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E.S. Sullivan's Black Diamond Combination is coming in their new version of Uncle Tom's Cabin.
Illustrated stock trade card advertising the production of Uncle Tom's Cabin and depicting a white man and woman fishing near an old mill and waterfall. In the right, the man, attired in a hat, a white collared shirt, a blue jacket, brown pants, and black boots, stands on a rock and casts his fishing line. The woman, attired in a brimmed hat, a long-sleeved, blue dress, and black shoes, stands and holds her fishing pole. Behind them is a mill with a water wheel., Title from item., Date based on content., Promotional text printed on verso for Uncle Tom's Cabin includes cast of characters and seat prices., Gift of David Doret, 2011., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Eugenie Empress of France and ladies of her court. [graphic] / on steel by John Sartain Phila., after Winterhalter.
Print depicting the Empress of France, Eugénie de Montijo, and eight of her ladies-in-waiting seated on the grass surrounded by trees. The Empress, attired in a white, off-the-shoulder dress with a red bow and a crown of flowers, holds a bouquet of flowers in her left hand. From right to left in a circle, the eight ladies sit and stand: Anne d'Essling, attired in a blue, off-the-shoulder dress; Louise Poitelon du Tarde, attired in white-and-black striped, off-the-shoulder dress and a black bow choker necklace; Jane Mary Thorne, attired in a white and peach colored, off-the-shoulder dress; Adrienne de Villeneuve-Bargemont, attired in a blue, off-the-shoulder dress, holds a bouquet of roses; Anne Mortier de Trévise, attired in a dark blue, off-the-shoulder dress, holds a hat with a blue ribbon in her right hand; Claire Emilie MacDonell, attired in a white and peach, off-the-shoulder dress; Nathalie de Ségur, attired in a light blue, off-the-shoulder dress; and Pauline Marie Ghislaine de Bassano, attired in a white, off-the-shoulder dress and a red shawl. Empress Eugénie de Montijo commissioned Franz Xaver Winterhalter to create this painting in 1855 to be exhibited at the painting salon of the Exposition Universelle., Title from item., Date inferred from active dates of the artist and content., Text printed below image: Me La Mse de Latour-Maubourg, Me La Mse Marismias, Me La Anne de Malaret, Me La Ctesce de Montebello, Me La Desse de Bassana, S. M. L'Impertrice, Mc La Vtessa de Lezay-Marnezia, Me La Bnne de Pierres, Me La Pcesse D'Esseling., Gift of David Doret.
FacSimile of the revolutionary flag, A.D. 1774. [graphic] / Lithographed by A. Hoffy.
Depiction of the First Troop Philadelphia City Cavalry’s flag from 1774. Shows the flag with fringed edges on a spiked flagpole adorned with two tassels and held open by a rope from its upper right corner tied to a tree in the right. In the top left of the flag are thirteen stripes representing the colonies. In the center, flanking a shield illustrated with thirteen ropes tied into a Gordian Knot are allegorical figures representing Liberty and Fame. Liberty, depicted as a barefooted Native American figure attired in a headdress, feather skirt, and with a quiver of arrows on their back, carries a bow and a liberty cap on a pole. Fame, depicted as a winged angel, blows a trumpet. Above the shield is a horse’s head wearing a bridle with the letters “LHC,” which stands for light horse cavalry. A banner below the shield reads, “For these we strive.”, Title from item., Date from copyright statement: Entered according to act of Congress in the Year 1839, by Wm. M. Huddy, in the Clerk’s Office of the District Court of the Eastern District of Penna., Printed on recto: Plate No. 4., Gift of David Doret., RVCDC
Fairmount from Lemon Hill, Phila. Park.
View looking south from a path at Lemon Hill in East Fairmount Park. Depicts a group of women and children standing together at the edge of a slope leading down to the Schuylkill River. View also includes the Fairmount Water Works and the decorative distribution arch (built 1860) and standpipe (built 1852) on Reservoir Hill. Originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, the waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Fairmount Water Works, Philadelphia. [graphic].
