The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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Friends Asylum for the Insane near Frankford.
Exterior view of the almshouse building as it appeared after two patient wings were added to the original structure in 1827. The grounds of the mental institution, formerly a fifty-two acre farm in Oxford Township, were purchased by the Society of Friends in 1813, near Frankford. The hospital opened to patients four years later in 1817., Frontispiece to Fifteenth annual report on the state of the Asylum for the relief of persons deprived of the use of their reason, (Philadelphia: Printed by T.A. Conrad, corner Sixth and Cherry Streets, 1832). Report also contains "Map of the Asylum Farm" and "Groundfloor of the Asylum" printed on tissue by Childs & Inman lithrs. Philadelphia., Philadelphia on Stone, POS 284, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1814 Phi Asy (box) 9092.O.11a., Historical Society of Pennsylvania, Free Library of Philadelphia: Castner 9:38, Philadelphiana
Friends' Asylum for the Insane near Frankford.
Exterior view of the almshouse building as it appeared after two patient wings were added to the original structure in 1827. Includes men standing in the foreground and animals grazing. The grounds of the mental institution, formerly a fifty-two acre farm in Oxford Township, were purchased by the Society of Friends in 1813, near Frankford. The hospital opened to patients four years later in 1817., Published as the frontispiece of the annual reports of the asylum (entitled: ... Annual Report of the State of the Asylum for the Relief of Persons Deprived of the Use of Their Reason) from 1836 to 1840., Philadelphia on Stone, POS 285, Library Company of Philadelphia: P.2049 and in Am 1814 Phi Asy (box) 51117.O.6; 51117.O.9; and 51908.O.5., Historical Society of Pennsylvania
Friends' boarding school, West-town, PA.
Exterior view after an 1840 painting by John Rubens Smith showing the main building and gardens with arbor. A dirt path with rail fence surrounds the property. In the foreground, two men lean on the fence and converse and a women with a basket strolls. In the background, men appoach a horse-drawn wagon partially obscured by a stone outbuilding. Two men work in the garden and a figure is visible in the doorway of the building. Westtown was established in 1794 by the Society of Friends' as a boarding school for girls and boys., Sinclair was located at 79 S. 3rd Street 1840-1850., Reproduction entitled "Westtown School, 1840" published in Watson W. and Sarah B. Dewees' History of Westtown Boarding School, 1799-1899 (Philadelphia: Press of Sherman & Co., 1899) opposite pg. 109., Philadelphia on Stone, POSP 86, Westtown School Archives holds multiple copies.
Friend's Meeting House & School. Race St. East of 16th.
View showing two large brick buildings built circa 1856 and occupied by the Race Street Meeting House (center) and Friend's Central School (left) at the southwest corner of Fifteenth and Race Streets (1520 Race Street). Friends enter the meeting house and gather in front of the wrought iron fence lining the grounds. The meeting house, the second one for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955. Friends’ Central School, established in 1845, was located at the southwest corner of Fifteenth and Race streets from 1857 to 1925., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), frontispiece. [Ao 10 16587.O]., One of prints (P.9830.18) gift of Jay Snider., Philadelphia on Stone, POS 281a
Friend's Meeting House. Race Street, Philadelphia.
View showing the Race Street facade of the large brick building built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). A wrought-iron fence encloses the property and the date marker "1856" is visible near the roof of the building. Friends are visible entering and on the grounds of the meeting house. Also shows pedestrians on the sidewalk, a brick wall with trellis attached to the fencing, and a neighboring building. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p, 53. [Ao 10 16587.O], One of prints (P.9830.19) gift of Jay Snider., Philadelphia on Stone, POS 281
Friend's Meeting House. (Side elevation).
