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"We's done all dis s'mornin'." [graphic].
Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Date from copyright statement: Copyright 1899, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Cruved buff mount with rounded corners., Several lines of text printed on verso about the "rich resources" of the state of Arkansas, including fertile soil for a "variety of crops"; "grazing lands"; mountains: "all kinds of building stones"; rivers; "excellent common school system and several higher institutions of learning"; and "Hot Springs." Text concludes: "The cotton fields once the dread of the Virginia slave, have lost nothing of their picturesqueness with the abolition of slavery, and nowhere in the United States can primitive negro life be better studied.", Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
W.H. Seward
Photographic reproduction of a bust-length portrait drawing of the abolitionist politician, Secretary of State under Lincoln, and New York Senator and Governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, is depicted in right profile., Title from manuscript note on mount., Date based on presented age of sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Whack it off short Sam.
Depicts a group of African American boys with a dog, its tail placed over a wood block in preparation to cut it with a hatchet. The six boys stand outside next to a brick building and a wooden barrel. The boy in the left holds a small, white dog up. The second boy to the right holds its tail across a wood block. The boy in the center holds the hatchet up in both hands., Title from item., Warped buff mount with rounded corners., Imprint on mount: The Universal Photo Art Co. Offices Philadelphia, Napierville, Ill., New York, London, Paris, Hamburg., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
"What do you all want to do wif dat pixture tak'en contraption"
Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
William Zennels. [graphic] / Fowler 238 N. Eighth St. Phila., PA.
Full-length portrait of an African American baby propped up on a fur-covered chair. Zennels, attired in a long-sleeved cardigan, a long white shirt, pants, and shoes, looks at the viewer., Title and date from manuscript note written on verso., Manuscript note on verso: Born June 1917., Photographer's imprint stamped on mount., Photographer's insignia blindstamped on mount., Cover adorned with decorative blindstamp., Gift of Erika Piola, 2002., Description revised 2022., Access points revised 2022., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Wilmot
Reproduction of a bust-length portrait of the Pennsylvania legislator, David Wilmot, most known as the author of the "Wilmot Proviso." The unpassed 1846 bill would have prohibited the extension of slavery into the annexed territory of Mexico. Wilmot, attired in a white collared shirt, a black bowtie, and a black jacket, looks slightly left., Title from manuscript note on mount., Dated based on the presented age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Wissahickon
View showing the Wissahickon Creek hostelry, Old Log Cabin Hotel, reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign, operated by Tommy Llewellyn. The hotel containing a dining room, drinking room, and ladies saloon, also displayed wildlife as a novelty attraction. A white woman and an African American man with a horse stand in front of the hotel. The creek is visible in the foreground. The hotel was razed in 1872., Title from manuscript note on mount., Inscribed in negative: 76., Orange mount with rounded corners., Reissue of a circa 1870 view entitled "Old Log Cabin" by R. Newell & Son of Philadelphia from the series "Stereoscopic views. Fairmount Park views.", Retrospective conversion record: original entry, edited., Gift of Jane Carson James, 1990., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Women and girls posed at Glendinning Rock Gardens, Fairmount Park, Philadelphia]
Scene showing well-dressed women, including an African American woman, posed in the Glendinning Rock Gardens in Fairmount Park, Philadelphia. Shows nine women, attired in dresses, sitting and standing on the rocks around the pond and on the incline leading up to the stone wall. The garden, built in 1936 at the bequest of Fairmount Park Commission board member Colonel Robert Glendinning and his wife Elizabeth, is one of the most unusual in the country containing an atypical variety of species of shrubs, herbs, and trees., Photographer's imprint stamped on verso., Title supplied by cataloger., Date inferred from photographic medium and attire of the people., Manuscript note on verso: Glend[i]nning Rock Gardens, Fairmount Park., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Woodshop class at Philadelphia Orthopedic School, 22nd & Brown Streets.]
