The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

Pages

T. Sinclair's lithographic establishment removed from 311 Chestnut to 506 & 508 North St. bet. Market & Arch
Advertisement for the Philadelphia lithographer containing a whimsical scene with costumed figures in a theater box. Thomas Sinclair started his lithographic career in Philadelphia ca. 1838 and in 1840 operated his own establishment. Sinclair relocated to North Street in 1868., Not in Wainwright., Philadelphia on Stone, POSA 94, American Antiquarian Society: Graphic Arts Ephemera Late Trade Print 0113
[T. Wattson & Sons, biscuit bakery, 129 North Front Street, Philadelphia]
Advertisement showing the busy four-story factory for the bakery at 129 North Front Street, between Chestnut and Walnut Streets. A gentleman, possibly the proprietor Thomas Wattson, stands in one of the open doorways to the bakery as laborers work around him. Near the doorways, workers load kegs onto a horse-drawn "T. Wattson & Sons Biscuit Bakery" wagon and dray. Other men, hoist kegs to upper receiving windows from a group of several lined in front of the factory. In a few of the windows, men at work and stacks of barrels are visible. Laborers hammer shut and move kegs. Also shows "X"-shaped joint bolts on a section of the building under near which a pedestrian walks past. Business established at address in 1846. Thomas Wattson sold the business to his son-in-law in 1852 and it was renamed Wattson & Co., Title supplied by cataloger., Date from Poulson inscription on recto: North Front Street-Phila. Aug. 1846., Philadelphia on Stone, POS 737, Wainwright retrospective conversion project, edited., Trimmed.
Tabernacle Baptist Church, Chestnut Street, Philadelphia.
View showing the church built 1853 after the designs of William Boyington on the 1800 block of Chestnut Street. Church contains a tower and spire. A few pedestrians walk on the sidewalk in front of the building that is surrounded by a wrought iron fence. Trees adorn the church grounds. The church, razed in 1900, was the only Baptist church situated west of Broad Street when completed., pdcc00011, Philadelphia on Stone, Free Library of Philadelphia: Castner 23:62
Tabernacle M. E. Church. 11th St. above Jefferson St. Philadelphia.
Exterior view of the Tabernacle Methodist Episcopal Church,, Exterior, oblique view looking southwest at the two-story Roman Corinthian church and rotunda of the Tabernacle Methodist Episcopal Church, erected in 1853 after the designs of Stephen Decatur Button. Corinthian pilasters and narrow, arched windows adorn the front facade, which is surmounted by a dome and lantern made of wood and tin. An ornate iron railing extends south from the church to the partially visible adjacent three-story row house at 1528 North Eleventh Street. Includes five pedestrians (two couples and a woman) walking on the sidewalk in front of the church. Purportedly the first, and possibly only, Methodist Church in Philadelphia to have a dome or spire. A fire destroyed this first structure on January 18, 1857, and a second church, modeled on the first building, was completed in 1858., Dated supplied by Wainwright., Philadelphia on Stone, POS 739, For architectural descriptions of the exteriors and interiors of the 1853 and 1858 church structures, see Poulson's Scrapbook of Philadelphia History, vol. VIII, p. 10, and vol. X, p. 65 (LCP reference copy Uy 8, 2526.F)., Wainwright retrospective conversion project, edited.
Tabor Presbyterian Church, s.w. corner of Christian & 18th Sts. Philadelphia. Erected A.D. 1863.
Exterior view of the Gothic-style church at the southwest corner of Eighteenth and Christian Streets. Also shows pedestrian traffic in the foreground, including a couple, a woman and child, and a man strolling with two ladies. Church was organized in 1863 from members of the Missionary Association of the Calvary Presbyterian Church., Philadelphia on Stone, POS 740, Gift of David Doret., Sloan was a member of the Tabor Presbyterian church.
Tacony and Mac. Hunting Park Course Phila. June 2nd 1853.
Racing print showing the jockeyed horses on the race track at Nicetown Lane and Old York Road in North Philadelphia. The eight-year old strawberry roan Tacony takes the lead over Mac. The jockeys wear a red cap and vest (Tacony) and a green cap and jacket (Mac). A barn, exercise yard, and residential building are visible in the background. The Hunting Park Association which sponsored races for the encouragement of the breeding of fine horses was established in 1828., Names of the horses printed below the image., Not in Wainwright., Philadelphia on Stone, POS 741, Historical Society of Pennsylvania: Bc 07 H 817b
Tamany Fish House, on the Pea Shore, R. Delaware.