View of the Fairmount Water Works and depicting the Engine House, Pavilion and Entrance Houses, and the Old Mill House. Also shows the Wire Suspension Bridge at Fairmount in the right background. The waterworks, originally built between 1812 and 1822 after the designs of Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederic Graff, Jr., Title from text printed on mount., Date inferred from content., Text on negative: No. 90. Fairmount Water Works., Gift of David Doret, 2011., Image of Independence Hall is mounted on the verso: photo - unidentified - public utilities [P.2011.45.17]., Frederick Graff, Jr. (1817-1890) was chief engineer of Philadelphia's Water Department from 1847 to 1856 and 1866 to 1872. His father Frederick Graff (1774-1847) was superintendent of the Philadelphia Water Works in 1805 and recommended their relocation to Fairmount in 1811. He designed the Fairmount Water Works, which was constructed between 1812 and 1822.
Falls of the Genesee. [graphic] / Bufford's Lith.
View depicting the large waterfall of the Genesee River at Rochester, New York. In the center, shows the water rushing down the hill and towards the viewer. Cliffs jut out in the left and in the right. In the background, several buildings are visible., Title from item., Date inferred from active dates of the lithographer., Gift of David Doret.
The First Presbyterian Church, New Orleans, L. [graphic] : Rev. Benjamin M. Palmer, D.D. Pastor / P.S. Duval & Son's lith. Phil.
Exterior view of the Gothic-Revival style church built in 1857 after the designs of architect Henry Howard. Shows the front entrance of the church with the large steeple. Men, women, and children pedestrians walk on the sidewalks and cross the street in front of the church. The church building was destroyed by fire in 1854. The newly rebuilt church opened in 1857 and was destroyed by a hurricane in 1915. Rev. Benjamin Morgan Palmer (1818-1902) served as pastor of the First Presbyterian Church in New Orleans from 1856 to 1902. He advocated for Louisiana to secede and join the Confederacy., Title from item., Date inferred from active dates of the artist and publisher and content., Gift of David Doret.
[First Reformed Presbyterian Church, Broad Street between Spruce and Pine streets, Philadelphia] [graphic].
Exterior view showing the building of the First Reformed Presbyterian Church (i.e. Wylie Memorial Church) erected in 1854 on the 300 block of Broad Street after the designs of John McArthur, Jr. Pedestrian traffic, including a couple on promenade, walk in front and in the courtyard beside the church. Congregation organized in 1798. Church renamed in the early 1890s for long-term pastors T.W.J. Wylie and Samuel Wylie., Title supplied by cataloger from manuscript note on recto: First Reformed Presbyterian Church - Moved [...] & Lombard [crossed out] Phila. Rev Dr. Wylie., Date inferred from completion date of building depicted and attire of pedestrians depcited., Inscribed on verso: J.M., Not in Wainwright., Gift of David Doret., Philadelphia on Stone, POS 262, Historical Society of Pennsylvania: Ba 136 C 445, Trimmed.
Gallitzen [sic] and the great tunnel. Pennsylvania Central Rail Road [graphic] / Purviance, photographer, Philadelphia.
View of construction on the Pennsylvania Railroad track in front of the tunnel at Gallitzin, Pa. Shows three men laborers, bent over, and laying down new wooden railroad ties on tracks leading to a tunnel through the mountainside. The figures are slightly blurred. In the right, a train car carrying a load of railroad ties rests near several large stacks of wood alongside the tracks. Adjacent to the stacks, beside the tracks, and on a hill in the background, several buildings and townscape is visible. The Gallitzin Tunnels are a set of three adjacent tunnels through the Allegheny Mountains completed in 1854, 1855, and 1902 by the Pennsylvania Railroad in Gallitzin, Pa., Title from item., Date inferred from content., Gift of David Doret.
