Goodyears Rubber-Packing & Belting Company.
Title
Goodyears Rubber-Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator
Luders, E., artist
Date
[ca. 1856]
Location
Library Company of Philadelphia | Print Department **W158 [P.2080]
Goodyears Rubber, Packing & Belting Company.
Title
Goodyears Rubber, Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
Description
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator
Luders, E., artist
Date
[ca. 1856]
Location
Library Company of Philadelphia | Print Department **W159 [P.2079]
A foot-race. [graphic]
Title
A foot-race
Description
A satire of the 1824 presidential election showing the candidates; John Quincy Adams, William Crawford, Andrew Jackson, and Henry Clay engaged in a foot race to win the presidency. A crowd cheers them on and remarks about the candidates reflecting the regional and partisan views in the country. A Westerner attired in stovepipe hat with a powder horn exclaims, "Hurra for our Jacks-"son."" Former President John Adams cheers, "Hurra for our son "Jack."" An Irish man, portrayed in caricature and attired in torn and worn clothes, says, "Blast my eyes if I dont "venter" a "small" horn of rotgut on that "bald filly" in the middle [Adams]." A French man states, "Ah hah! Mon's Neddy I tink dat kick on de "back of you side" is worse den have no dinner de fourt of july." Two African American men, portrayed in racist caricature, look on and one remarks “Now old Hickory cuts dirt.” In the background is a "Presidential Chair" with a purse "$25,000 per Annum" and the White House., Title from item., Artist and publication date supplied by Reilly., NYPL copy copyrighted October 6, 1824., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Johnston, known as "the American Cruikshank" was a respected comic illustrator, engraver, and lithographer.
Creator
Johnston, David Claypoole, 1799-1865, artist
Date
[1824]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1824-4 [5760.F.28]
The meeting of the Friends. City Hall Park. [graphic]
Title
The meeting of the Friends. City Hall Park
Description
Cartoon portraying a distorted version of events surrounding New York Governor Horatio Seymour's "My Friend's" speech during the Draft Riots of 1863 when several African Americans were killed by working-class rioters. Portrays Seymour on the steps of City Hall in front of a riotous mob composed primarily of armed Irish-Americans who march past the building for "The Tribune," an anti-Seymour newspaper. Supporting Seymour from behind are a fool with a cap inscribed "Express" (i.e., a Pro-Seymour newspaper), and former Mayor Fernando Wood and Tammany boss Peter B. Sweeny, both "Copperhead" Democrats who advocated peaceful settlement with the South and who believed Republican philanthropy favored African Americans at the expense of working-class whites. Seymour placates the mob announcing that he is their friend and that he has ordered the President to stop the draft. At his feet is an African American with a noose around his neck. A white man holds the severed head of an African American man, and several more African Americans are seen hanging from trees in the background., Probably drawn by Henry L. Stephens., Title from item., Date inferred from content., Place of publication supplied by Reilly., Text printed below image: A friendly voice.—Governor, we want you to stay here. Horatio Seymour.—I am going to stay here, “My Friends.” Second Rioter.—Faith, and the Governor will stay by us. Horatio Seymour.—I am your “Friend,” and the “Friend” of your families. Third Rioter.—Arrah, Jemmy, and who said he cared about the “Dirty Nagurs”? Fourth Rioter.—How about the draft, Saymere? Governor.—I have ordered the President to stop the draft! Chorus.—Be Jabers, he’s a “Broth of a Boy.”, RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1863]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1863-12 [P.2275.11]
"Your plan and mine." [graphic]
Title
"Your plan and mine."
