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[View of the Centennial Machinery Hall with people from all nations] [graphic].
Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
View of wheel house, Fairmount.
View looking northeast from the west bank of the Schuylkill River showing the Fairmount Water Works. Shows the old engine house; old mill house; new mill house (completed 1862); and the observatory tower arch (built 1860) and stand pipe (built 1852) on Reservoir Hill. The waterworks, orginally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Views of Johnstown Flood 1889. [graphic].
Album containing images of Johnstown, Pennsylvania in 1881 and after the great flood of May 31, 1889. Across the first two leaves is "View of Johnstown after the flood of May 31st 1889" showing the devastation of the destroyed buildings and including the “Railroad Bridge, Millville,” “Johnstown,” and “Conemaugh Borough with Woodvale in the distance.” Images depicting the destruction include of the South Fork Dam, Main Street, Clinton Street, St. John’s Catholic Church, the Methodist Church, Cambria Iron Company Club House, B. &. O Depot, debris above the P.R.R. Bridge, Gautier Wire Mill and Cutlery Works, and the wreck of the Day Express train at East Conemaugh. Illustrations show people gathered around the ruins and finding bodies of the deceased including “The finding of the bodies of James Murther, wife and three children, and Maggie Ripple, corner Main and Clinton Streets.”, Title from album cover., Date inferred from content., Text printed on the first leaf: "Published & Copyrighted by S.W. Fleming, Harrisburg Pa. From Views of LeRue Lemer, Harrisburg Pa.", Text printed on the final leaf: "Manufactured by Chisholm Bros-Portland Me. Manufacturers of Chas. Frey's Original Souvenir Albums of all American & Canadian Cities & Sceneries.", Gift of David Doret, 2011.
[Virginia and Trudy at the Daylesford, PA train station] [graphic].
Two smiling women, a suitcase at their feet, stand on a wooden train platform next to a small station identified with a sign as Daylesford. In the center, two white women, attired in brimmed hats, gloves, jackets, and skirts, look at the viewer. Empty train tracks stretch out behind them. Built as part of the Pennsylvania Railroad, the station, razed in 2000, was located on Lincoln Highway and Conestoga Street, 18 miles west of Philadelphia., Title supplied by cataloger., Date from manuscript note written on recto: 1914; Daylesford, Pa; Va and True., Gift of David Doret.
The Wanamaker store in Philadelphia.
Gift of David Doret, 2019., Library copy in printed paper wrappers.
Washington monument and fountain, entrance to Fairmount Park, Philadelphia, Pa. [graphic].
Souvenir card showing the Washington Monument with fountain designed by Rudolf Siemering in 1897 at Fairmount Park, Pa. Depicts the equestrian bronze statue of George Washington attired in a tri-corn hat and uniform atop a pedestal from which water flows. The pedestal is decorated with allegorical figures representing America and also the Delaware, Hudson, Potomac, and Mississippi Rivers. Around the base comprised of multiple steps and near life-size figures of American animals, including a buffalo and a bear. A row of trees is visible in the background. The monument was moved in 1928 following the completion of the Benjamin Franklin Parkway to the front of the Philadelphia Museum of Art., Title from item., Date inferred from content., Series number in right corner on recto: 18769., Gift of David Doret, 2019.
Washington National Monument, Washington, D. C. [graphic] / T. Hunter, lith. Phila.
Print commemorating the Washington Monument after the designs of Robert Mills and constructed 1848 to 1884 in Washington, D.C. In the center, shows the original designs created by Mills of a large obelisk with a colonnaded building at the base. On top of the building's portico are sculptures of Washington standing in a chariot holding the reins of six horses. Flanking the staircase leading to the monument are sculptures of Patrick Henry and Jefferson. In the background, the White House and U.S. Capitol building are visible. Numerous pedestrians walk around the monument and other landmarks. An eagle soars through the air in the left. Below the image are three vignettes depicting Washington resigning his commission to Congress; a bust-length portrait of Washington; and the signing of the Declaration of Independence., Title from item., Date from copyright statement: Copyright 1885, by S.H. Austin, 129 S. 7th St. Phila., Gift of David Doret.