[Genealogical information about Alexander C. Hart] [graphic].
[Genealogical information about Alexander C. Hart] [graphic].
Typewritten and manuscript letter containing genealogical information about Dr. Alexander C. Hart. Alexander Chambers Hart (1811-1884) was a physician and surgeon. He helped found the Charity Hospital of Philadelphia and served during the Civil War., Title supplied by cataloger., Date inferred from content., Verso of manuscript letter has signature in ink: Alex. C. Hart., Gift of David Doret, 2017.
Germantown.
Cover title., "Published in the interests of Germantown's progress ..." -- Page 1, Gift of David Doret, 2019., Library copy in printed paper wrappers.
Gettysburg, Pa. July 3rd 1863 [graphic].
Print containing series of vignettes of the Battle of Gettysburg. In the left, depicts two Confederate soldiers holding rifles, labeled "C.S.A."; a bust-length portrait of General Robert Lee; and Confederate soldiers with cannons, labeled, "Artillery Duel Confederate." In the center, shows Confederate soldiers holding rifles and marching forward during "Pickett's Charge." In the right, depicts two Union soldiers holding rifles labeled, "U.S.A."; a bust-length portrait of General George Meade; and Union soldiers with cannons labeled, "Artillery Duel Union." In the lower center, shows an eagle with outstretched wings and an American flag crest with a swords, a rifle, and a cannon., Title from item., Date inferred from content., Manuscript written in the lower left: Artist proof., Artist signature written in the lower right., Gift of David Doret, 2011.
Girard Ave. Bridge.
View looking east from Girard Avenue showing the Girard Avenue Bridge, completed in 1872-74 after the designs of Philadelphia architects Henry A. and James P. Sims, over the Schuylkill River in Fairmount Park. The wrought-iron Pennsylvania Railroad bridge, demolished in 1971, also served as a pedestrian bridge. Also includes a partial view of the nearby New York Connecting Railway Bridge, completed in 1867. In the foreground, spectators observe the river., Attributed to Robert Newell., Title from manuscript note on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Girard Avenue Bridge, Philadelphia. [graphic].
View of the Girard Avenue Bridge, completed in 1872 to 1874 after the designs of Philadelphia architects Henry A. and James P. Sims, over the Schuylkill River in Fairmount Park. The wrought-iron Pennsylvania Railroad bridge, demolished in 1971, also served as a pedestrian bridge. Shows shrubs and trees growing on boths sides of the shoreline., Title from text printed on mount., Date inferred from content., Text on negative: No. 89. Girard Avenue Bridge., Gift of David Doret, 2011., Image is mounted on the verso of: photo - unidentified - government buildings [P.2011.45.14].
Girard College for orphans at Philadelphia, Penn. [graphic] / Designed and executed by Thomas U. Walter Archt. ; Engraved by A.W. Graham.
Exterior view of Girard College constructed 1833 to 1847 after the designs of Thomas Ustrick Walter at 1201-1211 West College Avenue, Philadelphia. In the center, shows Founders Hall designed in the Greek-Revival style with columns and a pediment. Two outbuildings flank either side of the Hall. A number of boys walk on the school grounds. Outside the walled campus, pedestrians walk along the sidewalk. Horse-drawn carriages travel down the street. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor, white, orphaned boys. The outbuildings, originally named Building 1 through 4, were used as student dormitories and residences for the president and teacher. In 1927, the buildings were renamed, Allen Hall, Bordeaux Hall, Mariner Hall, and Merchant Hall., Title and date from duplicate copies in Library Company collection., Trimmed and lacking title and imprint., Gift of David Doret., See related copies: **Ph Pr - Education - Girard [5225.F.7; 5225.F.11].
Girard College. Front view.
Partial exterior view of the front facade of Founder's Hall constructed 1833-1847 in the Greek Revival Style after the designs of Philadelphia architect Thomas Ustick Walter at 1201-1211 West College Avenue. Also shows a group of women standing in the doorway of the building. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with rounded corners., For duplicate view see stereo - Newell - Education [P.8643.1], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Governor Clinton. [graphic] / St. Memin, No. 27 Pine St., N. York.
