The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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Catalogue illustration - Exterior view of factory.
Specimen from the catalog of the lithographic establishment begun by Eugene Ketterlinus in 1842 and incorporated as Ketterlinus Lithographic Manufacturing company in 1896. Depicts the six-story manufactory and showrooms of Baumeister Pianos in New York City. Includes street and pedestrian traffic, including patrons approaching the entry of the building., Published in Ketterlinus Lithographic Mfg. Company. Makers of book and job printing novelties. Philadelphia. North west corner Arch and Fourth streets., Smithsonian Institution: NMAH Archives Center - Warshaw Collection – Lithography – Vertical Box 1 - Catalogue, Philadelphia on Stone, POSA 9
Cathedral of St. Peter & St. Paul, Logan Square Philadelphia Pa.
Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Includes the adjacent "Episcopal Residence" and "Seminary of St. Charles Borremes" (i.e., Borremeo). Several pedestrians, including couples on promenade, walk on the sidewalk in front of the buildings. Parishioners ascend the steps of the cathedral, and a woman and child cross and horse-drawn carriages travel in the street. The Borremeo seminary operated from Eighteenth Street from 1839 until 1871 when it move to Overbrook., Philadelphia on Stone, POS 85, Historical Society of Pennsylvania: Bc 131 C 363
Cathedral of St. Peter & St. Paul Philadelphia.
Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Contains four columns at the entrance, four niches adorned with statuary on the front elevation, two small spires, and a large dome to the rear of the building. A small number of people stand in front of the sanctuary - a woman with child, two boys, two men, and a couple. Bushes and trees flank the building., Philadelphia on Stone, POS 86, Wainwright retrospective conversion project, edited.
Cathedral of St. Peter & St. Paul Philadelphia.
Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Contains four columns at the entrance above which the quote "Ad Majorem Del Gloraim" is inscribed, four niches adorned with statuary on the front elevation, two small spires, and a large dome to the rear of the building. A small number of parishioners, predominately women with children, sit and stand at the base and top of the steps leading to the sanctuary. Another woman holds a parasol and ascends the steps., Philadelphia on Stone, POS 87, Historical Society of Pennsylvania: Bc 131 C 363a
The Catholic Church of St. Mary, Philadelphia.
View showing the rectangular front facade, red-brick Roman Catholic church built 1763 and enlarged 1810-1811 (Charles Johnson, master carpenter) at 242-250 S. 4th Street. Crucifixes, arched windows and entrances, and a tablet reading "Founded 1763 Enlarged 1810" adorn the building protected by a brick wall with iron work fencing and gates. Well-dressed men and women, including two women with parasols and a mother and child, walk outside the church property. Cellar doors jut out from the brick wall and a fire hydrant is visible on the sidewalk. Also shows the side of the church and alley in addition to partial views of neighboring buildings., Inscribed on recto: 1830., Philadelphia on Stone, POS 88, Wainwright retrospective conversion project, edited., Reaccessioned as P.2203., Historical Society of Pennsylvania: Bb 131 S146.
Cedar Hill Female Seminary.
View showing the girls boarding school built 1837-1839 in Mount Joy, Pa. administered by Reverend Dodge. School located adjacent to the track between Harrisburg and Philadelphia on the Pennsylvania Railroad. Includes a fenced pasture near a gated path in the foreground and a train traveling in the background. Dodge operated the seminary, originally called Young Ladies Lyceum Institute, until the 1860s when it was closed during the Civil War. The school was reopened by Prof. David Denlinger in 1874, and later closed, and then destroyed by fire., Not in Wainwright., Mount contains printed border., Philadelphia on Stone, POSP 22, Historical Society of Pennsylvania: Ba 46 C 326
The celebrated Blasius Pianos. Blasius & Sons piano manufacturers.
