The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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Philadelphia and Southern Mail Steamship Company [stock certificate]
Stock certificate containing an image of a steamship; the Pennsylvania coat of arms; and an ornamental stamp and border. Company established in 1866., Not in Wainwright., Issued to S[amue]l W. Welsh for twenty shares on February 11, 1868. Signed by S[tephen] Flanagan, president; and Wm. S. Malcolm, treasurer., Philadelphia on Stone, POSP 188, Gift of Mrs. Nicholas B. Wainwright.
Philadelphia Arcade. Joseph L. Moore, dealer in fancy & staple dry goods, corner of Pine & Water Streets New-York.
Advertisement showing the Moore storefront within the two-story shop gallery built 1826-1827 after the designs of John Haviland at 615-619 Chestnut Street. Statuary, above empty niches, adorns the front facade of the four-arched gallery entrance and "JLM" is visible above the centrally-located storefront that is flanked by corridors lined with stores. Pedestrians walk in front of the arcade. Neighboring buildings, including the Bolivar House hotel (611-613), are visible. Also shows, in the foreground, a gentleman peering at the arcade from across the street. The building was later used as a bathhouse and hotel before being demolished circa 1859-1860., Date supplied by Wainwright., Philadelphia on Stone, POS 572, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Philadelphia as it is in 1852.
Red, blue and yellow flowering vines surround colored vignettes of Benjamin Franklin reading and the seal of Philadelphia. A solid gilt border encloses the vignettes., Title page in R.A. Smith's Philadelphia as it is, in 1852: being a correct guide to all the public buildings; literary, scientific, and benevolent institutions; and places of amusement; remarkable objects; manufactories; commercial warehouses; and wholesale and retail stores in Philadelphia and its vicinity. With illustrations, and a map of the city and environs (Philadelphia: Lindsay and Blakiston, 1852)., Not in Wainwright., Philadelphia on Stone, POSP 173
Philadelphia baths, corner of George and Seventh Sts., near Chestnut Street.
Advertisement showing the bath house established in 1828 by patent medicine proprietor William Swaim at the northeast corner of Seventh and George, i.e., Sansom streets. A woman and man enter separate entrances to the three-and-a-half story facility, and two pairs of women and a man walk on the sidewalk. Also shows the fenced courtyard adjoining, and the buildings behind and neighboring the bathhouse. The bathhouse contained separate apartments for women and men with fifty tubs made of tin-plated copper or Italian marble. The men's space also included a bar room., Manuscript note on recto: Swaim's, Publication information supplied by Wainwright., Philadelphia on Stone, POS 574, Wainwright retrospective conversion project, edited.
[Philadelphia Brewery]
Advertisment showing the brewery marked as established "1861" and adjacent residences. Horse-drawn wagons loaded with barrels from the brewery depart the fence-lined, landscaped property from under an archway reading "Philadelphia Brewery" and travel in the street in the foreground. Also shows a couple walking on the sidewalk in front of one of the residences., Not in Wainwright., Title supplied by cataloger., Philadelphia on Stone, Trimmed, Library of Congress: DLC PP 2001: 068 [Philadelphia Brewery]
Maennerchor carnaval [sic]. Mardi Gras. Tuesday, Febry 29th, 1876. Academy of Music [graphic] / Th. Bosin.
Ticket depicting a festive scene for the Philadelphia Carnival Bal Masque organized by the Maennechor Society, the city's German singing society. Scene depicts a man masquerading as a jester in a red costume breaking out of an egg-shaped prop (adorned with the date and location of the event) that lies on the back of a man costumed as a clown. The clown is attired in a white ensemble and is prone, lying on his stomach, and propped up by his hands. The clown wears a pointed hat, ruffled collar, wide-sleeved shirt, and blue-striped pants. Another jester, attired in a red head dress, blue shirt, and tan leggings, stands and watches to the left of the cracking egg from which his fellow jester propels himself. Above the standing jester, a putti pulls up a green drape with gold trim. In the right, in front of the clown and jester in red, a man with long blonde hair and costumed in colonial-era attire bows. He holds a tri-corn hat in his hand and wears a dark-brown coat, blue pantaloons, red shoes, and a flowing gold cape. In the right background, stands a group of male and female spectators costumed as a renaissance man, scullery maid, bald-headed clown, wizard, knight, and Quaker couple. The Maennerchor Society's Carnival Bal Masque began about 1864 and continued throughout at least the 1890s. The Carnival was usually a charity event and included masquerade, music, singing, dancing, and tableaux., Title and date from item., Contains gilt border., Purchased with funds for the Visual Culture Program (Junto Fund 2015).