View showing visitors enjoying the public grounds of the Tamany Pea Shore Fishing Company, a social and sporting club founded by Philadelphia artisans in 1803 on the New Jersey Shore above Camden. People stroll on the veranda of the club house remodeled in 1832 and are visible in the upper-floor windows. The building, reflected in the water, is adorned with a flag and a weather-vane shaped as a fish. The kitchen building stands to the right of the main building. Between the two buildings, two men stand in front of a water pump. Couples stroll and an older man fishes on a wooden pier, to which a rowboat is tied, that stretches from the shore. In the right, a rowboat carrying seven passengers (5 men, 2 women) approaches a boy and a man preparing to fish next to their grounded rowboat on the riverbank. Other guests stroll and greet each other on the shore that is lined with trees. Club named after Tamane, a respected Delware chief who purportedly died near the site fo the clubhouse., Philadelphia on Stone, POS 742, LCP exhibit catalogue: Made in America #72., Wainwright retrospective conversion project, edited., Library Company of Philadelphia: Snider gift., Historical Society of Pennsylvania: Bc 03 Tl 53., Gift of Jay Snider., Date of founding of the club from article in Public Ledger, October 12, 1882.
Target firing State Fencibles, Capt. J. Page, the seat of Dr. William Wetherill, Fatland (near Valley Forge) Montgomery Co. Pa. June 14th 1859. [graphic].
Scene showing the State Fencibles militia marching past the Wetherill mansion on the Fatland estate. The men march in seven lines, led by the Fencibles marching band, followed by officers, and then four lines of enlisted men fronted by a single Fencible. All the men wear uniforms and the officers wear Hardee hats, while the enlisted men wear tall, bearskin hats. In the left foreground, a group of well-dressed men, women, and children watch the militia. In the background, other guests line the portico and verandas of the mansion. near clusters of Fencibles and spectators lining the grounds in front of the mansion. The scene also includes the trees and bushes that surround the grounds and mansion. During the 1850s, Dr. Wetherill, partner in the Wetherill & Brother White Lead Works, annually invited the Fencibles to his estate for spring target firing. The June 1859 excursion included seventy-four muskets and five officers, a lunch, dinner, and dance. The State Fencibles was a military organization raised in Philadelphia in 1813 as part of the Pennsylvania militia. In 1871, the military company, recruited under James Page, became attached to the Eighth Regiment National Guard of Pennsylvania. The Fatland seat was owned by gentleman William Bakewell beginning in 1803 before being sold to the Wetherill Family about 1821 and his death. Fatland, named for the estate's great soil fertility, remained in the Wetherill family through the early 20th century., Title from item., Date inferred from date of event depicted., Philadelphia on Stone, POSP 292, Gift of David Doret., Trimmed., Title clipped and pasted on sheet with manuscript note mounted below image: To Capt. J. W. Ryan Compliments of [Chas Marshall D. Co's N.G.?] Pa., Trimmed., See Thomas S. Lanard, One hundred years with the State Fencibles : a history of the First Company State Fencibles ... (Philadelphia: Nields Co., 1913), 115-116.
[Taylor & Teese, saddlers and A. R. Chambers, currier, 67 & 69 Chestnut Street, Philadelphia.]
Advertisement showing the 4-story adjacent storefronts for Andrew R. Chambers, leather dealer and Taylor & Teese, saddlers at 67-69, i.e., 223-225 Chestnut Street. Signage for the businesses, the street numbers, and a drain pipe marked "1832" adorn the building. Merchandise adorns the display windows and sidewalk of Taylor & Teese. Includes a stack of trunks, a harness, saddles, and a feedbag. Rolled merchandise is also visible through the open doorway of Chambers. Taylor & Teese and Chambers resided as neighbors circa 1832-circa 1837., Title supplied by cataloguer., Date supplied by Wainwright., Poulson inscription on recto: Chestnut Street, Chestnut Street, Aug 1847., Philadelphia on Stone, POS 743, Wainwright retrospective conversion project, edited., Childs & Inman, a partnership between engraver and lithographer Cephas G. Childs and portraitist Henry Inman, was active in Philadelphia between 1830 to 1833.
Terrible conflagration and destruction of the steam-boat "New Jersey"
Dramatic view of the steamboat engulfed in flames and smoke, the captain still at the helm as the passengers escape into the icy river. Panicked-looking passengers jump into the water already teeming with disaster victims, including an African American man, who thrash, swim, and attempt to stay upon and assist others onto cakes of ice, debris, and a single rowboat. Rescuers from the nearby wharf, including firemen, work in a frantic manner and desperately throw a rope to a white woman standing on an ice floe. Also shows a horse on the fire engulfed deck and a white woman propelled by a flame off of the rear of the boat. A sign for "Baths" is visible on the riverbank in the background. Contains the names of the 107 white and "colored" dead, missing, and saved passengers in three columns below the image. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as a result of defective boilers, a fireplace, and brick work. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river., Title from item., Date supplied by Wainwright., Copyrighted by A. Pharazin., Philadelphia on Stone, POS 744, Accessioned 1982., Description revised 2021., Access points revised 2021.