Advertising card containing a romantic genre scene bordering captioned views of the Chestnut Street warerooms of the manufactory established in 1855. View captioned "Warerooms: 1119 Chestnut St.” shows part of the front façade of the 4-story storefront marked “Blasius & Sons Piano Manufacturers.” Patrons and pedestrians mill in front of the business. View captioned “Warerooms: 1101 & 1103 Chestnut St.” shows the multiple-story storefront marked “Blasius & Sons Manufacturer of the Blasius Pianos.” Several pedestrians walk in front of the large display windows and patrons enter the building. A horse-drawn carriage is parked in the street. In the left of the print, the genre scene set during the medieval period shows a troubadour serenading a lady from below her window., Not in Wainwright., pdcp00005, Philadelphia on Stone, POSP 23, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 11th-12th
Centennial
Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
Centennial album.
Copyright 1875 by the Centennial Album Co., Lithographed t.p., signed L. Maurer, chiefly ill. depicting Liberty crowning a bust of George Washington with a laurel wreath., Not in Wainwright., Text printed in black and gold., Ill. signed variously: L. Maurer; Lith. of Heppenheimer & Maurer, 22 & 24 N. William St., New York; Winham-Arnold N.Y.; John Andrew-Son; A. Will, NY [i.e., John M. August Will?]; Bricher & Conant; Boetzel [i.e., Ernest Boetzel?]; Pierson, sc.; W.E. Winslow, sc.; C. Wright; Knapp; Tyler & Co., Chi.; Russell & Richardson; Crosscup & West, Phila.; Tuttle, N.Y.; Gregory, N.Y.; Wightman, Buffalo; Holton, eng., N.Y.; J.S. Patterson, sc., N.Y.; Asher-Adams; Photo-Eng Co. N.Y.; Redman-Kenny, sc.; Hochstein, del.; Sears, sc., Illustrations include 10 lithographic plates by Heppenheimer & Maurer containing views of Philadelphia historical scenes and landmarks, and borders comprised of advertisements. Plates depict Independence Hall in 1776 and 1876; Carpenters' Hall; Washington's Retreat near Philadelphia; the old Liberty Bell; the signing of the Declaration of Independence, July 4th, 1776; colonists raising the first Liberty Pole in Philadelphia, July 5th, 1776; and views of Centennial buildings in Fairmount Park, including the Main Building, Art Gallery, Machinery Hall, Agricultural Hall, and Horticultural Hall. Most views also contain street and pedestrian traffic., "Partial list of hotels where a copy of this album is placed."--P. [63]., Includes advertisement for Heppenheimer & Maurer, lithographers, engravers & printers, p. [64]., Bound in leather; stamped in gold; with bosses., Philadelphia on Stone., POS 89
Centennial Circular 1876.
"Fortieth Illustrated" circular advertisement, probably distributed to retail dealers, for the hat manufacturer established in 1841. Contains captioned images of 66 types of men's and children's hats for the "Spring" season of 1876. Captions detail style, finish, and colors. In tribute to the upcoming Centennial Exhibition, vignettes at top depict Carpenters' Hall, Independence Hall, and a buffalo hunt. Building views inlcude pedestrian traffic. Also contains trademark for the firm with motto "Semper Paratus" (i.e., always prepared). Internal text promotes the quality and styles of hats offered, including fine soft hats, fur and wool hats, harvest hats, mackinaws, and trimmed and untrimmed hats. Text on verso encourages business people to visit Philadelphia prior to the opening of the Exhibition in order to become acquainted with the city and its accommodations, and to purchase spring fashions at the firm., Accompanied by advertising envelope for the firm illustrated with a transfer lithograph of the store at 606 & 608 Market Street. View includes crates being loaded on to a horse-drawn dray parked in front of the store. Addressee is Mr. Minot Riley of Springville, Susquehanna County, Pennsylvania, a merchant and store owner (POS 91)., Not in Wainwright, Philadelphia on Stone, POS 90, LCP AR [Annual Report] 1999 p. 43-45.