Philadelphia Cemetery. On the Passyunk Road.
View showing the chapel of Philadelphia Cemetery, also referred to as New Philadelphia Cemetery, fronting on Passyunk Avenue between Twentieth and Twenty-second Streets. Pedestrians linger outside of the stone wall and carriage gate. Philadelphia Cemetery opened in 1828, and the last burial occurred in 1902. The bodies were removed to Arlington Cemetery in Drexel Hill circa 1915., Philadelphia on Stone, POS 576, Wainwright retrospective conversion project, edited.
Philadelphia Citizen's Line of steam boats to New York & Baltimore.
Book illustration advertisement showing the busy "Philadelphia Citizens" steamboat wharf at Arch Street and the Delaware River. Also shows the "Citizen's Line" office building (right foreground) adjacent to Jacob Ridgway's Ferry House and Hotel. Swarms of people line the wharf and several walk on the sidewalks. Horse-drawn drays and a carriage line the street in front of the office and hotel. Partial views of surrounding buildings are also visible. Vessels for New York, Baltimore, and Wilmington left the wharf daily., Name of printer supplied by Wainwright., Published in James Mease and Thomas Porter's Picture of Philadelphia from 1811 to 1831: Giving an account of its origin, increase and improvements in arts, sciences, manufactures, commerce and revenue. (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 17 and in Thomas Porter's Picture of Philadelphia 1811 to 1831: Giving an account of the improvement of the city, during that period (Philadelphia: Published by Robert DeSilver, No. 110 Walnut Street, 1831), vol. II, opposite page 21., Philadelphia on Stone, POS 577, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.9830.2 a&b and in Am 1831 Mease 68582.D and in Am 1831 Mease Log 4072.D and in Am 1831 Mease 20876., Historical Society of Pennsylvania:, Loose prints gift of Jay Snider.
Philadelphia Exchange.
View from the intersection of Third, Walnut and Dock Streets showing the Merchant's Exchange constructed 1832-33 after the designs of Philadelphia architect William Strickland for the Philadelphia Exchange Company. View includes street and pedestrian traffic concentrated near the business center. Couples promenade, horse-drawn omnibuses arrive and depart, a carriage travels in the street, and two men shake hands on the second-story verandah of the exchange. Also shows surrounding buildings, including Girard National Bank (120 South Third) in the right background., Publication information supplied by Wainwright., Philadelphia on Stone, POS 579, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb 34 L528.
Philadelphia Exchange
View looking northeast from the intersection of Dock, Third, and Walnut streets showing the Merchants' Exchange. A caduceus shaped weather vane adorns the roof. A crowd of men and a woman gather in front of the exchange. Several converse, some hold circulars, and one man stands on the balcony. Also shows street and pedestrian traffic, including men on horseback and two ladies on a stroll. Also contains partial views of a lamppost in the right foreground and Girard Bank (116-120 S. Third) in the background. Exchange built 1832-1833 after the designs of William Strickland. The Girard National Bank, formerly the First Bank of the United States, was built 1795-1797 after the designs of Samuel Blodgett. The bank, operated by Stephen Girard as Girard's Bank from 1812-1831, was chartered by the state in 1832 as the Girard National Bank., Philadelphia on Stone, Library of Congress: PGA - Fenderich, no. 92 (A size) [P&P]
[Philadelphia Exchange]
Artist's study drawing for ca. 1833 lithograph by Charles Fenderich depicting the Merchant's Exchange. View looks northeast from the intersection of Dock, Third, and Walnut streets. Shows the building adorned by a figure holding a two-pronged spear, possibly Hades, the god of wealth. Also contains partial view of Girard Bank (116-120 S. Third) in the background. Exchange built 1832-1833 after the designs of William Strickland. The Girard National Bank, formerly the First Bank of the United States, was built 1795-1797 after the designs of Samuel Blodgett. The bank, operated by Stephen Girard as Girard's Bank from 1812-1831, was chartered by the state in 1832 as the Girard National Bank., Not in Wainwright., Philadelphia on Stone, Library of Congress: PGA - Fenderich, no. 93 (A size) [P&P]