Description
Racist satire criticizing the 1864 presidential candidates, Democrat General George McClellan's and incumbent Abraham Lincoln's, divergent peace policies depicting each in a scene with Jefferson Davis and an African American Union soldier. The first scene depicts McClellan offering an olive branch, a frightened kneeling African American soldier, and a promise of non-interference to a scowling, armed Jefferson Davis, attired in torn and worn clothing. Davis acknowledges the branch, accepts the soldier, and expresses his satisfaction about the renewed ability for Southern domination of the government. The soldier, whose head Davis clutches, questions with horror McClellan's proposition to send him back to slavery after his service to the Union. The opposite scene depicts Lincoln pointing a bayonet at a cowering Davis who begs for readmission to the Union. Lincoln, on behalf of the nation, demands unconditional surrender and declares the end of slavery. The observing African American soldier replies in the vernacular that Davis will not have anything to do with him anymore., Title from item., Date from copyright statement: Entered according to act of Congress A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of N.Y., Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
1864
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-18W [5793.F.4]
"The irrepressible conflict" or the Republican barge in danger. [graphic]
Title
"The irrepressible conflict" or the Republican barge in danger
Description
Cartoon predicting doom for the Republican Party whose moderate antislavery factions intentionally caused radical abolitionist William Seward to lose the presidential nomination at the National Convention in 1860. Depicts the "Republican Barge" with Lincoln at the helm being tossed on rough sea near a rocky shore. Within the boat Horace Greeley, Missouri Congressman Edward Bates, and Globe editor Francis Blair disparage Seward and the "Irrepressible Conflict" (a catchphrase from an 1858 Seward speech referring to the conflict within the Union over slavery) he has caused as they throw him overboard. The hoisted Seward warns that he alone can save the boat. An African American man, portrayed as a racist caricature and attired in a white collared shirt, a bowtie, a striped waistcoat, pants, and a "Discords Patent Life Preserver" wrapped around his chest, says in the vernacular, “if de boat and all hands sink, dis Nigger sure to swim, Yah! Yah!” Additional passengers, including Massachusetts Governor Nathaniel Banks and "Courier" editor James Webb, comment on the breakers ahead and the improbability of being saved. Brother Jonathan (predecessor to Uncle Sam) anxiously stands on the shore admonishing them not to throw out Seward but to “heave that tarnal Nigger out.”, Probably drawn by Louis Maurer., Verso stamped: L.A. De Vries., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by Currier & Ives in the Clerk's Office of the District Court for the Southern Distt of N.Y., Purchase 1960., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
1860
Location
Library Company of Philadelphia | Print Department political cartoons - 1860 - 28 [6418.F]
An heir to the throne, or the next Republican candidate. [graphic]
Title
An heir to the throne, or the next Republican candidate
Description
Racist cartoon using African American side-show performer William Henry Johnson to lampoon the extent to which the Republican party supported the rights of African Americans as a part of their Election Platform of 1860. In the left, depicts editor of the Tribune, Horace Greeley, who says, "Gentlemen, allow me to introduce to you, this illustrious individual in whom you will find combined, all the graces, and virtues of Black Republicanism, and whom we propose to run as our next Candidate for the Presidency." In the center, Johnson, depicted with a bald and tapered head and attired in a long-sleeved shirt, shorts, and black shoes, leans on the spear that he holds in both hands and asks in the vernacular, "What, can dey be?" In the right, candidate Abraham Lincoln leans on a rail and says, "How fortunate! that this intellectual and noble creature should have been discovered just at this time, to prove to the world the superiority of the Colored over the Anglo Saxon race, he will be a worthy successor to carry out the policy which I shall inaugurate." In the background is a poster that reads, "Barnum’s What is it. Now exhibiting." William Henry Johnson was born in Liberty Corners, New Jersey to William and Mahalia Johnson, who were formerly enslaved. As Johnson’s head was smaller and sloped, agents from van Emburgh's Circus in New Jersey exhibited him with a story that he was caught in Africa and was a "missing link." P.T. Barnum then exhibited him with the names "Zip the Pinhead" and "What is it.", Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1860, by Currier & Ives, in the Clerk's office of the District Court for the Southn Distt of N.Y., Accessioned 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Currier & Ives
Date
1860
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1860-33R [7922.F]
The times. [graphic] / Clay fecit.
Title
The times
Description
Satire depicting the economic depression and social misery of the working class following the Panic of 1837. Depicts a figure symbolizing President Jackson composed of a hat, spectacles, and pipe called "Glory" overlooking a city street. Lining the street is a hotel for sale; a Custom House doing no business; "The Mechanics Bank" during a run; the pawn shop of "Shylock Graspall"; a liquor store in front of which an African American shoe shiner greets another African American man; the Sheriff's office doing an active business; and attorney "Peter Pillage" being collected by his horse drawn carriage. In the foreground peaches and flour are for sale at exorbitant prices; several white men laborers sit and stand idle including a mason, sailor, carpenter, and driver; a widowed white mother and child beg a banker for money; and reminiscent of Hogarth's "Gin Lane," a white woman and a child lay on a straw mat next to a white man drunkard and seated militiaman. Visible in the background are an almshouse, "Bridewell" Debtor Prison, an idle wharf, and a deflating balloon marked "Safety Fund" symbolizing Van Buren's failed New Bank insurance program., Title from item., Date from copyright statement: Entered according to Act of Congress, in the Year 1837, by H.R. Robinson in the clerk's office of the District Court of the United States of the Southern District of New York., LCP exhibition catalogue: Made in America #52., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
1837
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1837-8 [5760.F.75]
Fate of the radical party. [graphic] / JAL; Am. News Co. Agent N.Y.
