Collection of over 700 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 in the holdings of the Library Company of Philadelphia. The prints frequently depict the built environment of Philadelphia, but also broadly represent the visual culture of the city. Genres and subjects include advertisements, architecture, benevolent institutions, bird’s eye and panoramic views, book illustrations, business and industries, Centennial Exhibition, certificates, churches, city and landscapes, Civil War, commercial streets, Fairmount Park, fashion, fires and firefighting, fraternal organizations, Independence Hall, residences, and schools. Lithographers represented include Kennedy & Lucas, Childs & Inman, P. S. Duval, John T. Bowen, Wagner & McGuigan, Thomas Sinclair, L. N. Rosenthal, Alphonse Bigot, Eugene Ketterlinus, Theodore Leonhardt, Ferdinand Moras, Maurice Traubel, George S. Harris, Lehman & Bolton, and Breuker & Kessler.

Pages

[Humane Society of Philadelphia]
Scene showing Humane Society volunteers during a rescue on the Delaware River near the old Navy Yard in Southwark. Shows male volunteers attending a rescued man on land, carrying another man to shore, and rowing a boat to a third victim near a capsized vessel. The Delaware riverfront and sailing ships are visible in the background. Scene used as the illustration on the membership certificate for the Humane Society., Lithographer probably Matthew Schmitz., Philadelphia on Stone, POS 101, Gift of David Doret., HSP: Bc 72 S 355.
In commemoration of the great parade of the Philadelphia Fire Department October 16th 1865
Commemorative print containing a portrait of Chief Engineer David M. Lyle in uniform and three vignettes. Vignettes show an injured soldier being transported from an ambulance at the Citizens Volunteer Hospital; a horse drawn steam engine; and fire fighters battling a blaze with a steam engine. Also contains a list of over 100 regional fire companies who participated in the parade surrounded by a border designed as fire hoses extending from a fire hydrant. The 1865 parade was the greatest one in the history of the fire companies with near twenty thousand fireman processing nearly 20 miles from Broad Street. The men marched with decorated steam engines, hand pumpers, and ambulances., Philadelphia on Stone, POS 369, Free Library of Philadelphia: Philadelphiana - Firemen's Parades. FLP holds 2 copies, one is half-sheet., Originally part of a McAllister scrapbook., Reaccesioned P.2272., Advertisement soliciting "Agents for Every Fire Co." to sell the print published in The Philadelphia Inquirer (October 13, 1865), p. 8.
In commemoration of the hundredth anniversary of American independence
Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
In remembrance of the one hundredth anniversary of the independence of the United States. [graphic].
Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Title from item., Date from copy with copyright statement in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 374, Copy received after original dates of Philadelphia on Stone project., Copy at Historical Society of Pennsylvania: Bc 8 St 57, George Stinson & Co. began operations about 1871 and in advertisements for sales agents in newspapers across the country promoted the "pictures" sold by the firm as the "finest and most pleasing in [the] country, and ... endorsed by all the leading papers ... " The firm advertised for sales agents through at least the early 1890s.
[Independence Hall]
View looking east showing the State House at 520 Chestnut Street built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Includes the old City Hall built 1790-1791 after the designs of David Evans, Jr. (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). View also shows several large broadsides propped up against Congress Hall and pedestrian traffic., Philadelphia on Stone, POS 375, Originally part of a McAllister scrapbook of Civil War Views, Places & Events., Created postfreeze.
Independence Hall
View looking east showing the State House at 520 Chestnut Street built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Includes the old City Hall built 1790-1791 after the designs of David Evans, Jr. (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). View also shows street and pedestrian traffic, including a conestoga wagon and the adjacent street corner., Philadelphia on Stone, POS 876, Gift of David Doret.
Independence Hall in 1776, Philadelphia. = Unabhängigkeits Halle = Edificio de la Independencia en 1776 = Hotel de L'Independance.