Philadelphia fashions, fall & winter 1844, by S. A. & A. F. Ward, no. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. To the left, a man attired in a cloak converses with a man attired in an evening suit. In the center, a man attired in a suit, showing his back, and resting his foot and cane on a foot pillow talks to a man and woman seated in chairs in front of a fireplace. The seated man wears a checkered vest and pants and the woman wears a day dress and frilly cap. To the right, a man in a suit and a man wearing a cape talk. Three of the men hold top hats and five wear facial hair. Also includes vases and mosaic carpeting. Lower panel shows the outdoor scene. To the left, a man in an overcoat and top hat converses with a man attired in a hunting outfit and derby and holding a rifle. In the center, two men in overcoats, striped pants, and top hats, stand showing their backs. In the right, two men in overcoats and top hats, a boy in a suit, and a woman in a riding habit convene. In the background, a "View of S.A. & A.F. Wards Publication Office" at "62" Walnut Street is visible. Pedestrians walk past the building adorned with signage "Philada Fashion & Tailors Archtypes" and "T. Sinclair Lithogy." Four of the men have some facial hair and some wear gloves. Key numbered 1-7 and 8-15 printed above and below the image., Philadelphia on Stone, Atwater Kent Museum: 40.14.63/02
Philadelphia fashions, fall & winter 1845, by Samuel A. Ward & Asahel F. Ward, no. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 18 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene with 7 men, 2 boys and a woman socializing. Most of the men wear suits with striped pants, long coats, bow ties or a cravat and hold top hats and canes. The boys who cozy up to their seated father, wear a military style suit or a dress and pants. The woman, seated on a chaise lounge, wears a bonnet and holds a riding crop. Furnishings include a fireplace, mosaic carpeting, sofa, and a piano. Lower panel shows 7 men and a woman at an outdoor scene along the banks of the Schuylkill River across from the Blockley Almshouse and Schuylkill Permanent Bridge. The men wear fur-trimmed overcoats, a cloak with patterned lining, patterned pants, top hats, and a cap. Many hold canes or a riding crop and one man leans on a hitching post. The woman, turned to her side and her face obscured by a bonnet, wears a cloak and holds a muff. Most of the depicted men have some facial hair. Key numbered 1-10 and 11-18 printed below the figures., Not in Wainwright., Philadelphia on Stone, POSP 175, Historical Society of Pennsylvania: Bc 642 W 263d
Philadelphia fashions fall & winter 1847 by Samuel A. Ward & Asahel F. Ward, no. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 19 elegantly attired men and women in a parlor and outdoor setting. Upper panel shows the parlor scene with 8 men and two women socializing. Most of the men wear suits with striped or plaid pants, long coats tapered at the waist, and bow ties. Some hold top hats and canes. The women wear a bonnet, shirtwaist, and full skirt or a riding habit. Furnishings include a marble pedestal, and mosaic carpeting and wallpaper. Lower panel shows General Zachary Taylor and two military officers, in uniforms and mounted on horses, flanked by 6 male civilians in front of a military training ground. All the plain-clothed men wear top hats, striped or checkered pants, and overcoats or capes. Background includes calvary troops on drill and a cannon. Most of the depicted men are clean-shaven or have mustaches. Key numbered 1-10 and 11-19 printed below the figures., Not in Wainwright., Copyrighted by S. A. & A. F. Ward., Philadelphia on Stone, POSP 174, Gift of David Doret.
