The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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[Merchants' Exchange, 143 South Third Street, Philadelphia]
Proof print of a view looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants' Exchange. Also shows street and pedestrian traffic. Horse-drawn street cars travel past and receive passengers in front of the exchange. A dray transports goods near pedestrians, including a man carrying a bundle on his back, crossing the street. Also contains partial view of Girard Bank (116-120 S. Third) in the background. Exchange built 1832-1833 after the designs of William Strickland. The Girard National Bank, formerly the First Bank of the United States, was built 1795-1797 after the designs of Samuel Blodgett. The bank, operated by Stephen Girard as Girard's Bank from 1812-1831, was chartered by the state in 1832 as the Girard National Bank., Title supplied by cataloguer., Not in Wainwright., Philadelphia on Stone, POS 473, Gift of David Doret
Merchants' Exchange, Philadelphia.
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants’ Exchange (143 S. Third) built between 1832 and 1833 after the designs of William Strickland. Men walk around, and horse-drawn omnibuses arrive and are parked in front of, the building. Light pedestrian traffic is visible in the street and at the corners, including near the office of the Saturday Courier (72 Dock, pre-consolidation). Also shows streetcar tracks in the foreground and another omnibus passing Girard National Bank (116-120 S. Third) in the background., Issued as plate 3 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 472.1. Digital image shows the fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: 6626.F and in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania: Bd 862 W644, pl. 3., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Merchants' Exchange, Philadelphia.
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants’ Exchange (143 S. Third) built between 1832 and 1833 after the designs of William Strickland. Men walk around, and horse-drawn omnibuses arrive and are parked in front of, the building. Light pedestrian traffic is visible in the street and at the corners, including near the office of the Saturday Courier (72 Dock, pre-consolidation). Also shows streetcar tracks in the foreground and another omnibus passing Girard National Bank (116-120 S. Third) in the background., Copyrighted by J. T. Bowen., Originally published as plate 3 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 472.3. Digital image shows the fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Merchants' Exchange. Philadelphia.
View from the intersection of Third, Walnut and Dock Streets showing the Merchant’s Exchange constructed 1832-33 after the designs of Philadelphia architect William Strickland for the Philadelphia Exchange Company. View includes street and pedestrian traffic concentrated near the financial institution. Several men converse and greet one another in front of the exchange as several horse-drawn street cars travel by and around the building. In the left, several couples promenade along a block of Walnut Street lined with buildings and a few trees. Also shows railroad tracks, and Girard National Bank (120 South Third) and neighboring businesses in the right background., Artist's initials on stone lower left corner. Name of artist supplied by Wainwright., Philadelphia on Stone, POS 474, Wainwright retrospective conversion project, edited.
[Merchant's Hotel, No. 38 North Fourth Street, Philadelphia]
Advertisement showing the front facade of the five-story hotel with balcony built 1837 after the designs of William Strickland. The name of the proprietor "Sanderson," i.e., Joseph M. Sanderson, adorns the entranceway. Also shows the hat shop of Lazel Elmes tenanting the building later renumbered to 40-50 North Fourth Street. A display of hats adorns the doorway to the shop. Merchant's Hotel was a premier early 19th-century hotel visited by several presidents and used as James Buchanan’s presidential campaign headquarters in 1856. The building was razed by fire in 1966., Title from Poulson inscription on recto: No. 38 north Fourth St., Philadelphia on Stone, POS 471, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.
Merrick & Hijo, Succesores De Merrick & Towne, Filadelfia. = Merrick & Son, successors to Merrick & Towne, Philadelphia. = Merrick & Fils, Successeur De Merrick & Towne, Philadelphie.
Advertisement showing the factory complex between Washington, Federal, Fourth, and Fifth streets for the firm established in 1836 as Merrick & Towne (renamed Merrick & Son in 1849 and Merrick & Sons in 1852). In the right of the image, several laborers remove a pipe through the stable-like doors of a warehouse near which a pile of pipes lies on the sidewalk. A boy, sitting on a hydrant, with a dog watches the scene from the opposite corner. To the rear of the warehouse, a horse-drawn cart filled with coal enters the fenced courtyard. Piles of pipe are visible in the yard and workers are visible at the doorway of the workshop bordering the yard. Past the courtyard, a laborer pushes a hand cart by another workshop. Smokestacks adorn most of the buildings and machine parts and tools line the sidewalk in front of them. In the street, a team of six horses pulls a truck carrying a large pipe. The team driver walks on the sidewalk behind a couple taking a stroll., pdcp00023, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana - Factories, etc.