Terrible conflagration and destruction of the steam-boat "New Jersey,"
Terrible conflagration and destruction of the steam-boat "New Jersey,"
Dramatic view of the steamboat engulfed in flames and smoke, the captain still at the helm as the passengers escape into the icy river. Panicked-looking passengers jump into the water already teeming with disaster victims, including an African American man, who thrash, swim, and attempt to stay upon and assist others onto cakes of ice, debris, and a single rowboat. Rescuers from the nearby wharf, including firemen, work in a frantic manner and desperately throw a rope to a white woman standing on an ice floe. Also shows a horse on the fire engulfed deck and a white woman propelled by a flame off of the rear of the boat. A sign for "Baths" is visible on the riverbank in the background. Contains the names of the 107 white and "colored" dead, missing, and saved passengers in three columns below the image. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as a result of defective boilers, a fireplace, and brick work. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river., Title from item., Date supplied by Wainwright., Copyrighted by A. Pharazin., Philadelphia on Stone, Purchase 1965., Description revised 2021., Access points revised 2021.
Terrible conflagration and destruction of the steamboat "New Jersey," on the Delaware River, above Smith's Island, on the night of March 15th, between 8 and 9 o'clock, in which dreadful calamity over 50 lives are supposed to have been lost.
Dramatic view of the steamboat, its nameplate visible, engulfed in flames and smoke, as the passengers escape into the icy river. Panicked passengers huddle, jump and dive into the water already teeming with disaster victims. The river-bound men and women bob; swim; and lie on, attempt to stay upon, and assist others onto cakes of ice and debris. In the lower right of the image, a rowboat containing a rower and a man holding a baby as well as a victim hanging on to the rear of the vessel arrives at the nearby wharf. The rescuer hands the limp baby to its mother, next to whom a man stands with a look of concern. In the left background, signage for "Baths" adorns the riverbank. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as a result of defective boilers, a fireplace, and brick work. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river., Philadelphia on Stone, POS 745, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Castner 19:33
The terrible conflagration at Ninth and Washington Streets, Philadelphia.
Disaster print showing the scene at the "disastrous conflagration commenced in the storage yard [of Blackburn & Co.] at Ninth & Washington Street" in the early morning hours of February 8, 1865. In the foreground, displaced and panicked residents of all ages attired in their night clothes, many holding their few possessions, run down and gather on the snowy streets. Amongst the commotion, police officers assist residents with their possessions (trunks, bedding, and cookware) and direct firefighters toward the blaze and burnt ruins of and surrounding the coal yard. The firefighters transport a ladder, hoses, and hose carriage toward the burning buildings as other volunteers rush to smother a man on fire and comfort a fleeing girl. Others depicted at the scene include two men laying an unconscious man attired in a nightshirt on the ground; a man and woman clutching their children to their chests; and a woman falling and dropping her baby in her flight as a dog runs past them. In the background, a small number of survivors and firefighters carrying victims, run down the 1100 block of Ninth Street that is lined with burning and destroyed buildings. Across from the coal yard, presumably the proprietor, James McManus, holds a bundle, and prepares to exit the doorway of the "Lager Beer Saloon" on the northeast corner of Washington Avenue and Ninth Street. Furniture covers the sidewalk in front of his establishment, the upper floors visibly on fire., Also contains several lines of text explicating the economic and human cost of the fire, including "loss of property" at "$400, 000," the "property destroyed" at about "one hundred structures," and the "List of Dead and Missing - Mrs. Barbara Ware, aged 43 years. Miss Annie Ware, 23 years._Emma Ware, 20 year._Helen Ware, 13 years._Isabella Ware, 4 years._Rebecca Ware._Albert Ware, 17 years._Clayton Ware, 10 years._The Scott Family is missing._Samuel McMenamin Fleetwood". A barrel of coal oil ignited through arson stored at Blackburn & Co. started the blaze shortly after 2 A.M. The fire destroyed the coal yard, which then caused a stream of burning oil to flow down Washington Avenue and Ninth Street that spread the fire to neighboring blocks of Federal and Ellsworth streets., Philadelphia on Stone, POS 746, Wainwright retrospective conversion project, edited., Reaccessioned as P.2215., Historical Society of Pennsylvania:, Fire described in the Philadelphia Inquirer, February 9, 1865, p. 8.