Philadelphia fashions, spring & summer 1843, by S. A. & A. F. Ward, no. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Two men, one showing his back, attired in suits, top hats in hand, greet each other in front of a sofa. A man and woman in lavish bed coats in front of a vanity dresser look over their two boys attired in jackets and pantaloons as they read a book on an ottoman. A man in a checkered vest sits with a flute in his hand as a man in striped pants, standing near a writing table, and showing his back, addresses him. Also includes framed paintings, mosaic carpeting, and wallpaper trim. Lower panel shows the outdoor scene. A lad wearing a cap, suit, and holding a cane greets a fashionable couple on a hillside that is lined with a picket fence, bushes, and trees. The man wears a suit and top hat and holds a cane, and the lady wears a bonnet and capelet, and holds a handkerchief. In the center, a militiaman in the Uniform of the Richmond Light Blues "copied by permission of Huddy & Duval" stands on a path in front of a mansion house. To the left, a hunting party with a dog convenes near a hitching post scratched with initials. The men wear hats of various styles, long coats, and checkered and dark pants. Each has a handkerchief in an upper or lower coat pocket and one carries a rifle and hunting bag. Most of the depicted men have some facial hair. Key numbered 1-8 and 9-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 177, Historical Society of Pennsylvania: Bc 642 W 263c 1843
Philadelphia fashions, spring & summer 1844, by S.A. & A.F. Ward, No. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 17 elegantly attired men, women, and children in a parlor and outdoor, hunting setting. Upper panel shows four men, two women and three boys in a furnished parlor. All of the men are attired in long jackets, vests, cravats and patterned pants. Two hold or wear hats, and two hold canes. To the left, two men stand and converse with two women. The seated lady holds a fan and wears an evening dress, with a low, straight neckline. Her hair is styled in ringlets, and a flower rests behind her ear. The other woman adorns outerwear styled with a high-necked, tight-waisted dress, shawl and plumed bonnet. To the right, two men stand with three boys, who all wear flat caps. The boy on the left is dressed in an Eton suit, while the other two younger boys wear longer tunic suits. The parlor is furnished with carpet and ornate furniture, vases and landscape paintings. The bottom panel shows an outdoor, hunting scene centered around a man and woman mounted on horses. The scene includes five men and one woman, with three people on each side of the couple. The men wear long jackets, patterned pants, waistcoats, cravats and hats, and the women are attired in riding habits. The lady riding the horse wears a top hat adorned with a veil. A dog runs beside the trotting horses in the foreground and sailing vessels are visible on the sea in the background (right). Key numbered 1-9 and 10-17 printed above and below the image., Not in Wainwright., Signed "Weaver" in lower left-hand corner., Philadelphia on Stone, POSP 178, Gift of David Doret.
Philadelphia fashions, spring & summer 1845, by S. A. & A. F. Ward no. 62 Walnut St.
Fashion advertisement containing two panelled scenes of 16 elegantly attired men, women, and boys in a parlor and outdoor setting. Upper panel shows the parlor scene. A couple in bed coats sits on a chaise lounge. The man accompanied by a boy, attired in a military-style suit, talks to another man, wearing a suit with patterned pants. The woman talks with another lady attired in a bonnet, shawl, and full skirt. A third gentleman stands near two columns to the left. He wears a suit with a lavishly patterned vest and striped pants. On the opposite side of the columns, two women in evening dresses sit at a piano. One wears a feather in her hair and the other wears an elaborate up do with ringlettes on the side. Two men in evening suits join them. Furnishings also includes a framed painting and mosaic carpeting. Lower panel shows the outdoor scene. At the banks of a river, possibly the Schuylkill, 5 men, one woman, and a boy are gathered. The woman, at the center of the scene, wears a riding habit and sits side saddle on her horse. Her male companion, in a riding suit, stands next to her, dismounted from his horse. To the left, a man in a hunting outfit and with a dog stands between two men in suits and top hats. To the right, a man attired in an overcoat stands with a boy, attired in a suit. Each wears a top hat. All the men wear pants of various patterns and different styles of neckwear. Most carry a cane and the hunter holds a rifle. Most of the depicted men have some facial hair. Key numbered 1-9 and 10-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 179
Philadelphia Fire Department Relief Association. [membership certificate]
Certificate containing four vignettes depicting a variety of horse-drawn fire engines and fire fighting vehicles. Vignettes include a steam engine, hook and ladder truck, and ambulance. Bundles of firefighting equipment, including a hose, ladder, fire hydrant, hooks, and ax, flank each side of the text. The seal of the city of Philadelphia bordered by fire helmets and lanterns and the seal of the Fire Department appears at the top and bottom, respectively. A twisting fire hose divides pictorial elements. Each lower corner contains a fire fighter at work. Lower left figure rescues a bare-chested person and the lower right figure uses a hose. The association was established on June 14, 1873., Not in Wainwright., Contains seal of association pasted on recto., Issued to Thomas Colton on April 7, 1884. Signed Daniel Bennet, Secy. and Sam[ue]l Collins, Prest., Philadelphia on Stone, POSP 180, Historical Society of Pennsylvania: Certificates - Philadelphia Fire, Poor condition. Torn in half.
The Philadelphia Firemen's Anniversary Parade March composed for his brass band expressly for the occasion, arranged for the piano forte and respectfully dedicated to the Fire Department by Francis Johnson Philadelphia. [graphic] / Designed & drawn on sto
Sheet music cover. Wainwright originally dated ca. 1848., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: Sheet music collection 8189.F., Historical Society of Pennsylvania:
Philadelphia, from Camden, - 1850.