Centennial Fountain grand march. /
Printer: Thomas Hunter, Philadelphia., Cover illustration is a lithograph of the Centennial Fountain designed in honor of prominent Irish or Catholic Revolutionary heroes that was erected 1875-1877 by the national temperance society at Fountain Avenue and Avenue of the Republic on the Centennial grounds. The monument designed in the shape of a maltese cross by Herman Kirn contains statues of Father Theobold Matthew (Irish temperance reformer), Charles Carroll (only Catholic signer of the Declaration), Commodore Barry (Irish-born naval commander known as the Father of the American Navy), and Archbishop Caroll (first Catholic Bishop of the U.S.) mounted on fountain pedestals. The statues surround the central sculpted figure of Moses who holds the Ten Commandments. The Moses sculpture rests upon a rock-mound within a marble basin. Water flows over the rocks into a pool., Patriotic march for piano., Dedication: Respectfully dedicated to the Catholic Total Abstinence Union of America., Seal of the C.T.U.of A. at bottom of tp; In very poor condition, torn, taped; List of New and Old Popular Standard Ballads by H. P. Danks and W.C. Baker is printed on page 6., Pencilled signature: C. O'Hara., Not in Wainwright, Retrospective conversion record: original entry, with edits., Philadelphia on Stone, POS 92
Centennial International Exhibition. 1876. Fairmount Park Philadelphia.
Commemorative print containing views of the main buildings to be erected at the exhibition. Includes the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. Views include heavy visitor traffic by foot, carriage, and omnibus in the foreground. Also contains the dimensions (length, width, and area in feet and acres) of the buildings in the lower left corner. Majority of the buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by the Centennial Board of Finance., Philadelphia on Stone, POS 93, Historical Society of Pennsylvania: Bc 8 Ce 333, Hunter published several variant views, including folio-size prints commissioned in 1874 by the Centennial Board of Finance, of the Centennial Buildings after the official plans of the structures., Variant held in Large Society Prints - Centennial. Printed in lower right corner: Compliments of E. Morris & Co., Manufacturers of Silk, Nett, and Cassimere Hats, No. 30 South Fifth Street, Philadelphia.
Centennial March
Centennial March
Sheet music cover containing an exterior view of the Main Building of the exhibition celebrating the centennial of the United States through an international exhibition of industry, agriculture, and art. Visitor traffic, on foot, and by carriage and omnibus, traverse the paths of the grounds around the building designed by Henry Pettit and Joseph M. Wilson. Landscaping includes clusters of bushes and trees., Not in Wainwright., Price printed on recto: 5., Copyrighted by Lee & Walker., Philadelphia on Stone, POS 871, Johns Hopkins University: Levy Collection Box 164, Item 074
[Centennial Memorial]
Allegorical print showing the figure of liberty holding a laurel wreath over a bust of George Washington that is mounted on a pedestal reading “E. Pluribus Unum 1876 1776”. The image of two overlapping torches separates the dates on the pedestal and an American flag drapes the bust. The figures are surrounded by an eagle, American flags and oak leaves intertwined with a banner that reads “These United Colonies Are And Of Right Ought To Be Free And Independent States,” a quote from the Declaration of Independence., pdcp00038, Copyrighted by the "Centennial Album.", Title from duplicate in the collections of the Boston Athenauem, Boston, Massachusetts., Not in Wainwright., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Centennial, Trimmed.
Centennial music.
Centennial music cover page paired with six different songs. Cover page is bound with the song Grand Centennial march by E. Mack with this copy [11479.F (Zinman)]., Cover page copyrighted by J.E. Ditson & Co., Song copyrighted by Lee & Walker., Publisher's advertisement on last page for Oliver Ditson & Company., Cover illustration is a lithograph depicting an exterior view of the Main Building of the exhibition celebrating the centennial of the United States through an international exhibition of industry, agriculture, and art. Visitor traffic, on foot, and by carriage and omnibus, traverse the paths of the grounds around the building designed by Henry Pettit and Joseph M. Wilson. Landscaping includes clusters of bushes and trees., Printer: J.H. Bufford's Sons Lith., 141 Franklin St. Boston., Not in Wainwright., Philadelphia on Stone, POS 94, Stamped on the cover page: Schaefer Bros. music dealers, Steubenville, O.
