The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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Chestnut Street, east of Third
Reproduction of lithographic view showing the 200 block of Chestnut Street with pre-consolidation addressed buildings. Businesses include Lewis Brothers & Co., importers of silk goods, Senat, Perot & Co., importers, Cottringer, Boyd & Gibbons, importers, and Lawrence Stone & Co. (80-82, i.e., 238-240); the Jayne Building (built 1849-1850) tenanted by Wesendock & Co. importers of silks & cloths, Dr. D. Jayne & Son, patent medicine, and Ellwood Shannon, tea dealer (84-86, i.e., 242-244); Oberteuffer & Freytag, importers, and Samuel Robinson, importers of Irish linens (88, i.e., 246); N. Thouron & Sons, importers of French goods, and Harden’s [sic] Express, probably A. Howard & Co. express (92, i.e., 248); and the U.S. Life Insurance Annuity & Trust Saving Fund building tenanted by Draper, Welsh & Co. Bank Note Engraving (94, i.e., 250). Includes heavy street and pedestrian traffic. Horse-drawn carriages, wagons, an omnibus, and drays travel in the street in addition to a dray situated to be loaded in front of the Jayne Building. Clusters of pedestrians walk near the Jayne and the Saving Fund buildings. In the foreground, on the opposite side of the street, families stroll, converse, and are greeted by other individuals near men, including laborers, talking near a pile of crates and a loaded dray. Also shows lettering reading "Howard" above the doorway of 92 Chestnut Street and a partial view of adjacent buildings., Not in Wainwright., pdcp00010, Philadelphia on Stone, POS 113, Free Library of Philadelphia: Philadelphiana - Streets - Chestnut Street 2nd-3rd
Chestnut Street Schottisch
Sheet music cover containing a street scene showing "Wm. D. Rogers' Carriage Repository" and the "Young Mens Christian Association Rooms" at 1009-1011 Chestnut. At the lower level of the three-story building, patrons review wagons on display in the Roger's shown room, enter the building, and look at a display window lined with prints and containing a guitar. Several individuals walk and greet each other on the sidewalk. In the street, a "Chestnut Street" omnibus and horse-drawn carriage travel near a man on horseback and traversing couples. Couples include a woman snickering beside her female cohort and a man pointing something out to his lady companion. Also shows the adjacent residence and walled courtyard of trees. Rogers, who established his business in 1846, opened his Chestnut Street repository in 1857., Copyrighted by James W. Roddon., Price printed on recto: 3 1/2., Philadelphia on Stone, POS 114, Wainwright retrospective conversion project, edited., Atwater Kent Museum: 44.86.56 cover and 46.24.1 with music., Free Library of Philadelphia: Philadelphiana - Streets - Chestnut - 10th-11th. Trimmed sheet music cover illustration only., Gift of Isadore Lichstein.
Chestnut Street, west of Fourth.
Street scene showing south side of Chestnut Street between 4th and 5th Streets depicting two bank buildings designed by Philadelphia architect William Strickland: the Philadelphia Bank building (built 1836) and the custom house (formerly the Second Bank of the U.S., built 1818-24). Philadelphia Bank building (400-408 Chestnut, after renumbering) houses and includes signage for the Western Bank and Girard Life & Trust Company, as well as H.S. & C. Ogden, tailors; Kelly & Bright, stationers; Edward Borheck, optician; Martin Leans, engraver; Wilcox & Delleker, custom house brokers; and Wm. H. Patton, dealer in decorative wall papers. Street scene includes a vendor, two coaches, a man on horseback, and pedestrians., Not in Wainwright., Philadelphia on Stone, POS 115, Gift of Mrs. S. Marguerite Brenner.
The Chinese collection in the lower saloon of the new building at the corner of 9th & George Street, Philadelphia.