Panoramic view looking west from Camden showing the city to West Philadelphia. In the foreground, several bustling piers line the Camden riverfront. Sail ships and steamboats are docked, horse-drawn wagons are loaded and transport goods, and individuals mill on the piers and near the Market Street ferry house. Several vessels, including sail ships, tug boats, and steam boats sail in the river near both riverfronts and around Smith and Windmill islands. In the background, the cityscape of Philadelphia is visible. Includes the Navy Yard, Spark's Shot Tower, the steeples of Christ Church and Independence Hall, and Girard College. Also shows rows of buildings, smokestacks, undeveloped land, and the Schuylkill River in the distant background., Copyright by Francis Smith in Pennsylvania., Philadelphia on Stone, POS 583, Retrospective conversion record: original entry, edited., The Smith brothers, Benjamin, Francis, David and George, were premier and prolific artists and publishers of panoramic city views during the pre-Civil War era., Free Library of Philadelphia: Oversize Philadelphiana - Views
[Philadelphia. From Girard College]
Bird's eye view print after B. F. Smith's 1850 lithograph "Philadelphia. From Girard College." View looking south from above Girard College (2000-2490 North College Avenue) showing the city to South Philadelphia. Includes Founder's Hall and the eastern and western outbuildings; Eastern State Penitentiary; Schuylkill River; and a church near the college grounds. Also shows spectators on the roof of Founder's Hall. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Title supplied by cataloger., Not in Wainwright., Philadelphia on Stone, POS 584, See LCP exhibit catalogue: Made in America #69., Gift of David Doret., Possibly printed by Charles Magnus.
Philadelphia from Girard College - 1850
Panoramic view looking south from above Girard College (2000-2490 North College Avenue) showing the city to South Philadelphia. Shows the boy's school predominately featured in the foreground. At the center, Founder's Hall looms. Several visitors walk around the building and a number partake of the vista from the roof. Boys walk and play near the eastern and western outbuildings and a woman hangs wash on a clothesline in one of the courtyards. Near the campus, pasture land and scattered development, including a church, is visible. In the background, blocks of buildings, industrial smokestacks, and church steeples comprise the cityscape. Also shows the Market Street Bridge spanning the Schuylkill River and Blockley Almshouse in West Philadelphia in the right of the image. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Copyrighted by Francis Smith in Pennsylvania., Philadelphia on Stone, POS 585, LCP exhibit catalogue: Made in America #69., Retrospective conversion record: original entry, edited., The Smith brothers, Benjamin, Francis, David and George, were premier and prolific artists and publishers of panoramic city views during the pre-Civil War era., Free Library of Philadelphia: Oversize Philadelphiana - Views - Philadelphia from Girard
Philadelphia from the Navy Yard
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.1. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 6626.F., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Views - Philadelphia from Navy Yard (3 copies), Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Philadelphia from the Navy Yard
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 586.2. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Philadelphia from the Navy Yard
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Copyrighted by J. T. Bowen., Originally published as plate 10 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 586.3. Digital image shows fourth state., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania:, Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Philadelphia from the Navy Yard
Marine view looking north on the Delaware River showing the Navy Yard between Prime and Wharton streets in Southwark. Ships are docked at the yard, and a steam boat and other vessels travel nearby in the water. Also shows several ships docked along the riverfront in the background and two men pushing a rowboat off the shore in the foreground. The naval yard, the first U.S. Navy Yard, established by shipbuilder Joshua Humphreys and Secretary of the Navy Benjamin Stoddert in 1801, built, overhauled, stored, and disposed of warships. It operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Originally published as plate 10 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 586.4, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2171 and in Print Room *Am 1848 Wild 3007.Q (Poulson) and in Print Room *Am 1848 Wild 1514.F and in Print Room *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Free Library of Philadelphia: Philadelphiana - Views -Philadelphia from Girard College (2 copies, without hand-coloring), Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Philadelphia, from the State House steeple, north, east and south.
Panoramic view looking east toward the Delaware River predominantly showing the area east of Fifth Street between Arch and South Streets from Independence Hall. Includes the Court House, i.e. City Hall (500 Chestnut Street); Philadelphia Library, i.e., Library Company of Philadelphia (105 S. Fifth Street); a flag flying on top of the U.S. Bank, i.e., Second Bank of the U.S. (420 Chestnut Street); the spires of Christ Church (22-34 N. Second Street) and St. Peter's Church (300-340 Pine Street). Also shows part of the State House garden; the north side of the 500 block of Chestnut Street, including adjoined storefronts tenanted by the American Hotel (181-183 Chestnut Street); S.L. Simons daguerreotype rooms (179 Chestnut Street); Geo. Earle's Pantechnethica (175 Chestnut Street); Geo. J. Henkels' City Cabinet Wareroom (173 Chestnut Street); and a clothing store on the northwest corner of Fifth and Chestnut Streets. Also depicts rooftop views (including people on the roofs) of several of the surrounding city blocks; and a few pedestrians and a horse-drawn carriage on Chestnut Street and the grounds of the State House. Sailboats and a steamboat are visible on the Delaware River in the distance, along with the horizon of Camden, N.J., Philadelphia on Stone, POS 587, Wainwright retrospective conversion project, edited.
