• Warning: XMLReader::XML(): Empty string supplied as input in RepositoryQuery::parseSparqlResults() (line 40 of /var/www/drupal7/sites/all/libraries/tuque/RepositoryQuery.php).
  • Warning: XMLReader::read(): Load Data before trying to read in RepositoryQuery::parseSparqlResults() (line 45 of /var/www/drupal7/sites/all/libraries/tuque/RepositoryQuery.php).
  • Warning: XMLReader::XML(): Empty string supplied as input in RepositoryQuery::parseSparqlResults() (line 40 of /var/www/drupal7/sites/all/libraries/tuque/RepositoryQuery.php).
  • Warning: XMLReader::read(): Load Data before trying to read in RepositoryQuery::parseSparqlResults() (line 45 of /var/www/drupal7/sites/all/libraries/tuque/RepositoryQuery.php).

Pages

Founder's Week, Industrial Day, Oct. 7th 1908. Phila. Brewing Co.'s float. By courtesy of Philadelphia liquor dealers journal
View showing a horse-drawn Philadelphia Brewing Company float on the 300 block of South Broad Street during the Founder's Week parade. Four white men, attired in white suits and hats, lead the horses pulling the float. The float contains two white men near displays of crates of bottles and is adorned with a hand-painted banner depicting a freight train near factories and a vignette portrait of a horse. Also shows a large crowd of spectators, including African American men, women, and children, seated in viewing stands decorated with bunting and standing along the street. A white man police officer stands in front of the crowd. Partial view of Chambers-Wylie Memorial Presbyterian Church (321 S. Broad) is visible in the background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title and photographer's imprint inscribed in negative., Inscribed in negative: 2955., Purchase 1986., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Founder's Week, Industrial Day Oct. 7th 1908. Philadelphia Brewing Co's float. By courtesy of Philadelphia liquor dealers journal
View showing a horse-drawn Philadelphia Brewing Company float on the 300 block of South Broad Street during the Founder's Week parade. Float contains white men, attired in hats and smocks, near a large model of a keg inscribed "Brewing Industries of Philadelphia." Float also displays a large banner listing revenues spent by the brewing industry on its "allied trades." A large crowd of spectators, including African American men, women, and children, sit in viewing stands decorated with bunting and stand along the street. A white man police officer stands in front of the crowd. Partial view of Chambers-Wylie Memorial Presbyterian Church (321 S. Broad) is visible in the background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title and photographer's imprint inscribed in negative., Inscribed in negative: 2958., Purchase 1986., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, with corrections., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Founder's Week, Industrial Day Oct. 7th 1908. Philadelphia Brewing Co.'s float. By courtesy of Philadelphia liquor dealers journal
View showing a horse-drawn Philadelphia Brewing Company float on the 300 block of South Broad Street during the Founder's Week parade. The float with a financial theme contains white men costumed as "Uncle Sam" and a late 17th-century gentleman near a chest labeled "State Treasury" and stacks of money bags. Float also contains a banner inscribed with the annual amounts of local, state, and federal taxes paid by Philadelphia brewers. Also shows a large crowd of spectators, including African American men, women, and children, seated in viewing stands decorated with bunting and standing along the street. A white man police officer stands in front of the crowd. Partial view of Chambers-Wylie Memorial Presbyterian Church (321 S. Broad) is visible in the background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title and photographer's imprint inscribed in negative., Inscribed in negative: 2953., Purchase 1986, Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Founder's Week, Industrial Day Oct. 7th 1908. Philadelphia Brewing Co.'s float. By courtesy of Philadelphia liquor dealers journal
View showing a horse-drawn Philadelphia Brewing Company float on the 300 block of South Broad Street during the celebration of the Founder's Week parade. Float contains white men and a woman in German costume near hop vines on stakes, and boughs of barley and hop tenders. Float also contains a banner promoting the amount of hops, barley, and other cereals utilized by Philadelphia breweries. Also shows a large crowd of spectators, including African American men, women, and children, seated in viewing stands decorated with bunting and standing along the street. A white man police officer stands in front of the crowd. Partial view of the Chambers-Wylie Memorial Presbyterian Church (321 S. Broad) is visible in the background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title and photographer's imprint inscribed in negative., Inscribed in negative: 2959., Purchase 1986., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Founder's Week, Industrial Day, Oct. 7th, 1908. Philadelphia Brewing Co's float. By courtesy of Philadelphia liquor dealers journal