Merrick & Sons iron founders, boiler makers & machinists. Washington Ave. & Fifth Street, Philadelphia.
Civil war-era advertisement containing seven titled views promoting the manufactory (orginally established in 1836 as a foundry for castings) on the 400 block of Washington Avenue. Central view shows the "Front View" of the foundry. Soldiers march in front of the "Southwark Foundry" building that is adorned with signage advertising "Merrick & Sons Engineers & Machinests." An omnibus stops near the foundry to allow the passing of troops who are greeted by a small group of women. In the foreground, a six-horse team truck transports a large pipe, as behind it, a truck without a load follows. A family waits to cross the street because of the trucks. Also shows a rail truck loaded with barrels and large cylinders parked in front of the loading bay of the factory. Across the street men inspect large pipes on blocks in the left of the image. Scenes above the central view show "Steamer Keystone State at Reed St. Wharf"; a rowboat of men in the waters in front of the "U.S. Steamers Ironsides (Armored) Mississippi & Tuscaroroa off Fortress Monroe"; a man leading an 8-horse team pulling a "Bedplate for Monongahela" past a workshop., Views at the bottom of the print show the "Interior of the Boiler Shop" with laborers working around a large crane and elevated walkways as they hammer large metal forms; the "Steamer Quaker City off 'Sombrero Key.' Light House" tilting in rough waters; and the "Interior of the 'Old Foundry' " with workers at their tasks around a large crane and surrounded by machine parts. Merrick & Sons, a premier iron foundry, constructed almost all the machinery for U.S. Navy steamers during the war, as well as the New Ironsides, the first U.S. armor-clad war vessel. The firm was also the exclusive maker of the N. Rillieux patent sugar boiler apparatus and Nasmyth steam hammers., Not in Wainwright., Philadelphia on Stone, POS 477, Historical Society of Pennsylvania: Bc 35 M 551, Lower right corner missing.
M.H. Traubel & Co., successors to F. Kuhl, lithographic institute, 46 1/2 Walnut, Phila.
Tradecard containing an ornate border design comprised of scrolls, vinery, and flowers surrounding the text. The lithographic firm spearheaded by Traubel operated 1853-ca. 1857., Not in Wainwright., Philadelphia on Stone, POSA 62, Leonhardt worked for M.H. Traubel & Co. 1853-1856., See tradecard with similar design for Schnabel and Finkeldey. [P.9349.144v]
Microscopic view of Philadelphia.
Bird's eye view predominately showing the built city from the Schuylkill to the Delaware rivers and Port Richmond to South Philadelphia. Market Street runs down the center of the view. Shows the residential, commercial, industrial, religious, educational, and cultural buildings lining the streets and outer lying areas of Center City. Also shows parts of West Philadelphia, Windmill Island, and Camden, NJ. and public utilities, bridges, railroad depots, and reservoirs. Includes from west to east, the Woodlands, Blockley Almshouse, the Upper Ferry Bridge, Market Street Bridge, the two Gas Works, Fairmount Water Works, Girard College, Eastern State Penitentiary, the Naval Asylum, Cathedral of Saints Peter and Paul, St. Mark's Church, Christ Church, Independence Hall, Pennsylvania Hospital, St. Peter's Church, and Spark's Shot Tower. Also shows the five major squares (as well as Independence Square) and adjacent landmarks, including the P.R.R. Freight Depot, U.S. Mint, First Independent Church, Pennsylvania Asylum for the Blind, and Will's Eye Hospital. Masts of docked ships line the piers along the Delaware and vessels sail on the waters of both rivers. Foundries with smokestacks and undeveloped land border the built city to the North and South., Philadelphia on Stone, POS 478, Free Library of Philadelphia: Philadelphiana - Views
Mishlers Garden
Advertisement showing the medicinal garden of patent medicine dealer Benjamin Mishler. A family and couple stand near the arched entrance of "Mishlers Garden" between two red stone buildings, possibly offices. Past the arch, women enter an enclosed promenade running through the center of the garden of trees, roots and plants. A yellow fence surrounds most of the property, except a section that is bordered by Lion Brewery, possibly another user of the garden. Also contains two promotions signed by S. H. Warwick, 324 N. Eighth St., Philadelphia offering $500 to any "graduated physician" who has a better cure than Mishler's Preparation of Gold and Sodium to "purify the blood" or treat "Syphilis, Scrofula, and Leprosy.", Not in Wainwright, Philadelphia on Stone, POSP 148, Historical Society of Pennsylvania: Bc 39 M 678
Mitchell & Croasdale, successors to G.W. Ridgway & Co., dealers in sperm, whale, lard, & tanners oil, candles, rice, &c. No. 30 n[or]th wharves, above Arch St. Philadelphia.