Title
Fate of the radical party
Description
Cartoon predicting that the radical members of the Republican Party will be responsible for the party's defeat in the 1868 presidential election. Depicts a steaming locomotive in the shape of a bottle labeled "A Radical Cure - Lowell Bitters" in which Massachusetts representative Benjamin F. Butler is encased. The train heads toward the "Dutch Gap" being dug by incumbent Andrew Johnson holding a shovel of "Veto" dirt (reference to Johnson's numerous vetoes of radical reconstruction policies). Riding on and in the train are: Presidential nominee Ulysses S. Grant who smokes from the pipe-shaped train's smoke stack which is adorned with the head of an African American man, portrayed in racist caricature; Thaddeus Stevens as the engineer; and Vice-Presidential nominee Schuyler Colfax. On the tracks in the background, an African American man, portrayed in racist caricature, sits on a stool and writes atop the pedestal "Fame," and the "Constitutional Line" train proceeds to the White House "Depot.", Title from item., Date of publication supplied by Weitenkampf., Purchase 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1868]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1868-14w [P.8503]
[Scraps no. 3 for 1832] [graphic] / Designed, engraved and published by D.C. Johnston, 19 Water St.
Title
[Scraps no. 3 for 1832]
Description
Plate one from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and every day life such as corporal punishment, public drunkenness, popular fashion, marital relations, and libraries. Includes "Lock on the Understanding in two Toms bound in boards" depicting two "Toms" locked in a stockade without refreshment discussing their "Dry Goods" & "Stationary" business;" Heavy Wet" depicting a white man homeowner shocked to see a bank of snow fall from his roof unto a passerby's head; 'What a piece of work is a Man...." depicting hogs ashamed to be seen with a white man drunkard unconscious in their slop near a distillery; "Cowed Down" depicting a white wife upset about her cow's well-being as she watches her "mischievous" white husband being gored by it; "The Menagerie" depicting a confused African American man witnessing children mistaking a white man dandy and white woman dandiette for wild creatures at an animal menagerie; "Bullying Up" depicting a white farm boy haranguing a bull in front of his angry mother; "The Cat Doth Play & After Slay" depicting a picture "copied from an innkeeper's sign in Jugtown, N. Jersey" showing a cat playing a fiddle in front of a horse-drawn sleigh; "The Library" depicting the interior of a library where a foppish white woman, a Frenchman, and white men librarians misinterpret and misunderstand comments about popular literature; and "A Soporific" depicting an ailing white man unaffected by "laudanum opium" requesting his Reverend to preach a sermon in order to put him to sleep., Title supplied by cataloger., Printed in upper left corner: Plate 1., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 1., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Johnston, David Claypoole, 1799-1865
Date
[1832]
Location
Library Company of Philadelphia | Print Department political cartoons - 1832 Scr (a) [5656.F.25]
A dead cut.
Title
A dead cut
Description
Racist caricature portraying a middle-class African American man-woman couple as snobs who slight a working-class African American man shoeshiner and former acquaintance. Depicts the African American shoeshiner greeting the African American couple who feign ignorance of the man's acquaintance after their return from "de Springs." The laborer, attired in a rumpled top hat, torn overcoat with tails, and patched pants holds his rod of boots in his left hand, and uses his right one to grab the hand of "Cesa." "Cesa," dressed in a flat-top cap, and heavy, long overcoat with handkerchief in the pocket, and plaid pants, looks suspiciously at their joined hands. He holds a walking stick and his companion's parasol in his other hand. He states that the shoeshiner has mistaken his identity (You must be mistaking in de person black man!). His companion, her hand around his elbow, and dressed in a Dunstable bonnet, dark-colored overcoat, and button-down shirtwaist with a collar, agrees. With her hand placed on her hip and holding a purse, she declares, "What does the imperdent nigger mean?" Figures are depicted with oversize and exaggerated features., Sarah Hart was a Jewish Philadelphia stationer who assumed printing of the "Life in Philadelphia" series in 1829. She reprinted the entire original series of 14 prints in 1830., Pendelton, Kearny, & Childs, in operation from 1829 until 1830, was the first successful lithographic firm in Philadelphia. The firm's partners were John Pendleton, Frances Kearny, and Cephas G. Childs., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)., Described in Daily Chronicle, December 26, 1829, 2 and “The Dead Cut,” Philadelphia Inquirer, December 31, 1829, 2., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1970.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
1829
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7893.F.1]
"Pulling down the statue of George III"
Title
Pulling down the statue of George III "By the Sons of Freedom." At the Bowling Green City of New York, July 1776
Description
Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
McRae, John C., engraver
Date
c1859
Location
Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]
Life in Philadelphia. A black charge. [graphic] / Designd & drawn by W. Summers; Hunt sculpt.
