Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

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Grand Union ball in honor of the recent brilliant victories achieved by the land and naval forces of the United States, at the Academy of Music, Tuesday evening, March 4, 1862.
Advertisement containing a gothic-style ornamental border surrounding text providing the date of the ball, names of sponsors, ticket information, and entertainment details. Border includes vignettes of cherubs; allegorical figures representing the arts including painting, sculpture, and music; a portrait of George Washington; a mythical scene; and a view. Scene shows a bare-chested woman on a horse being attacked by a tiger surrounded by symbols of industry, science, and the humanities. View shows a seventeenth-century landing party aboard a skiff. Sponsors include Alexander Henry, Commodore C.J. Pendegrast, and Capt. W.S. Ogden. Master of Ceremonies was M[iecislaw] Hlasko (a dancing and gymnastics teacher who offered drill classes at his physical institute) and music was under the direction of the Hassler Brothers., Philadelphia on Stone, POSP 97, Originally part of a McAllister scrapbook of Civil War miscellanies.
Grand United States Centennial Exhibition 1876. Main Building. Fairmount Park, Philadelphia.
View showing the Main Building designed by Henry Pettit and Joseph M. Wilson. View includes flags adorning the building and heavy visitor traffic by foot, carriage, and streetcars in the foreground. Couples stroll the landscaped grounds, enter the hall, converse, and are transported by carriage. Landscaping includes clusters of bushes. Also contains the dimensions (length, width, and area in feet and acres), in the lower corners, for the buildings. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 325
Grandpa's pet.
Periodical illustration of a genre scene showing an elderly man watching over his toddling grandchild inside a cottage. The man sits on a bench next to a tankard and blankets. The grandchild wearing a dress and bonnet uses a chair as a balance. Scene also includes a sleeping dog, tools hanging on the wall and resting on the floor, and a plant displayed on a window sill. Lithotint was a lithographic process using different strengths of ink applied to the printing stone to create the appearance of a watercolor. The technique proved too arduous to be marketable and few lithotints were produced in the United States., Published in Miss Leslie's magazine, April 1843., Philadelphia on Stone, POSP 99, Gift of David Doret.
The great American Centennial Exhibition puzzle blocks, in sectional parts
Collection of 5 chromolithograph puzzle blocks and 5 duplicate unmounted, uncut chromolithographs showing prominent buildings at the Centennial Exhibition of 1876 during different times of the day and weather conditions. Buildings include the Art Gallery, Machinery Hall, Horticultural Hall, Agricultural Hall, and the Main Building. Views include heavy pedestrian traffic, visitors traveling the grounds by carriage, fountains, statuary, and variant skyscapes. Main Building view also shows a troop of marching soldiers and several street cars, including a "Fairmount Park" vehicle. Majority of the buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Puzzle blocks contained in original wooden box [P.2007.21.12k]. Box cover mounted with a chromolithograph showing a view of the Art Gallery not included as a puzzle block. View contains heavy pedestrian traffic., Philadelphia on Stone, Gift of David Doret., Piece missing from "Agricultural Hall" puzzle block. [P.2007.21.12i], LCP copies of Machinery Hall prints contain variant title. Excludes text "Sunset View.", Library of Congress : PGA - Brett Litho. Co.--Centennial building ... (B size) [P&P]. LOC holds "Machinery Hall" and "General View" loose prints., POS 327a-e. POS 327a: 1. Art Gallery. POS 327b: 2. Machinery Hall. POS 327c: 3. Horticultural Hall. POS 327d: 4. Agricultural Hall. POS 327e: 5. Main Building.
Great Central Fair buildings, Philadelphia.
Souvenir card after the chromolithograph of the exhibition grounds at Logan Square printed and for sale daily at the fair. Shows the square from the northwest, including the Cathedral of Saints Peter and Paul in the background. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66 variant, Originally part of McAllister scrapbook on the Sanitary Commission., Housed with chromolithograph 5781.F.1.
Green's August Flower and Boschee's German Syrup. Portfolio of views in Fairmount Park, Philadelphia.
Eight-page foldout advertisement for George Gill Green's "August Flower" and "Boschee's German Syrup" containing advertising text pages and five views of Fairmount Park including the Fairmount Water Works and Resevoir, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Also shows horse-drawn carriages pulling men and women racing north on East River Drive under the New York Connecting Railway Bridge, built 1866-67 after designs by Joseph A. Wilson for the Pennsylvania Railroad. The Promontory Rock Tunnel, bored in 1871, is visible in the background. Other images include people leisurely rowing on a creek under the bridge to Lansdown Island; park visitors standing on a pathway that overlooks the Schuylkill River from the Fairmount Water Works; and men and women strolling, sitting, and traveling in horse-drawn carriages along Wissahickon Drive. Paragraphs of advertising text promote George Gill Green's "August Flower" as a "natural cathartic" that "corrects the acidity of the stomach," and "it is established fact in every town and village on this continent, that [Boschee's] German Syrup is the only remedy that has given satisfaction in severe cases of Lung Disease." Green was a patent medicine entrepreneur who purchased the rights of these two medicines from his father, Lewis M. Green., Not in Wainwright., Philadelphia on Stone, POS 330
Grigg Block, North Fourth Street, Philadelphia.
View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthenware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible., Title from item., Date from Poulson inscription on recto: Dec. 1848., Contains advertisements for six of the depicted businesses below the image., Philadelphia on Stone, POS 331, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Ground plan of the Philadelphia Gas Works.
Plan of the first Philadelphia Gas Works, expanded in 1850 after the designs of Cresson, the second chief engineer of the gas works, near the Schuylkill River on the 2200-2300 blocks of Market Street. Diagrams the coal stores, retort house, lime and coke sheds, lime kilns and house, purifying houses, gasholders, and railroad tracks. Includes a "References" key to coded symbols of buildings, including valve houses and meters. Works originally completed in 1834 after the designs of engineer Samuel V. Merrick ., Date inscribed on recto., Not in Wainwright., Philadelphia on Stone, POS 332, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.
Ground plan; U.S. Army General Hospital at West Philadelphia, Pa. 1862.
Ground plan of the H-shaped Satterlee U. S. General Hospital in West Philadelphia, showing 32 wards lettered A-Z; XX; OK; and numbered 1-6. The following spaces are also identified: dining halls, guard house and barracks, knapsack room, kitchens, extra diet kitchen, laundry rooms, reading and lecture room, library, smoking rooms, officers' quarters, boiler room, carpenter shop, medical store room, clerks and druggists mess room, stewards office and quarters, chief ward master's office, chapel, donation room, reception room, executive office, surgery, laboratory, printing office, barber shop, engineers gang, green room, post mortem room, stables, sheds, and gates. The Civil War hospital, one of the largest in the country, opened June 9th, 1862 at Forty-fourth Street and Baltimore Avenue in the farmland of West Philadelphia. The hospital was closed in August 1865 and the buildings demolished., Not in Wainwright., Includes "scale of feet.", Includes three notes in the upper left corner. Note 1 is a table of the "Ward capacity" including minimum and maximum occupancy and lengths of wards in feet. Notes 2 and 3 discuss the dimensions, including heights, of specific departments., Philadelphia on Stone, POS 333, Gift of David Doret.
Guide to Laurel Hill Cemetery, Philadelphia.
Depicts the pointed arched east window, with Gothic tracery, in the funerary chapel at Laurel Hill Cemetery. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Added title page in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 335, Athenaeum of Philadelphia: General Prints Collection - PR327.
G[ustavus] Bergner's Lager Beer Saloon & Depot, 239 Dock Street, below Third St., Philadelphia.
Advertisement containing an exterior view of the multi-storied saloon opened in 1858. Patrons walk up from the basement entrance, past a keg on display, and are visible on a side stoop of steps of the "Bergners Lager Beer Saloon" building. In the street, ominbuses travel, a driver leads a four-horse team truck loaded with goods, and pedestrians walk. Also shows surrounding buildings. Bergner, also a brewer, remained at the location until 1869., Date from manuscript note on verso: Dec. 1859., Not in Wainwright., Philadelphia on Stone, POS 290, Originally part of a McAllister scrapbook of views of Philadelphia.
H. B. McCalla, successor to the late Andrew McCalla, No. 252 Market St. First hat & cap store below 8th St. south side, Philadelphia.
Advertisement showing the three-and-one-half story storefront, covered in advertising text, on the 700 block of Market Street. Advertising reads "The Cheapest Wholesale & Retail Hat and Cap Manufactory in the World. Fashionable Styles. Caps. Hats." A male patron enters one of two open doorways to the establishment, in which a clerk surveys stacks of hats across from a flight of stairs. At the other end of the store, another clerk assists a patron, standing in front of a mirror, as he tries on hats next to shelves of merchandise. Between the entries, men's and boys' hats and caps adorn a display window flanked by cases of "hats" and "caps" displayed outside. Boxes, hats, and milliners at work, are visible at the upper windows. A large model hat and cap adorn the roof of the building. In the street, a horse-drawn dray is positioned to receive a delivery opposite a laborer retrieving a crate labeled "M. Dormitzen Middleton Sch. County" from the store cellar. Labeled crates line the sidewalk with addressees that include "Heitner & Shay Augusta Northumberland Co. Pa."; "T.L. Mitchell Jefferson Co. Pa."; "Young & Lee Allentown Pa."; "Geo. L. Reppler St. Clair Schuykill Co."; and "Geo. Far... Centre Co. Pa." Also shows the attic window of the building displaying signage that reads "Hat and Cap Store," and partial views of adjacent businesses. One business displays blankets and a trunk near its entry and another contains signs reading "Deposi...Roots...Every" and "Branch Americ..." H.B. McCalla assumed operation of the store in 1852, where he remained until 1855., Philadelphia on Stone, POS 337, Wainwright retrospective conversion project, edited.
H. P. & W. C. Taylor perfumers
Advertisement for the perfumery containing a central scene set within a border designed as a monument that is adorned with a vignette and pictorial details. Central image depicts a shipping scene at a pier above the Navy Yard on the Delaware River. Shows laborers loading a tall ship with goods from a pier on which a horse-drawn wagon and cart are surrounded by crates across from warehouses. Several members from the crew of the ship line the deck of the vessel. A barge is also moored near the pier. In the foreground, on the dock, a horse-drawn coach passes near a man loading a dray with crates marked "H.P. & W.C. Taylors Fancy Soaps Phila." under the watch of a gentleman as a freight rail car approaches. Sailing vessels are docked at another pier visible in the left of the image. Barrels, crates, and planks of wood line the wharf on which draymen load and transport goods. Vignette shows the exterior of the "H.P. & W.C Taylor, Transparent & Soaps" factory at 379-381, i.e., 641-643 North Ninth Street. A locomotive and freight car of the Norristown and Germantown Railroad passes in the street and pedestrians walk in front of and enter the factory. Banners reading "1819 Business Established 1819 Philadelphia," filigree, and sprigs of flowers flank the vignette., Pictorial details include depictions of the Franklin medals grouped in a series of five and of three interspersed among strands of flowers, and two larger depictions of the recto and obverse of one of the medals won by the firm. One side shows an allegorical scene with the female figure "Britannia" laying a wreath on the head of "Industry" and reads "Dissociata Locis Concordi Pace II Gavit. H.P. & W.C. Taylor Class XXIX." Other side shows the head of a mustached man and that of a classical female figure and reads Victoria D.G. Brit Reg. F.D. Albertus Princeps Conjux MDCCCII.", Philadelphia on Stone, POS 338, LCP exhibit catalogue: Made in America #71., Wainwright retrospective conversion project, edited.
H. S. Tarr's marble yard, no. 274 Green St. above Seventh Philadelphia Pa.
Advertisement showing a view of the marble yard fronted by a triple arch adorned with plaques, the adjoining three-story office building, and rear factory of the establishment at Green Street above 7th Street. From the sidewalk, decorated as black and white tile, a lady, holding a parasol, and a gentleman admire several ornate obelisks and monuments within the fenced, arched yard. Several of the pieces are adorned with patriotic details, urns, and statuary. Plaques on the arches include the name of the business in addition to text reading "Every Description of Monumental Works Executed" and "Plain & Carved Mantels of Every Description." Under the third arch and entrance to the yard, a clerk and patron talk near slabs of marble propped against the wall of the office building. Behind the men, a laborer hauls a large monument by a dolly into the factory yard. More monuments, including animal sculpture and statuary, are displayed in the fenced court, upper balcony, and Gothic-style windows of the adjacent office building. A female patron walks between the marble pieces down a pathway toward a clerk standing at the entrance. An American eagle sculpture adorns the arches and an American flag adorns the office. Tarr was one of the four major marble manufactories in the city during the mid nineteenth century., Names of "References" printed below the image including Thos. U. Walter, John E. Carver, Charles Le Brun, architects; Frederick Brown; Caleb, Cope & Co.; Levi & James Dickson; H.N. Burroughs; Cooper & Co. New Orleans, Louisiana; H.W. Peronneau Charleston, S.C.; and Rev. Henry A. Boardman, D.D., Phila., Philadelphia on Stone, POS 340.1, LCP exhibit catalogue: Made in America #83., Wainwright retrospective conversion project, edited.
Hagar
Lively advertising print for the dime museum operated by W. D. Hagar and W. T. Campbell 1883-1885. Shows throngs of people entering the mansard-roofed building, heavily adorned in signage and over 40 pictures of the museum's performers, at the northwest corner of Ninth and Arch Streets. Signs read "Specially Adapted for Ladies & Children: Open Daily from 1 to 10 P.M."; "Curiosities Constantly Arriving From All Parts of the World"; and "Philadelphia's Pleasure Palace Containing Countless Curiosities / Peerless Parlor Peformances." Other signs announce the hours of operation, the museum's purpose for the "instruction and amusement" of ladies and children, and the admission price - 10 cents. Performer's pictures primarily depict human curiosities and include tattooed men and women, a bearded lady, clowns, a two-headed woman, little people, an armless man, a man eating a slate, exotic and native costumed figures, as well as a magician and a ventriloquist. Graphics also show exotic animals and birds. Building also adorned with flags promoting the museum and its attractions, including "birds, beasts, and mechanical marvels." In the street, three street cars (nos. 44, 33, and 26) and one wagon, advertising Hagar & Campbell's, travel and stop in front of the museum. Wagon is composed of billboards illustrated with an image of seven women with floor-length hair and captioned "Seven Wonders of the World.", Also shows adjacent buildings, a crowd of people at the side of the museum, and pedestrians and passersby in the street, on the sidewalk, and near and looking at the street vehicles. Print also contains portraits of owners W. D. Hagar and W. T. Campbell in the upper corners. By 1884, Campbell and Hagar were officers in the Barnum and London show managing "Privileges." Campbell stayed with Barnum until at least the early 1890s., Date inferred from title., Gift of Barbara Fahs Charles and Robert Staples., POSP 286
Hall & Carpenter. Tin plate & metals. 709 Market St. Philadelphia.
Advertisement calendar for 1873 promoting the tin plate firm founded in 1867 by Augustus R. Hall and George W. Carpenter. Products advertised include spelter, antimony, pig copper, pig lead, pig tin, sheet iron, sheet zinc, sheet copper, bolt copper, rivets and brass, copper, iron, and steel wire. Contains filigree accents. Firm continued after the death of Carpenter in 1883., Not in Wainwright., Philadelphia on Stone, POSP 104, Gift of Helen Beitler.
The happy family.
Plate from a children's moral instruction book showing a man, his wife and their four children (two girls, a boy, and an infant in a sling at the mother's breast) dressed handsomely in their best Sunday clothes. The boy holds a book, presumably the Bible, under his right arm, and leads the group away from their home toward church, the spire of which is seen in the distance (left)., Not in Wainwright., Date supplied by cataloger., Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Originally accompanied by text titled "The light of the week" moralizing that the Sabbath is "like the light which his eye catches with joy" to the "weary traveller" moving through the week "with all its worldly cares and troubles"., Philadelphia on Stone, POSP 105, Retrospective conversion record: original entry, edited.
Harrison Brothers' white lead works & chemical laboratory, Philadelphia.
Advertisement showing a bird's eye view of the chemical works of Harrison Brothers near Fitler and Harrison Streets in Frankford, showing from left to right, the buildings containing "Pyro Acid Works," "Sulphuric Acid Works," "Sugar Lead Works," "White Lead Works," "Alum Works," "Copperas Works," and the company office. The bustling scene includes laborers pushing wheel barrows, putting coal in a furnace, and hoisting barrels using a block and tackle pulley system. Piles of lumber, barrels, and vats cover the ground, and smoke rises from the chimneys of the buildings within the enclosed compound. A man walks along the periphery of the fence in the foreground, between two gates. A loaded wagon enters the left gate, as a dray exits through the right. A dog stands on the left hand side of the fence, facing the pedestrian. Deer and horses graze the fields in the tree-lined, country-like setting behind the chemical works. Established circa 1793, Harrison Brothers operated plants in New York, Maryland and Philadelphia by the Civil War, operating this plant in Frankford until about 1870., Date from Poulson inscription on recto: Aug. 1847., Philadelphia on Stone, POS 341, Wainwright retrospective conversion project, edited., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Harrison's columbian Hair Dye
Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. A thick, blue block of color frames the border like an outline. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Artist's imprint in lower right and left of stone., Not in Wainwright., Philadelphia on Stone, POSP 291
Harrison's Columbian hair dye [graphic] : Manufactured by Apollos W. Harrison, 8 1/2 South 7th St.
Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. The background is printed in red and is framed by a blue border. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Title from item., Date and publication information supplied Library Company duplicate with variant colors., Not in Wainwright., See related: *BW - Advertisements - H [P.2015.71.2]., Gift of David Doret., Philadelphia on Stone, POSP 291a
Harrison's Musk Cologne. Musk extract. Musk soap. Apollos W. Harrison, Philadelphia, No. 10 South 7th Street.
Advertisement depicting Harrison's two musk deer "obtained by a person of the Japan Expedition, under Com. Perry." Shows the deer in a tropical setting., Copyrighted by A.W. Harrison., Manuscript note on verso: No. 331 - filed Oct. 30, 1857. Appollos W. Harrison, Propr., Philadelphia on Stone, POSP 108
Hart, Montgomery & Co. Successors to Isaac Pugh & Co. Manufacturers and importers of paper hangings, No. 118 Chestnut Street, Philadelphia. Manufactory N.E. Cor. Schuyl[kill] Front & Wood Streets
Exterior view of the manufactory operated from 1849 until 1860 by William Hart and A.J. Montgomery at Schuylkill Front (i.e., Twenty-second) and Wood Streets depicted within a lithographed tromp l'oeil wood frame. A horse-drawn cart stands idle by a side entrance of the multi-storied factory and four goats roam a nearby yard. Smaller factory buildings are visible to the right. Horse-drawn delivery carts, one steered by an African American man, travel pass each other on the adjacent street. Pedestrians and laborers walk the sidewalks and converse near a street lamp. Eastern State Penitentiary is visible in the background. During the mid-nineteenth century, Philadelphia was the premier American city of fine wallpaper production., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Philadelphia on Stone, POS 344, Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
[Hartley & Knight's bedding warehouse, 148 South Second Street, Philadelphia]
Advertisement showing the cluttered-looking three-story storefront of the bedding warehouse on the 200 block of South Second Street. A clerk, possibly one of the proprietors, stands at the main entrance to his store and points to a disheveled display of mattresses, one of many. Behind him, a couple enters the wareroom in which two women work in a backroom. The couple walks under a framed figure of a goose hanging above the doorway. Shelves of mattresses line the walls and rolled mattresses fill the large open display windows. In the upper floor windows, mattresses and bedding are propped out of windows and piles of feathers are visible. In front of the store, a mattress on a bed frame, a bed frame, and bedding on a cot is on display; a clerk loads bedding onto a horse-drawn cart; and a gentleman walks past a fire hydrant on the sidewalk. Also shows partial views of adjacent buildings. Partners Joseph Hartley and Reeve L. Knight relocated to this address circa 1842 and remained in a partnership until 1854., Title supplied by cataloguer., Date from Poulson inscription on recto: South Second street. Augt. 1846, Philadelphia on Stone, POS 345, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking imprint.
Head quarters of La Fayette at the Battle of Brandywine.
Exterior view of the Delaware County residence used as a headquarters by the French general Marquis De La Fayette before the American Revolutionary battle in September 1777. Several trees line the property. The residence owned by Quaker farmer Gideon Gilpin was plundered by the British following the American's loss of the battle., Manuscript note on recto: Dwelling of Gideon Gilpin., Published in George Smith's History of Delaware County (Philadelphia : Printed by Henry B. Ashmead, 1862) opp. p. 381., Philadelphia on Stone, POSP 109, Gift of David Doret.
Henry Adolph, manufacturer of furniture wholesale and retail, warerooms no. 36 North Second St., one door above the Christ Church Philadelphia.
Advertisement showing the exterior of the furniture warerooms near Christ Church (22-34 N. 2nd St.). Clusters of people admire the furniture displayed in the windows of the storefront as patrons enter the building. The store is heavily adorned with signage and an American flag. Men, women, and children, including a man pushing a handcart, walk on the bustling sidewalk. A woman with a girl, and a delivery boy, cross the street near the "No. 21 Exchange & Richmond" streetcar, a "H. Adolph" delivery wagon, and another laborer pushing a handcart. Many of the women carry parasols. Also shows the gated, tree-lined promenade between the church and warerooms., Philadelphia on Stone, POS 347, Atwater Kent Museum: 47.33.7/3. With manuscripts notes giving date as June 1861 and indicating that the print formerly belonged to John A. McAllister., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until 1872.
Henry Beagle, blacksmith and hame manufacturer, corner of Magnolia & Willow Sts. between Fifth & Sixth Sts. Philadelphia.
Advertisement showing the busy forge shop of "Henry Beagle's Hame Manufactory" on the 400 block of Magnolia Street. Within the shop, laborers enter the doorway, toil at windows, and hoist a bundle of hames (i.e., part of the harness that fits around the neck of a draught horse through which the reigns pass). Outside of the building, other workers, including a boy, gather bundles of hames, transport the pieces by hand-drawn cart, and load them on to the back of a horse-drawn dray as a couple passes on the sidewalk. Several working smoke stacks adorn the roof of the shop and a couple passes on the sidewalk. In the street, a horse-drawn freight car travels. A lad leads the horses as the freight driver steers from within the front of the car. A small boy sits next to the driver who stands. Also shows neighboring buildings. Contains a trompe l'oeil frame as a border. Beagle began operating from Magnolia Street in 1839., Philadelphia on Stone, POS 348, Wainwright retrospective conversion project, edited.
Henry Simons. Wagon & U.S. national coach works. Philadelphia
Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Hibernia Engine House
Front elevation of the proposed marble fronted fire station for the Hibernia Engine Company. Building adorned with lettering "Hibernia" above the frieze and date marker "1752" (i.e., the founding date of the volunteer company)., Not in Wainwright., Philadelphia on Stone, POS 352, Originally part of Charles A. Poulson's scrapbook of illustrations of Philadelphia., Hoxie & Button was a partnership between two Philadelphia architects, Joseph C. Hoxie and his brother-in-law Stephen Decatur Button that lasted 1848-1852. They also designed the Hope Engine Company building in Moyamensing in 1851.
High Street and market shambles.
View looking east from above Third and High (Market) streets showing the High Street Prison built circa 1723 and the nearby old market stalls during the colonial era. Shows white men in colonial attire walking on the sidewalks and street. In the right of the image, an African American man walks beside a white man. Two African American men are depicted in a stockade and attached to a whipping post near the jail. The man attached to the whipping post is attired in a white cloth that is tied around his waist. The prison operated until the early 1770s when replaced by the Walnut Street Prison. The market shambles were replaced by the permanent Jersey Market circa 1765., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 301., Title from item., Philadelphia on Stone, POS 354, Gift of James Rush., Description revised 2021., Access points revised 2021., RVCDC, Free Library of Philadelphia: Philadelphiana - Streets - High (2 copies)
High Street, with the First Presbyterian Church. Philadelphia, 1800.
Lithographic facsimile of plate nine from William Birch's "Views of Philadelphia" showing a street scene with a view of the First Presbyterian Church on Market Street below Third Street. Depicts pedestrians, predominately women, traversing the sidewalk before the church and adjacent buildings; a horse-drawn dray and cart traveling the street; and a woman peddler with her basket of goods near the High Street market shed. First Presbyterian, rebuilt from 1793 to 1794 after the designs of John Trumbull, was the first building in the city with a classic temple facade. The building was razed following the relocation of the congregation., Philadelphia on Stone, POS 355, Accession number amended by cataloger., Originally part of a McAllister scrapbook of views of Philadelphia., Original engraving illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 9., Sinclair operated from 79 South Third Street circa 1840-1849.
Hope Hose & Steam Fire Engine Co. no. 2
View of the fire engine built by Reaney, Neafie & Co. in 1858 for the hose and engine company founded on August 17, 1805 by male residents living near Second and Pine streets. Plates reading "Adopted Jan. 2nd, 1858, completed June 24th, 1858," and "Reaney, Neaey [sic] & Co.," and "Hope" adorn the unhitched engine., Not in Wainwright., Philadelphia on Stone, POSP 113, Gift of David Doret.
Hope Hose and Steam Fire Engine Company.
Fire company certificate containing six vignettes: views of the three company fire stations (dating 1805, 1848, and 1865) including fire fighting vehicles and fire fighters in uniform; fire fighters pulling fire hoses on a sled; "Hope" depicted as a woman holding an anchor; and the sailing ship "Ariel." Architectural elements including columns and arches frame the scenes., Not in Wainwright., Contains seal of the company (red) pasted on recto., Issued to Ben. Franklin, Jr. on March 15, 1871., Philadelphia on Stone, POS 358/359, Duval and Hunter was a partnership between Stephen C. Duval (P.S. Duval's son) and Thomas Hunter that lasted from P.S. Duval's retirement in 1869 until 1874., Free Library of Philadelphia: Philadelphiana - Fire Companies. FLP copy in poor condition.
Hope Hose and Steam Fire Engine Company [certificate]
Fire company certificate containing six vignettes: views of the company's three fire stations (dating 1805, 1848, and 1865) including fire fighting vehicles and fire fighters in uniform; fire fighters pulling fire hoses on a sled; "Hope" depicted as a woman holding an anchor; and the sailing ship "Ariel." Architectural elements including columns and arches frame the scenes., Not in Wainwright., Issued to Robt. T. Gill on January 1, 1871., Contains seal of the company (blue) pasted on recto., Philadelphia on Stone, POS 358/359, Duval and Hunter was a partnership between Stephen C. Duval (P.S. Duval's son) and Thomas Hunter that lasted from P.S. Duval's retirement in 1869 until 1874., Gift of Maxwell Whiteman.
Hope Hose Company. Instituted 1805.
View of the ornately decorated hose carriage of the company founded on August 17, 1805 by male residents living near Second and Pine streets. Ornamentations include silver plated bells; swan figurines; and a painted scene showing heavenly figures. Image surrounded by oval frame decorated with floral elements., Not in Wainwright., Philadelphia on Stone, POSP 112
Horizontorium.
Morphed view of the Gothic-style bank building, erected in 1808 after the designs of Benjamin Henry Latrobe at the southwest corner of Fourth and Chestnut streets. Shows the building projecting upward from the plane of the paper causing a cathedral like effect to the architecture. A gate, lawn, and trees surround the building. An outbuilding is visible on the property. Couples and a lady with a parasol stroll on the sidewalk. The Philadelphia Bank or Bank of Philadelphia (predecessor of the Philadelphia National Bank), formed in 1803, and was incorporated in 1804 as the unofficial bank of the commonwealth. The building was razed in 1836. Print is the only recognized American "Horizontorium" image and one of two known views of the bank., Given the publisher, Wainwright suggests that the probable printer was Childs & Inman., Manuscript note on recto: Fourth Street. Chestnut Street., Semi-circle legend printed on recto lower center edge. Legend used for a paper tab with pinhole to be pasted onto print in order to view the subject in the proper perspective., Philadelphia on Stone, POS 360, Mason, a Philadelphia engraver and artist, specialized in scenes of Philadelphia architecture., LCP exhibit catalogue: Made in America #47., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc19 H811.
Horticultural Hall, Centennial International Exhibition. 1876. Fairmount Park Philadelphia.
Bird's eye view of the Horticultural Hall built after the designs of Hermann Schwarzmann. View includes heavy visitor traffic by foot in the foreground. Couples and individuals stroll the landscaped grounds, enter the hall, and converse. Also shows a woman pushing a man in a wheelchair. Landscaping includes clusters of bushes and trees. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Copyrighted by the Centennial Board of Finance., Attributed to Louis Aubrun., Not in Wainwright., Philadelphia on Stone, POS 362, Retrospective conversion record: original entry, edited.
Hoskins, Hieskell & Co. Importers & jobbers of fancy and staple dry goods. No. 213 Market & 34 Commerce St. Philada.
Advertisement showing a view of the five-story, Norman-Italian style ornamented, cast-iron fronted building tenanted by the dry goods establishment that was completed in 1853 after the designs of Sloan & Stewart at 213, i.e., 513 Market Street. In front of the store, a gentleman departs from the entrance and a couple greets a gentleman across from another man leaning on a column of the building. A couple strolls past, and a group of men convene near crates on the sidewalk, in front of neighboring buildings on the block. In the street, a driver stands with his loaded horse-drawn dray. Image surrounded by an ornate border, including filigree; cherubic and female allegorical figures representing the mechanical arts, industry, and virtues; and medallions printed with the names of the contractors who worked on the structure. Contractors include Wm. Keay, granite; Bottom, Tiffany & Co., Iron Front, Trenton, N.J.; James Spencely, Plasterer; E.& P. Coleman, Bolts &c.; Wm. Butcher & Son, Tin Roofing; Geo. Creely, Brick Layer; Sloan & Stewart, Architects; Brown & Allison, Carpenters & Builders; Wright, Hunter & Co., Plumbing & Gas Fitting; and Hood & Co., Iron Doors & Shutters, Grating &c. Hoskins & Heiskell relocated to the site in 1853. The building was renumbered to 513 Market Street in 1857, following the consolidation of the city., Philadelphia on Stone, POS 363, Wainwright retrospective conversion project, edited., Inger & Haugg were probably Christian Inger and Louis (Lewis) Haugg., Newspaper clipping dated June 23, 1853 describing the completion of the building in Poulson Scrapook, vol. 7, p. 79.
Hotel Aubry, Walnut Street from 33rd to 34th Sts. Philadelphia.
View showing the "dwelling house" hotel built on Walnut Street between 33rd and 34th streets for the Centennial Exhibition in 1876. Guests stand on the porch of the twenty-six house hotel and elegantly dressed men, women and children stroll the grounds in front of the hotel. The house number of each of the twenty-six properties, from 3300-3350, is labeled above the roof line. A Chestnut and Walnut Street streetcar filled with passengers travels east as horse-drawn carriages and coaches travel in both directions on Walnut Street. The hotel, built on inexpensive land considered undesirable for a permanent hotel, was composed of rows of several houses that were to be later sold or leased as individual dwellings. During the Centennial Exhibition, Hotel Aubry accommodated about 50,000 people between April and November of 1876., Not in Wainwright., Philadelphia on Stone, POS 364
Hotel Lafayette. Situated on Broad St. betw. Chestnut & Walnut sts. Philadelphia Pennsylvania.
View showing the section of the hotel expanded from the neighboring La Pierre House hotel originally built in 1853 after the designs of John McArthur Jr. A horse-drawn carriage passes on Sansom Street, individuals walk on the sidewalk in front of and enter the hotel, and a man on horseback is haulted at the intersection. Also shows the entrance to the "ladies restaurant", a neighboring building on Sansom Street, and a partial view of the original La Pierre House. An American flag adorns the roof of the building. Hotel was later altered throughout the 1890s after the designs of Cope and Stewardson., Not in Wainwright., Philadelphia on Stone, POS 365, Retrospective conversion record: original entry, edited.
H.S. Tarr monument, &c. marble mantle manufacturer.
Advertisement containing an exterior view of the factory (adorned in signage) and fenced marble yard located at Green Street above 7th Street. In the yard, a couple reviews one of several cemetery monuments displayed in front of the factory in which marble workers are visible. The men toil near the open entry and windows. Several of the monuments, many obelisks, contain sculpted adornments. In the street, passengers arrive from an omnibus for the "Exchange & Norristown R.R. Depot. Peters Sixth Street Line" near laborers loading marble works onto a horse-drawn cart. Also shows a woman and boy peering into the yard from the fence and a slight view of the neighboring residential building marked "Green St." Tarr was one of the four major marble manufactories in the city during the mid nineteenth century., Not in Wainwright., Date from Poulson inscription on recto: 1848. Green Street above Seventh Street., Philadelphia on Stone., POS 339, Originally part of a Poulson scrapbook of illustrations of Philadelphia.

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