Advertisement depicting a whale hunt after the 1835 aquatint by J. Hill from a sketch by C. B. Hulsart titled "Capturing a Sperm Whale." Whalers in two small whaling boats attack a large sperm whale with harpoons. One boat has capsized over the tail of the mammal causing the crew to be dumped into the ocean. The whale spills blood from its wounds. The whalers' mother ship, a large sailing vessel, waits in the calm waters to the right of the image. Another boat departs from the mother ship., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America...Commercial edition with business cards of the prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 45 3/4. (HSP O 458), Not in Wainwright., Philadelphia on Stone, POSP 149
A Monday morning view of Friends Meeting House and Academy, Philada. Forty years ago.
Busy street scene showing the meetinghouse and school protected by a brick wall with five entrances at the southeast corner of Fourth and Chestnut streets. Shows young and old Friends departing and arriving, including J. P[emberton?], W. Waring, J. Evans, Robert Proud, [Jam?]es Pemberton, Nick Waln, and Thomas Morris. Many of the older Quakers use canes. Also shows two African American boys riding and chasing a pig near a street vendor and neighboring buildings. Meetinghouse completed in 1764 and razed in 1859., Inscribed on recto: 4th & Chestnut. 1789., Inscribed on verso: Gift of Mrs. C. M. Thomas Sept. 5, 1919., Contains inscriptions identifying several of the Quaker figures below the image., Philadelphia on Stone, POS 479, Historical Society of Pennsylvania: Bb 862 B 756 #45, HSP copy trimmed.
Montgomery Female Seminary
Exterior view of the Montgomery Female Seminary, established as a college exclusively for women in Freeland (now Collegeville) in Montgomery County in 1851. Incorporated as Pennsylvania Female College in 1853. Closed 1880. Sister school to Freeland Seminary for men, later Ursinus College., Philadelphia on Stone, POSP 150, Friend & Aub was a partnership between Philadelphia lithographers Norman Friend and Jacob Aub formed ca. 1852.
Monument to Commodore Hull.
View of the tomb of Isaac Hull, Commodore in the United States Navy. Hull's tomb was constructed and designed similarly to the tomb of Roman consul Lucius Cornelius Scipio Barbatus, except for the eagle that rests on the decorative scroll work of the lid. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Plate opposite p. 30 in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 480
Monument to Genl. Mercer. ; Monument to W.Y. Birch.
View of two monuments in Laurel Hill Cemetery designed by architect J.M. Hamilton. The square pillar surmounted by an urn (left) is for General Hugh Mercer, a physician, and brigadier general in the Continental Army. The column and urn on the right is for William Young Birch, a native of Manchester, England, who moved to the states in 1793 and established himself as a bookseller and stationer in Philadelphia. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Plate opposite p. 25 in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 481
Monument to J.S. Lewis, Esq.
View showing two men working with a slab of stone in front of the tomb of Joseph S. Lewis, president of the Schuylkill Navigation Company and chairman of the Watering Committee of the Philadelphia Councils. A carving on the side of the tomb shows the Fairmount Waterworks and dam. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Plate opposite p. 33 in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 482
The monument to liberty to be erected in Independence Square, Philadelphia, designed by William W. Story.