View showing the side elevation of the large brick building, Race Street Meeting House, built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). Friends enter the building and walk on the paths surrounding a lawn in the foreground. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Not in Wainwright., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p. 28. [Ao 10 16587.O], Philadelphia on Stone, POS 281b
From the inclined plane near Philadelphia
View looking east down the inclined plane cut into Belmont Hill (Fairmount Park) for the hauling of railroad cars in Philadelphia on route to the steam locomotives to Columbia on the Philadelphia and Columbia Railroad. Shows two men watching cars being hauled by ropes from within the plane. The covered Columbia Railroad Bridge, completed in 1834 over the Schuylkill River, from which the plane leads up, is visible in the background. Also shows distant cityscape, and forestry. The plane was abandoned in 1850., Issued as plate 4 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 286.1. Digital image shows fourth state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: 6626.F and in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania: Bd862 W6442, pl. 4., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75., Trimmed.
From the Paris mantilla cloak and fur emporium. 920 Chestnut Street, Philada.
Advertisement label showing an exterior view of the clothing store. Several cloaks are displayed in the storefront windows. A female clerk helps a customer at the entrance. Pedestrian traffic, predominately women wearing cloaks, pass on the sidewalk. Proctor relocated his store from 708 to 902 Chestnut Street in 1862., Philadelphia on Stone, POS 287, Historical Society of Pennsylvania: Print Collection - Small - Stores & Factories - Box 55, Folder 7, LCP holds engraved copy of advertisement. [Ph Pr - 8x10 - Businesses (7)1322.F.453i].
Front elevation.
Plate in architectural design book illustrating the front facade of a symmetrical, Italian-style, suburban mansion on the edge of Rittenhouse Square built 1855-1857 for Joseph Harrison, Jr. after designs by Samuel Sloan., Published in Samuel Sloan's City and suburban architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 108, design XXIV for a suburban mansion., Philadelphia on Stone, POS 642, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *Am 1867 Sloan 7883.F., Historical Society of Pennsylvania: Bb16 H32., Free Library of Philadelphia: 724.3 SL52C, Atwater Kent Museum: 40.14.103.2/16 and 45.23.17
Front elevation.
Exterior view of Bennett's Tower Hall, the four-story, tower-shaped clothing store at 518 Market Street altered by architect Samuel Sloan circa 1867. Includes partial, faded view of adjacent properties. Col. Joseph M. Bennett (1816-1898) established his business, which he named Tower Hall in 1853, at the address in 1849. He was a successful businessman who used his wealth for philanthropic pursuits including the establishment of a Methodist orphanage and the bequest of West Philadelphia properties to the University of Pennsylvania in support of women's education., Date assigned by cataloger., Published in Samuel Sloan's City and Suburban Architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 56, design XII for a mercantile building in the Norman style., Philadelphia on Stone, POS 288, Free Library of Philadelphia: 724.3 SL52C, Wainwright retrospective conversion project, edited.
Funeral Car, erected by Wm. H. Moore & Son (Undertakers, No. 181 Arch St. Pha.) Especially for the occasion of the funeral obsequies of the Late President of the United States, General Zachary Taylor, Philadelphia, July 30th, 1850.
View showing the horse-drawn catalfaque drawn by eight white horses and led by eight grooms displayed during the mourning ceremonies arranged by Philadelphia city councils for the 12th president who died July 9, 1850. Black draping, fringes, and a canopy surmounted by an eagle figure adorn the car. Black covers are draped over the horses. The grooms wear black suits and hats. The hats are adorned with white bands that fall down the length of the men's backs. Also contains a simple border with filigree at the cornices. The July 30th funeral obsequies included a military parade, a civic procession, and a memorial sermon given by Rev. William Bacon Stevens at Christ Church., Artist's signature printed lower right on the stone., Philadelphia on Stone, POSP 87, Retrospective conversion record: original entry, edited.