The Water Babies.
View of the statue "The Water Babies," designed by M.S. Gould, on display in the Art Gallery Annex. Depicts two nude young children, cuddling together inside an oversized seashell. One child sits awake with its arm around a smaller child with its eyes closed. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Water works in Fairmount Park, Philadelphia] [graphic].
Landscape view looking west from Reservoir Hill showing the Fairmount Water Works originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Includes the engine house, mill house, and race bridge. Also shows visitors strolling the landscaped grounds of the works; scullers on the river; residences, including probably Lemon Hill, along the bucolic banks of the Schuylkill River; the Schuylkill Canal lock; and the river dam., Title from slightly variant image in the collections of the Yale University Art Gallery., Gift of David Doret., Trimmed.
West Arch Street Presbyterian Church, corner of Eighteenth & Arch streets, Philadelphia, Pa. [graphic] / J.C. Hoxie, architect, Philadelphia. Joseph Denegre, builder.
Exterior view showing the church also known as Arch Street Presbyterian Church built by Joseph DeNegre in 1855 after the designs of Joseph C. Hoxie at 1726-1732 Arch Street. Also shows parishioners, men, women, and children, leaving the church, walking past it, and convening in couples and groups on the sidewalk around the building. Also shows a horse-drawn carriage galloping in the street., Title from item., Date inferred from active dates of partnership of M.H. Traubel & Co., Length of House 150 feet, Width " " 87 ", Height of Front Tower 115 feet, " " Centre " 170 "., Not in Wainwright., Philadelphia on Stone, POS 882, Gift of David Doret., Print received after original dates of project.
W.H. Furness, D.D. [graphic] / W. &. C. Barber.
Bronze medal commemorating William H. Furness's fifty years as pastor of the First Unitarian Society in Philadelphia. Shows a silhouette bust of Furness facing left. On the verso, depicts a wreath encircling the text. William Henry Furness (1802-1896) became the minister of the First Unitartian Church of Philadelphia in 1825 and served until his retirement in 1875., Text on verso: 1825 - 1875, In Honor of a Pastorate of 50 Years Over the First Unitarian Society Philadelphia., Gift of David Doret, 2011.
William White, D.D. [graphic] : Late Bishop of the Protestant Episcopal Church of the state of Pennsylvania, United States of America / H. Inman, pinxt; C.E. Wagstaff, sc.
Full-length, seated portrait of the first Episcopal Bishop of Pennsylvania and civic leader who also served as a trustee of the University of Pennsylvania. White, attired in clerical robes, sits on a Gothic-style chair within the church and looks at the viewer. His left arm hangs down over the armrest, and he holds a book in his right hand on his lap. In the left is a table with vessels for the Eucharist, including a flagon, two chalices, a plate, and a stand. There is a kneeling cushion on the floor in front of the table. In the background, stained glass windows are visible., Title from item., Date inferred from content.
Winter scene in Philadelphia. [graphic].