View showing an unexecuted monument commissioned by the citizen's group National Commemoration Monument Association and designed by sculptor William Wetmore Story for the re-landscaping of the square for the Centennial celebration of 1876. Shows the figure of Liberty standing upon a column adorned with female allegorical figures; an eagle encircled by stars; fearsome animal heads; and floral ornaments. The monument was to be placed in the center of the square at the intersection of the main paths. In 1876, the committee asked to and was allowed to be released from a city ordinance, passed in March 1875, that required them to raise $50,000 for the erection of the monument and the project effort apparently dissolved., Not in Wainwright., Philadelphia on Stone, POS 483, Historical Society of Pennsylvania: Bc 632 S 888
Monument to Oscar Douglass ; Mausoleum E.W. Robinson Esq.
View of two monuments in Laurel Hill Cemetery including a square pillar monument designed by J.M. Hamilton for Oscar Douglass, a Philadelphia fireman. The mausoleum on the right, adorned by Doric columns, pilasters, and a memorial wreath in the entablature, is for Edward William Robinson. The rural cemetery was built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Plate opposite p. 27 in Guide to Laurel Hill Cemetery, near Philadelphia: with numerous illustrations (Philadelphia: For sale at the Cemetery, and by the Treasurer; C. Sherman, printer, 1844)., Not in Wainwright., Philadelphia on Stone, POS 484
[Morocco leather manufactory, B. D. Stewart, S.E. corner of Willow Street and Old York Road, Philadelphia]
Advertisement showing the multi-storied manufactory of Benedict D. Stewart at Willow Street and Old York Road, i.e., 435-437 York Avenue. Signs with the name of the proprietor, the business, and street names adorn the building in which a man enters the doorway. Shutters adorn the lower and slats adorn the upper windows. In the right, broadsides adorn the small fence to the courtyard between the main and partially visible rear building of the factory. In the right foreground, laborers transport, pile, and load crates (some marked), and sacks onto a horse-drawn dray. Also shows a gentleman walking on the sidewalk. Stewart began his factory at the address in 1839., Title supplied by cataloguer., Date from Poulson inscription on recto: S.E. cor. Willow & Old York Road Aug. 1847, Wainwright suggests date of circa 1855., Philadelphia on Stone, POS 485, Wainwright retrospective conversion project, edited.
Morris Iron Works, cor. Schuylkill 7th & Market sts. Philadelphia. Established in 1828.
Advertisement for the iron foundry established by the Morris family in 1828 at 16th and Market streets. Contains two views above and below the title. Upper view shows the interior of the foundry where in the center a foreman talks with a gentleman, possibly a Morris, surrounded by workers and machinery. In the right, iron workers use a hoist to pour a cauldron of liquid ore into a mold near an open entranceway. In the left, a worker is bent over and using a hammer near humongous cogs and cylinders. Tools including a sledge hammer, pliers, and shovels rest on the floor of the shop and pulleys hang from the ceiling. Lower scene shows a laborer at a large piece of machinery with gears, shafts, piston, and a lever. All the workers wear caps or hats. Israel Morris assumed operations of this foundry in 1848 after I. P Morris & Co. relocated to Port Richmond., Philadelphia on Stone, POS 486, Historical Society of Pennsylvania: Bc 35 M 876, Trimmed., LCP exhibit catalog: Made in America, entry #59.
Moss, upholsterer, No. 127 Walnut Street, Philadelphia.