Testimonial awarded by the Philadelphia Relief Committee
Certificate issued by the committee formed to provide relief for victims of the yellow fever epidemic in Portsmouth and Norfolk, Va. in 1855. Contains a central bird's eye view of the the two adjacent towns over which the figure of death flies. Vignettes and pictorial details depicting allegorical female figures, a barren tree, and a sepulchral monument surround the view. Also contains a religious scene representing Matthew 25, 36; "I was sick and ye visited me.", Not in Wainwright., Philadelphia on Stone, POSP 248, Library of Congress: DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Testimonial
Testimonial to Samuel B. Fales Esq. from the Union Volunteer Refreshment Committee,
Certificate commemorating Fale's service to the committee. Includes a decorative floral border containing a profile vignette portrait of Fales captioned "The Soldier's Friend", an American eagle, the figures of liberty and justice, interior and exterior views of the Union volunteer Refreshment Saloon and Hospital, and a battle scene., Signed October 25, 1863 by Arad Barrows, Chairman; John B. Smith, W. S. Mason, Curtis Myers, committee on testimonial; and Joseph B. Wade, secretary., Philadelphia on Stone, POS 747, Dunton was a Philadelphia teacher.
Teutonia Sänger Bund [membership certificate]
Membership certificate for the German-American choral society. Includes an ornamental masthead containing a harp, laurel leaves, and a scroll. Also includes the coat of arms of Pennsylvania. By the mid 1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Philadelphia on Stone, POSP 249, Historical Society of Pennsylvania: *NB 1 75 - 358
Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia.
Calendar advertisement for the year 1876 offered during the Cenntenial Exhibition. Includes an ornate border containing vignettes, scenes, allegorical figures, and other pictorial elements. On either side of the calendar, female allegorical figures within elements styled as Faberge eggs are depicted. Figures include Peace, Liberty, Mortality, Music, Poetry, and Art. Below the calendar, female allegorical figures and scenes contrast the wilderness of 1776 with an industrial city of 1876. Other elements show cupids, eagles, oval-framed vignette of the liberty bell, and floral ornaments. The lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Not in Wainwright., Printed below the image: Specimens of work are exhibited at Gallery 18, Annex to Art Gallery, North Wall., Philadelphia on Stone, POSA 96, Historical Society of Pennsylvania: HSP Society Print Collection - Posters & Broadsides - Advertisements - Print Trade & Allied Business Folder - Leonhardt
Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia.
Tradecard containing a montage of views of "International Exhibition" buildings. Depicts Agricultural Hall, Horticultural Hall, Memorial Building (Art Gallery), Woman's Pavillion, Jury Pavillion, Machinery Hall, and Main Building. Other pictorial elements include garland and an American eagle and shield. The lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Printed above the title: Theo. Leonhardt. Established in 1851. Arno Leonhardt., Philadelphia on Stone, POSA 97, Historical Society of Pennsylvania: Tradecard Collection - L - 1875
Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia.
Tradecard containing a montage of views of "International Exhibition" buildings. Depicts Agricultural Hall, Horticultural Hall, Memorial Building (Art Gallery), Woman's Pavillion, Jury Pavillion, Machinery Hall, and Main Building. Other pictorial elements include garland and an American eagle and shield. The lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Printed above the title: Theo. Leonhardt. Established in 1851. Arno Leonhardt., Philadelphia on Stone, POSA 97, Historical Society of Pennsylvania: Tradecard Collection - L - 1875
Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia.
Souvenir flier in commemoration of the Centennial Exhibition and the 25th anniversary of the lithographic firm started by Theodore Leonhardt in 1851. Contains a montage of vignettes representing the work of the studio, including views of exhibition buildings and city landmarks. Views depict Memorial Hall, Masonic Temple, Academy of Fine Arts, Horticultural Hall, Independence Hall, Pennsylvania University, Girard College, and City Public Buildings (i.e., City Hall). Also includes "Birds-Eye View Centennial International Exhibition" (center), bust-length vignette portraits of George Washington and President Grant, the seal of the city, and a banner reading Theo. Leonhardt & Son. 324 Chestnut Street, Philadelphia. 1851.1876. Most of the views also show street and pedestrian traffic. Vignettes separated by borders comprised of ornate details, graphics representing modes of the arts, and cameo portraits of a Native American, soldier, sailor, and farmer. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park., Not in Wainwright., Cover contains pictorial design., Promotional text printed on cover: We take the liberty in presenting you this souvenir as a memento of the Nations One hundredth Birthday and our Twenty-fifth Anniversary, calling your attention to our varied Specimens in the line of Commercial Lithography. Our experience in this quarter of a century enabled us to Study the Wants of the Commercial World at large, and as we have always been striving to produce the Best Work, we leave it to your own judgement [sic] to convince yourself by personal inspection. We remain Respectfully Yours, Theo. Leonhardt & Son. Philadelphia, May 1st 1876., Philadelphia on Stone, POSA 98, Historical Society of Pennsylvania: Tradecard Collection - L - May 1, 1876
Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia.