Centre Mission School of Christ Church Germantown.
View showing the double-entranced stone school house containing a small bellfry. Townscape is visible in the left of the image and a country house with farmland in the right., Philadelphia on Stone, POS 97, Historical Society of Pennsylvania: Ba 132 C 555
Certificate of Honorary Membership of the Weccacoe Fire Company. Philadelphia.
Honorary membership certificate containing vignettes of Weccacoe Fire Company engine houses and firefighting equipment between 1840 and 1860 within a decorative border adorned with filigree, bugles, and axes. American flags, laurel wreaths, and an eagle with a shield surmounts the text in the central portion of the certificate, below which is an 1860 view of the fire company’s engine house on the 100 block of Queen Street in Southwark. Fire fighters and wagons loaded with equipment congest the street in the foreground. A large American flag flies atop the roof of the engine house. Left and right panels contain smaller views of the 1840 firehouse and its hand-pumper fire engine and the three-story, enlarged engine house and a steam fire engine from 1850. All scenes include fire fighters dressed in the red and blue Weccacoe uniform., Philadelphia on Stone, POS 98, Library of Congress: PGA - Duval - - Certificate of honorary membership (C size), Atwater Kent Museum: 88.98.685. AKM copy issued to William Schlag. Signed by the [illegible] president and Wm. B. Landon, Secretary.
[Certificate of the Guardians, Physicans and Surgeons of the] Philadelphia Alms House
Certificate containing an exterior view of the Blockley Almshouse and Philadelphia General Hospital in West Philadelphia. Under a cloudy sky, a horse-drawn carriage passes and a few men walk in front of the building. A large yard and a tree are visible in the foreground. The Board of Guardians, the governing board of the Guardians of the Poor, established in 1782 and abolished in 1877, oversaw the operations of the almshouse, including admissions, accounts, and employment of the poor. The almshouse was completed in 1833 after the designs of Philadelphia architect William Strickland., pdcp00029, Title supplied by Wainwright., Philadelphia on Stone, POS 100, Free Library of Philadelphia: Philadelphiana - Alms House, Originally Castner 9:63.
C.H. Garden & Co. 606 & 608 Market St. Philada. Fall 1875.
Circular advertisement for the hat manufacturer established in 1841. Contains captioned images of 66 types of men's and children's hats for the "Fall" season of 1875. Captions detail style, finish, and colors. In tribute to the upcoming Centennial Exhibition, vignette at top depicts the proposed design for Memorial Hall, i.e., the Arts Gallery at the Centennial. View includes pedestrian traffic. Internal text promotes the quality and styles of men's and boys' hats offered, including fine soft hats, fur and wool hats, winter caps, dress caps, and black silk conductor and imported Scotch caps. Text on verso advertises "Ladies & Gent's Buckskin & Kid Gloves"; "Ladies' and Misses' Furs" and the "Millinery Department. Ladies & Misses Trimmed Hats" in addition to the request that orders contain the correct number of the style listed on the circular., Not in Wainwright., Philadelphia on Stone, American Antiquarian Society: Graphic Arts Lithff Mora Memo
Chapel.
Exterior view of the flank of the Gothic-style funeral chapel built 1836-1839 for Laurel Hill Cemetery after designs by John Notman on Ridge Avenue., Plate opposite p. 43 in Guide to Laurel Hill Cemetery, near Philadelphia (Philadelphia: For sale at the cemetery, and by the treasurer, etc.; C. Sherman, printer, 1844)., Philadelphia on Stone, POS 102, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Chapel of the Lebanon Cemetery
View of the chapel with steeple at the African American rural cemetery founded in 1849 at Passyunk Road near 18th and Wolf streets in South Philadelphia. Also shows monuments in the cemetery and visitors, including a family. Cemetery protected by a stone wall with iron fencing, including an iron gate. Cemetery was condemned in 1899 and closed in 1903, with the bodies removed to Eden Cemetery., Philadelphia on Stone, POS 103, Historical Society of Pennsylvania: Bc 63 L 441, Repair upper left edge.