Photographic reproduction of the 1797 portrait engraving made by St. Memin of George Clinton. Bust-length, right profile portrait of Clinton attired in a neckerchief, waistcoat, and jacket. George Clinton was governor of New York from 1777 to 1795 and 1801 to 1804. He served as Vice President from 1805 to 1812., Title from manuscript note written under image: Governor Clinton., Date inferred from photographic medium., Gift of David Doret.
Grand Centennial depot, at the main entrance to the exhibition grounds. [graphic].
View of the Pennsylvania Railroad Depot located opposite of the Centennial Exhibition grounds in Philadelphia in 1876. Shows trains arriving on the railroad tracks in front of the depot. In the right, depicts the Globe Hotel and the Trans-Continental Hotel, which were built to accommodate visitors to the Centennial Exhibition. Large crowds of pedestrians walk, and horse-drawn carriages and omnibuses travel down the street. The Globe Hotel was operated by John A. Rice and contained 1,000 rooms to house 3,000 to 5,000 guests for $5 a day., Title from item., Date from content., Gift of David Doret, 2011.
The Great fertilizer, Whann's raw bone super-phosphate. [graphic] / Walton, Whann & Co., manufacturers, 203 West Front Street, Wilmington, Del., 57 South Calvert Street, Baltimore, Md., 28 South Wharves, Philadelphia.
Depicts the Walton, Whann & Co. fertilizer manufactory in Wilmington, Delaware. Shows several brick buildings with smokestacks. In the foreground, two ships, a barge, and a small boat dock in front and travel down the river. Horse-drawn wagons arrive and leave the factory. Numerous workers walk, push wheelbarrows, and move boxes and barrels., Text printed below image: Walton, Whann & Co's works, Wilmington, Del., Text printed on recto: The unexampled results of this Great Fertilizer on Cotton, Corn, Wheat, Tobacco, and all other crops prove it to be the best and cheapest manure in the market. Made of pure raw bone, dissolved in sulphuric acid, guano, and salts of potash and soda, it contains every element needed by growing plants. No fertilizer has been more uniformly successful in all sections of the country. Descriptive pamphlets mailed free on application., Title from item., Date from the trade mark date: Trade mark patented, November 22d, 1870., Gift of David Doret, 2011.
A group of new fuchias [graphic] : From H. A. Dreer's Seed and Plant Establishment, 714 Chestnut Street, Philadelphia / Printed in oil colors by Dunk, Longacre & Co., 30 and 32 S. Seventh St., Phila.
Supplemental illustration to a garden calendar depicting sprigs of fuchias in tones of white, red, and purple. The sprigs also contain leaves. Each specimen is annotated with a printed number. Henry A. Dreer established a seed store in Philadelphia in 1838. It was incorporated in 1892 under his son, William F. Dreer, who assumed the business operations following his father's death in 1873., Title from item., Date from item., Includes key to flower specimens below image: No. 1. Regalia; " 2. Montrose; " 3. Enchantress; " 4. Tribune; " 5. Arabella Improved; " 6. Conspicua., Manuscript note on recto: Jane Darlington., Gift of David Doret., Gift of David Doret.
[Half-length, forward facing portraits of an unidentified older man and woman portrayed side by side] [graphic] / [S.] Greiner, 1897.
Shows possibly Quakers with the white man in the left and the white woman in the right. The man wears his white hair combed back and is attired in a white collared shirt, a black bowtie, waistcoat, and jacket. In the right, the woman wears her gray hair parted in the middle and is attired in a white bonnet tied under her chin and a black, long-sleeved dress with a shawl., Title supplied by cataloger., Date from the item., Signed by the artist in the lower right corner., Gift of David Doret.