Souvenir flier in commemoration of the Centennial Exhibition and the 25th anniversary of the lithographic firm started by Theodore Leonhardt in 1851. Contains a montage of vignettes representing the work of the studio, including views of exhibition buildings and city landmarks. Views depict Memorial Hall, Masonic Temple, Academy of Fine Arts, Horticultural Hall, Independence Hall, Pennsylvania University, Girard College, and City Public Buildings (i.e., City Hall). Also includes "Birds-Eye View Centennial International Exhibition" (center), bust-length vignette portraits of George Washington and President Grant, the seal of the city, and a banner reading Theo. Leonhardt & Son. 324 Chestnut Street, Philadelphia. 1851.1876. Most of the views also show street and pedestrian traffic. Vignettes separated by borders comprised of ornate details, graphics representing modes of the arts, and cameo portraits of a Native American, soldier, sailor, and farmer. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park., Not in Wainwright., Cover contains pictorial design., Promotional text printed on cover: We take the liberty in presenting you this souvenir as a memento of the Nations One hundredth Birthday and our Twenty-fifth Anniversary, calling your attention to our varied Specimens in the line of Commercial Lithography. Our experience in this quarter of a century enabled us to Study the Wants of the Commercial World at large, and as we have always been striving to produce the Best Work, we leave it to your own judgement [sic] to convince yourself by personal inspection. We remain Respectfully Yours, Theo. Leonhardt & Son. Philadelphia, May 1st 1876., Philadelphia on Stone, POSA 98, Historical Society of Pennsylvania: Tradecard Collection - L - May 1, 1876
Theo. Leonhardt & Son. Importers of cards, 324 & 326 Chestnut St. Philadelphia.
Not in Wainwright., Trade card depicting "Le Petit Chaperon Rouge." Shows a girl attired in a red frock and bonnet holding a basket with a "patissier" and windmill standing in the background. Also contains several lines of French text explicating the story of "Chaperon Rouge." The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 99, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Le Petit
Theo. Leonhardt & Son, importers of cards, 324 & 326 Chestnut St., Philadelphia.
Not in Wainwright., Trade card depicting similarly-featured portraits of a tabby cat and mustached, bushy white- haired man as side by side pages of an open book. Cat wears a blue collar offset by a blue bookmark ribbon extending from the book edge. Advertising text on verso reads "We will furnish you One Thousand French Art Chromo Cards in complete sets, assorted from 10-20 designs which you may select from our price list, for Ten Dollars net. 500 cards assorted as above for $6.00 net. (The retail price of the cards is 12-15 cents per set.)" The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 100, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Cat
Theo. Leonhardt & Son. Lithographers. 324 & 326 Chestnut St. Philadelphia.
Not in Wainwright., Advertisement utilizing trompe l'oeil promoting the partnership established by Theodore Leonhardt and his son Arno in 1874. Contains a montage of imagery covered by a check from "Arno Leonhardt" to the "Central Bank." Imagery includes women reading and enjoying a landscape vista from a porch; a boy dressed in 18th-century attire painting; a vase of flowers; an urn; a portrait of a girl; and floral details. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century., Philadelphia on Stone, POSA 101, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Lithography - Vertical Box 2 - Leonhardt - Trompe
Theodore M. Apple, guager & cooper, no. 2 & 4 Gray's Alley between Front & Second and Walnut & Chestnut Streets, Philadelphia.
Advertisement containing a busy wharf scene on the Delaware River. Laborers fabricate and load numerous barrels onto a sailing ship while horse-drawn drays carrying barrels arrive on the scene. In the foreground, a man stands in one of two rowboats tied to the pier. His cohort unties his boat from the pier above. In the background, horse-drawn wagons arrive at a neighboring pier milling with activity. Also shows pairs and groups of men conducting business, a partial view of a loft house, and ships docked along the wharves and sailing in the river., Not in Wainwright, Philadelphia on Stone, POS 748, LCP AR [Annual Report] 1988 p. 42.
This diploma
Diploma containing two vignettes and and a dominant scene symbolizing agriculture separated by borders comprised of sheaves of wheat, a shovel, farm produce, and vinery. In the upper right, vignettes depict a farmer reaping his field with a horse-drawn reaper and an industrial view of a train passing a coal breaker factory across from a coal mine in which horse-drawn coal cars arrive and depart. The dominant scene shows a farm with livestock, including a pig, turkeys, chickens, and ducks milling the grounds near a woman milking a cow while farmhands corral cows out of a yard, transport a wagon of hay from a barn, and plow a field. View also shows horses before a pasture of grazing sheep and other homesteads, the Wyoming Monument (erected in 1833 in memory of victims of the Wyoming Massacre 1778), and treescaped hills in the distance. The Luzerne County Agricultural Society was founded in 1858 by persons interested in farming and gardening with the mission "to foster and improve agriculture, horticulture, and the domestic and household arts." The first annual fair was held in 1859 and stopped after circa 1879 and before 1891., Not in Wainwright., Dilpoma completed in manuscript: This diploma was awarded by the Luzerne County Agricultural Society at their [Thirteenth] Annual Fair held at Wyoming [Sept. 25, 26 & 27] 18[72] To [William H. Shoemaker Esq. of Wyoming] for [best bottle of grape wine]. [Steuben Jenkins], Prest. and [W. H. Jenkins], Secy., Glued onto a modern mat by previous owner., Philadelphia on Stone, POSP 287, Steuben Jenkins was a respected lawyer, farmer, historian, and antiquarian of Wyoming County.
Swarthmore College
View showing the original building, later named Parrish Hall, of the college founded by Hicksite Quakers in 1860 and opened in 1869. In the foreground, a dirt road runs past the college. Parrish Hall, named for first president Edward Parrish, contained a library, geological museum, classrooms, a chemical laboratory, parlors, dining-room, kitchen, and student rooms. The cornerstone was laid 1866 and the building completed after the designs of Addison Hutton., Not in Wainwright., pdcc00028, Philadelphia on Stone, POSP 247, Free Library of Philadelphia: Castner 27A:41
Thomas Hargrave ornamental carver and sculptor s.w. corner of Ridge Road & 13th St.
Advertisement showing the three-story business facade, adorned with signage, and the adjacent marble yard at N. 13th Street and Ridge Avenue (east of North Broad and north of Spring Garden streets). A female patron enters the doorway of the establishment in which a monument adorned with a figure in recline is visible within the window. Below the window, signage for "Union Refectory. Oysters Terrapins & Game in Season by Charles Epley" hangs. A male patron descends the stairs to the oyster cellar. A man and boy admire the sepulchral monuments and headstones, many ornamented, which crowd the adjacent fenced, marble yard. Ornamentations include eagles, urns, a female figure at recline, and the inscription "Mother." In the street, a horse-drawn cart is positioned to receive goods across from a stopped "Girard College & Green Hill Chesnut [sic] and Thirteenth" omnibus. A couple exits the rear of the horse-drawn vehicle that is filled with passengers. A landscape view decorates the cab. In the background, neighboring buildings, one with smoking chimneys, are visible. Hargrave established his business at the address in 1844 and operated from the location until the later 1860s., Date supplied by Wainwright., Poulson inscription on recto: Dec. 28, 1858, Philadelphia on Stone, POS 751, Wainwright retrospective conversion project, edited., Reynolds worked from Gaskill Street 1844-1852.
Thomas M. Harris & Co.
Advertisement showing children at play in a park setting. In the foreground, two boys, one in a sailor’s outfit, pulls a swing attached to a tree, on which a boy sits and a girl stands. The tree is adorned with a sign that reads “Best Childs Shoe Made.” At the boys' feet, a "Standard Tips" shoebox, with an eye-catching illustrated label lies on the ground. One of a pair of Standard Tips rests on the box, with the other lying next to it with the sole bearing a Harris trademark. In background, two boys play stick ball. All the children are well-dressed and wear 'Standard Tips" shoes. Also contains the Thomas M. Harris & Co. trademark marked with the dates and Aug. 1882 & July 1884 the motto "Our Sole Leather Tip the Best in the World.", pdcp00045, Not in Wainwright., Philadelphia on Stone, POSP 251, Free Library of Philadelphia: Oversize Philadelphiana - Tradesmen's Cards
Thomas M. Harris & Co. sole manufacturers Philadelphia
Advertisement showing a boy brandishing a flag reading "Buy Standard Tip Shoes For Your Children" and using a gigantic "Standard Tip" shoe as a sulky in a harness race. His vehicle is pulled by horses "Tip and "Top" that leave a pileup of horses in the dust behind them. In the background, the judge's booth adorned with the "Standard" flag is visible along the fenced track next to cheering spectators. Image includes the company trademark which reads "Look For This Trademark on every Shoe. 'Our Sole Leather Tip Best in The World.' Thomas M. Harris & Co. Trade Marks Reg. Aug. 1882 & July 1884." Also contains advertising text on the verso., Not in Wainwright., pdcp00049, Philadelphia on Stone, POSP 252, Free Library of Philadelphia: Philadelphiana - Tradesmen's Cards, Bertram & Co. assumed the lithographic shop of F.C. Paxson & Co. at 439 Chestnut Street circa 1885.