Charity ball of the Sons of Malta at the American Academy of Music Philadelphia March 4th 1859.
Fraternal organization invitation incorporating a medieval theme. Includes a knight, a woman in medieval attire shielding her children with her cloak, a globe wrapped in the American flag, the eye of god, and an ivy border. The Sons of Malta Minnehaha Lodge was organized in 1857 and dissolved in 1903. It was the last lodge of the social club., Originally part of a McAllister scrapbook of views of Philadelphia., Clipping dated March 5, 1859 describing the ball included in Poulson's scrapbooks, Illustrations of Philadelphia, vol. 1, p. 45., Philadelphia on Stone, POSP 24
Charles Baeder Philada. Steam Works
Advertisement showing a view of the glue and animal product manufactories of Charles Baeder on a lot of land on the 1700 block of North Sixth Street. Includes the seven-story glue works with cupola and the smaller multi-story starch, hide whip, and curled hair factory. Two outbuildings with active smoke stacks stand between the factories. Trees and bushes are visible on the property. A horse-drawn cart travels in the foreground. The firm, established in 1828 by Baeder, became the premier manufacturer of its kind in the United States. The manufactory, of the firm later renamed Baeder, Adamson & Co., relocated to Richmond Street, Allegheny Avenue, and Westmoreland Street circa 1866., Not in Wainwright, Manuscript note in ink on verso: Glue [illegible] A.D. 10cts. by 80# or 1 bbl. Buffaloe No. 2 at 20 cts., Manuscript notes in pencil on verso: A. & D. 10 [symbol for cents]/ Buffaloe No. 2 15 [symbol for cents]/Horse [edges?] 15 yds [frm?] 2 00, 2 25, 2 50., Philadelphia on Stone, POS 878, Kuhl operated from 120 South Second Street, rear circa 1842-circa 1851.
Charles C. Oat's lamp store No. 32 North Second St. Philadelphia.
Advertisement showing the four-story storefront adorned with signage on North Second Street above Market Street. A female patron stands at the open entry and peers into the display window filled with lavishly-designed lamps, chandeliers, and light fixtures. Inside the store, a clerk assists a female patron reviewing a display table of lamps. On the sidewalk, a couple strolls past a pile of boxes near the store, a street urchin carries a bundle, and a boy peddler walks with his basket of wares. Also shows partial views of neighboring businesses with signage. Includes a hat store, probably Robert F. Maull's, adorned with a display of hats strung from ropes hanging from the roof and sidewalk awning (30) and a shoe store adorned with an awning (32). Partial signage reads "...Maull...Bonnets" and "34 W.H. E...shoe..." Oat tenanted the address 1848-1850., Publication information and date supplied by Wainwright., Philadelphia on Stone, POS 104, Wainwright retrospective conversion project, edited.
[Charles Gilbert's stove manufactory, 249 North Second Street, Philadelphia]
Advertisement showing the stove manufactory covered in signage in German and English on the 400 block of North Second Street. Patrons enter the storefront and a clerk, possibly the proprietor, greets a patron at a second entrance. Stoves line the walls, and are displayed at the entrances and in the shop windows. The appliances, of variant styles, including a cooking stove with a tea kettle, also line the sidewalk. Laborers work at the upper floor windows. A man and woman figure adorn two of the stoves, which flank the entrances. Also shows partial views of the adjacent businesses, including P. McBride & Co., grocer (251) and Salon [sic] Walton (247), operated by Salem Walton. A sign post illustrated with a horse for the tavern stands in front of the building., Date from Poulson inscription Dec. 1846. N. Second Street., Title supplied by cataloguer., Philadelphia on Stone, POS 105, LCP copy trimmed and lacking title., Wainwright retrospective conversion project, edited.