View representing the colonial era showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows light street and pedestrian traffic, including a conestoga wagon., Attributed to Louis Aubrun., Published in Thompson Westcott's Centennial portfolio: a souvenir of the International Exhibition at Philadelphia; comprising lithographic views of fifty of its principal buildings (Philadelphia: T. Hunter, 1876), p. 51., Philadelphia on Stone, POS 376, Gift of David Doret.
Independence Hall in 1876 [graphic].
Busy street view showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). Pedestrians and horse-drawn vehicles, including a woman pushing a baby carriage, wagons, carriages, and street cars, congest the sidewalks and roadway. Trees line the sidewalk and a large American flag adorns Independence Hall., Title from item., Date inferred from title., Philadelphia on Stone, POS 880, Gift of David Doret.
Independence Hall in 1876, Philadelphia. = Unabhängigkeits Halle = Edificio de la Independencia en 1776 = Hotel de L'Independance.
Busy street view showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut); Congress Hall built 1787-1789 (540-558 Chestnut); and the Public Ledger Building built 1866-1867 (600-606 Chestnut). Pedestrians and horse-drawn vehicles, including carriages and street cars, congest the sidewalks and roadway. American flags adorn most of the buildings., Published in Thompson Westcott's Centennial portfolio: a souvenir of the International Exhibition at Philadelphia; comprising lithographic views of fifty of its principal buildings (Philadelphia: T. Hunter, 1876), p. 52., Philadelphia on Stone, POS 377, Gift of David Doret.
Independence Hall, Philadelphia, 1776.
View representing the colonial era showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows minor pedestrian traffic., Printed below the image: "Centennial Album" registered at the U. S. Patent Office July 20th, 1875, Published in Centennial Pocket Album (New York: Heppenheimer & Maurer, 1875), POS 378, Gift of David Doret., Philadelphia on Stone
Independence Square recruiting camps.
Trade card depicting well-dressed children on the central promenade of Independence Square when used as Camp Independence, Civil War recruitment camp, in September and October 1862. Tents manned by soldiers line the promenade and the children who carry drums, flags, and a hoop, walk between a group of men and a mother and son. Mary Shoemaker operated from 2 North Eighth Street circa 1862-circa 1864., Printed on recto: Childrens Central Clothing Emporium. M. Shoemaker No. 2 North Eighth Street Philadelphia., Philadelphia on Stone, POS 380, Wainwright retrospective conversion project., Originally part of a McAllister scrapbook of Civil War miscellanies., Philadelphia on Stone
Indian Queen Hotel.
Advertisement depicting the three-and-a-half story hotel at 15 South Fourth Street operated, as indicated by a placard above the door, by Horatio Wade. Wade remained proprietor from 1831 until 1833. Elegantly dressed white guests enter the building, converse on the sidewalk, and rest and read inside near the first floor windows. On the sidewalk, well-dressed white men and women pedestrians stroll. An African American hotel porter, attired in a black top hat, a white collared shirt, a black bowtie, waistcoat, pants, and shoes, pushes a wheelbarrow of luggage. The Indian Queen Hotel established in 1771, the building altered several times until razed in 1851, was until the mid 19th century incorrectly identified as the site of Thomas Jefferson's writing of the Declaration of Independence., Title from item., Manuscript note on verso: No. 15 So. Fourth Street., Print trimmed and lacking caption., Philadelphia on Stone, POS 381, Poulson inscription on recto: 1831, no. 15 So. Fourth Street., Accessioned 1982., Description revised 2021., Access points revised 2021.
Industry & sloth.
Plate from a children's moral instruction book showing a mother scolding her young boy, and making him stay in bed past breakfast for his laziness. The boy's belongings are scattered on the floor near his bed. Also in the room is a young girl who sweeps the floor near the fireplace., Not in Wainwright., Date supplied by cataloger., Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Originally accompanied by text titled "The sluggard!" moralizing against keeping late hours for "vain or sinful amusement, the hours that ought to be given to sleep" since healthy children need to use their "rested minds and bodies in useful ways"., Philadelphia on Stone, POSP 118, Retrospective conversion record: original entry, edited.