Half-length portrait of Dr. Alexander C. Hart [graphic] / Broadbent and Taylor.
Half-length portrait of Alexander C. Hart. Hart, wearing a beard and attired in a white collared shirt, bowtie, waistcoat, and jacket, looks left. Alexander Chambers Hart (1811-1884) was a physician and surgeon. He helped found the Charity Hospital of Philadelphia and served during the Civil War., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint on recto: Broadbent & Taylor, 914 Chestnut St., Philadelphia., Photographer's imprint on verso: Broadbent & Taylor. 914 Chestnut St., Philadelphia [icon of an artist's palette]; S. Broadbent. W. Curtis Taylor., Manuscript note written on verso: Dr. Alexander C. Hart. Husband of Mary T. Clark. 48 831., Gift of David Doret, 2017., Broadbent & Taylor, the partnership between Samuel Broadbent (1810-1880) and William Curtis Taylor (1825-1905), was active at 914 Chestnut Street from 1877-1884. Broadbent died in 1880, leaving his interest in the business to his two sons, who bought out Taylor in 1884.
[Half-length portrait of Peter Arnold Karthaus] [graphic] / Ch. Fenderich, del. 1832.
Half-length portrait of Karthaus attired in a white collared shirt, waistcoat, and bowtie and a black jacket. He sits in a wooden chair and faces slightly right while his eyes look left. Below the portrait is a vignette of a landscape with trees and ships on the water in the background. Peter Arnold Karthaus (1765-1840) immigrated to the United States from Hamburg, Germany in 1796 and established a mercantile business in the West Branch of the Susquehanna River Valley., Title supplied by cataloger., Date from the item., Gift of David Doret.
Handel [graphic] / F. Moras, Phila.
Bust-length portrait of the composer Handel, wearing a long, curly wig and attired in a neckerchief and a jacket with lace, facing slightly right., Title from printed signature of sitter below image., Date from content., Gift of David Doret, 2011.
Harrison's Columbian hair dye [graphic] : Manufactured by Apollos W. Harrison, 8 1/2 South 7th St.
Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. The background is printed in red and is framed by a blue border. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Title from item., Date and publication information supplied Library Company duplicate with variant colors., Not in Wainwright., See related: *BW - Advertisements - H [P.2015.71.2]., Gift of David Doret., Philadelphia on Stone, POSP 291a
The Hawks Nest or Marshalls Pillar [graphic] : A celebrated cliff on the Kenawha River, Virginia. / drawn from nature by C. Sullivan.
View of the Kanawha River at Hawks Nest or Marshalls Pillar near Ansted, West Virginia. In the right foreground, shows three men fishing on a large rock. The large Kanawha River flows towards the viewer. Trees grow along the shorelines and on the cliffs that rise in the background. The area was called Marshalls Pillar after Chief Justice John Marshall, who visited. By the Civil War, the area was named Hawks Nest. It was established as a State Park in 1935., Title from item., Date inferred from active dates of the lithographer and content., Text printed below image: Measuring 1200 feet from the top of the cliff to the river beneath., Gift of David Doret.
Loughead and Co., established 1885, engravers, art printers, Philadelphia, Pa. [graphic].
Advertisement calendar for 1947 promoting the engraving company Loughead and Co. Shows an embossed, bust-length, left-profile, cameo-like portrait of a woman, in white, placed against a blue background. A blue, corded tassel is tied at the top center. Issac M. Loughead founded the firm in 1885., Title from item., Date inferred from content., Gift of David Doret, 2019.
Hibernian Society for the Relief of Emigrants from Ireland [membership certificate] [graphic] / J. J. Barralet invet. et delt.; H. Houston sculpt.