Charles Oakford & Sons model hat store nos 826 & 828, Chestnut Street, Continental Hotel. Philadelphia. Hats, caps & furs, wholesale & retail.
Advertisement showing the ornately furnished interior of the hat store established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. Arches extend toward the visible rear of the store and are labeled "Charles Oakford & Sons"; "Gent's Furnishing Goods"; and "Wholesale Department." Tiles line the floor and the ceiling has minimal molding. Oakford admitted his sons to the firm in 1856 and relocated his business to the Continental Hotel in 1860., Philadelphia on Stone, POS 106, Wainwright retrospective conversion project, edited., Variant of **W58 [P.2030]., Artist's studies of the interior and exterior of the storefront held in the collections of the Library of Congress. [DLC-PP-1997-105-Drawings-Oakford] and [DLC-PP-1997-105-Drawings-Oakfordinterior], Ibbotson & Queen was a partnership between Harvey Ibbotson and James Queen.
Charles Oakford & Sons, No. 834 & 836 Chestnut St., Philadelphia. 1866. Wholesale and retail dealers and manufacturers of hats, caps & furs.
Advertisement with ornamental lettering depicting a display of 12 numbered men's and women's hats. The women's hats (1-4, 7, 10) are adorned with feathers, ribbons, and other embellishments, except for the "sundown." Hats are displayed on a hat rack and three stands at its base. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852 when he relocated to 624 Chestnut Street. In 1860 he moved his business to the Continental Hotel., Not in Wainwright., Philadelphia on Stone, POSP 25
Charles Oakford United States steam leuring model hat manufactory.
Advertisement showing the interior of the wholesale and finishing department (est. 1850) of the manufactory for the hat business established in 1827. Oakford stands with a business client in the center of the room across from his steam powered leuring lathe and several male employees at work. The laborers stand and form hats at their stations, which line two-thirds of the room. The stations include a drawer as well as a cubby for pieces under construction. Toward the back of the room, another employee stacks hats on a table across from shelves lined with them. In the foreground, a boy packs the merchandise into a box marked "From C. Oakford 104 Chestnut St. Phila." View also includes a wall clock and a shovel lying near the oven of the steam lathe. Leuring lathes turn hats to impart a sheen to the fur fibers and create a polished look., Philadelphia on Stone, Atwater Kent Museum: 46.57.5.2
Charles Oakford's 1848 & 49 fashions for hats, caps & furs, wholesale & retail establishment, no. 104 Chestnut St., Philadelphia.
Advertisement for the hat manufacturer containing a full-length portrait of a young woman wearing a hat and fur accessories surrounded by 11 bust portraits showing men, women and children in a variety of hats. Most of the women's and girl's hats contains ribbons, bows, and feathers. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Philadelphia on Stone, POSP26
Charles Oakford's 1848 & 49 fashions for hats, caps & furs, wholesale & retail establishment, no. 104 Chestnut St., Philadelphia.
Advertisement for the hat manufacturer containing a full-length portrait of a young woman wearing a hat and fur accessories surrounded by 11 bust portraits showing men, women and children in a variety of hats. Most of the women's and girl's hats contains ribbons, bows, and feathers. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Not in Wainwright., Philadelphia on Stone, POSP 26
Charles Oakford's hat & cap store, wholesale & retail, No. 104, Chesnut [sic] Street, Philadelphia.
Advertisement containing a view of the exterior of the hat store (300 block Chestnut Street) surrounded by a decorative border comprised of hats and vignettes. Shows the proprietor of the business standing behind the double-sided glass door of his establishment. Displays of hats adorn the showcase windows of the store. Also shows a ribbon hanging from above the entrance, a shadowy figure of a patron, and a basement cellar door. Border includes military hats, boys caps, a Friend's hat, and beaver hat. Vignettes show a military officer on horseback and an outdoor scene with beavers at a tree. Oakford established his business in 1827 and located to 104 Chestnut in 1843 where he began his wholesale trade in 1850. He operated from the address until 1852., Philadelphia on Stone, POS 108, Wainwright retrospective conversion project, edited.