Depicts the young students, including African American boys, from the Willis and Elizabeth Martin Orthopedic School at their desks with their woodworking tools. They are overseen by a man instructor on crutches at the back of the class in the left. The students sit in rows and look towards the viewer. In the right, girls sit around a table. Opened in 1936, the Public Works Administration funded school, named after the Philadelphia judge and health care reformer and his philanthropist wife, provided the students with medical care and a curriculum of humanities, arts, crafts, and drama., Title supplied by cataloger., Date inscribed on negative: No. 12220; 4-5-37., Manuscript note on verso: Phila. Orthopedic School, 22nd & Brown Sts., Forms part of Philadelphia Public Schools Photograph Collection., Gift of Mrs. Arthur Kushlan, 1980., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Working plaster sculpture of D.C. French and E.C. Potter Columbian Exposition statue of African American teamster with work horse]
View of the sculpture designed by renown sculptors Daniel Chester French and Edward Clark Potter for the Court of Honor lagoon at the Columbian Exposition of 1893 in Chicago. The African American man teamster, attired in a sleeveless shirt, his muscular arms exposed, and pants cinched at the waist and ankles with rope, stands by the front leg of his draught horse. His legs slightly apart, his left hand behind his back, the laborer rests his right elbow on the shoulder of the yoked and harnessed animal. The statuary, the base marked "E.C. Potter" and "D.C. French, Sc.," stands before a drop cloth, probably within French's studio in Enfield, Massachusetts., Title supplied by cataloger., French, a renowned sculptor of several federal commissioned pieces including the Lincoln Memorial, collaborated with Potter, his former student and respected equestrian sculptor, on several sculpted works including the Court of Honor statuary at the Columbian Exposition and the statue of General Grant in Philadelphia's Fairmount Park., McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Wrestling for a bride, Dahomey, Africa. [graphic].
Stereoview depicting a tableau vivant with a racialized tone in a studio setting in which two Black men attired in sarongs, face each other, and are in lunged stances. Behind them, to the left, three Black men, attired in sarongs, stand in front of a hut and palm trees, and watch the "wrestling" men. The kingdom of Dahomey established about 1600 by the Fon people became the independent country Republic of Dahomey, and was renamed Benin in 1975., Title from item., Date inferred from series title printed below title., Distributor's imprint printed on mount: Sold by Underwood & Underwood. New York, Liverpool, Toronto-Canada, Ottowa, Kansas., Title printed on verso in six different languages., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., RVCDC, Description revised 2022., Access points revised 2022.
Young Africa.
Bust-length portrait of an African American toddler, attired in a plaid top, as a representation of slavery and the cause of the Civil War., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1862, by E. Anthony, in the Clerk's Office of the District Court of the U.S. for the So. District of New-York., Publisher's imprint printed on verso. Includes image of publisher's building facade engraved by Snyder, Black & Sturn N.Y., Distributor's label pasted on verso: McAllister & Brother 728 Chestnut Street Philadelphia., Gift of David Long., Duplicate of carte-de-visite in a McAllister Scrapbook., See related carte de visite "Young Africa" (cdv - Misc. - Civil War Caricatures (5780.F.52e)], Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Young African American man, possibly slave Jerry Stevens, at Raceland Plantation, Dinwiddie, Virginia]
Full-length portrait of an African American man, attired in a brimmed hat, a long-sleeved shirt, and pants with large tears and holes, holding a wooden plow over his shoulder. He stands in front of a wooden building and to the left of a wooden door. In the right is a white dog with its back to the viewer., Title supplied by cataloger., Date inferred from photographic medium and content., Purchase 2011., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Young African American woman]
Sample of photo restoration work depicting a damaged and touched up bust-length portrait mounted side-by-side of a young African American woman. The woman, attired in a beret, a white shirt, and a plaid jacket, faces right with her eyes looking left., Title supplied by cataloger., Date inferred from attire of the sitter., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Young men's track team]
Formal group portrait depicting the team, including African Americans, the coach, and managers. The men sit and stand in two rows outside the front entrance to a building. The team are attired in uniforms of either v-neck long-sleeved shirts or tank tops with their emblem, shorts, and running shoes., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitters., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.

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