View showing a horse-drawn Philadelphia Brewing Company float on the 300 block of South Broad Street during the Founder's Week parade. Four white men attired in costume lead the float containing brewing equipment, including a kettle and fermenter. Several men sit and stand on the float, which also displays a banner promoting the "Magnitude of the Brewing Industry of Pennsylvania." A large crowd of spectators, including African American men, women, and children, sit in viewing stands decorated with bunting and stand along the street. A white man police officer stands in front of the crowd. Partial view of the Chambers-Wylie Memorial Presbyterian Church (321 S. Broad) is visible in the background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Manuscript note on mount: Property of National Decorating Co., Phila. Pa., Title and photographer's imprint inscribed in negative., Purchase 1989., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Founders' Week parade, Philadelphia Brewing Co. floats, Industrial Day, October 7, 1908, Philadelphia]
View showing the procession of horse-drawn floats on South Broad Street between Walnut and Pine streets during the Founder's Week parade. Floats display boughs of barley and hops; stacks of crates; and a large keg. Viewing stands decorated with bunting and American flags filled with spectators line the street. Also shows several police officers, including African Americans, standing in front of the crowds on the east side of the street. The Bellevue-Stratford Hotel is visible in the left background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title supplied by cataloger., Purchase 1976., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Founders' Week parade, procession of Keystone Phone Co. float, 300 block of South Broad Street, Industrial Day, October 7, 1908]
View showing the telephone company float during the Founder's Week parade. The float is drawn by a team of horses guided by handlers, including an African American man. The handlers are attired in dust jackets and hats marked with the company logo. Spectators sit in and under a grandstand lining the street in front of the Pennsylvania Museum School of Industrial Art (i.e., University of the Arts) at 320 South Broad Street. Also shows a partial view of the Bellevue-Stratford Hotel (200-216 S. Broad) in the far right background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title supplied by cataloger., Purchase 1976., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Frank & his darkies. A wagon load of beets just in from the field
Group portrait depicting African American women agricultural laborers posed in front of a horse-drawn wagon loaded with beets. Three African American men agricultural laborers, including the foreman "Frank," stand beside them and on the cart. The women, most attired in hats, long-sleeved shirts, and full-length skirts, are covered in dirt from the day's work. In the left, another horse is visible., Title from manuscript note written on verso., Date inferred from attire of the sitters., Gift of Tom Nicely, 1990., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Fred. Douglass. [graphic] / Sarony's and Gurney & Son's Celebrities a Speciality.
Bust-length portrait of the African American abolitionist and orator. Douglass, with white hair and a mustache and attired in a white collared shirt, a black bowtie, and a dark-colored waistcoat and jacket, faces slightly right while his eyes look to the left., Title from manuscript note on recto., Date inferred from presented age of the sitter., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., New York photographers Napoleon Sarony and Jeremiah Gurney & Son, two of a small number specializing in celebrity portraits, produced a majority of such portraiture in the 1860s and 1870s.
Fred. Douglas[s]
Bust-length portrait of the African American abolitionist taken at Warren's studio at 289 and 465 Washington Street, Boston. Douglass, wearing a beard and white hair and attired in a white collared shirt, a bowtie, a waistcoat, and a jacket, faces left. Portrait was also used for the frontispiece to Douglass's third autobiography, "Life and Times" (1881)., Title from manuscript note on verso., Name of photographer and date of photograph supplied by Martha A. Sandweiss, ed. Photography in the nineteenth century (New York: Harry N. Abrams Inc., 1991), p. 60., Gift of Dr. Milton and Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Frederick Douglass, 1817?-1895 [graphic].