Thomas Sparks shot & bar lead manufacturer. Warehouse no. 121 Walnut St. Philadelphia.
Advertisement showing the Sparks shot tower at Carpenter Street near Second Street and the office/warehouse at 121 Walnut Street. Signage adorns the office which reads " T. Spark's Philadelphia Shot Tower. Office 121 Walnut St." Also shows neighboring wood-frame buildings, and street and pedestrian traffic, including horse-drawn carts and two men admiring the tower. Tower built by Sparks in 1807., Philadelphia on Stone, POS 752, Historical Society of Pennsylvania: Ba 38 S 736
[Thos. Minford. Wholesale & retail grocery & tea warehouse, s.w. corner of Second and Walnut Streets, Philadelphia]
Advertisement showing a southwest view of the three-story storefront, adorned with signage, on the 200 block of Walnut Street. In front of the store, a female patron reaches into a sack - one of several sacks, crates, and canisters displayed on a platform near the open doorway. Within the store, a couple stands near one of two rows of shelves of merchandise furnishing the establishment. On the second floor, large, open panel doors expose the room lined with hay. A barrel and crates, and boxes of tea and sacks stacked in the rear of the floor are visible. Several brooms are stored in front of the third floor windows. At the side of the building, two gentlemen converse near a side door and hand-cart across from a row of crates and barrels that are lined against the wall. Also shows a partial view of the adjacent building. Minford tenanted the site 1845-1847, and later relocated to New York City., Date from Poulson inscription on recto: June 1847. S.W. cor. Second and Walnut., Philadelphia on Stone, POS 754, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.
Thos. S. Dixon & Sons, 1324 Chestnut Street, Philadelphia. Manufacturers of low-down & elevated grates, furnaces, ranges, &c.
Advertisement depicting nine types of fireplace grates for burning coal and wood. Includes Dixons' Low Down Grate (Polished ) (Plate 1); Dixon's Elevated Grate (Polished) (Plate 2); Dixon's Elevated Grated (Japanned) (Plate 3); Dixon's Low Down Grate (Japanned & Ornamented) (Plate 4); Dixon's Low Down Grate (Red Metal) (Plate 5); Dixon's Low Down Grate Dead Ground (with Japd square Plate) (Plate 6); Dixon's Wood Black Grate (Polished) (Plate 7); Dixon's Wood Back (Polished Front) (Plate 8); and Dixon's Low Down Grate (Polished in Mantel) (unnumbered). Some of the grates are depicted with coals or burning wood., Manuscript notes in lithographic ink printed on recto give the patent number (594-602) and date of deposit (August 17, 1867) for each of the grates., Manuscript note in lithographic ink on recto: Filed August 16, 1867 by Thos S. Dixon & Sons Proprs., Copyrighted by Thomas S. Dixon & Sons., Not in Wainwright., Philadelphia on Stone, POSP 253, Duplicate in the collections of the Print and Photograph Department of the Library of Congress, Washington, D.C.
Thos. S. Wagner, formerly Wagner & McGuigan lithographers, Franklin Place, no. 38. Lithography in all its branches.
Advertisement containing a central view of the allegorical figure of Columbia driving her chariot. Image framed within a gold border with ornamental lettering and embellished with flowers at the bottom. Verso contains engraved view of Wagner's building at 38 Frankln Place and text describing types of printing undertaken by the firm. Wagner's partnership with James McGuigan dissolved in 1858., Not in Wainwright., Poulson inscription on recto: Jany. 1859. Specimen of printing in colors., Published in McElroy's Philadelphia City Directory for 1859 (Philadelphia: E.C. and J. Biddle & Co., 1859) and McElroy's Philadelphia City Directory for 1860 (Philadelphia: E.C. and J. Biddle & Co., 1860)., Philadelphia on Stone, POSA 103, Print Department copy verso obscured by mount.
Thos. S. Wagner formerly Wagner & McGuigan lithographers Philadelphia. Franklin Place no. 38. Lithography in all its branches.
City directory advertisement containing an allegorical scene within an arch-shaped frame. Scene shows the figure of Liberty, attired in a liberty cap, and American flag cape, holding a sword and driving a three horse-team drawn chariot. She travels past a bust of George Washington displayed on a pedestal. In the background, a steam locomotive and steam boat are visible under rays of light emanating from the vista. Also shows an American eagle with an olive branch in its claws flying above Liberty and floral details adorning the bottom edge of the frame. Wagner operated a lithography studio solely 1858 until his death in 1863., Not in Wainwright., Published in McElroy's Philadelphia city directory for 1859... (Philadelphia: Edward C. & John Biddle. Printed by Henry B. Ashmead., 1859), frontispiece., Philadelphia on Stone, POSA 104
Thos. Sinclair & Son, general lithographers. 506-508 North St. bet. Arch.