Running to a fire. A colision [sic].
One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows the rushing volunteer jostling the stand of a female fruit peddler at a street corner. She looks in annoyance over her tipped fruit baskets and spilt bottle of refreshment as the firefighter rushes past, blowing the rallying trumpet call. Storefronts, including a drugstore, and a street lamp are visible in the background., Philadelphia on Stone, POS 253a, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Interior of the upper chamber or hall of the Moravian Church, of 1742.
Interior view showing the "The Hall" in the attic of the first Moravian church building in Philadephia built 1742-1743, and expanded in 1746 for the followers of Count Zinzendorf, a Bishop of the Moravian Church. Shows the organ in the southeast corner, dormer windows on the east and west sides of the room, six rows of benches, the minister's table and chair, and a chandelier suspended from the ceiling in the middle of the room. This upper chamber was used primarily for evening services. The church building, which was expanded and a parsonnage added, housed the congregation until 1819 and the erection of a new sanctuary., Published in Abraham Ritter’s History of the Moravian Church in Philadelphia (Philadelphia: Published by Hayes & Zell, 1857), opposite page 68. [LCP Am 1857 Rit, 75004.0], Not in Wainwright., Philadelphia on Stone, POS 384, Historical Society of Pennsylvania: Ba 138 M 797a
Interior view of Independence Hall, Philadelphia.
View showing visitors of all ages in the Assembly Room being used as an exhibit gallery. Men, women, and children promenade, converse, and admire the artifacts that adorn the room with a parquet floor. Framed artwork, predominately from the Charles Wilson Peale portrait collection in addition to Henry Inman’s portrait painting of William Penn, and Thomas Sully’s portrait painting of Lafayette, line the paneled walls. Under a chandelier, in the rear center of the room stands William Rush’s wood statue of George Washington (carved 1815, installed 1824). To the right, a stuffed bald eagle sits atop the Liberty Bell (installed 1852). The bell is displayed on a pedestal adorned with fasces, a banner, and shield and stands near the "Rising Sun" chair, one of a number of chairs lining the room, which was used by George Washington as he presided over the Constitutional Convention. The gallery also includes a writing desk associated by legend with the Declaration of Independence and the framed Thomas Sully painting of the coat of arms of Philadelphia., Philadelphia on Stone, POS 386, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc47 R815., Original watercolor for print in the collections of the Historical Society of Pennsylvania., See also LCP copy in Joe Freedman Collection of Philadelphia Ephemera. Freedman oversize - I [P.2013.87.4]. Copy variant in printed color.
Interior view of the new church of St. Joseph Philada. (Founded 1733 - Enlarged 1821 - Rebuilt 1838 - Consecrated 1839.)
View looking toward the altar (east end) of the church built 1838-1839 after the designs of master designer and parishioner John Darragh at 321-327 Willings Alley. Shows the altar comprised of doubled Ionic columns surmounted by a bold curved pediment adorned with six tall candles and the Crucifixion painting by parishioner Sylvano Martinez. Two female parishioners sit and another stands, under chandeliers, in the front row of the pews in the left and right of the image. Also shows the side chambers flanking the altar, balconies, and framed paintings hanging on the walls., Philadelphia on Stone, POS 388, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
International Exhibition. Fairmount Park, Philadelphia. 1876.
Stock trade card for lithographer Potsdamer & Co. depicting buildings constructed for the International Exhibition in 1876. Includes the Main Building, Art Gallery, Horticultural Hall, Machinery Hall, and Agricultural Hall as postcards displayed in a montage on a silver platter. Potsdamer & Co. operated from the mid 1870s until Ketterlinus acquired the firm in 1885. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Advertising text on verso: Potsdamer & Co. 321 Chestnut Street, commercial, lithographic and letter press printing house, Philadelphia. Includes in the upper left-hand corner a design for the Franklin Institute Exhibition silver medal the company won in 1874 for engraving and printing., Philadelphia on Stone, POSA 40
The International Exposition 1876 at Philadelphia, PA. U.S.A.
Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
[Invitation to the opening of the Continental Hotel including an exterior view of the building]
Shows the hotel built 1860 after the designs of John McArthur, Jr. at 824-838 Chestnut Street. Also shows the Alfred M. Herkness auction house (s.e. cor. 9th and Sansom) and pedestrian traffic, including a horse-drawn carriage and omnibuses. Includes text below the image: "Yourself and the Ladies of your family are invited to be present at the opening of the Continental Hotel on Monday February 13th 1860 from 7 to 10.", Philadelphia on Stone, POS 391, Originally part of a McAllister scrapbook of views of Philadelphia.
Iron Manufacture : boilers, steam engines, hydraulic pumps.
Atlas advertisement containing exterior views of the two Philadelphia and the Camden foundries. Views contain promotional text about the products manufactured, the names of the proprietors, and the dates of establishment of two of the firms. Views include maritime traffic, horse-drawn trucks hauling machinery, and operating smokestacks. Machinery advertised includes pumping, hoisting, and stationery engines; sugar mills; iron boats; and bon black washers and bruisers. The Morris foundry was established in 1828 and the Merrick foundry was established in 1836. Atlas entry for "The State of Connecticut" printed on the verso., Published in Colton’s atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 23. (HSP O 458)., Philadelphia on Stone, POS 392
[J. & J. Reakirt, wholesale druggists and importers of drugs, chemicals, paints, dye-stuffs, &c. &c. S.E. cor. of Third & Callowhill Sts., Philada.]
Advertisement showing the three-and-one-half story building with several windows that is adorned with signage and advertising text for the druggists on the 200 block of Callowhill Street. Signs and text advertise "Drugs, Chemicals, Paints, Oil Glass, and Dye Stuff"; "White-Lead & Window-Glass at Manufacturers Lowest Prices"; and "Alum, Madder, Logwood, Camwood, Indigo, Copperas, Fustic and Turpentine." Patrons, visible through the open doorways, stand at counters within the storefront; jars, and decanters line the display windows; and crates and barrels, some marked, line the sidewalk. At the side of the store, a clerk checks a list as a drayman unloads his horse-drawn vehicle. Also shows the doors open to the cellar of the store that also contains a large-scale model of an apothecary's mortar and pestle and a fire insurance marker. Joseph Reakirt operated the business solely until 1838 when he partnered with John Reakirt who assumed sole proprietorship in 1859., Title supplied by Wainwright., Date from Poulson inscription on recto: Nov. 1846. S.E. cor. Third and Callowhill sts., Wainwright suggests date of circa 1844., Philadelphia on Stone, POS 397, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb38 R288.
[J. C. Jenkins & Co. grocery and tea store, S.W. corner of Chestnut and 12th Streets, Philadelphia]
Advertisement showing the storefront of the grocery and tea shop with unusually tall display windows on the 1200 block of Chestnut Street. The side of the building is adorned with signage reading "Flour Fish & Salt Hams Beef & Tongues Choice Family Groceries J.C. Jenkins & Co., displays of tongue and ham, signs for "Mats," and markers for Twelfth Street. A mannequin of a Chinese laborer carrying boxes of tea with a bamboo pole exhibited on a display of tea crates in addition to other displays of boxes and canisters of fancy soaps and candles line the interior and exterior of the front windows. Within the store, a clerk assists a woman and a boy at the counter. On the sidewalk, a gentleman stops in front of the building, near a box of tea at the edge of the sidewalk, to gaze at the Chinese figure, and a man, with a sack, walks past the corner. At the side of the building, a "Jenkins T Store" handcart, a barrel of "Flour," boxes of "Soap," a display of "Brooms," and a stack of pails line the sidewalk, near four trees resembling cherry trees., Date from Poulson inscription on recto: Aug. 1847. S.W. corner of Chestnut & Twelfth St., Title supplied by cataloguer., Philadelphia on Stone, POS 394, LCP copy lacking title., Wainwright retrospective conversion project, edited., Trimmed., Stott operated a Philadelphia studio 1847-1848.