Bust-length portrait of the African American abolitionist and orator. Douglass, wearing a beard and white hair and attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly left., Title from manuscript note written on mount., Date inferred from duplicate in LCP cabinet card portrait collection [P.9363.9]., American Celebrities Album., Purchase 1985., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry.
A free lunch.
Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in earrings and a white dress with puffed upper sleeves, cradles an infant on her lap and holds her breast to the baby as it suckles. A wooden chair is visible on the porch in the background., Title from item., Date from copyright statement: Copyright 1898 by C. H. Graves., Warped grey mount with rounded corners., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Freedman's National Monument [graphic] / Photographed by Heywood.
Interior view showing the plaster model for the proposed design of the Freedman's Memorial to Lincoln by expatriate sculptor Harriet Hosmer when on display in the Boston Athenaeum, likely statuary gallery, in 1866. Shows, from an oblique angle, the model on top of a draped table and in front of two archways. The model of the Memorial design was composed of mutiple tiers on the top of which lied a figure of Lincoln in a sarcophagus within an open temple. An edited version of the words of the Emancipation Proclamation adorned the temple which stood on a base with a frieze designed with thirty-six female allegories representing the states of the Union during Lincoln's presidency. On the base below the temple was a sculptural cycle of African American history to that period. Four standing Black male figures on pedestals surrounded the base at each corner. The figures portrayed included a seminude, enslaved man, with his head down, and his wrists manacled; a soldier in uniform with a forward gaze and a bayonetted rifle in his hands that was pointed to the ground; an enslaved man who rests on a hoe with his head bowed down; and a soldier, looking ahead, and holding a gun. On the four outside corners were "Mourning Victories" with their trumpets reversed. The angle of the image shows a view of the model that includes the Lincoln figure, three of the African American men figures, and three of the "Mourning Victories.", Hosmer designed the Memorial in response to a monument project sponsored by the Western Sanitary Commission of St. Louis after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. Hosmer later altered the design and an engraving of her new proposal appeared in the Art Journal (London), January 1, 1868. Hosmer's model, purported to cost over $100,000 to be executed, was never sculpted. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, a sculpture by Thomas Ball, "Emancipation," designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title printed on mount., Date from copyright statement: Entered according to Act of Congress, in the year 1866, by Harriet G. Hosmer, in the clerk's office of the District Court of the District of Massachusetts., Harriet Hosmer (1830-1908) was a lesbian, expatriate neoclassical sculptor, who was one of the most famous artists of her time. Hosmer had her own studio and her work often focused on idealized mythological female figures associated with strength and courage. Hosmer was also a women's rights activist and an inventor., Purchased with the Louise Marshall Kelly fund., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.89-128., John B. Heywood (d. 1870) operated a photographic studio in Boston circa 1858-circa 1870, when he then appears to have relocated to Chicago per 1870 census records. He may also be the J.B. Heywood who advertised a photographic studio in New Bern, N.C. in 1866. Between 1869 and 1870, he is listed in Boston at 25 Winter, the address of photographer and publisher Frank Rowell, who established a branch of his photographic studio in Chicago in 1867.