Advertisement for Nathan Dunn's Chinese collection housed in the lower floors of the Philadelphia Museum also known as the Chinese Museum that was built 1836-1838. Contains an ornamental border, vignettes, a landscape view, and descriptive text. Border includes filigree and 4 banners adorned with Chinese lettering. Vignettes show a Chinese woman from high society at leisure; a Chinese peasant man, and peasant woman with baby; and a Chinese fisherman on his boat. View shows a Chinese landscape including a pagoda and sailing vessels on the water. The text, engraved by the Warrs, describes the exhibition space (154 x 65 feet) and collection, including "50 Figures As Large As Life" in "Native Costume" from the "highest Mandarin" to the Blind Mendicant" and "Many Thousand Specimens Both in Natural History and Miscellaneous Curiosities," illustrating the "Appearance, Manners, & Customs of more than 300,000,000 Asiatics." Also contains 4 numbered "Chinese Maxims." Dunn, a Philadelphia merchant involved in the China trade, amassed his collection 1818-1831. The collection was displayed at the Philadelphia Museum 1838-1841 and then removed to London in 1842., Not in Wainwright., Inscribed on recto: 1838., Philadelphia on Stone, POSP 31, Historical Society of Pennsylvania: Albert Newsam Collection, V-100, Box 10, Folder 2
Chinese Museum Grand Carnival Ball of the Broken-Hearted Club. Philadelphia. Dec. 28th. 1853.
Chinese Museum Grand Carnival Ball of the Broken-Hearted Club. Philadelphia. Dec. 28th. 1853.
Philadelphia on Stone, POS 116, Cited by Wainwright as in the collections of the Historical Society of Pennsylvania. Copy unlocated., Historical Society of Pennsylvania: copy unlocated
[Christ Chapel, Eddington of All Saints Church, Lower Dublin Townhsip, near Torresdale]
Exterior view of the pastoral chapel erected in 1843 for the Protestant Episcopal congregation, All Saints church, organized 1772. Shows parishioners walking the grassy yard to the sanctuary surrounded by trees. Beasley served as rector of the church 1834-1878., Title supplied by cataloguer., Name of artist from manuscript note on recto., Manuscript note on recto: Near Torresdale, Penn. Oak Grove Church. Rev. Mr. Beesleys [sic] ch. PE., Not in Wainwright., Philadelphia on Stone, POS 515, Morton, was rector of St. James Church, Philadelphia.
Christ Church.
Exterior view looking northwest at the Protestant Episcopal church built 1727-1744, including the steeple completed 1754 after the designs of John Harrison and Robert Smith, at 22-34 North 2nd Street. Scene includes pedestrian traffic walking along both Second and Church Streets, a flock of birds near the weathervane and steeple, and trolley tracks running the length of Second Street in the foreground., Frontispiece to Edward W. Clark's A Record of the Inscriptions of the Tablets and Grave-Stones in the Burial-Grounds of Christ Church, Philadelphia (Philadelphia: Collins, printer, 705 Jayne Street, 1864)., Philadelphia on Stone, POS 117, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Uy8 96795.D., Historical Society of Pennsylvania:
Christ Church Germantown Phila.
Exterior view showing the Episcopal church later known as Christ Church & St. Michael's, originally built 1854-1856, at 29 West Tulpehocken Street. Also shows an adjacent white-stone residence with porch and street and pedestrian traffic. Traffic includes a horse-drawn cart, ladies on promenade, and a man strolling with a young girl who holds his hand. Building was destroyed by a hurricane in 1878 and rebuilt in 1880., Philadelphia on Stone, POS 118, Library of Congress: DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Christ Church, Stephen C. Duval became a partner his father's lithograph firm in 1857.
Christ Church Hospital.
Exterior view of front facade of hospital building constructed 1856-1861 after designs by John M. Gries at 2100 North Forty-ninth Street. Building adorned with Gothic details, including narrow pointed arched windows, gable roofs, pinnacles and spires. A carriage drives away from the front entrance of the home along the same path where pedestrians stroll the grounds. Founded in 1772 by Dr. John Kearsley to support poor and widowed women of the Church of England., Published in Edward W. Clark's A Record of the Inscriptions of the Tablets and Grave-Stones in the Burial-Grounds of Christ Church, Philadelphia (Philadelphia: Collins, printer, 705 Jayne Street, 1864), opposite page 85., Philadelphia on Stone, POS 119, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Uy8 96795.D., Historical Society of Pennsylvania:
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Originally published as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 120.3, Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.62b in *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Reassigned McAllister accession number., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Copyrighted by J.C. Wild and J.B. Chevalier., Issued as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 102.1, One of the images [(4)1322.F. 61c] originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Library Company of Philadelphia: (4)1322.F.61c; 3008.Q; in Print Room * Am 1838 Wild 6626.F and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania: Bb862 W6441 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-75.
Christ Church Philadelphia.