Advertisement for Daniel Mershon's Sons heating and ventilating warehouse at 1203 Filbert Street. Shows busy street and pedestrian traffic in front of the four-story red brick warehouse heavily adorned with signage and a "Russian Heater Works" flag at the northwest corner of Twelfth and Filbert streets. Signs advertising patent airtight heaters, grates, registers, ventilators, fireplace heaters, ranges, slate mantels, and house warming and cooking ranges are visible near the doorway and in the show windows of the storefront. Stoves, ranges, and fireplaces are displayed in the windows and on the sidewalk. Laborers load heating equipment into a store delivery wagon marked "Prepare for Winter" as a patron leaves the store near a policeman standing at the corner of the building. Several pedestrians wearing heavy coats, hats, and muffs walk in the street and on the sidewalks near several horse-drawn vehicles, including sleighs and a "Twelfth Street Passenger Railway" streetcar. Also shows partial views of horse-drawn wagons and of neighboring buildings in addition to a man on horseback. The business, established as Fink, Potts & Savoy in 1838, was known for the "Mershon" Patent Shaking Grate" and was renamed Daniel Mershon's Sons following the death of the original successor, Daniel Mershon, in 1865., Not in Wainwright., Filbert St. and Twelfth St. printed below the image as key., Title from item., Date inferred from original letter of copyright issued to H.H. & Geo. Mershon held in the Print and Picture Collection of the Free Library of Philadelphia, Philadelphia, Pa. Copyright letter No. 2333A. [Oversize Philadelphiana - Factories & Foundries (A-M)]., Gift of David Doret., Philadelphia on Stone, POS 846 variant, Variant copy at Historical Society of Pennsylvania: Bc 38 M 574, Longacre & Co. operated at 30 & 32 S. 7th Street in 1871.
Wistar party, [Mr. George F. Edmunds] requests the pleasure of [Mr. Dreer’s] company on Saturday evening [February 5th] at nine o’clock at [1724 Spruce Street] The favor of an early answer is requested. [graphic].
Engraved invitation with script lettering from George F. Edmunds to Ferdinand J. Dreer. In the top is a bust-length, profile vignette portrait of Caspar Wistar. George F. Edmunds (1828-1919) was a U.S. Senator for Vermont. After leaving the Senate in 1891, he moved to Philadelphia to practice law. Ferdinand J. Dreer (1812-1902) was a Philadelphia goldsmith, jeweler, and autograph collector., Title and date from item., Date written in manuscript on recto: 1898., Gift of David Doret, 2019., See related invitations to Ferdinand J. Dreer [P.2019.64.7-10; P.2019.64.12-15].
Woman's mission [graphic] / C. Schussele 1865; Painted by C. Schussele; Engraved by A.B. Walter.
Genre print showing Union women volunteers, in plain clothes, aiding soldiers within a tent. In the central foreground, a seated volunteer comforts a soldier, lying in a cot, his head bandaged, and a pen and paper resting on his blanket. The aid worker pats him with one hand and holds a book in the other. Across from the soldier's knapsack, rifle, and tin cup, a dog watches nearby, his head resting on the soldiers blanketed legs. In the right, another young woman volunteer stands with a basket over her arm. In the left, an older volunteer offers a bowl of food to another soldier, still in uniform, and also lying on a cot under a window flap. Also shows crates of supplies of the "Ladies Aid Mission" piled and open. In the left background, male aid workers assisting soldiers on the grounds are visible through the tent opening., Title from item., Date from copyright statement., Artist's signature lower left., To the patriotic and benevolent ladies of the Union who by their devoted services aided their country in its trying hour and comforted its brave defenders this print is respectfully dedicated., Passage from Sir Walter Scott's "Marimon Canto vi. Stanza 30" printed below the image: Oh woman in our hours of ease, uncertain, coy and hard to please, and variable as the shade. By the light quivering aspen made, when pain and anguish wring the brow, a ministering angel thou., Gift of David Doret.
The “D.K.” watercolors.
Description of the watercolors and the possible identity of the artist known as D.K. written by Albert Wood on April 3, 1953. Text explicates that Wood’s grandfather, Alfred L. Wood, a carpenter, acquired the watercolors from an unknown source, either found from one of the houses he worked on or as payment from the artist. He recalls other paintings and objects his grandfather had collected. Wood also describes an African American man that his grandfather would hire to help clean the houses he did repairs on: “The cleaning was done by a (sic) elderly colored man. (the husband of my grandmother’s cook.) sometimes he was not well enough to work, and my grandfather would ask my brother and I if we would like to earn some money?”, Title from item., Date written on verso: April 3, 1953., First line of manuscript: The first time I saw a D.K. watercolor I was about nine or ten years of age, this was around 1905., Gift of David Doret.

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