Funeral Car, used at the obesequies of President Lincoln, in Philadelphia, April 22nd, 1865,
Scene depicting the procession of the catafalque transporting the flower covered casket with President Lincoln to Independence Hall. Funeral officials, attired in black suits and top hats, attend the open air funeral car with canopy, draped in black cloth, and drawn by eight horses. Mourners line the city street including an African American man and woman., Title from item., Date inferred from content., Philadelphia on Stone, POS 289, Reproduced in Edwin Wolf's Philadelphia: Portrait of an American city (Philadelphia: The Library Company of Philadelphia in cooperation with Camino Books, 1990), p. 221., Lib. Company. Annual report, 1971, p. 43., Purchase 1970., Description revised 2021., Access points revised 2021., Charles Tholey, Augustus Tholey, and their father, probably named Michael, worked as lithographers, engravers, and pastel portraitists in Philadelphia in the mid 19th century.
Gambrinus Unterstutzungus Gesellschaft [membership certificate].
Membership certificate probably for a German brewing society. Includes a decorative border containing a portrait of King Gambrinus, the parton saint of beer and a universal symbol of beer and brewing; female allegorical figures representing hops and barley; a fermenter flanked by lions; and urns of flowers. Gambrinus portrait shows the king seated in front of a row of kegs and holding a goblet of beer. Allegorical figures shown as peasant girls holding a bale of barley and a stalk of hops., Not in Wainwright., Philadelphia on Stone, POSP 88, Historical Society of Pennsylvania: *NB 1 75 - 356
[Garden & Brown, silk & fur hat manufactory, 196 Market Street, Philadelphia]
Advertisement showing the four-story storefront for the hat manufactory established by Christopher H. Garden at 196, later 532 Market Street. The storefront is covered with signage and adorned with a large model hat marked with the street address "196." A patron enters one of the two open entryways of the business that are flanked by display cases of hats marked "Hats & Caps." Two other patrons stand near one of the cases across from a clerk in the store. The clerk pulls a hat from several displayed on shelves lining the shop walls. Rows of hats adorn the large display and upper windows of the building. Partial views of the adjacent businesses and the signage of the storefronts are also visible. Garden established his hat manufactory in 1843 and partnered with William Brown circa 1846-1850., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847 Market Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 291, Trimmed., Wainwright retrospective conversion project, edited.
Gardener's cottage or tenant house.
Architectural drawing of an exterior view of the two-story quaint residence. Contains a pitched and shingled roof, covered side porch, gabled windows, and ivy covering sections of the facade. Trees landscape the grounds and two girls are visible on one of the two paths to the dwelling., Probably published in J.C. Sidney's American cottage and villa architecture : a series of views and plans ... (New York: Appleton & Co., 1850). The book was to be issued in ten parts, monthly, beginning in July, 1850. The series was never completed and 4-5 parts containing a total of 22 plates by various Northeastern architects are known., Philadelphia on Stone, POSP 89, Gift of David Doret.
[Garsed & Brother Wingohocking Mills billhead]
Billhead for R. Garsed & Brother containing a view of the firm's textile mills built 1853 on the northwest corner of Ashland Street along Frankford Creek in Frankford. The mills include a small office building adjacent to a long single-story building with three portico entrances, a smokestack, and cupola adorned with a weather vane. The main building housed the spinning, carding, warping, and spreading rooms. Women stand in two of the portico entries, individuals walk on the grounds, and a “Wingohocking” horse-drawn wagon travels past the mill. In the foreground, by the creek, a horse and colt stand near a canoe marked "Wingohocking Mills" moored at the bank. Across from the animals, a Native American stands with his canoe moored behind him. Richard Garsed was a pioneer in the improvement of cotton mill machinery, including the increased efficiency of power looms, during the 1840s and 1850s., Not in Wainwright., pdcc00009, Title supplied by cataloguer., Printed on recto: Frankford, Pa. Invoice of Goods consigned to ______ for Sale on account of R. Garsed & Brother. Marks & Nos. Pieces. Description Yards. Total Yards. Price pr. Yard $____ Cts., Philadelphia on Stone, Free Library of Philadelphia: Castner 26:12a, See Castner 26: 17 for watercolor study for print titled “At Frankford, Phila, Pa.” Signed A. Kollner drawn 1855. Drawing also dated "30 Nov. 1853." View includes, in the foreground, a “Frankford” paddleboat on the creek and horses at the creek bank. Also shows horses frolicking in front of the mills in the background.
Gems of Art. Philadelphia.
Bird's eye view predominately showing the built city from the Schuylkill to the Delaware rivers and Port Richmond to South Philadelphia. Market Street runs down the center of the view. Shows the residential, commercial, industrial, religious, educational, and cultural buildings lining the streets and outer lying areas of Center City. Also shows parts of West Philadelphia, Windmill Island, and Camden, NJ. and public utilities, bridges, railroad depots, and reservoirs. Includes from west to east, the Woodlands, Blockley Almshouse, the Upper Ferry Bridge, Market Street Bridge, the two Gas Works, Fairmount Water Works, Girard College, Eastern State Penitentiary, the Naval Asylum, Cathedral of Saints Peter and Paul, St. Mark's Church, Christ Church, Independence Hall, Pennsylvania Hospital, St. Peter's Church, and Spark's Shot Tower. Also shows the five major squares (as well as Independence Square) and adjacent landmarks, including the P.R.R. Freight Depot, U.S. Mint, First Independent Church, Pennsylvania Asylum for the Blind, and Will's Eye Hospital. Masts of docked ships line the piers along the Delaware, mills line the Schuykilll above Market Street, and vessels sail on the waters of both rivers. Foundries with smokestacks and undeveloped land border the built city to the North and South., Philadelphia on Stone, POS 293, See "For Business Men," Worcester Daily Spy, September 20, 1866. Article reports "A new illustrated work called the 'Gems of Art,' is now being published by John H. Bufford & Sons, of Boston, to consist of finely exectured lithographic plates of landscapes, portraits, battle scenes, and cities to be interspersed with pages of advertisements ... The work is to be published in January, 1867, and four thousand copies gratitously distributed."
General view of Laurel Hill Cemetery.
Bird's eye showing the grounds of the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue. Horse-drawn carriages and a hearse approach and horse-drawn wagons are parked in front of the main gate. Tombs, monuments, and a Gothic-style chapel line the landscaped grounds of the cemetery. Also shows residences on hillsides rising in the background., Frontispiece to Guide to Laurel Hill Cemetery, near Philadelphia (Philadelphia: For sale at the cemetery, and by the treasurer, etc.; C. Sherman, printer, 1844)., Philadelphia on Stone, POS 294.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.6 and in *Am 1844 Phi Lau 11129.O., Historical Society of Pennsylvania:, Athenaeum of Philadelphia: General Prints Collection - PR318
General view of Laurel Hill Cemetery.
Bird's eye view showing part of the grounds of the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue. In the foreground, horse-drawn carriages approach the main gate (visible in the left) of the cemetery that contains tombs, monuments, and a Gothic-style chapel., Frontispiece to Guide to Laurel Hill Cemetery, near Philadelphia, Philadelphia (Philadelphia: For sale at the cemetery, and by the treasurer, 1847) and alter editions., Philadelphia on Stone, POS 294.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.7 and in Am 1847 Phi Lau 10497.D., Historical Society of Pennsylvania:
[Geo. H. Vandike & Co., importer of wines & liquors], 630 Market St. Philada.
Advertisement, possibly from a circular or verso of tradecard, containing an exterior view of the four-story storefront. Gentlemen talk at the entrances of the building as laborers load a horse-drawn dray` and cart, parked in the street. First two numbers of address depicted in reverse on store. Also shows partial views of adjacent buildings., Not in Wainwright., Printer inferred from related tradecard. [P.9349.153f], Philadelphia on Stone, POS 295, Leonhardt operated from 114 S. 3rd Street 1867-1871.
Geo. J. Henkels' city cabinet warerooms, 173 Chestnut St. opposite the State House, Philadelphia
Packing label depicting a variety of furniture sold by Henkels including a table, vanity, desk, sofa, and chairs. Henkels was located at 173 Chestnut from 1850 to 1857., Not in Wainwright., Philadelphia on Stone, POSP 39, Pheonixblock, located at the southwest corner of Second and Dock Streets, housed the lithographic firm of H. Camp for whom Kollner worked as principal artist.
Geo. S. Harris & Sons cigar box labels and trimmings.
Trade cards depicting specimens for cigar box labels and trimmings of George S. Harris & Sons. Shows No. 2151 "City cousin," No. 2126 "Mirth and beauty," and No. 2155 "First mate.""City cousin," depicts a young woman reclining against a bale of hay in a field. Above this scene are toiletries, perfumes, and a book of "Happy hour poems" wrapped in a ribbon. "Mirth and beauty" depicts a waist-length portrait of a young girl wearing a large plumed hat. "First mate" shows a sailor in his blue uniform at sea, gripping his straw hat in his right hand, and telescope in his left., George S. Harris opened his lithography business ca. 1847 at 119 North Fourth Street. In 1872, George Harris & Sons moved into a seven-story, "iron front" building erected for the company at 718-724 Arch Street, where they operated the largest lithographic firm in the city, with about 600 employees producing lithographic trade cards, labels for cans and cigar boxes, circulars, calendars and stamped envelopes for patrons worldwide., Not in Wainwright., Advertising text stamped on verso: Geo. S. Harris & Sons, manufacturers of cigar box labels and trimmings, 718, 720, 722 & 724 Arch St., Philadelphia. $15.00 per 1000. $1.60 per 100. Also furnished blank., Philadelphia on Stone, POSA 31
Geo. S. Harris & Sons. Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia.
Advertisement calendar for the year 1886 containing a genre scene bordered to the left by pictorial details for the firm renamed Geo. S. Harris & Sons in 1876. Scene shows a woman attired in a naval-themed costume dress descending a flight of marble stairs during a masquerade ball. She holds a mask in one hand and the hem of her dress in the other. In the background, a few men in costume, including a harlequin and clown, watch the woman. Border details include an oriental-style vase of roses atop cloth draped over the calendar, and the lithographer's tradecard. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., pdcp00014, Philadelphia on Stone, POSA 34, Free Library of Philadelphia: Philadelphiana - Lithographers
[Geo. S. Harris & Sons.] Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia.
Advertisement calendar for the year 1883 containing a sentimental, genre scene for the firm renamed Geo. S. Harris & Sons in 1876. Scene shows a woman attired in a diaphanous dress, with plunging neckline and a high-rimmed bonnet, seated under a branch of an apple tree. A cluster of flowers, a butterfly, and a paper fan dominate the foreground and in the background, a farmhouse on a hillside completes the scene. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., Philadelphia on Stone, POSA 36, Smithsonian Institution: NMAH Archives Center - Warshaw Collection - Printers & Printing - Box 10 Folder 2 - Geo S. Harris, Smithsonian copy of print displayed., LCP holds copy in Helen Beitler Graphic Ephemera Collection. [P.2011.10.164]. LCP copy manuscript note on verso: Eva Allen, 1603 Summer Street, Phila, Pa.
Geo. S. Harris & Sons. Printers & lithographers. Nos. 718, 720, 722, 724 Arch St. Philadelphia.
Advertisement calendar for the year 1884 for the firm renamed Geo. S. Harris & Sons in 1876 that contains a large genre scene bordered to the left by pictorial details . The scene, set in a colorfully decorated room, shows a woman lighting the cigar of a man. The woman attired in a dress with a trim decorated in a mosaic flower pattern uses a slip of paper marked "1884" to light the cigar of the man who is attired in dress-tails. Border details include an oriental-style vase of roses atop cloth draped over the calendar, and the lithographer's tradecard. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., pdcp00051, Philadelphia on Stone, POSA 35, Free Library of Philadelphia: Philadelphiana - Tradesmen's Cards
Geo. S. Harris & Sons, printers, engravers, lithographers, 718, 720, 722 & 724 Arch Street, Philadelphia.
Advertisement containing a montage of images depicting the business and evoking the decorative arts. Includes an exterior view of the firm's building; an interior view showing artisans at work on and around printing presses; object d'art and works of art; an artist's palette; a seascape; printed wallpaper; draperies; and flowers. Exterior view includes street and pedestrian traffic. Harris' firm moved to this address circa 1882 and later relocated to 1033 Chestnut Street circa 1898., Not in Wainwright., Philadelphia on Stone, POSA 33
Geo. S. Harris & Sons, printers, engravers, lithographers, 718, 720, 722 & 724 Arch Street, Philadelphia.
Advertisement containing a montage of images depicting the business and evoking the decorative arts. Includes an exterior view of the firm's building; an interior view showing artisans at work on and around printing presses; object d'art and works of art; an artist's palette; a seascape; printed wallpaper; draperies; and flowers. Exterior view includes street and pedestrian traffic. Harris' firm moved to this address circa 1882 and later relocated to 1033 Chestnut Street circa 1898., Not in Wainwright., Philadelphia on Stone, POSA 32
Geo. W. Ridgway, successor to Saml. P. Griffitts, Jr. Drugs [and] chemicals, [N.W. corner of 9th and Chestnut Streets, Philadelphia]
Advertisement showing the front and side of the three-and-one-half story storefront on the 900 block of Chestnut Street. The proprietor's name adorns the entranceways between which a sign for "Mineral Water" is displayed. Jugs, jars, and flasks are displayed in the storefront windows, an awning covers a side door, and signage and balustrades adorn the roof of the building. Ridgway tenanted the address 1841-1842., Date from Poulson inscription in ink on recto: Feb. 1841. N.W. corner Ninth & Chestnut., Inscription in pencil on recto: Torn down Dec. 1874, Philadelphia on Stone, POS 296, Wainwright retrospective conversion project, edited., Trimmed.
George & James M. Bullock. "Conshohocken Woolen Mills" :
Exterior view of the woolen mills at Gulf Creek and the Schuylkill River in Conshohocken. Complex includes a main mill; engine house; boiler and dry house; dye house; scouring house; wool house; ware house; steaming houses; storehouse; mill; shoddy mill; engine house; boiler house; carpenter shop; lumber shed; office; gas house; gas holder; and coal and waste house. A flag adorns the property and stacks spew smoke. A fence surrounds the complex outside of which a man on horseback converses with two gentlemen, two ladies stroll, and a horse-drawn wagon is stopped. In the background, a farm and pastureland and neighboring mansion house are visible. The mill built in 1854, was purchased by wool manufacturer Benjamin Bullock in the 1860s, and in 1871 his sons George and James Bullock assumed operations. In 1880, the firm was operated by George Bullock & Co., and later the stock company Conshohocken Worsted Mills., Not in Wainwright., Philadelphia on Stone, POS 297
[George Mecke cabinet maker and upholsterer, No 355, North 2nd St. nearly opposite Tammany St. Philadelphia.]
Advertisement showing the four-story storefront, with decorative masonry, for "George Mecke's Northern Cabinet Ware-Rooms and Furniture Ware Rooms" on Second Street between Noble and Green streets (i.e., 500 block). At the ground floor, a couple enters one of the two entranceways of the building. Furniture, including a side table, chaise lounge, armoire, and rocker are visible at the entrances, display window, and within the store. A woman, in a shawl, and holding a parasol approaches the chairs displayed at the second entrance. She stands across from two clerks retrieving a chair from the cellar to be loaded onto a "G. Mecke No. 355" horse-drawn cart parked in the street. The cart already contains a chest of drawers. Additional cabinetry, including chairs and a bed frame, and a worker are seen in the upper floor windows. Also shows partial views of the adjacent businesses of "Dubois & Son's Confectionary" (357) and P. Fries, watchmaker (353 - identified by a depiction of a watch on a visible edge of signage). Plates of treats are visible in the window of Mrs. Dubois & Son' s confectionery. Mecke relocated to 355 North Second Street and was a neighbor to Dubois and Fries circa 1846., Title, artist, and publication information from duplicate in the collections of the Historical Society of Pennsylvania., Date from Poulson inscription on recto: North Second Street. Oct. 1846., Wainwright suggests date of circa 1847., Philadelphia on Stone, POS 298, LCP copy lacking title and imprint., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb 38 M487.