[Unidentified African American baby boy]
Full-length portrait of an unidentified African American toddler. Shows the child, attired in a white frock, white stockings, and boots, seated on a large, decoratively carved wooden chair with its hands on the arm rests. The child sits on a patterned throw blanket with fringe that is draped over the chair., Title supplied by cataloger., Manuscript note about provenance on verso: "Sometime in the later 1950s I found this in the secret drawer [?] an old blanket [?] that reportedly came from New Jersey.", Stamped on verso: Post Cards Finished While You Wait., Gift of Sydney Kaplan, 1983., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Unidentified African American boy in sailor suit]
Full-length portrait of an unidentified African American boy standing and facing the viewer. The boy, attired in a sailor suit with a flap collar with white stripes and an anchor emblem at his chest, knee-length shorts, stockings, and shoes, rests his left hand on an ornate wicker chair in the right. In the left is a side table, covered in a floral tablecloth with tassels, with a vase of flowers on top of it., Title supplied by cataloger., Mount embossed with decorative border., Photographer's imprint stamped on verso., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Unidentified African American boy in sailor suit]
Full-length studio portrait of an unidentified African American boy. The boy, attired a collared wool coat with an emblem on the left arm, matching wool shorts, socks, and boots, looks slightly right. He stands on grass and rests his right elbow on a wooden gate. Includes a backdrop decorated as a field of flowers., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Well-dressed unidentified African American man]
Full-length portrait of a seated, unidentified young African American man. The man, attired in a white collared shirt, a bow tie, a waistcoat, a jacket with a lapel pin, pants, and laced-up patent leather shoes, rests both hands on his lap. He sits on a wooden chair in a rudimentary studio setting, possibly outside, with a simple fabric backdrop and a carpet on the ground., Title supplied by cataloger., Date inferred by the attire of the sitter., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Unidentified older African American woman on shanty porch]
Full-length portrait of an unidentified African American woman standing on the covered porch before the open doorway to her home. The woman, attired in a bonnet, a long-sleeved collared dress, an apron, and shoes, has her arms at her side as she smiles and looks at the viewer. She stands in front of a wooden rocking chair. On the porch, in the left, is a wooden rocking chair and a wooden crate with a milk pail and ladle on top of it., Title supplied by cataloger., Date inferred by attire of the sitter., Gift of Marjorie G. Battles, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Unidentified young African American man]
Full-length portrait of an African American man, attired in a white collared shirt, a pin-striped waistcoat with a watch chain and jacket, lighter-colored pin-striped pants, and shoes. He stands and holds a bowler hat in his right hand and rests his left hand on a chair draped with an animal fur. He is posed in front of a painted backdrop and looks at the viewer., Title supplied by cataloger., Manuscript note on verso: 6420., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Full-length studio portrait photograph of an unidentified, young African American man, seated] [graphic] / Fowler, 238 N. Eighth St. Philadelphia, U.S.A.
Shows the man, posed slightly to the left, seated on a wooden chair, and his left leg crossed over his right. He looks toward the photographer. His left hand rests in his lap and his right hand rests on the fore edge of the right arm of the chair. He wears a dark-colored suit, white shirt, neck tie, and laced up boots. Image also includes a backdrop and decorated flooring., Title supplied by cataloger., Photographer's imprint and insignia blindstamped on mount., Paper cover is embossed with floral pictorial details., Gift of J. Murray Atkins Library., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Future rulers of Florida U.S.A. [graphic].
Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
[George H. McFadden and E.T. Stotesbury in Palm Beach, Florida, winter 1921]
Portrait of Philadelphia financier, Edward T. Stotesbury, and Philadelphia cotton merchant, George H. McFadden in a rickshaw driven by an African American man near a palm tree in Palm Beach. Stotesbury and McFadden sit in the wicker rickshaw and look at the viewer. At the back, the African American man, attired in a brimmed hat, a white collared shirt, a tie, a waistcoat, a jacket, pants, and shoes, sits with his feet on the pedals and looks at the viewer., Title supplied by cataloger., Manuscript note on recto and verso., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
George H. Stuart
Bust-length portrait of the Philadelphia philanthropist, abolitionist, and Presbyterian educator. Stuart, attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly left. Stuart organized the Philadelphia reception for the absolved Amistad mutineers at the First Reformed Presbyterian Church subsequent to their emancipation by the Supreme Court in 1841., Title from manuscript note on mount., Date based on presented age of sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
George's Hill.
View of the bandstand, built in 1872, on George's Hill near Fifty-Second Street in West Fairmount Park. Also shows a flag pole and three horse-drawn coaches with passengers parked in the foreground. Two African American men, possibly carriage drivers, stand nearby. The hill was given to the city by siblings Jesse and Rebecca George in 1868., Title from manuscript note on mount., Photographer's imprint obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James, 1990., Digitized.
Girard slave pens.