Charles Oakford's model hat store, 158, Chestnut Street Philadelphia. Hats, caps and furs, wholesale and retail.
Advertisement showing the ornately furnished interior of a later store, at 624 Chestnut Street, of the the hat establishment established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. An arch labeled "Oakford" is visible to the center of the room that leads to the women's and children's section at the rear of the store. A clerk assists a woman patron seated near a rack of hats and across from a woman and girl as they browse. Large tiles line the floor and the ceiling is plain. Oakford operated from the site 1853-1860 before relocating to the Continental Hotel. Oakford admitted his sons to the firm in 1856., Philadelphia on Stone, POS 109, Wainwright retrospective conversion project, edited.
Charter of the Pennsylvania Deutsche Gesellschaft [membership certificate]
Membership certificate for the German Society of Pennsylvania, the oldest organization of its kind in the United States. Text printed over a vignette of an eagle and surrounded by the outline of a keystone., Not in Wainwright., Philadelphia on Stone, POSP 27, Historical Society of Pennsylvania: *NB 1 75 - 357
Chas. A. Smith. Barbers supplies. Jefferson and Randolph [Streets] Philadelphia.
Advertisement showing the U-shaped factory complex for “Chas. A. Smith. Barbers Supplies” established in 1866 at the southwest corner of Jefferson and North Randolph streets. The factory buildings are adorned with several windows, smokestacks, skylights, and signage including one reading “Barber’s Furniture and Supplies.” At the corner, a horse-drawn carriage is parked in front of the office entrance of the complex. In the left, several pedestrians walk along the side of the factory and horse-drawn wagons and carriages travel in the street. Wagons also travel through the passageway into, are parked within, and transport furniture away from the fenced courtyard to the complex. Also shows a few men walking, and the hood of a utility building marked “China Decorating,” in the yard. Blocks of cityscape are visible in the background., pdcp00043, Not in Wainwright., Philadelphia on Stone, POSP 28, Free Library of Philadelphia: Philadelphiana - Factories, etc.
Chas. Blasius & Sons. The largest piano & organ house 1119 Chestnut St. Phila.
Trade card containing an exterior view of one of the two Chestnut street storefronts of the manufacturer. Signage reading “Blasius & Sons. Steinway Pianos” adorns the multi-story building in which a piano is visible in the large display window. Two lady patrons enter the building across from horse-drawn wagons marked “Packard Organs Blasius & Sons” and “Steinway Pianos Blasius & Sons” parked in the street. Also contains a geometric border with floral cornices., Not in Wainwright., pdcp00003, Philadelphia on Stone, POSP 29, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 11th-12th, One of three prints mounted on one sheet.
Chemical laboratory of Crew, Rogers & Crew Philadelphia Penna.
Advertisement with heavy street activity showing the manufactory at 1601 North Sixth Street for the firm founded by Benjamin J. and J. Lewis Crew and Stephen R. Rogers in 1860. Shop laborers load barrels onto a horse-drawn cart parked in front of the laboratory and unstack and shift crates and barrels that line the sidewalks. A company horse-drawn wagon passes in the street. Other traffic includes horse-drawn drays, a "Frankford & Southwark" street car, and elegantly-attired women and men crossing from and to street corners. Also shows a company wagon entering a bay and a dray entering a storage yard at the factory. Surrounding buildings, including probably the warehouse at the lumber yard of Jacob and George A. Binder (6th & Oxford), are visible in the background., Inscribed on recto: About 1854. Used during Civil War 1863-1865 as U.S. laboratory under charge of Prof. John M. Maisch. Maisch was a professor at the Philadelphia College of Pharmacy and secretary of the American Pharmaceutical Association., Philadelphia on Stone, Atwater Kent Museum: 88.98.423/90
[Cherry St. Factory (court-yard view.)]