Advertisement showing the ground level storefront of the upholstery and venetian blind business of James P. Moss. Pillasters flanking the two shop windows and the front entrance are surmounted by an entablature adorned with rosettes and other floral designs. Also visible are blinds and other upholstery in the windows, and an interior stairway leading to a door in the shop interior., Artist and publisher most likely W.L. Breton, del. and Kennedy & Lucas's Lithography. Assigned by cataloger., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol II, oppostie page 108 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvements of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 108., Philadelphia on Stone, POS 488, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Am 1831 Mease 68582.D; Am 1831 Mease Log 4072.D; Am 1831 Mease 20876.D; and Am 1831 Mease 104520.D., Historical Society of Pennsylvania: Society Print Collection - Small - Stores & factories - Dry goods (M-R) - Box 55, Folder 7
Mount Airy Seminary:
Exterior view. Right wing is the former country seat of Pennsylvania Chief Justice William Allen known as "Mount Airy." Founded as Mount Airy Seminary (later Mount Airy College or Collegiate Institute) in 1807, the school served as a military academy 1826-1835 under the superintendence of Augustus L. Roumfort. Demolished in 1848 or 1849., Cephas G. Childs and Henry Inman were partners 1831-33., Philadelphia on Stone, POS 15.2
Mount Joy Car Manufacturing Co.
Advertisement showing the busy factory complex of several red brick buildings, including one with signage reading "Mount Joy Car Manufactory." Laborers load wagons with machinery parts; haul crates by hand, cart, and truck; unload coal; and move wood slabs. At the opposite corner to the factory, near a fenced lot, a woman with her excited son, watch the two agitated horses of a buggy passing them near a couple and a man on horseback in the street. Also shows a train traveling behind the factory in the background., Not in Wainwright., Philadelphia on Stone, POS 489, Historical Society of Pennsylvania: Bc 35 M 928, Mifflin Fund. February 5, 1958.
Mower U. S. A. General Hospital, Chestnut Hill, Philadelphia
Bird's eye view showing the Civil War hospital, which contains a central complex of administrative and utility buildings, and radiating hospital wards, all within a circumference of one mile. These buildings are numbered 1 through 40 in the image, with the key on the bottom of the print near the title. Buildings 1 through 21 are listed on the left side of the title and 22 through 40 are listed on the right. Outside of the hospital complex people wait at the station for an incoming train. Horses pull drays to and from the blacksmith shop, stables and freight shop, which are all adjacent to the train station. Trees surround the complex., Copyrighted by W. Kipling., Frontispiece to Rules and special orders of the Mower United States Army General Hospital at Chestnut Hill, Philadelphia (Philadelphia: J.B. Lippincott & Co., 1865). [Am 1865 Phi Mow, 15730.D], Philadelphia on Stone, POS 490, Removed from pamphlet and housed in Print Department., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc15 M936a., Atwater Kent Museum: 54.76.94/2, Library of Congress: PGA-Duval--Mower (B size), Mower General Hospital, built in 1862 after the designs of Philadelphia architect John McArthur, Jr. between Stenton, Germantown, Springfield and Abington avenues opposite the Chestnut Hill track of the Reading Railroad (7900-8000 blocks Stenton Avenue) received injured soldiers transported directly from the battlefield between January 1863 and May 1865. The hospital, designed as a pavilion to control the spread of infection, consisted of several hospital wards radiating from a central enclosed complex of administrative and utility buildings. Complex included the administration building, a chapel, post office, band-stand, food preparation shops and storage houses, a barber shop, dining room, and guard house. Hospital utilized fresh water from the Chestnut Hill water works, gas lighting, and indoor plumbing. Building was razed following the war.
Mower U.S.A. General Hospital, Chestnut Hill, Philadelphia.
View showing the Civil War hospital, built in 1862 after the designs of Philadelphia architect John McArthur, Jr. between Stenton, Germantown, Springfield and Abington avenues opposite the Chestnut Hill track of the Reading Railroad (7900-8000 blocks Stenton Avenue). Hospital contains a central complex of administrative and utility buildings, and radiating hospital wards. A train approaches the station at which people wait opposite the hospital. Trees surround the complex. Also shows a neighboring factory building and visitors walking toward the entrance of the hospital and on the grounds., Philadelphia on Stone, POS 491, Historical Society of Pennsylvania: Bc 15 M 936
Moyamensing Prison.
View showing the prison built 1832-1835 after the designs of Thomas Ustick Walter at Tenth and Reed streets. A horse-drawn wagon used to carry convicts, known as a "Black Maria," travels in front of the Gothic-style building. Two men watch the carriage from near the road and two others are visible close to one of the battlement towers. The prison, which operated under a system of solitary confinement, was demolished 1968., Copyrighted by J.T. Bowen., Originally published as plate 9 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 492.4, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2097 and in Print Room *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in Print Room *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Free Library of Philadelphia: Castner 19:23, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Moyamensing Prison. Philadelphia.
View showing the prison built 1832-1835 after the designs of Thomas Ustick Walter at Tenth and Reed streets. A horse-drawn wagon used to carry convicts, known as a "Black Maria," travels in front of the Gothic-style building. Two men watch the carriage from near the road and two others are visible close to one of the battlement towers. The prison, which operated under a system of solitary confinement, was demolished 1968., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 9 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 492.1. Digital image shows fourth state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P. 2095 and in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Moyamensing Prison. Philadelphia.
View showing the prison built 1832-1835 after the designs of Thomas Ustick Walter at Tenth and Reed streets. A horse-drawn wagon used to carry convicts, known as a "Black Maria," travels in front of the Gothic-style building. Two men watch the carriage from near the road and two others are visible close to one of the battlement towers. The prison, which operated under a system of solitary confinement, was demolished 1968., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 9 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 492.2. Digital image shows fourth state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Poulson)., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Moyamensing Prison. Philadelphia.
View showing the prison built 1832-1835 after the designs of Thomas Ustick Walter at Tenth and Reed streets. A horse-drawn wagon used to carry convicts, known as a "Black Maria," travels in front of the Gothic-style building. Two men watch the carriage from near the road and two others are visible close to one of the battlement towers. The prison, which operated under a system of solitary confinement, was demolished 1968., Copyrighted by J. T. Bowen., Originally published as plate 9 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 492.3. Digital image shows fourth state of print., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2096 and in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Moyer & Hazard, successors of Alexander Fullerton, 174 Market Street, fifth door above Fifth Street, Philadelphia [and] Elijah Bowen, wholesale & retail hat & cap store, No. 176 Market Street, Philadelphia.
Advertisement showing the adjacent businesses of wholesale druggists Charles Moyer and A. Fullerton Hazard (successors of Alexander Fullerton, 174 Market Street), and wholesale and retail hatter, Elijah Bowen (176 Market Street). Both four-story, three-bay buildings are covered in signage. Signs advertise "Alexander Fullerton drugs medicine & paints" in two locations on the facade of 174 Market Street, indicating a recent shift in ownership of the drug store. A man stands in each of the two doors to each store. In Moyer & Hazard's shop, a man stands in the left doorway and points and directs a laborer who moves goods on a dolly. Another man emerges from the bulkhead, while a gentleman wearing a top hat enters the business through the door on the right. Decanters and other glassware fill the shop windows. Boxes and barrels labeled "Madder," "Indigo," "Sp. Turpentine," "G. Copal," "Oil Vit." line the edge of the sidewalk in the foreground. A man moves a box in the left door of Elijah Bowen's shop. A similar box rests on a dolly nearby. Another laborer hammers the lid onto a wooden crate next to a pile of crates near the street. Top hats line the first floor windowsills and are piled on the upper floors, as seen through open windows. A flag advertising the hat store flies from the dormer window in the attic. Charles Moyer, A. Fullerton Hazard, and Elijah Bowen operated these adjacent businesses from 1846 to 1854., Date from Poulson inscription on recto: Dec. 1846., Additional advertising text for Moyer & Hazard included on recto., Philadelphia on Stone, POS 493, Wainwright retrospective conversion project, edited.
To Mrs. Amelia Bloomer.
Sheet music cover containing a portrait of a woman attired in a bloomer costume, standing in front of the storefront of music publishers Lee & Walker on the 600 block of Chestnut Street. The lady holds a blue parasol, and wears a corseted pink-colored coat and pale yellow skirt over her white bloomers. A model harp adorns the door of the music store in which a female patron wearing a bloomer costume enters. Also shows the neighboring J. A. Robinson bookstore (162, i.e., 632 Chestnut). Pedestrians, including another woman in bloomers, walk on the sidewalk, past the store, and look in its window. The bloomer costume gained notoriety from an 1851 depiction of women's rights advocate Amelia Bloomer in this style of reform dress comprised of Turkish pantaloons and a skirt., Additional distributors printed on recto: New York, Wm. Hall & Son; Memphis, Ten. P. Flavio; and New Orleans, Wm. T. Mayo., Printed on recto: Plain 25 cts net. Colored 38., Accompanied by the sheet music., Philadelphia on Stone, POS 756, Library Company of Philadelphia: Sheet Music 11855.F (Doret). Copy gift of David Doret., Historical Society of Pennsylvania: Ba 38 L 477, Free Library of Philadelphia Music Department holds copy., Inscribed on verso of HSP copy: April 2, 1958. Mifflin Fund.
[Mrs. James Queen]
Half-length portrait of Sarah Queen (b. ca. 1825), wife of lithographer James Queen, in a seated pose., Not in Wainwright., Library of Congress: DLC/PP-1997:105 Queen - 9 prints/10 drawings/1 photo (A size) Mrs. James Queen, Philadelphia on Stone
Murphy & Allison.
Advertisement showing the busy "Car Factory & Bolt Nut & Washer Works," of John Murphy and J. C. Allison, also proprietors of the Girard Tube Works, who established a partnership in 1851 at 1908 Market Street. A completed rail car and a horse-drawn double decker omnibus depart from the sign-covered factory and "Office of the Girard Tube Works." A worker labors on a rail car in an upper window, a man on horseback stops near the entrance to the "Blacksmith Shop," and clusters of pedestrians walk in front of the works. A small crowd flanks the omnibus that is adorned with illustrations of rail cars as it leaves the factory bay. In the foreground, men and boys, across from two men shaking hands, inspect an ornately painted "City Passenger R.R." car on display in the street in front of the factory. Nearby, a boy admires an elegantly dressed lady while a newsboy hawks a paper to a gentleman on promenade with two ladies who pass a woman, possibly attired in mourning garb. Murphy & Allison assumed proprietorship of Girard Tube Works, manufacturer of wrought iron gas tubes, in 1856 and began construction of cars for the City Passenger Railways circa 1857. The firm made several improvements to the cars including adding more head room and lamps to the center of car roofs and in front of the overshoots., Not in Wainwright., Annotated in stenciled letters below title: DESTROYED BY FIRE SATURDAY MAY 3. 1863 AT 3-AM., Philadelphia on Stone, POS 494, Historical Society of Pennsylvania: Bc 35 M 978, Label pasted on verso: Purchased at auction from Freemans May 20, 1959 Library Fund., Rease, a prolific lithographer of advertising prints, relocated his studio to 4th and Chestnut in 1857.
Museu de Filadelphia.
Exterior view of the Philadelphia Arcade also known as the Philadelphia Museum originally built 1826-1827 as a shop gallery after the designs of John Haviland at 615-619 Chestnut Street. Pedestrians walk in front of and into the museum in which a woman is visible walking down a staircase. Also shows adjacent buildings, an awning post, and street lamp. Museum served as an exhibition gallery including the display of the Philadelphia Museum Company's holdings of artist Charles Willson Peale's collections as well as a concert, public meeting, and lecture space. The building was also used as a bathhouse and hotel before being demolished circa 1859-1860., Philadelphia on Stone, POS 495, Gift of S. Marguerite Brenner.
Music, blank books, and stationery store, of M. H. Traubel 323 Federal St. Camden N.J.
Advertisement for the stationery store of Traubel, who also operated a lithographic studio in Philadelphia. Contains a whimsical border comprised of female figures interspersed among cherubs, vines, and foliage. The women play instruments, including a harp, cello, and tambourine in addition to hold stationery. Border also includes a banner reading "Papeterie de Luxe Timber.", Not in Wainwright., Philadelphia on Stone, POSA 64, Historical Society of Pennsylvania: Ba 61 T 693a
My own sketch book;
Plate from drawing book containing title page and 23 numbered leaves of lithographed plates, interleaved with [21] blank leaves for copying. Includes landscape, rustic architectural, and maritime views. Also contains anatomical designs., Not in Wainwright., Philadelphia on Stone, POSP 151, American Antiquarian Society: Stacks SB Drawing B786m 1839, American Antiquarian Society copy some illustrations hand-colored, some copied or annotated. Lacks leaf 7. "S" added at end of name "Bowen" on title page. Inscribed: Willie Sprague Wood ; C.J.M. ; Maureen G. Tuckerman ; Gil Blas de Santillan ; George.