J. H. Michener & Cos. curing, packing & smoking establishment S.W. corner of Front and Willow Sts. Philadelphia.
Advertisement showing the four-story building, adorned with signage, for the meat packing house at the southwest corner of Front and Willow streets. In the five open entryways to the building, patrons enter and depart, workers converse, a drayman departs, and barrels are stored. In the street, in front of the building, laborers push a handcart and load horse-drawn drays. At the side of the building, a laborer lowers a barrel from the top receiving entrance to a horse-drawn truck loaded with barrels waiting on the tracks on Willow Street. The loading is managed by three men. Ahead of the truck, a freight car disappears in the distance. Also shows a man with a hand cart standing at the corner near one of many surrounding buildings, including the adjacent business adorned with signage marked "Jones." A trompe l'oeil frame surrounds the image., Philadelphia on Stone, POS 395, Wainwright retrospective conversion project.
[J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
J. Hoover, pictures and frames, 628 Arch St., Philadelphia.
Trade card by J. Hoover with an illustration on the recto showing a boy standing behind a girl and covering her eyes with his hands, as if he is trying to surprise her, as she sits on a stool with a doll in her lap. A rose bush and trees fill the scene behind the children. Advertising text on verso reads, "Bargains! Bargains! at Hoover's, Hoover's, 628 Arch Street. A beautifully and carefully selected stock of fine engravings, comprising all the principal and popular subjects in the market. Fine imported chromos suitable for parlor, sitting or dining room. Large assortment of easels in ebony, nickel, silver-plated, and twisted wire from 9 cents up. Photograph frames, our principal business is in photograph frames, of which we certainly have the largest stock in the city, consisting of velvet (over 100 different styles,) passepartouts, ebony and satin, plain ebony, gold, lacquer, and a number of ine easel frames, all of which can be had either in card or cabinet sizes. Framing of pictures of any description is one of our specialties. We manufacture our frames in the building, and guarantee our work to ne first-class in every particular. Our prices are less than elsewhere. Having the facilities of buying at the lowest prices we can furnish frames of any kind at prices that will compare with any house in the city. Call and examine our stock whether you wish to purchase or not. J. Hoover 628 Arch Street. Societies, social clubs and other organizations desiring to furnish their rooms are invited to call and examine our fine assortment.", Not in Wainwright., Philadelphia on Stone, POSA 80, Joseph Hoover, a Swiss-German chromolithographer, operated his chromolithography, engraving, and picture frame business from 628 Arch Street in Philadelphia between 1880 and 1882.
[J. Mayland, Jr. & Co. tobacco & snuff manufactory. Segars, foreign & domestic. Wholesale grocers, N.W. corner of Third and Race Streets, Philadelphia]
Advertisement showing the five-story manufactory and storefront covered in signage of the tobacco and grocery business at 111 Race Street, i.e. the 300 block of Race Street. Within the first-floor window and entryways, a patron enters the store near a wall of shelved good and boxes on the floor; a clerk organizes canisters; and other employees check a list and move a crate. At the upper floor windows, boxes, barrels, and sacks are piled and employees work. In front of the store, laborers unload and transport boxes from a horse-drawn dray parked in the street. Crates and barrels line the sidewalk near the dray. Also shows partial views of adjacent buildings. Jacob Mayland established his tobacco business circa 1803 and operated from the 300 block of Race Street beginning in 1805. The business, renamed Jacob Mayland Jr. & Co. circa 1842, remained at 111 Race Street until circa 1848., Title supplied by cataloguer., Poulson inscription on recto: Race west of third Street. Oct. 1846., Wainwright suggests date of circa 1842., Philadelphia on Stone, POS 399, LCP copy trimmed and lacking title and imprint., Wainwright retrospective conversion project, edited.