Exterior view of the entranceway to stone pens for the purpose of incarcerating enslaved persons of Philadelphia banker, financier, and Louisiana plantation owner, Stephen Girard. Shows a wooden ladder leading to an open door. In the right are two windows covered in bars. Below are two covered basements windows with a wooden crate leaning against the one in the left. The dilapidated walls show exposed brick., Title from negative sleeve., Photographer's imprint inscribed on negative., Negative cracked., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Girls High School class of 1900]
Class portrait, including African American students, posed before the school at 17th and Spring Garden streets. The students sit on the front steps of the school and stand along the sides and at the top. Some hold and display personal mementoes. Established in 1848, the high school, located at Spring Garden from 1876 to 1958, was the first municipally funded secondary school for girls in the United States. The school relocated to 1400 West Olney Street in 1958., Right corner missing., Photographer's imprint ink stamped on verso., Title supplied by cataloger., Purchase 1991., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Girls passing Mansion House, [Hampton Institute, Va.] [graphic].
Shows a group of women students, attired in white dresses, marching in lines across a lawn at the Hampton Institute. Walking in front of the women are four African American men, attired in uniforms and caps, two of which carry an American and a "H.I." flag. They march past the Mansion House, with its columned portico. In the left background, several women walk on the grass. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington. The Mansion House was the original residence of the plantation built in 1828., Photograph from negative number 2013.13.465., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Go way white trash, dis chile dance yer blind [graphic] / G. W. Leonard. 1877.
Reproduction of a sketch by G. W. Leonard depicting an African American shoeshine boy dancing to the musical accompaniment of a white boy and girl, while a white boy mocks him in the background. The smiling African American boy, portrayed in racist caricature with exaggerated features, is in the center of the image. He is attired in a white, long-sleeved open neck shirt, baggy striped pants with suspenders, and a hat with turned up brims, his hands at his side, and mid step. To his right, stand a white boy playing a concertina and a white girl playing the violin. The boy is attired in a newsboy's cap, a jacket, and pants with patches at the knees. The girl is attired in a short-sleeved, calf-length, light-colored dress, with a sash draped over her right shoulder (the one on which she plays the violin). A shoeshine box marked (with the letter s's backwards), "t. Smith. Boss Shine, 5 cts.," rests near the feet of the trio of children. In the background, a white boy, attired in torn and worn clothes and with mop-like hair, appears in a clomping stance with his arms raised to his shoulders, his back leg bent at the knee, and his other leg kicked out. His hat lays on the ground near him., Date from copyright statement: Copyright 1877, by J. P. Soule., John P. Soule was a Boston photographer who also published stereographs and cartes de visite. He served in the Ancient and Honorable Artillery Company of Massachusetts at the end of the Civil War., Purchased with the Davida T. Deutsch African American History Fund and funds for the Visual Culture Program., RVCDC, Description revised 2021., Access points revised 2021.
Gov. Andrews, Mass [graphic] / Warren's 289 Washington Street, Boston, Mass.; Under the Superintendence of Mr. S. B. Heald.
Half-length portrait of John Albion Andrew, Massachusetts governor, abolitionist, supporter of John Brown, and organizer of the first African American Civil War regiment. Andrew, attired in a white collared shirt, a dark-colored bowtie, waistcoat, jacket, and pants, sits on a wooden chair with his head turned to the left., Title from manuscript note on verso., Photographer's imprint stamped on verso., Purchase 1982., Description revised 2021., Access points revised 2021.
Graduating class of June 19[24]. The McMichael School - Phila. PA.
Class portrait of students, including African American children, from the school at 36th Street and Fairmount Avenue named after Philadelphia mayor Morton McMichael. Six rows of children sit and stand, posed outside the school, which was organized in 1892 from students from the Belmont and Haverford schools., Title from item., Photographer's stamp on verso: Dan E. Paul Commercial Photography Bell Phone 2225 N. 2nd St. Phila, PA., Gift of Elizabeth MacGuire, 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Graham House, Edgmont Avenue, Chester, Pennsylvania.] [graphic] / Published and sold by N. M. Bennett, Germantown, Phila.