George W. Watson coach & harness maker. Philadelphia.
Advertisement containing views of the "Factory at 13th & Parrish Sts." and the factory and showroom, i.e., "Old Stand No. 9, Sth. Sixth St." Factory view shows the bustling "George S. Watson Coach Factory" complex with workshops, courtyard, and sheds surrounded by a wood fence on the 800 block of North 13th Street. Within the courtyard, wheelwrights work on a wheel propped up next to a blazing fire as another worker walks past with a watering can. Other workers retrieve planks of wood from piles loaded in a shed and attend to a carriage. Carriage parts, a horse in a single stall, and piles of wood surround the workers. Within the workshops, carriages and coaches and metalworkers at a forge are visible. A wagon maker also works on a few vehicles placed on a balcony attached to the upper floor of the main workshop. Outside of the complex, a worker rolls a wheel toward the entrance to the workshop with the forge as another leads two horses toward the entrance of the courtyard. A man carrying a stick with rags over his shoulder, near an ambling dog, also walks on the sidewalk. Also shows rows of buildings and a wagon crossing an empty lot in the background., "Old Stand" view shows the factory and show room, adorned with signage, on the 100 block of South Sixth Street. Through the two open entries, a clerk is visible showing a couple one of several carriages that line the showroom floor. Outside the building, in front of the display window, a gentleman gestures to a handler of two horses hitched to a coach in the street. Behind the gesturing man, a laborer enters the cellar of the showroom below the window that displays harnesses, horse equipment, and a small-model coach. Three unhitched carriages and coaches line the street in front of the adjoining building marked "Geo. W. Watson Coach & Harness Maker." Laborers work at a number of the windows at the upper floors of the two buildings. Partial views of adjacent businesses complete the view. One building contains an awning marked "Wind...RLIN." Print also contains vignette views of a fancy coach, from the rear, and a carriage, from the front, in motion. A coachman rides at the back of the horse-drawn coach with driver. The horse-drawn carriage with a driver and folded-down roof contains a well-dressed couple as its passengers., Date from Poulson inscriptions on duplicate split into half-sheets: Aug. 1847., Philadelphia on Stone, POS 299, Wainwright retrospective conversion project, edited.
[The Germantown Academy
View of an 1875 drawing showing the school built 1760-1761 by carpenter Jacob Knor at 110 School House Lane. Housed the bi-lingual private boys school established by the Pennsylvania Germans in Germantown in 1759. Building was used as a hospital during the American Revolution and was chartered as a public school in 1784., Reproduction of print published in Quaint old Germantown in Pennsylvania: a series of sixty former landmarks of Germantown and vicinity drawn on zinc during the years 1863 - 1888 by John Richards; collated, arranged and annotated by Julius Friedrich Sachse (Philadelphia, 1913), plate LII. Caption in publication reads: The Germantown academy on southwest corner of Greene Street and School House Lane. Built A.D. 1760-61. Far famed for many of its teachers and pupils., Printed lower right corner: 1875., Not in Wainwright., Philadelphia on Stone, POS 301, Gift of David Doret.