Title
Life in Philadelphia. A black charge
Description
Racist caricature depicting a courtroom scene where an African American man magistrate hears the case of an African American man detained for drunkenness and "-sulting de Fair sec." In the left, the judge who has one foot wrapped and raised on a foot rest sits at a table and holds a glass of liquid with a spoon in it near a bottle and corkscrew. He has a receding hairline, wears glasses, and is attired in a blue waistcoat, tan vest, white shirt and bowtie, black pantaloons, and a black shoe with a buckle. He states that the detainee has put a "Fair Face" on the matter, but "appearances are bery Black" against him. In the right, the hiccupping detainee, who is attired in a worn, striped shirt and blue jacket, and white patched pants is held by his jacket by an African American man constable attired in a brown robe with yellow details and black slip on shoes with buckles. He holds a staff in his right hand. The detainee explains to the judge that he is innocent and that all he did was ask to "scort a lady home." Next to the judge stands an African American man secretary, attired in a dark jacket and white shirt and bow tie. He stands with a quill in his hand in front of a ledger, ready to write down the testimony. Figures are depicted with oversize and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferrred from content and name of publisher., Contains three dialogue bubbles above the image: Please y-r Worship I hab taken up dis Nigger!! case he’s -nebriated and -sulting to de Fair sec./Well, young man, you seem to put a bery, Fair Face, on the matter. But, I can assure you, Appearances, are bery Black, against you. What hab you to say, to de Charge./It wasn’t me yr (hiccup) Honor. Dis old Black Beadle kick’d up (hiccup) all de Row case I asked bebe to scort a Lady home., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Summers, William, artist
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.5]
[Life in Philadelphia miniatures] [graphic].
Title
[Life in Philadelphia miniatures]
Description
Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]
[Life in Philadelphia miniatures]
Title
[Life in Philadelphia miniatures]
Description
Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date
[ca. 1833]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]
Five Points, 1827.
Title
Five Points, 1827
Description
Chaotic street scene after the 1827 painting Five Points by George Catlin depicting the early 19th-century New York City lower income area east of City Hall. Shows several white and Black men and women, individually, as couples, and in groups at the crossroads of Orange, Anthony, and Cross Streets. The streets are lined with places of "entertainment," "lodgings," and grocery stores primarily selling liquor. Amongst the melee on the streets, a large brawl and several small fights occur, people are knocked over, "couples" of men and women stroll and engage in conversation, peddlers sell their goods, a white woman pumps water, and pigs roam free., Title from item., Inscribed lower right corner: For Valentine's Manual., Plate from D.T. Valentine. Manual of the corporation of the city of New York for 1855 (New York: New York Common Council, 1855) (LCP Am 1855 New Yor Com)., Original painting in the collections of the Metropolitan Museum of Art, bequest of Mrs. Screven Lorillard (Alice Whitney), from the collection of Mrs. J. Insley Blair, 2016., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McSpedon & Baker, the New York lithographic partnership of Thomas McSpedon and Charles W. Baker, primarily performed stationery work. Illustrative plates executed by the partnership are rare.
Date
[1855]
Location
Library Company of Philadelphia | Print Department GC - Views - New York - New York City [P.9057.8]
[Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Title
[Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Description
Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator
Ritchie, Alexander Hay, 1822-1895, engraver
Date
c1858
Location
Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]
[Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”] [graphic]/ McGreer.