Philadelphia Gas Works. From the south west.
Exterior view looking northeast at the first Philadelphia Gas Works, expanded in 1850 after the designs of John C. Cresson, the second chief engineer of the gas works. View includes the coal stores, retort house, lime and coke sheds, lime kilns and house, purifying houses, gasholders, and railroad tracks situated on the 2200-2300 blocks of Market Street immediately east of the Market Street Permanent Bridge. The gas works were originally completed in 1834 after the designs of engineer Samuel V. Merrick. A second facility, the Point Breeze Gas Works, was built 1851-1854 at Passyunk and Schuylkill avenues after the designs of engineer John C. Cresson., Philadelphia on Stone, POS 588, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc885 B786.
Philadelphia horse & carriage bazaar, S.E. corner of Ninth & George, between Walnut & Chesnut [sic] Sts. Philadelphia.
View of Alfred M. Herkness' circular auction house on the 800 block of George, i.e., Sansom Street. Signage adorns the building in which a man, possibly Herkness, stands in the doorway. Signs advertise the sale of horses, carriages, and harnesses "twice every week" and harnesses are tacked along the doorway. Carriages, harnessed to horses and free-standing, line the streets, and men wait at the side of the building. Also shows the neighboring Fifth Baptist Church, a man waiting on horseback, and a gentleman at the opposite street corner. Originally erected for the exhibition of a cyclorama of Jerusalem, the building was acquired by Herkness in 1847 or 48. Herkness remained at this site until 1913. Building demolished in 1915., Date from Poulson inscription on recto: April 1848. S.E. cor. George & Ninth Sts., Title from duplicate in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 589, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bb38 H548. Originally part of the Dreer Collection., HSP copy includes advertising text above image: Auction sales every Saturday morning. Private sales daily.
Philadelphia Hose Cos. steam engine
View of the "Pioneer" steam engine, the first steam engine commissioned by a Philadelphia fire company, completed in 1857 by Reaney, Neafie & Co. Engine is adorned with the makers plate dated 1856 and the name plate "Philadelphia No. 1". It is attached to a hose and a fire hydrant. Print also contains a simple border with geometric details. Philadelphia Hose Company was organized in 1803 and was also the first organization to utilize hoses of several hundred feet. By the mid-nineteenth century, the fire house was located at the southeast corner of Seventh and Filbert streets., Not in Wainwright., Date from Poulson inscription on recto., Philadelphia on Stone, POSP 181, Historical Society of Pennsylvania: Bc 832 P 544
Philadelphia in 1702.
Print containing a panoramic view of the city in 1702 and three titled vignette views representing the early settlement of the city. View looks west from Camden, New Jersey and shows the Delaware River and burgeoning Philadelphia cityscape. Includes Swedes Church (1); Old Horse Mill (2); Pont House from Chester (3); Sven Svener's House (4); Duck Pond and Indian Huts at 3rd & Pine (5), Loxley's House (6); Dock Creek and drawbridge (9); Blue Anchor Tavern (13); Budd's Row (18); Carpenter's House, Brewery and Bakery (20); Old Slate House (22); Friends Public School (24); Benezet House (25); Duck Pond at 4th & Market (26); Baptist & Presbyterian Meeting House at 2nd & Chestnut (27); Friends Meeting (28); London Coffee House (31); Market Shambles (34); Christ Church (36); Jones Row (37); Turners Famous House (39); Arch Street under Arch (40); Friends Bank Meeting (42); Penny Pot House (43); Pegg's Run (44); Swedish settlement (48); Fairman's Mansion & Treaty Tree (49); and Floating Windmill (50) in the Delaware. Also shows other early dwellings and taverns, sailing vessels on the river, and activity at the riverfront that is lined with a few piers. Vignettes show "Penn's Treaty" after the Benjamin West painting; "Site of Philada. When in Possession of the Swedes before the Landing of Penn" covered with forests; "Landing of the First Families" who gather with their posessions at the shore near a cave and in the presence of Native Americans. "Landing" vignette also shows a man cooking at a spit and a cabin under construction on a hillside in the background., Copyrighted by Smith & Cremens in Washington, D.C., Not in Wainwright., Print priced at 50 cents., Philadelphia on Stone, POS 590, Historical Society of Pennsylvania: Bc 864 W 119. HSP copy contains separately-issued key to 50 sites depicted in image pasted on verso. Facsimile of key provided with LCP copy of print., Trimmed.