Exterior view of the Protestant Episcopal church built 1727-1744 at 22-34 North 2nd Street. Also shows pedestrian traffic., Originally published as plate 17 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen., Philadelphia on Stone, POS 120.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania: Bb862 W644 Pl.17., Described in Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Christopher Gallagher. Wholesale liquor dealer.
Advertisement showing the two-story brownstone storefront, adorned with signage, of the liquor dealer who relocated to 806 Lombard Street circa 1875. Barrels, visible through the open central entry, are stacked within the space on the first floor. Architectural ornamentations and etched, arched windows adorn the upper story facade. A man, possibly proprietor Gallagher, stands near one of two other doorways to the establishment across from a laborer prying on one of several barrels lined on the sidewalk. In the street, a boy attends to one of two horses drawing a cart loaded with more barrels. Also shows partial views of adjacent buildings. Gallagher immigrated to the United States in 1856 and established a wholesale liquor business in Philadelphia. He was a member of the Hibernian Society, Catholic societies, and president of the Building and Loan Association., Not in Wainwright., Philadelphia on Stone, POS 121, Historical Society of Pennsylvania: Firefighting Album Am 3989 Gallagher
Chromo lithography,
Book illustration advertising the Philadelphia lithographic studio of P.S. Duval, which received an 1849 Franklin Institute medal for advancement in chromolithography. Contains allegorical, patriotic, romantic, and art-themed iconography. Includes a female allegorical figure, wearing a liberty cap, who holds a cornucopia under one arm, and raises a laurel wreath with the other. She stands on an American shield covered by a sword, palette, book, architectural plan, globe, and mallet. Also shows the American eagle, floral details, and two cherubs entwined in a banner reading "E Pluribus Unum.", Printed upper right corner: Patent Office Report. Part 1. 1849., Printed lower right corner: (See Page 491)., Not in Wainwright., Philadelphia on Stone, POSA 10, Gift of Helen Beitler., Variant of frontispiece published in Catalogue of the twenty-third exhibition of American manufactures... (Philadelphia: William S. Young, 1853). [LCP Am 1853 Exhib 14181.O.5]
The church in 13th Street above Market, Phila.
Exterior view of the front facade and flank of the Ninth Presbyterian Church showing well-dressed men, women and children entering the left and right entrances. The church, adorned with Gothic arched windows and details, was built circa 1815 on North Thirteenth Street with funds donated by Margaret Duncan to serve the poor and working class of Philadelphia. Originally named the Second Associate Reformed Church, the church was also commonly known as Margaret Duncan's Church or the Vow Church. Controversy over John Chambers appointment as a new minister of the church in the mid 1820s influenced his decision to form a new congregation with his supporters in 1830. They moved to the much larger First Independent Church at Broad and Sansom Streets. This lithograph may have been created to commemorate the installation of a new minister at the Thirteenth Street church in 1832., Not in Wainwright., Title from manuscript note on paper pasted onto lithograph., Date supplied by cataloger., Philadelphia on Stone, POS 122, LCP AR [Annual Report] 1999 p. 50.
Church of Our Lady of Consolation. Chestnut Hill, Philadelphia, Pa.
Certificate containing an exterior view of the Roman Catholic church, also known as St. Mary's Lady of Consolation Church, and later Our Mother of Consolation Church, built in 1855 at 7-25 East Chestnut Hill Avenue. Church contains the Gothic spire built in 1885. A Victorian-style residence stands adjacent to the church and an iron-work fence bordered by bushes line the properties. A man enters the church building while nearby a lady walks across the path in the sidewalk, which leads to the church yard. In the street, a horse-drawn buggy travels. On the opposite sidewalk, a gentleman on a stroll walks in the direction of two young men, one carrying a basket on his arm. Also shows a street lamp. The church, founded in 1855, was built with funding from founding parishioner Joseph Middleton., Not in Wainwright., Philadelphia on Stone, POSP 32, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, Our Lady of Consolation
Church of Our Lady of the Visitation, cor. Lehigh Ave. and Leamy St. Philadelphia Pa.
View showing the Roman Catholic church, also known as Visitation of the Blessed Virgin Mary Church, completed circa 1879 at 2625 B Street in Kensington. On the sidewalk, pairs of men converse near street lamps, two passing boys, and a well-dressed lady. In the street, a man rides on horseback past two priests as a woman with a little girl crosses nearby. