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- Ticket for the Phildelphia Jewish social club event containing vignettes and filigree. Vignettes show couples attired in medieval and peasant costumes. Also shows one of the costumed men holding a banner marked "MRA." The Mercantile Reading Association, originally the Mercantile Club, was established in 1853., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also the proofs before tint stones [P.9349.140e&154e].
- Ticket for the male musical ensemble performance society, probably in Philadelphia. Contains a whimsical border surrounding the text. Border includes cherubs holding sheet music, a harlequin, an impish figure, a harp, lion's head, and filigree. Also contains flourishes around the text., P.9349.145a printed with violet ink., P.9349.147b printed with black ink., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also proof of image [P.9349.150r].
- Advertisement calendar for 1859-60 containing an allegorical vignette and pictorial details framing a calendar depicted as an architectural monument. Vignette shows a female figure, a harp at her side, drawing on a sketch pad as she looks above to a slightly open curtain. Landscape is visible in the distance. Pictorial details depict vinery and symbols of the arts and book and stationery trade, including a globe, paint palette, quill pens, compass, and the advertised books published by Applegate & Co., Inscribed in upper right corner: 55., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also proof copy containing pasted overlay of vignette of a locomotive [P.9349.216a].
- Trade card containing corner vignettes representing the wine and liquor trade. Vignettes depict clusters of casks and wine bottles and a cherubic figure seated on a cask and a shepherd-like figure., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Billhead for the refinery established between River Road, Peters Lane, and the Philadelphia & Reading Railroad in 1865 by Newhouse, Nusbaum & Co. in West Farimount Park. Contains central vignette view showing the refinery complex, including a Treating House, Engine House, Receiving House, offices, and dwelling houses for operatives. A horse-drawn wagon leaves the complex while a horse-drawn carriage traverses the road in front of it. On the riverbank, a man drives a team of mules near a promenading couple and a boat on the Schuylkill. In the background, a train travels and dwellings are visible on a hillside. The refinery operated until 1870 when the lot was purchased by the city for inclusion into Fairmount Park., Printed above title: Our Responsibility ceases when Oils leave Bonded Ware House., Digitized for AMD: Global Commodities., Trimmed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also specimen of depicted vignette [P.9349.151o].
- Series of six titled collecting cards depicting views of animals cited in the Old Testament of the Bible. Includes "The Bear"; "The Lion"; "The Wild Roe"; "The Wild Ass"; "The Blackbird"; and "The Wild Goat". Views contain landscape settings, including ledges, mountains, and trees. Blackbird view includes a bird's nest and lion view includes cubs. Majority of the cards also contain the Biblical passage referencing the animal depicted., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Label for the patent medicine showing a medieval scene in the wilderness. Depicts a medieval soldier leaning against a tree and his shield. An ax and club rest beneath him. The soldier wears a pony tail and chest plate. Also contains advertising text in German in the side borders. The bitters, named after the German physician Christoph Wilhem Hoofland (Hufeland), entered the United States market in the 1840s., Printed in lower border: Genuine Signed. C.M. Jackson. Philadelphia., Date of printing based on business address advertised., C. M. Jackson began marketing bitters in the United States about 1848. He operated from 418 Arch Street 1858-1859, and then 631 Arch Street. Jones & Evans assumed operations of the office and factory circa 1862., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Trade card depicting a scene on a farm. A farmer, sits on a rock, and watches as an agent weighs a horse-drawn cart loaded with hay with a "Fairbanks Standard Scale." In the background, another Fairbanks' agent weighs cows on a platform scale in a pen. View also shows hay stacks in the distance. Fairbanks' Scales was established in 1830., "Principal Warehouses," including in Philadelphia listed on verso., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Poster containing seated figures incorporated into the lettering to promote the exhibition of the professional artists' club founded in 1860. Figures include a female muse working with a sketch, and cherubic boys sculpting a bust and painting from a palette. Letters designed as trees, vinery, and a fish tail., Not in Wainwright., Philadelphia on Stone, POSP 80, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871., Cresson, an illustrator, was an early member and served as secretary of the club 1863-1864.
- Poster containing Gothic-style lettering bordering a central vignette. Vignette depicts an oval-framed mid-length portrait of a lady in medieval attire holding a pencil and sketchpad. The lady's hand with pencil ascends outside of the frame. The professional artists' club was founded in 1860., Not in Wainwright., Philadelphia on Stone, POSP 79, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871.
- Trade card containing an ornate border designed with anaglyptography and comprised of scrolls, filigree, cherubic figures, birds, and ribbons surrounding the text. John Gerney was listed in city directories at 69 Chestnut Street in 1857., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., M.H. Traubel & Co. operated from 1853 to circa 1857.
- Membership certificate containing an allegorical vignette depicting the seal of Pennsylvania as a scenic view. View includes horses, the American eagle, and cityscape and a steam boat in the background. Certificate also contains corner details and a decorative border. The Gray Company was established in 1861 and active into the 20th century., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Trade card containing a central vignette showing a "Grice & Long" street car on a city block. Car contains ornate details. Cityscape is visible in background. Grice & Long, the partnership between Trenton entrepreneur Joseph Grice and Philadelphia engineer Robert H. Long, was established in 1860. The firm originally marketed their steam passenger car (patented by Long in 1860) for street railways, before changing production to steam railways in 1861. The firm dissolved in 1871., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Advertisement for the patent medicine showing a medieval scene. Depicts a bearded monk, outside, on his knees, using a bellows to stoke a fire beneath a hanging cauldron in a hearth. A large volume of text lays open, near greenery, in front of him. The bitters, named after the German physician Christoph Wilhem Hoofland (Hufeland), entered the United States market in the 1840s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Proof of textile label for the Philadelphia textile manufacturer Joseph P. Buggy showing a couple ice skating. The woman wears a balmoral skirt, overcoat, hat, and gloves. The man wears pants, a coat, scarf, hat, and gloves. Buggy established his manufactory at South Twenty-Fifth and Factory streets circa 1864., Printed below image: 144 x 45., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Billhead for the Philadelphia music publisher and music store proprietor containing a central vignette of a melodeon. Bellak, a prominent member of the Philadelphia Jewish community, was a composer and music store proprietor known as a dealer of quality pianos., Trimmed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Advertisement calendar for the year 1870 containing a whimsical tromp l'oeil design composed of ornate carpets and rugs. Rolled and partially rolled carpets surround the calendar and advertising text. Two rugs adorn the lower corners. Patterns and scenes decorating the floor coverings include flowers, cherubs, vinery, geometric shapes and scenes showing a hunted elephant and a lounging dog. Pray, Sons & Co. was established in 1817., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Trade card containing an exterior view of the "Kremintz, White Lead, Zinc and Color Works. McKnight & Co." factory and fenced courtyard. Laborers load a horse-drawn wagon near the entryway and another wagon travels down the street. View also includes several smokestacks., Printed above image: G. S. McKnight. Cicero Hunt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Trade card containing an image of an artist's palette. Advertising text depicted as on palette. Leonard Kausz succeeded Henry Kausz following his death in 1863 and operated from 810 Walnut Street by 1865., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., M.H. Traubel & Co. operated from 1853 to circa 1857.
- Advertisement for the winery of Nicholas Longworth containing an ornate border designed as grape vines. Longworth, known as the Father of the American wine industry, operated his winery circa 1825 until his death in 1863., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Series of trade cards depicting prominent buildings at the Centennial Exhibition of 1876 and their dimensions. Views show "Main Exhibition Building"; "Machinery Hall"; "Memorial Hall"; and "Horticultural Hall." Views include street and pedestrian traffic. Majority of the buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Tradecard containing a vignette of the "Continental Hotel, Philadelphia" at 824-838 Chestnut Street. View also shows street and pedestrian traffic, including horse-drawn carriages, an omnibus, and a man on horseback. Mayer, Strouse & Baum, was active 1861-1863. The hotel was built 1860 after the designs of John McArthur, Jr., Not in Wainwright., Philadelphia on Stone, POS 462, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871.
- Proof of circular containing floral pictorial details. Front cover shows a bouquet of flowers. Back cover shows a a frame of flowers surrounding a cherub holding a bow and arrow. Also contains a border depicted as twigs entwined with ribbon printed with the names of different scents. Scents include musk, maize flower, and Parisian., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Half-length portrait showing the archbishop, former Bishop of Philadelphia, attired in his robes and vestments, and seated. Kenrick served as the third Archbishop of Baltimore 1851-1863., Inscribed lower left corner: 142., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Receipt for the metal house containing a vignette view of a sailing ship on torrent waters. Also contains an anaglyptographic background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Leonhardt relocated his establishment to 114 South Third Street in 1868.
- Shows individuals of all ages in fancy dress in a parlor. All stand except a lady seated in a chair. Costumes include a shepherdess, a fop, and a lady of the Republican Court. Also shows a boy with a beak mask peering into the room from behind a curtain in the left of the image., Title supplied by cataloger., Inscribed upper right corner: 47., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Stock certificate containing an allegorical vignette depicting the seal of Pennsylvania as a scenic view. View includes horses, the American eagle, and cityscape and a steam boat in the background. Certificate also contains pictorial details, including filigree, flowers, and a ribbon, and a decorative border., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Leonhardt relocated his establishment to 114 South Third Street in 1868.
- Souvenir print, or possibly design for a membership certificate, for the professional artists' club founded in 1860. Contains an oval-framed depiction of a near nude, slightly draped cherubic boy, holding a scroll under one arm, and an artist's tongs in his other hand, as he leans on a bust of Minerva. Includes a silhouette of the boy and bust. Clasp-shaped adornments containing filigree details flank the oval. Clasps adorned with a sketchbook and paint palette that enclose a pencil and paintbrush, respectively., Not in Wainwright., Philadelphia on Stone, POSP 187, Stein & Jones established in 1859 was active under that name until the death of Stein in 1871.
- Genre scene depicts two young peasant girls in an embrace and holding bunches of grapes. Proof vignette, bust-profile portraits printed in the upper corners and show women attired in hats, earrings, collars, and shirtwaists., Inscribed upper right corner: 83., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Border frames unprinted area and includes allegorical figures representing summer, fall, winter, and spring. Shows summer as young peasant girl lying on a pile of hay and holding a sickle; fall as a peasant lad holding a bottle of wine and a goblet; winter as an older woman, attired in kerchief, overcoat, and hand muff seated in front of a tree; and spring as a partially-draped, nudewoman placing flowers in her hair. Also contains pictorial details depicting flower bushes, grape vines, shrubbery, and clusters of fall fruits and winter and summer landscape views. Unprinted area contains glue residue., Inscribed upper left corner: 56., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Border frames unprinted area and includes allegorical vignettes representing summer, fall, winter, and spring interspersed among floral details. Shows summer as a female figure holding a cornucopia and flanked by a cherubic-like figure holding a bundle of wheat; fall as male and female figures holding a basket of fruit, a goblet, and a baton adorned with a pine cone; winter as an older, bearded male blowing wind from his mouth accompanied by an older female figure in a hooded robe; and summer as a near nude male figure holding a wreath of flowers beside a female figure in Roman garb on whose finger a bird is perched. Vignettes also include a ribbon pictorial detail that envelopes the figures. Unprinted area contains glue residue., Inscribed lower left corner: 121., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Series of three proof, possibly trial, prints after plates from the seminal work about early 19th-century Native American culture containing 117 portraits, several after paintings by Charles Bird King. Depicts No. 3 "Mo-Hon-Go, An Osage Woman"; No. 4 Shar- I-Tar-Ish, A Pawnee Chief; and No. 6 "Se-Quo-Yah, Inventor of the Cherokee Alphabet." Plates possibly trials for the Rice & Rutter edition published 1865-1870., Title supplied by cataloger., Contain registration marks., Contain plate numbers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.