Membership certificate for the relief society, later the Friendly Sons of St. Patrick, organized in Philadelphia in 1771. A large central oval contains an allegorical scene showing the classical figures of Hope, Columbia, and Concordia near a column marked "Hibernian Society." The women welcome immigrants disembarking from a sailing ship on long boats. Hope leans on an anchor; bare-breasted Columbia (i.e., United States) holds a shield; and Concordia, a bag of money in her hand and an Irish harp resting behind her, reaches out to an allegorical female arrival. An American eagle with a shield, and tools and symbols of agriculture and industry border the oval., Illustrated seal of the society blindstamped on recto., Title supplied by cataloger., Date inferred from active dates of the artist and engraver., Signed by Hugh Holmes, president., Holmes, a founder of the society, served as its president 1800-1817., Gift of David Doret., Houston worked as a engraver in Philadelphia in the late 1790s.
The History of our flag [graphic] : A patriotic and educational pamphlet / issued by Fanny Farmer Candy Shops.
Advertising circular promoting Fanny Farmer Candy Shops and containing an illustated history of the American flag. The front cover depicts the Great Seal including a bald eagle holding an olive branch and arrows. The pages of content depict different iterations of the American flag over time and the text to the Star Spangled Banner. The back cover depicts a vignette view of the home of Betsy Ross built circa 1740 at 239 Arch Street, Philadelphia. Details of red, white, and blue bunting frame the image., Title from item., Date from copyright statement: Copyright 1937 Fanny Farmer Candy Shops, Inc., Picture caption on recto: Coat of Arms of the United States., Picture caption on verso: The Home of Betsy Ross., Gift of David Doret, 2019.
Horatio Gates Sickel. Brev. Maj. Gen. U.S. Vols. [graphic] / Photo. by F. Gutekunst. Engd by J.C. Buttre. N.Y.
Half-length portrait of the Union Army officer. Sickel, wearing a mustache and goatee with his hair parted to the left and attired in his Union Army uniform, faces slightly left., Title from item., Date inferred from content., Facsimile signature of sitter printed below image., Gift of David Doret., Buttre, a prolific New York portrait painter and engraver, published later in his career, a three volume set of celebrity portraiture, "American Portrait Gallery," in 1877, which was reissued from 1880-1881.
Horticultural Hall, Phila.
View looking west at the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Gas lamps flank the entrance stairs and broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Includes a partial view of Lardner Street (i.e. Back Place). Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title from manuscript note on verso., Publisher's imprint printed on mount., Stamped twice on verso: J.B. Sample., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Independence Hall.
View looking southwest showing the south side of the 500 block of Chestnut Street, including the front of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Also shows a partial view in the left foreground of old City Hall built 1790-1791 after the designs of David Evans, Jr. (500 Chestnut), Congress Hall built 1787-1789 (540-558 Chestnut), and the commercial building at the southwest corner of Sixth and Chestnut Streets where John McArthur would consruct the Public Ledger building 1866-1867 (600 Chestnut Street) in the distant right background., One of 107 titles printed in series list on verso (No. 139-245)., Publisher's imprint on verso., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Independence Hall in 1776 [graphic].
View looking east showing the State House at 520 Chestnut Street built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Includes the old City Hall built 1790-1791 after the designs of David Evans, Jr. (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). View also shows street and pedestrian traffic, including a conestoga wagon, as well as the adjacent street corner., Philadelphia on Stone, POS 876, Gift of David Doret.
Independence Hall in 1876 [graphic].
Busy street view showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). Pedestrians and horse-drawn vehicles, including a woman pushing a baby carriage, wagons, carriages, and street cars, congest the sidewalks and roadway. Trees line the sidewalk and a large American flag adorns Independence Hall., Title from item., Date inferred from title., Philadelphia on Stone, POS 880, Gift of David Doret.
Independence Hall, Philadelphia. [graphic].
Exterior view of Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. In the foreground, shows the walkway leading towards Independence Hall lined with trees and lampposts., Title from text printed on mount., Date inferred from content., Gift of David Doret, 2011., Image is mounted on the verso of: photo - unidentified - public utilities [P.2011.45.16].