Exterior view of the Graham House built for John Hoskins in 1688 on the southeast corner of Edgmont Avenue and Graham Street, Chester, Pennsylvania. Shows an oblique view of the two-story brick house with shuttered windows and three dormer windows protruding from the roof. Two sets of stairs lead to the front door, which is covered by a portico. A white picket fence surrounds the property. A sign hangs on the front of the house, "Graham House John Hoskins 1688." An African American man leans on the second-story windowsill with his left hand resting on his face and looks at the viewer. Hoskins operated the house as an Inn., Title supplied by cataloger., Date from manuscript note written on mount: Pennsylvania Bi-centennial Photographs, 1882., Forms part of a series of eleven Pennsylvania Bi-centennial photographs by Bennett., Purchase 1978., Description revised 2021., Access points revised 2021.
Greatest rosin market in the world, Savannah, Ga.
View of a large number of neatly arranged barrels, probably on a dock, with a sailing ship in the background. Several African American men workers are visible moving the barrels by rolling them., Title from item., Date inferred from photographic medium and content., View is numbered 193 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Group of colored boys near the Church Cave,. [Bermuda] [graphic].
Glass negative showing a group of five Black boys in front of thick foliage. Four boys stand while another boy sits in the grass. The boys are attired in caps or hats, shirts and jackets, and pants. Three are visibly barefooted. The boy in the right holds a large stick, and the boy in the left holds a twig with leaves on it., Time: 3:15, Light: Fair sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
A group of natives, Chipigana. Tropical Scenery. Darien Expedition.
Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Group portrait in front of the rear of a frame residence at an unidentified location.]
Portrait of a large group standing before a picket fence before a house at an unidentified location. In the right, five white men stand and sit, attired in uniforms, possibly baseball uniforms. In the center, a group of white men, women, and children, possibly a family, sit and stand and look at the viewer. In the left, a group of African Americans, who possibly work with the family, include two women one of whom holds a baby, a young girl, and a man who holds the reins of a horse. Several dogs are also in the portrait., Title supplied by cataloger., Date inferred by attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Group portrait including photographer W.L. Germon on the porch of the hotel Long Beach House] [graphic] / Photo by Germon.
Group portrait of over thirty men, women, and children posed sitting and standing on the veranda and the ground in front of the Long Beach House. Group includes an African American man and a African American woman servant. Germon, a Philadelphia photographer and engraver, stands second from right attired in a hat and collared shirt with white trim. The resort hotel was located opposite Tuckerton, N.J., Title supplied by cataloger., Date from manuscript written on mount, Aug. 14th, 1868., Purchase 1985., Description revised 2021., Access points revised 2021.
[Group portrait of brick masons]
Depicts seven masons, including two African American men, posed at an outside worksite in front of a partially completed brick wall. They stand on wood scaffolding and look at the viewer. Most hold tools of the trade, including trowels. Bricks, buckets, and other equipment are on the scaffolding around the worksite., Title supplied by cataloger., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Group portrait of members of the First Association of Spiritualists, Philadelphia]
Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
[Group portrait of members of the First Association of Spiritualists, Philadelphia]
Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
[Group portrait of women minstrels in blackface and costumes] [graphic].
Group portrait of twenty-two women posed in three rows while wearing Blackface and comical costumes for the racist entertainmentof minstrelsy. The women in the front row are seated and the women in the back two rows stand. The female minstrel entertainers wear black curly haired wigs, black face paint, and different-styled hats, jackets, skirts, and/or dresses. Costumes include ruffled and wrinkled skirts, rumpled jackets, ties and bowties, bowler hats, top hats, and a large, wide-rimmed Edwardian picture hat. Several women hold stenciled or hand-written signs (with malapropisms) identifying their "character," often a government or civil employee. Signs, in various shapes and designs, read: "Sheriff"; "Ise De Librarian"; "Ise de [Post]master"; "Colletor [sic] Ob De Mon[ey]"; "Justice Ob De Peace"; "Street Commissioner and Alderman"; and "Ise De State Legislture." A backdrop is visible in the background and fabric runners are tied in a central bow above the women's heads. A piano is partially visible in the left of the image. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. By the 1870s nearly a dozen all-female minstrel troupes had been organized. Many of the troupes eventually evolved into burlesque reviews., Title supplied by cataloger., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., RVCDC, Description revised 2022., Access points revised 2022.

Pages