Title
[Photographic reproductions of the Cartoon Printing Co. series after the 1878 Harper’s Weekly "Blackville" series “The Twins”]
Description
Photographic reproductions of drawings based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Includes "No. 1 The Flirtation" showing the "Twins" meeting their suitors; "No. 2 The Introduction" showing the "Twins" being formally introduced to their suitors; "No. 3 The Courting" showing the "Twins" being courted together; "No. 4 The Proposal" showing the "Twins"suitors proposing to them in different manners; "No. 5 The Duel" showing the "Twins" suitors preparing to duel with guns; "No. 6. The Wedding" showing the "Twins" dual wedding; "No. 8 Return from the Honeymoon Tour" showing the "Twin" couples promenading in town; "No. 9 Coming Events" showing the town doctor and the husbands of the "Twins" racing down a dirt road on donkey back; and "No. 10 The Event Or Where '2 Pair is Better Than 4 of a Kind'"showing the arrival of the "Twins" twins., Title supplied by cataloger., Date from copyright statement on four of the original drawings in the series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on versos: McGreer Chicago., Series missing No. 7. The Wedding Feast., Name of publisher inscribed on four of the original drawings in the series (No. 2-3, 6, and 9)., Inscribed on two of the original drawings in the series (No. 2 and 8): Remodeled from sketch in Harpers Weekly or Reproduced from sketch in Harpers Weekly by the Cartoon Printing Co. Chicago., Inscribed on one of the original drawings in the series (No. 3): Reproduced from sketch by Sol Eytinge in Harpers Weekly by the Cartoon Printing Co. Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., John McGreer (1833-1905) was a dime museum painter, landscape artist, and cartoonist. He worked in Chicago after 1870 and was a partner in the novelty and satire printing firm Cartoon Printing Co., later Cartoon Publishing Co., by the early 1880s. In 1897, he patented statuettes of African American caricatures for use as cardholders. He resided in New York and was noted as a landscape artist at the time of his death in 1908., See Shawn Michelle Smith, Photography on the Color Line: W. E. B. DuBois, Race, and Visual Culture (Durham: Duke University Press, 2004), 82-86., RVCDC, Description revised 2022., Access points revised 2022.
Creator
McGreer, John, 1839-1908
Date
1881
Location
Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.1-9]
Emancipation. [graphic] / Th. Nast; King & Baird, Printers, 607 Sansom Street, Philadelphia.
Title
Emancipation
Description
Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator
Nast, Thomas, 1840-1902, artist
Date
1865
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]
[Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Title
[Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description
View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1864]
Location
Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]
Emancipation
Title
Emancipation Freedom for all, both black and white!
Description
Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1865
Location
Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]
c-o-7
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-j-15
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-n-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-n-1a
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-o-14-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-o-14-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-s-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-b-8
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-10
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-11
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-12
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-13
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-t-3-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-t-3-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-a-r-18
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-b-5-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
m-t-34
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
o-3-adv-lcp-14-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
o-3-adv-lcp-14-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
o-3-adv-lcp-15
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-2a
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-5
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-54
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-6a-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-w-12
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-w-13-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-14-1
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-bl-14-2
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]
c-p-s-3
Title
African Americana Civil War envelope collection
Description
Propaganda envelopes published by various publishers predominately utilizing racist caricatures and satires of African Americans in relation to Jefferson Davis, slavery, and secession to promote Union support of the Civil War. Satires utilize themes of inversion of social roles, retribution, and Northern superiority. Includes envelopes with same graphic and variant text or title; sexually explicit illustrations; images originally published in different media such as cartoons; and one Southern imprint promoting a united Confederacy as the safeguard of slavery. Some caricatures portray African Americans with exaggerated features and speaking in the vernacular., Includes images of enslaved people seeking freedom, as living "contraband of war," celebrating, or depicted as the shyster character Jim Crow; depictions of the "peculiar institution" of slavery showing a white enslaver in bed with an enslaved African American woman, her breast visible, and who is breastfeeding a white baby; secession equated to African American freedom seekers, economic destruction of the South, and the moral corruption of people emancipated from enslavement; Jefferson Davis caricatured as a traitor in execution and imprisonment scenes overseen by enslaved people; and views of enslaved people working on plantations with text declaring the end of "King Cotton." During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Title supplied by cataloger., Date inferred from content., Some copyrighted by Magee and Harbach & Brother., Various publishers including: Philadelphia publishers John Magee, S.C. Upham, Harbarch & Bro., and King & Baird; New York publisher Charles Magnus; and Charleston, S.C. publisher G.W. Falen. Other publishers located in New York, Buffalo, Hartford, Cincinnati, and Lancaster, Pa., See Steven Berry's "When mail was armor: envelopes of the Great Rebellion," Southern culture (Fall 1998)., Probably originally part of a McAllister scrapbook of Civil War envelopes., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1861-1865
Location
Library Company of Philadelphia | Print Department Civil War envelopes - African Americana [various]

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