View of the rear of one of two factories owned by Cornelius & Baker, manufacturers of lamps, chandeliers and gas fixtures. Located on Cherry Street between 8th and 9th Streets, construction of the two wings of the U-shaped, multi-storied factory was completed in 1858. Building also contains a tower. In the courtyard, a driver leads a horse-drawn wagon past a few workers and two gentlemen in conversation. Cornelius & Baker was founded in 1835 and operated 2 factories and a storefront by the 1850s. The firm was succeeded by Cornelius & Sons in 1869., Title from duplicate print. (*BW- Industry P.2023), Date from Poulson inscription on recto of companion view. (BW - Industry (P.2024b)), Also published as frontispiece to Description of the establishment of Cornelius & Baker, manufacturers of lamps, chandeliers & gas fixtures, Philadelphia (Philadelphia: J.B. Chandler, Printer, 306 Chestnut Street, 1856?) (LCP Am 1856 Corne (17160.O.15)). Views of both factories issued as a separate print on a single sheet by P.S. Duval & Son's lithographers (LCP P.2023 *BW-Industry)., Not in Wainwright., Philadelphia on Stone, POS 111
Chester County Mining Company's Works
Advertisement showing the works of the silver lead mining company chartered in October 1850. Includes the engine shaft, smelting furnace, storage shed, and probably the paymaster's office. Laborers operate shaft machinery, push wheel barrows, transport ore by horse-drawn wagons, and pick at a large rock. Also shows a reservoir pool in the background and two laborers at rest, shovels in hand, seated on a tree trunk near a wheelbarrow in the foreground., Inscribed on recto: Chester Mining Co., Not in Wainwright., Philadelphia on Stone, POSP 30, Historical Society of Pennsylvania: Bb 36 C 525, Lower right corner missing.
Chestnut Strasse, Sudwetseite der 4th.= Chestnut Street, west of Fourth.
Street scene showing the south side of Chestnut Street between 4th and 5th Streets depicting two bank buildings designed by Philadelphia architect William Strickland: the Philadelphia Bank building (built 1836) and the custom house (formerly the Second Bank of the U.S., built 1818-24). Philadelphia Bank building (400-408 Chestnut, after renumbering) houses and includes signage for the Western Bank and Girard Life & Trust Company, as well as H.S. & C. Ogden, tailors; Kelly & Bright, stationers; Edward Borheck, optician; Martin Leans, engraver; Wilcox & Delleker, custom house brokers; and Wm. H. Patton, dealer in decorative wall papers. Street scene includes a vendor, two coaches, a man on horseback, and pedestrians., Title and imprint variant of one in the series "Panorama of Philadelphia" published 1856 by Schnabel, Finkelday & Demme., Not in Wainwright., pdcp00019, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 4th-5th, Schnable & Finkelday operated as a partnership 1858-1860 following the departure of partner Willliam Demme in 1857.
Chestnut Street, East of Fifth
Panoramic view showing businesses marked with pre-consolidation addresses on the south side of the 400 block of Chestnut Street (134-140, i.e., 420-428). Signage and ornaments adorn the buildings. Includes L. J. Levy & Co., dry goods store (420); Bailey & Kitchen, jeweler, and Broadbent & Co. daguerreotype rooms (422); W. F. Warburton late W.H. Beebe & Co., hatter and C. Stinger, dressmaker(424); James E. Caldwell & Co., jeweler (426); Root Gallery of Daguerreotypes, Wriggens & Warden, jeweler, and S. Marot, engraver (428). Also shows heavy street and pedestrian traffic, including horse-drawn carriages and an omnibus. Part of the old City Hall at Fifth and Chestnuts is also visible. A crowd of people stands at the tree-lined street corner near the building., Philadelphia on Stone, POS 541.1, Historical Society of Pennsylvania: Bb 856 Sc 57, HSP copy inscribed on recto: Prest by J. C. Browne., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street - 4th-5th (2 copies), Athenaeum of Philadelphia: General Prints Collection - PRM071, Gift of David Doret.

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