delaware and vignettes of eight varieties of spice plants including, cinnamon, pepper, cloves, mustard, nutmeg, ginger, allspice and cocoa. Other pictorial elements depict a female figure, holding a plant, flanked by American flags and a shield bordering the factory view, as well as scroll and floral embellishments. The types of spices and other products manufactured by the company are listed along the right and left borders. Plant vignettes identified and described in "Guide" on verso. Jonathan Fell purchased the spice-grinding factory near Wilmington in 1828., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America...Commercial edition with business cards of the prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 25 1/2. (HSP O 458), "Guide to the C.J. Fell & Bro. Card" and outline of recto on verso. Verso also contains a view of the C.J. Fell & Brother store at 64, i.e., 120 S. Front Street. A patron enters the store while clerks haul boxes and a horse-drawn wagon is parked in the street., Not in Wainwright., Philadelphia on Stone, POS 74, LCP AR [Annual Report] 1981, pg. 51., See LCP exhibition catalogue: Philadelphia ReVisions #34.
C.J. Fell & Brother's chocolate manufactory.
Exterior view of the mill complex at Faulkand, near Wilmington Delaware for the Philadelphia spice and chocolate manufacturer. Signage reading "C.J. Fell & Brother's Chocolate Manufactory" adorns the main building surrounded by smaller outbuildings and an overpass over the millrace. A horse-drawn wagon and man on horse-back travel on the property and bushes and trees line the race. A residence and pastureland is visible in the background. Factory purchased by Jonathan Fell in 1828., Not in Wainwright., Philadelphia on Stone, POS 75
Clark's Inn &c. facing the State House; Bridge & Benezett's house in Chestnut Street
Book illustration showing Clark's Inn also known as the State House Inn on the north side of the 500 block of Chestnut Street, and the residence of Quaker abolitionist Anthony Benezet at 325 Chestnut Street. Inn view includes a woman with a pail by a side door of the tavern, two male pedestrians, and neighboring buildings. Residence view includes the nearby bridge across Dock Creek. A pedestrian walks over the bridge as a manned rowboat emerges from under it. The Benezet residence built for David Breintnall circa 1700 was one of the first brick houses built in the city. The inn, built circa 1693, served as a respite for members of Congress and purportedly William Penn., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 316., Philadelphia on Stone, POS 139, Gift of James Rush., Retrospective conversion record: original entry, edited.
Clark's Inn &c. facing the State House; Bridge & Benezett's house in Chestnut Street
Trimmed book illustration showing Clark's Inn also known as the State House Inn on the north side of the 500 block of Chestnut Street. Includes a woman with a pail by a side door of the tavern, two male pedestrians, and neighboring buildings. The inn, built circa 1693, served as a respite for members of Congress and purportedly William Penn., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 316., Accompanied by "The MacReynolds Collection, Doylestown, Pennsylvania" label inscribed: Clark's Inn &c facing the State House. Lithograph, anon. n.d. 4 1/4 x 2 3/4. $30.00 #7014., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POS 140
Cliveden - The Chew House - Germantown, Pa.
Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. View also includes garden sculptures. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Not in Wainwright., Philadelphia on Stone, POS 143, Gift of David Doret, 2006., Description revised 2022., Access points revised 2022.
Columbia Avenue & 5th St. Factory
View showing one of the two factories operated by the lamp, chandelier, and gas fixture factory. The multi-storied factory, marked "Cornelius & Baker," extends down most of a city block and contains a cupola adorned with a weather vane and a smaller adjoining building. Also shows street traffic, including a horse-drawn carriage and omnibus. A couple also strolls on the sidewalk. Cornelius & Baker was founded in 1835 and operated 2 factories and a storefront by the 1850s. The firm was succeeded by Cornelius & Sons in 1869., Date from Poulson inscription on recto: Sept. 59., One of two views of Cornelius & Baker's factories published as plates in Description of the establishment of Cornelius & Baker, manufacturers of lamps, chandeliers & gas fixtures, Philadelphia (Philadelphia: J.B. Chandler, Printer, 306 Chestnut Street, 1856?) (LCP Am 1856 Corne (17160.O.15)). Both views issued as a separate print on a single sheet by P.S. Duval & Son's lithographers (LCP P.2023 *BW-Industry)., Not in Wainwright., Philadelphia on Stone, POS 145
Columbia Hose Co. of Philadelphia [membership certificate]
Fire company honorary membership certificate containing vignettes depicting fire fighters racing a steam engine and hose carriage past Independence Hall; an exterior view of the Columbia Hose Co. station at Cherry Street above Seventh Street; and volunteers fighting a blaze with hoses, a steam engine, and ladder at the French & Richards drugstore at the N.W. corner of 10th and Market streets (October 3, 1865). Station view also shows the station dog, hose carriage, and pedestrian traffic, including a couple looking at a storefront display window of a neighboring building. Fire fighting equipment including a trumpet, ax, ladder, hose and belt are drawn bundled together to form side borders and decorative elements above the vignettes. Also contains, above the images, the company institution date "1806," American eagle and shield, the Roman numeral for 8, i.e., VIII; and the company motto "The Public Benefit Is Our Desire.", Issued to Charles Flowers "admitted to membership" March 4th, 1850 and "honor conferred" December 5th, 1866. Signed G.W. Taylor, President; William R. Fraley, Secretary., Company seal pasted on recto., Philadelphia on Stone, POS 146, Retrospective conversion record: original entry, edited., Free Library of Philadelphia: Philadelphiana - Fire Companies
Combined letter box and lamp post. Patented March 9, 1858, by Albert Potts, Philadelphia.