N. E. view of the old court house in Market Street Philada.
View showing the courthouse built 1707 by carpenter Samuel Powell, and adjoining market sheds built 1710, on North Second Street above Market Street. Broadsides adorn the facade of the building containing a balcony and bell tower. In front of the court house, market patrons and vendors, predominately women, tend to stands and mill in the street. Also shows neighboring buildings and the rear of a horse-drawn wagon traveling in the street past the shed. The court house was utilized as the town hall, seat of the Legislature, market house and the Pennsylvania statehouse until Independence Hall was opened in 1748. Building demolished in 1837., Philadelphia on Stone, POS 496, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Castner 25:76 and 27:65., Historical Society of Pennsylvania:, See companion print: S. W. view of the old court house in Market Street, Philada. at the time of its being taken down (7th April 1837). [W326, P.2184]
[N. Helverson undertaker, 93 Coates Street, Philadelphia]
Advertisement showing the office building and storefront for the undertaker and "Coffin Ware-House" at 93 Coates, i.e., 225-227 Fairmount Avenue. A male patron enters the doorway of the three-story office "N. Helverson Undertaker." A sign advertising "Coffins Ready Made" adorns the showcase window. A doormat covers the small step preceding the entrance and the cellar doors to the building are open. In the right, a woman appears interested in an out of view display at the barely visible adjacent storefront. At the warehouse, workers haul coffins near the open doorway of the four-story building. A sign illustrated with a coffin and the text "Coffin Ware-House" is displayed in the first-floor window and workers are visible in two of the upper ones. A tree stands in front of the building near a two-horse drawn hearse parked in the street. The hearse is adorned with bunting, drapery, and fringe., Date from Poulson inscription on recto: Coates Street. Nov. 1846., Philadelphia on Stone, POS 498, Wainwright retrospective conversion project, edited.
The Natatorium and Physical Institute [stock certificate]
Illustrated share certificate for investment in the recreational institute incorporated in 1859 that was administered by J.W. Payne, with a facility built in 1869 at 219 South Broad Street. Vignette shows a mother eagle attending to two eaglets in a bird's nest. The first floor of the facility provided a wealthy clientele with a pool in the summer and a gym in the winter. A dance academy occupied the second floor., Printed on recto: Shares, $15.00. One Share., Inscribed on recto: No. 348., Issued to Samuel Welsh on September 4, 1860. Signed Paul B. Goddard, President; Jno. W. [D?], Treasurer., Seal of institute blindstamped on recto., Manuscript note on verso: Natatorium Physical Inst. 2 shares $15 each Sept. 1860., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POSP 152, Gift of Mrs. Nicholas B. Wainwright
National Chromo Co., 927 Chestnut Street, Philadelphia, Pa. [catalog cover]
Front cover contains a montage of vignette views of the main Centennial Exhibition of 1876 buildings bordering a central allegorical scene. Scene shows the figures of Columbia and Liberty surrounded by cherubic figures representing the arts, industry, agriculture, and science. Figures hold emblematic items, including a laurel wreath, liberty pole, American shield, hammer, paint palette, compass, and a sheath of wheat. Building vignettes show the Agricultural Hall, Machinery Hall, Horticultural Hall, Main Building, and Memorial Hall (Art Gallery). Also contains pictorial details representing "1776" showing the solitary figure of liberty and "1876" showing the figure of Justice with two women in humbled stances., Rear cover printed with promotional text reading "Chromos, Engravings, Mottoes, and Artist's Materials, Published, Imported and For Sale By the National Chromo Company, 927 Chestnut Street [stamped over No. 717 Sansom Street] Philadelphia, Pa., Not in Wainwright., Title annotated with stamp over previous address: No. 717 Sansom Street., Philadelphia on Stone, POSA 65, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Printers & Printing - Box 1 - National Chromo Co.

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