[J. Willis, shoe manufactory, 241 Arch Street, Philadelphia]
Advertisement showing the four-story manufactory and storefront for "J. Willis Wholesale & Retale [sic] Ladies Shoe store" on the 600 block of Arch Street. Under the store awning, a couple enters the doorway while a lady looks at a partially visible print, possibly depicting the Willis shoe store, in the central display window. Drapery is visible in some of the upper floor windows and a horse-drawn carriage is parked in front of the building. Also shows partial views of adjacent buildings. Shading to represent light reflecting from windows also comprises a graphic element of the image. The business operated as J. Willis from the address 1840-1853, when renamed J. Willis & Son., Title supplied by cataloguer., Date from Poulson inscription on recto: Arch Street. Dec. 1846. [illegible], Philadelphia on Stone, POS 401, Wainwright retrospective conversion project, edited.
[Jacob Emerick importer and wholesaler, dealer in china, glass & Queensware, No. 215 North Third Street. Philada. 4 doors below Callowhill St. east side. Packing warranted.]
Advertisement showing the three-and-one-half story storefront at 215, i.e., 349 North Third Street that the dealer tenanted 1837-1874. Within the store, visible through the open doorways, a clerk assists a patron. Shelves of porcelain and glassware lining the walls surround the men. Additional porcelain and glassware, including plates, serving trays, tureens, and pitchers are piled on the floor, fill the central display window, and are exhibited outside near the open cellar to the store. In the street, a laborer unloads large hampers from a horse-drawn a dray. Also shows a large model teapot adorning the front facade of the building., Title from duplicate in the collections of the Historical Society of Pennsylvania., Date from Poulson inscription on recto: North Third Street. Oct. 1846., Wainwright suggests date of circa 1845., Philadelphia on Stone, POS 402, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb38 E53.
Jacob Haehnlen's engraving steam power lithographic and letterpress printing house. Goldsmith's Hall Library St. opposite post office Philadelphia.
Advertisement calendar for 1871 containing three vignettes, and pictorial elements. Vignettes depict a steam powered rotary press, a steam powered lithography press, and an exterior view of the "Jacob Haehnlen Lithographic Establishment" at 418 Library Street. Press views include operators, and exterior view also depicts street and pedestrian traffic and neighboring buildings. Traffic includes a horse-drawn carriage and a man pushing a handcart. Advertisement also contains cherubic figures sketching in a book and holding a palette, and floral and filigree border details. Haehnlen established his own business in 1858 and relocated his studio to Goldsmith’s Hall in 1866., Not in Wainwright., Philadelphia on Stone, POSA 42
Jacob Haehnlen's lithographic & fancy printing establishment, No. 125 South Third Street, directly opposite Girard Bank, Philadelphia.
Text only. Ornamental lettering. Describes types of job printing undertaken by Haehnlen including labels, visiting cards, and forms. "Late of the firm of E. Ketterlinus & Co." Haehnlen worked for Ketterlinus until 1858 when he established his own business at the address above., Not in Wainwright., Philadelphia on Stone, POSA 45
Jacob Haehnlen's lithographic & steam powered letter press printing rooms.
Advertisement calendar for 1865 containing an ornamental border and promotional text, including types of prints issued by the press. Prints includes show cards; wine, liquor, perfumers, and manufacturers labels; checks; notes; drafts; cards; circular receipts; and bonds. Promotional text advertises samples of work "always on hand" and "every kind & style of lithographic letter press printing executed promptly at fair prices." In 1866, Haehnlen established his own studio at Goldsmith's Hall., Not in Wainwright., Philadelphia on Stone, POSA 43, Gift of David Doret.