[The Germantown Cricket Club]
Lively view showing several spectators enjoying a match at the grounds of the cricket club (founded in 1854) at 411 West Manheim Street. Elegantly attired young men and women, walk, sit, and stand along the field and in a grandstand. Attire includes hats, bowlers, bustles, canes and parasols. In the right of the image, a lady converses with a cricket player near a couple conversing with spectators behind the brickwall of the stand. Others watch from a row of carriages near club buildings in the background. Several persons walk along a path bordering the field. Also contains 2 ink pen lithograph vignettes showing the front facade of the clubhouse and the gate to the club. Clubhouse vignette includes a cricket match. The clubhouse was built in 1891 after designs by McKim, Mead & White., Artist's signature in ink with date and in pencil in lower right corner., Title supplied by cataloger., Philadelphia on Stone, POSP 91, Retrospective conversion record: original entry, edited., LCP AR [Annual Report] 1978 p. 53-54., Gift of Mrs. Francis P. Garvan.
Germantown Maennerchor [membership certificate]
Membership certificate for the German-American choral society. Includes an ornamental masthead containing a harp, laurel leaves, and a scroll. Also includes the coat of arms of Pennsylvania. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 92, Historical Society of Pennsylvania: *NB 1 75 - 359
Germantown schottisch
Prince printed on recto: 2 1/2., Includes the sheet music., Sheet music cover containing a view of the Germantown Town Hall built circa 1854-1855 after the designs of Napoleon LeBrun at 5928 Germantown Avenue. The hall contains a cupola and is protected by an ornate iron fence. Trees flank the building. The hall was occupied by the police station and rented for entertainment and political meetings before use as a hospital during the Civil War. The building was declared structurally unsafe in 1920 and a new town hall was erected in 1923., Philadelphia on Stone, POS 302, Historical Society of Pennsylvania: Bb 22 G 317, Library Company of Philadelphia: Sheet Music 11308.F (Doret), Athenaeum of Philadelphia: General Prints Collection - PRM098
Girard Avenue Bridge, Fairmount Park, Philadelphia.
Bird's eye view looking from East Fairmount Park showing the Pennsylvania Railroad bridge completed in 1874 after the designs of Philadelphia architects Henry A. and James P. Sims. Several horse-drawn carriages, people on horseback, and individuals on foot travel the upper, pedestrian level of the bridge. Also shows park visitors traversing the paths on the banks of the Schuylkill River below the bridge. On the river, paddelboats, scullers, and row boats are visible. Bridge demolished in 1971., Not in Wainwright., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POS 303, Reaccessioned as P.2283.29. Formerly 7598.F., Paper darkened slightly.
Girard College
Girard College
View of Founder's Hall at Girard College constructed 1833-1847 from designs by Philadelphia architect Thomas U. Walters. Also shows pedestrian traffic on the grounds. The Hall occupied a site between what became Girard Avenue and Ridge Avenue at Corinthian Avenue. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Issued as one of two annual "pictorial illustrations" for the Philadelphia Saturday Courier., Philadelphia on Stone, POS 311.2, Cited by Wainwright as in the collections of the Historical Society of Pennsylvania. Copy unlocated., Historical Society of Pennsylvania: copy unlocated
Girard College
View of Founder's Hall at Girard College constructed 1833-1847 from designs by Philadelphia architect Thomas U. Walters. Also shows pedestrian traffic on the grounds. The Hall occupied a site between what became Girard Avenue and Ridge Avenue at Corinthian Avenue. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Issued as one of two annual "pictorial illustrations" for the Philadelphia Saturday Courier., Philadelphia on Stone, POS 311.2, Cited by Wainwright as in the collections of the Historical Society of Pennsylvania. Copy unlocated., Historical Society of Pennsylvania: copy unlocated
Girard College
Girard College
View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Philadelphia on Stone, POS 306, Originally part of Charles A. Poulson's scrapbook of illustrations of Philadelphia., Philadelphia on Stone, Kollner was active in Philadelphia 1840-1870s.
Girard College
View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Philadelphia on Stone, POS 306, Kollner was active in Philadelphia 1840-1870s.

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