Philadelphia in the olden time.
Philadelphia in the olden time.
Print containing a panoramic view of the city and three titled vignettes of city landmarks during the colonial era. View looks west from Camden, New Jersey and shows the Delaware River and Philadelphia cityscape. Includes the steeples of Swede's church, St. Peter's Church, Christ Church, Carpenter's Hall, State House, Christ Church, and German Reformed Church; the Market sheds on Market Street; businesses and residences; and piers and docked ships. On the river, vessels sail past Smith's Island. Also shows, in the foreground, the busy ferry and coach stop at Cooper's Point in Camden. Near the ferry house, individuals wait to board the stage coach express to New York, men gallop in on horseback, a farmer rides a horse of a team of four hauling a large bale of hay, passengers board the horse and passenger ferry readying for departure, and men fish on the river banks. Vignettes include pedestrian traffic and show "1710 The Prison at 3rd & High (Market) St.; "The State House as it was in 1735"; and "Old Court House and Friends Meeting House 2nd & High (Market) Sts. 1707." High Street Prison was actually built circa 1723 and the nearby old market stalls were built 1710. State House, i.e. Independence Hall, was built 1732-1748. The Old Court House was built 1707 by carpenter Samuel Powell and the meeting house known as Market Street Meeting House was erected 1695 and rebuilt 1775-1776., Copyrighted by Smith & Cremens in Washington, D.C., Not in Wainwright., Philadelphia on Stone, POS 591.2. Digital image shows first state of print., Historical Society of Pennsylvania: Bc 864 W 121 [2nd state?], Gift of Col. Cleon E. Hammond, May 26, 1971.
Philadelphia in the olden time.
Print containing a panoramic view of the city and three titled vignettes of city landmarks during the colonial era. View looks west from Camden, New Jersey and shows the Delaware River and Philadelphia cityscape. Includes the steeples of Swede's church, St. Peter's Church, Christ Church, Carpenter's Hall, State House, Christ Church, and German Reformed Church; the Market sheds on Market Street; businesses and residences; and piers and docked ships. On the river, vessels sail past Smith's Island. Also shows, in the foreground, the busy ferry and coach stop at Cooper's Point in Camden. Near the ferry house, individuals wait to board the stage coach express to New York, men gallop in on horseback, a farmer rides a horse of a team of four hauling a large bale of hay, passengers board the horse and passenger ferry readying for departure, and men fish on the river banks. Vignettes include pedestrian traffic and show "1710 The Prison at 3rd & High (Market) St.; "The State House as it was in 1735"; and "Old Court House and Friends Meeting House 2nd & High (Market) Sts. 1707." High Street Prison was actually built circa 1723 and the nearby old market stalls were built 1710. State House, i.e. Independence Hall, was built 1732-1748. The Old Court House was built 1707 by carpenter Samuel Powell and the meeting house known as Market Street Meeting House was erected 1695 and rebuilt 1775-1776., Copyrighted by Smith & Cremens in Washington, D.C., Not in Wainwright., Key to 11 of 14 numbered sites within image printed below the title., Philadelphia on Stone, POS 591.1, Historical Society of Pennsylvania: Bc 864 W 121, Gift of Mrs. E. M. Paris, April 9, 1935.
Philadelphia, Paris & New-York, fashions for fall & winter 1858-9. Published and sold by F. Mahan, no. 720 Chestnut Street, Philadelphia.
Fashion print containing twenty-two full-length models in two rows primarily displaying a variety of men's suits and coats. Top row features figures posed against a domestic interior showing patterned carpeting and drapes as well as a mirror and a tall case clock. Includes two female figures in the center of the row. Bottom row features male figures dressed in outdoor clothing including Liet. Washington L. Mahan in military uniform and Maj. T.E. Tiden posed against a bleak winter landscape., LCP copy uncolored., Philadelphia on Stone, POSP 183
Philadelphia, Paris & New-York fashions, for spring & summer 1854.