Jacob Haehnlen's steam power lithographic & letterpress printing rooms
Book advertisement containing an ornate border surrounding vignette views of the exterior of "Jacob Haehnlen's Lithographic Establishment" and a trompe l'oeil display of overlapping cards with advertising text and types of prints available from the firm. View shows the six-story brownstone and print shop, "Goldmsith Hall," owned by lithographer Haehnlen at 420 Library Street. Signage advertising "J. Haehnlen's Steam Power Printing Rooms" and "J. Haehnlen's Lithographic Rooms" adorn the side of the building in addition to large display windows and an eagle above the entranceway. Also shows street and pedestrian traffic, including a horse-drawn carriage, dray, and cart traveling in the street. Printing sample vignette includes the lithographer's tradecard atop cards advertising tickets; bills of lading; wine, liquor, perfumers, physician's and druggist's labels; "Borders & Titles for Photographic Albums"; diplomas, "Certificates Stock and Deposit;" letter heads; bonds; blanks; show cards; plans; circular cards; checks, notes, and drafts. Haehnlen established his own studio at Goldsmith's Hall in 1866 and operated his business from all but the first floor. The shop included salesrooms and offices, a machine shop, a drying room, lithographic presses, and card, handbill, and pamphlet printing presses. He sold his shop to the firm Lehman & Bolton in 1870. Building destroyed by fire on December 20, 1882., Not in Wainwright., Advertising text for printing rooms printed on verso including promotion "Manufacturer & Importer of Transfer Pictures for Coach and Car Builders.", Published in Edwin Freedley's Philadelphia and its manufactures: a hand-Book of the great manufactories and representative mercantile houses of Philadelphia, in 1867(Philadelphia: Edward Young & Co., 1867), opp. p. 546., Philadelphia on Stone, POSA 47
[James Lane's stove store, No. 218 North Third Street, Philadelphia]
Advertisement showing the three-story storefront adorned with signage on the 300 block of North Third Street. Patrons enter the door near merchandise on display on shelves on the wall. In the first and second floor windows, stoves and laborers at work, respectively, are visible. In the foreground, men load a horse-drawn cart. Next to them, four different-style stoves are lined up on the sidewalk. Also shows partial views of adjacent buildings. Lane operated his store from the address 1847-1848., Date from Poulson inscription on recto: Dec. 1847. no. 218 North Third St. N. Third St., Philadelphia on Stone, POS 403, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.
[James S. Mason & Co., 108 North Front Street, challenge blacking, ink &c. manufactory]
Advertisement showing the five-story brick and granite building adorned with a sign reading "Blacking" on its roof at 108, i.e., 138-140 North Front Street. A patron opens the entrance door of the storefront as he peers at a large illustrated print on display in an adjacent window. Above the window adorned with the print (illustrated with a man, boy, and dog), a couple is visible in an open double-sided glass door on the second floor. In front of the building, a laborer unloads a horse-drawn dray as a family in winter attire approaches from a nearby corner. Also shows a hoist on the side of the storefront and partial views of neighboring buildings. Mason & Co. occupied the building following its completion in 1851 and tenanted the site until 1919. The building, built 1850-1851, was demolished in 1973., Title from accompanying manuscript note., Date from Poulson inscription: Oct. 1856., Wainwright suggests date of circa 1852., Philadelphia on Stone, POS 404, Wainwright retrospective conversion project, edited.
John Baird, steam marble works, Ridge Road above Spring Garden St. Philadelphia.
Advertisement containing an exterior view showing the Ridge Road entrance to the "John Baird," "Spring Garden Marble Mantle Manufactory" and "Steam Marble Works" erected in 1846. Works include a central courtyard, offices, and adjoining yard marked "Garden Statuary, Vases, Ornamental Sculpture, &c." that contains a variety of fountains, vases, and statues on the platform roof. A cupola adorns a rear building of the factory. In front of the courtyards, gravestones are displayed and workers move large slabs of marble with a lever and by dolly. On the roof of the central courtyard, a clerk shows patrons a selection of monuments. In front of the factory, couples promenade on the sidewalk, a horse is hitched, a couple rides on horseback and dogs greet each other in the street. The woman rides side-saddle. Also shows employees within the courtyard, office windows, and visible through an open entryway climbing a flight of stairs. Baird established his business in 1841 gaining a reputation as a vanguard in the modern operations of marble works., Philadelphia on Stone, POS 406, Retrospective conversion record: original entry, edited.