Advertisement showing a woman placing a letter in the combined letter box and lamp post patented by iron importer Albert Potts. The box is marked "Philada. P.O. U.S.M. Letter Box, G.G. Westcott" and the woman wears a bonnet and coat. In the shadowy background, a newsboy runs nearby, a couple approaches on the sidewalk, and the office of Potts & Roberts, i.e., Albert Potts and A.C. Roberts, at the northeast corner of Third and Willow streets, is visible. The street names are posted on the "Potts & Roberts" office and neighboring buildings are partially in view., Philadelphia on Stone, POS 147, Wainwright retrospective conversion project, edited.
Comly Ville near Frankford - Philadelphia Co.
Pastural view showing mill and factory buildings along Frankford Creek in Comleyville. Includes the mill converted to a calico print works by Smith & Brother in 1827, the loom factory of "Mr. S. Steel," and the dye works of "Mr. Horrick", i.e., Jermiah Horrocks. In the foreground, two horse-drawn wagons and a man travel on Asylum Road. Horses and cows graze in fenced pasture lands along the road and dwellings are visible on a hillside rising up from the creek., Published with description titled "Calico Print Works at Comlyville" in The Lady's Book (1830), vol. 1, opp. p. 225. [LCP Per G 43, vol. 1], Attributed to William L. Breton., Philadelphia on Stone, POS 149, Wainwright retrospective conversion project., Library Company of Philadelphia: P.9210.15 and in (1)7397.O., Historical Society of Pennsylvania:
[Commemorative print] presented by the Roxborough Baptist Sunday School, New Year 1876.
Print containing several vignettes commemorating the forthcoming Centennial Exhibition of 1876, predominately views depicting exhibition buildings. Depicts the Main Exhibition Building, Machinery Hall, Memorial Hall and Art Gallery, Agricultural Hall, and Horticultural Hall. Views also show landscaped promenades and boulevards with street and pedestrian traffic. Also contains a view of the Roxborough Baptist Church; a liberty bell; lists of the "Officers of the Roxborough Baptist Sunday School 1876" and "Teachers of the Roxborough Baptist Sunday School"; and a decorative border. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 150, Gift of David Doret.
Commercial lithography of Theo. Leonhardt & Co., 324 Chestnut St. Philadelphia.
Advertisement with ornamental lettering depicting a scene on the Schuylkill River near Fairmount Waterworks showing the dam, boathouses, gazebo, and a steamboat. Text advertises "checks, notes, drafts, certificates, bonds, note & letterheads, circulars, vignettes &c., and all drawings will be executed in the highest style of art." Leonhardt & Co. was a brief partnership (1871 to 1873) between Theodore Leonhardt, who established his lithographic firm in 1851, and Theodore Bosin., Philadelphia on Stone, POSA 95, LCP AR [Annual Report] 1988 p. 41.
Commercial lithography. Theo. Leonhardt & Son, s.e. cor. 5th & Library sts. opposite Drexel Building, Philadelphia.
Copperplate of an advertisement for the firm used in the 1894-1897 editions of Gopsill's Philadelphia City Directory. Contains a view looking southeast of the multi-storied lithographic establishment and vignettes of the front and back of the "Silver Medal" awarded to the business by the Maryland Institute for "Lithographic Work" in 1878. View includes street traffic. Leonhardt & Son was a partnership established circa 1874 between Theodore Leonhardt and his son Arno. The firm operated from 123-125 South Fifth Street, i.e., s.e. cor. 5th and Library streets, beginning in 1890., Philadelphia on Stone, POSA 11, See Gopsill's Philadelphia city directory for 1894 (Philadelphia: James Gopsills Sons, 1894), p. 1162.
Commissioners Hall, Northern Liberties, Phila.
Exterior winter view of the hall as it looked on February 22, 1852, with adjoining fenced property, adorned with an American flag, and containing the district's police station and Mayor's office, on the busy, snow covered Third Street between Buttonwood and Green streets. Several warmly dressed white pedestrians, hall officials, and a policeman mill about and converse on the sidewalk; white children throw snowballs and play with a sled; horse-drawn sleighs pass by; white men shovel snow off the street and hall steps; and an African American man carrying a basket of celery and a dead goose stops in the street and looks behind him and toward the passing sled. A broadside inscribed, "Washington, 22nd Feb. 1852" adorns a nearby building. Prior to the city's consolidation with bordering townships in 1854, neighborhoods maintained and housed their own police stations, mayors, and other government officials in Commissioners Halls, including Northern Liberties. Built in 1814, the Northern Liberties' hall served as the quarters of the Northern Liberty Barracks until the American Revolution, and was torn down circa 1869 for the erection of Northern Liberties Grammar School., Title from item., Date of publication supplied by Wainwright., Reproduced in Edwin Wolf's Philadelphia: Portrait of an American city (Philadelphia: Camino Books in cooperation with the Library Company of Philadelphia, 1990), p. 199. Incorrectly identified as Commissioners Hall, Spring Garden., Philadelphia on Stone, POS 151, Print described in Public Ledger, July 1, 1853., Accessioned 1982., Description revised 2021., Access points revised 2021.
Commissioners Hall, Spring Garden
Exterior view of the hall containing the district's police station and Mayor's office completed in 1848 after the designs of William L. Johnston at Spring Garden and North Thirteenth streets. Shows the Greek-Revival style building, the largest of the commissioners' halls buildings, adorned with an American flag and including a steeple built by Jacob Berger with a clock made by T. Tyson. Also shows street and pedestrian traffic, including strolling couples, a man on horseback, and a horse-drawn street car. Prior to the city's consolidation with bordering townships in 1854, neighborhoods maintained and housed their own police stations, mayors, and other government officials in commissioners' halls, including Spring Garden. Razed circa 1892., Names of artists and date supplied by Wainwright., Philadelphia on Stone, POS 152, Gift of David Doret.

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