Fashion advertisement containing two panelled scenes of 20 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Eight men, a woman, and a boy socialize in clusters of three and four. The men and boy wear suits, many with paisley-patterned pants, and the woman wears a patterned dress with full skirt and tassels as well as a bonnet. A large mirror on a stand, several chairs, and chaise lounges furnish the room decorated with carpet, drapery, and wallpaper. Lower panel shows the outdoor scene set before "The New Masonic Temple, Chestnut St., Phila." Six men, including clothing store proprietor Francis Mahan, two girls , a boy, and a woman stand on the street block. Four of the men wear suits, including one with an overcoat. Another man, with a girl in a skirt and bloomers standing at his side, wears a hunting oufit and holds a rifle. The woman comprises part of a couple attired in riding outfits who are flanked by a boy dressed in a suit, a girl wearing a skirt and bloomers, and the man with the overcoat. Most of the men wear mutton chops, including three with mustaches., Philadelphia on Stone, POS 546, LOC copy uncolored., Library of Congress: PGA - Duval--Paris, New York & Philadelphia fashions (D size) [P&P] Fashions Spring Summer 1854
Philadelphia, Paris & New-York fashions, for spring & summer 1861. Published and sold by F. Mahan, no. 720, Chestnut Street, Philadelphia.
Fashion print containing two rows of full-length models displaying men's and women's indoor and outdoor clothing. Top row features figures posed against a domestic interior showing patterned wallpaper and carpeting. Two female figures in the center of the row display dresses with large hoops. Bottom row features figures dressed in outdoor clothing including a couple dressed in riding habit, the Prince of Wales, and Union Major Robert Anderson, commander at Fort Sumter, posed in front of a view of Fort Sumter., Philadelphia on Stone, POSP 182, Gift of David Doret., LCP copy uncolored., Philadelphia on Stone
Philadelphia, Paris & New-York fashions, for spring & summer of 1864. Published and sold by F. Mahan, no. 911, Chestnut Street, Philadelphia.
Fashion print containing two rows of full-length models displaying men's and women's indoor and outdoor clothing. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Two female figures in the center of the row display dresses with large hoops. Bottom row features figures dressed in outdoor clothing including two Union generals, Brig. Gen. Henry Morris Naglee and Maj. Gen. Nathanial Prentiss Banks, in military uniforms and two sportsmen carrying hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 185, LCP AR [Annual Report] 1991, pgs. 48-49.
Philadelphia, Paris & New York fashions, for spring & summer of 1865, published and sold by F. Mahan, no. 911, Chestnut Street Philadelphia.
Fashion print featuring twenty full-length models in two rows displaying men's and women's indoor and outdoor clothing. Primarily depicts men's fashions but includes three female figures and two children. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Bottom row features figures dressed in outdoor clothing including two Union generals, Maj. Gen. George H. Thomas and Maj. Gen. Philip Henry Sheridan, in military uniforms and a sportsman carrying a hunting rifles posed in front of a military camp., Philadelphia on Stone, POSP 184, LCP AR [Annual Report] 1991, pgs. 48-49.
Philadelphia Paris & New York fashions for spring & summer of 1867, published and sold by F. Mahan, no. 911, Chestnut Street Philadelpiha.
Fashion print featuring twenty full-length models in two rows displaying men's and women's indoor and outdoor clothing. Primarily depicts men's fashions but includes three female figures and two children. Top row features figures posed against a domestic interior featuring a large window overlooking a country landscape and patterned carpeting and drapes. Bottom row features figures dressed in outdoor clothing including Senator Simon Cameron and Union General John Adams Dix posed against wall with a rural landscape in the background., Philadelphia on Stone, POSP 186, LCP AR [Annual Report] 1991, pgs. 48-49.
Philadelphia Riding School
Interior view of the riding school operated by Thomas Craige & Son at 4th Street above Vine Street. Showing a large room filled with men and women attired in riding habits riding horses along the periphery. The women, including one attended by a man not on a mount at the center of the room, ride side saddle. The walls, some adorned with windows, are decorated with landscape murals. A woman and a boy holding riding crops stand and watch, with a small dog, by a railing in the foreground. Two crops and a sash rest at the opposite end of the railing. Craige, a riding master, operated a riding school on Fourth Street circa 1840-circa 1860s. The school was advertised as the largest building of its kind in the United States in 1850., Philadelphia on Stone, POS 592, LCP AR [Annual Report] 1989, p. 46., School advertised in Philadelphia Inquirer (February 1, 1850).

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