Tradecard for the Philadelphia lithography firm depicting a cameo portrait of a young lady. A bud vase with flower, and a mantle cloth, border the portrait. Thomas Sinclair & Son operated as a partnership 1870-1889., Not in Wainwright., Philadelphia on Stone, POSA 105, Historical Society of Pennsylvania: Tradecard Collection - S - Sinclair
The three days of May 1844. Columbia mourns her citizens slain
Memorial to nativist casualties of the violent clashes occurring between anti-foreigner "Native Americans" and Irish-American Catholics in Kensington, Philadelphia, May 6 through 8, 1844. The female figure of Columbia holds a large, billowing American flag near a broken column on which she places a wreath. On the column are the names of those Native Americans killed during the attacks on Catholic homes and institutions. At the top of the list, circled by Columbia's wreath, is the name of George Schiffler, the first and most famous of the nativist martyrs. Other names inscribed on the column are: Wright, Rhinedollar, Greble, Stillwell, Hammitt, Ramsey, and Cox. To the right of Columbia is an American eagle supporting a shield with the names of the wounded, including: Peale (the artist?), Whitecar, Lescher, Young, Wiseman, Willman, Schufelbaugh, Yocum, Ardis, Boggs, Ford, Bartleson, and Ort. Above the figure floats a streamer with the print's title. Below a similar banner reads "Deceased----We Revere Their Memory---Wounded---We Cherish And Reward Them---.", Not in Wainwright., Artist's signature lower left corner., LOC copy filed for copyright July 1, 1844., Philadelphia on Stone, POSP 254, Library of Congress: LOT 10615-34 [item] [P&P] Columbia, Description supplied by LOC catalog record.
Three in the morning.
Amusing genre scene depicting three drunk men stumbling arm-in-arm down a city block in front of fenced, wooden scaffolding. The man on the left skips, raises his hat and supports the unconscious man in the middle, who wears a lady's bonnet on his head. The man on the right also supports the bonnet-wearing man while he clings his arm around a lamp post as he holds a long pipe. Playbills and advertisements adorn the wooden fence in front of the scaffolding. The postings promote "Dan Rice's Great Show. National Theatre Walnut Street above Eighth March 13, 60 ... English Steeple Chase"; "Wheatley's Arch Street Theatre"; "Academy of Music"; and "Steam Boat Edwin Forrest of Trenton Capt. McMakin." A coach driver, with a whip in hand, watches the frivolity in the background., Date supplied by playbill depicted in image., Philadelphia on Stone, POS 4.2, American Antiquarian Society: Lithf ChilJ Thre, Copy with variant title and imprint ["3 O'clock in the Morning: 3 uhr Morgens," Childs, 152, late 84 Sth 3rd St.] held in the collections of the Atwater Kent Museum. AKM copy copyrighted 1857., See Public Ledger, March 1860 for advertisements for "Dan Rice's Great Show" at the National Theatre.
To captains and ship owners. Kensington Screw Dock, Penn Street above Maiden, Philadelphia.
Advertisement showing the dry dock along a tumultuous Delaware River. Shipwrights work on the hull of a ship raised in the dry dock in front of the firm's building adorned with signage "Kensington Screw Dock." At the wharf of the dry dock, horse-drawn drays travel past the neighboring oil manufactory and distillery and a captain, with a dog, leans on a hitching post to which a tugboat is tied. In the rough water of the river, skiffs, sailboats, and a rowboat navigate the choppy waves. Also shows surrounding boathouses, wharves, and buildings lining the riverfront., Philadelphia on Stone, Atwater Kent Museum: 54.78.1/2
To M. H. Traubel & Co. 46 1/2 Walnut St. opposite the Exchange. [billhead]
Billhead for the lithographic firm that operated 1853-ca. 1857 containing an allegorical scene. Shows the female figure lithography seated in an outdoor setting, a stone on her lap, and surrounded by tools for industrial arts, including an angle, mallet, and compass. In the background, a farmer plows his field and a ship sails on the water. Also contains corner piece vignettes showing the seal of Pennsylvania and the American eagle. A border depicted as a twig surrounds three-quarters of the scene. Names of the members of the firm are printed below the image: M. H. Traubel, Ed. Schnabel, and J. F. Finkelday., Not in Wainwright., Inscribed on verso: [Brand Wallthers?] As the world has hummed by. O my soul hast thou turned within. To the over = canopying old., Philadelphia on Stone, POSA 106, Historical Society of Pennsylvania: Ba 61 T 693c

Pages