Jay Rial's ideal Uncle Tom's Cabin. [graphic] : L.H. Stockwell as lawyer Marks & his trained donkey Jerry.
Trade card for Jay Rial's touring stage company's production of "Uncle Tom's Cabin." Shows actor L.H. Stockwell in character as Marks from the play standing on the sidewalk. He is attired in a top hat, a white collared shirt, a white bowtie, a black jacket with tails, yellow-and-black striped pants, and black shoes and holds a red umbrella. In the left, a donkey stands in the street. In the background is a block of buildings. Jay Rial, a New York theatrical manager, began tours of his production of "Uncle Tom's Cabin" circa 1881. The production was associated with novel features of live dogs and donkeys and props, such as floating cakes of ice, and was purported to have earned $1,000,000 by the end of its run., Title from item., Date inferred from dates of the theatrical production., Advertising text printed on verso: Academy of Music! Week commencing September 12. Matinees Wednesday & Saturday. The survival of the fittest. Sixth season. The Jay Rial Uncle Tom's Cabin Co. This Great Company is the only one considered worthy of metropolitan recognition. The only Company that has stood the test of all the important Academies and Theatres in the great capitals of the country. All the old favorites. New scenery. Trained donkey. Beautiful music. The magnolia jubilee band. Camp meeting shouters. And the only genuine trained bloodhounds in the world. The enormous success of the enterprise has prompted imitation in many ways. The matter of the show bills has been widely copied, and especially have efforts been made to give the appearance of presenting Bloohounds; but imitation is ever entirely successful. Excellence is only obtatined by time and labor. The people's prices: 25, 35 & 50 cents. No higher. No extra. Sale of Tickets will commence, Thursday, Sept. 8, at 9 a.m., Gift of David Doret, 2011.
John Hay. [graphic] / Max Rosenthal, Pinx & Sc. 1906.
Bust-length, forward-facing portrait of the Secretary of State. Shows Hay wearing a beard and attired in a white collared shirt, a black tie with a decorative pin, and a black waistcoat and jacket. Hay was Secretary of State from 1898 to 1905., Title from item., Date from copyright statement: Engraved and copyright by Max Rosenthal, Phila., 1906., Gift of David Doret.
Joy.
View of the statue "Joy," designed by Raimondo Pereda, on display in the Italian section of the Art Gallery Annex. Depicts a young child grasping a small animal in its hand. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Junger Maennerchor, Philadelphia, 1868 [graphic] / Del. & lith. by Ch. P. & A.J. Tholey, No. 119 Green St.
Group portrait in an outdoor setting, probably the Junger Maennerchor annual picnic and summer night's festival at Schützen Park, depicting hundreds of members (several with their faces likely based after photographs) of the German-American choral society founded in 1852. The massive crowd of white men sit, stand, drink beer, and smoke cigars and pipes. In the left foreground, a number of men hold sheets of music, with one, seated, and in the gesture of conducting across from another seated men leaning on a bound volume resting on a stack of bound volumes of likely music. Also shows a man in the right foreground pouring beer from a keg, and in the center background, two men on horseback, a man holding the society flag, and a man holding a trophy and gesturing toward another man. In the far background, pavilions, several trees, and a partially obscured building is visible. The men are attired in shirt sleeves or suits with ties. Some also wear hats or their hats rest beside them on the ground or they hold walking sticks. By the mid-1870s, German-Americans had formed 24 singing societies in Philadelphia., Not in Wainwright., Includes pictorial detail of an eagle with a lyre and a banner reading "Junger Maennerchor" within the title text between the words "Maennerchor" and "Philadelphia.", Title and date from item., Gift of David Doret., Philadelphia on Stone, POSP 299
Landsdown walk.
View showing a group of men and women standing and sitting on a paved walkway near the Schuylkill River in the Lansdowne section of Fairmount Park., Title printed on verso in numbered list with one hundred other titles in the series (No. 1-100)., Publisher's imprint printed on series label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.

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