John Bancroft, Jr. soap and candle manufactory. No. 19, Wood St. betw. 2nd & 3rd Sts. & Vine and Callowhill Sts. Philadelphia.
Advertisement showing the factory on the 200 block of Wood Street. Signs reading "Steam Soap & Candle Manufactory" and "John Bancroft Jr." adorn the manufactory (left) and smaller adjoining office building (right). A clerk, writing in an account book, stands at the doorway of the office in which another clerk is visible in a lower window. Near the adjacent arch to the alleyway to the rear courtyard, a boy carries a box on his shoulder and laborers hoist boxes from a receiving window to a long factory wagon parked on the cobblestone street. A sign reading "Jno Bancroft Jr. Soap and Candle Manufacturer 19 Wood St." adorns the wagon. A barrel and boxes are stored in the courtyard. Boxes and molds are piled in front of upper floor windows. Factory also contains a second archway, cellar doors, a fire insurance marker, and smokestacks spewing smoke., Philadelphia on Stone, POS 407, Wainwright retrospective conversion project, edited.
John C. Baker & Co. wholesale dealers & importers of drugs, medicines, chemicals, paints & dye stuffs, No. 100, North Third St. Philadelphia.
Advertisement showing the five-story storefront, adorned with signage and an ornamental iron work balcony, of the druggist on the 100 block of North Third Street. A patron enters one of the entrances to the establishment as in front of him a crate is hoisted. To the left, the window and second entry of the building are open and casks, jugs, bottles, and boxes line a wall of shelves and the floor. Additional inventory are visible near the upper floor windows. In front of the store, a clerk, with a receipt in his hand, watches two draymen load their vehicle in the street. One drayman controls the horse as the other loads a crate onto the dray. A line of crates and barrels, some marked with barely legible print, line the sidewalk near the laborer. Also shows partial views of neighboring buildings in front of which a couple and gentleman stroll. Partial signage is visible on the buildings reading "..Mann....ufacturer" (98) and "Tobac.. & Segar...John" (102). Piles of crates rest near the open doorway of the tobacco store. John C. Baker & Co. tenanted the site from 1849. The firm was one of the founding members of the Philadelphia Drug Exchange in 1861., Date from Poulson inscription on recto., Philadelphia on Stone, POS 408, Wainwright retrospective conversion project.
John C. Farr & Co. importers of watches, watchmakers tools. Silver & plated ware, musical boxes, etc. No. 112, Chestnut St. between 3rd & 4th St. Philada.
Advertisement showing street and pedestrian activity in front of the four-story corner storefront, with signage, for the jewelry and watch store at 112, i.e., 316 Chestnut Street. A sign illustrated with a watch and reading "No. 112 John C. Farr& Co. Wholesale and Retail" adorns the side of the building above a window with a shade advertising watches, jewelry, and silverware. At the store entrance, a clerk greets two ladies and a girl between the display windows filled with silverware, jewelry, and watches. In front of the store, a lady and gentleman converse near the horses of an out-of-view carriage, and at the corner, a gentleman, possibly, a store clerk talks with two ladies accompanied by a child and dog. Also shows a partial view, including signage and the display window, of the neighboring business, Eugene Roussel, perfumer. In addition, print contains a Gothic-style border as well as pictorial elements that flank the central image. Elements show a clock sculpture, pocket watch, and the embellished text, "Watches" and "Jewelry." Farr started his business in the mid 1820s and changed the firm name to John C. Farr & Co. in 1850. The business relocated circa 1854., Philadelphia on Stone, POS 409, Wainwright retrospective conversion project, edited.
John Collins, lithographer, no. 79 South Third Street, Philadelphia.
Directory advertisement containing an ornamental border around advertising text., Published in The Philadelphia circulating business directory. For 1838. (Philadelphia: Published at Morris's Xylographic Press, 1838), p. 107., Not in Wainwright., Philadelphia on Stone, POSA 49

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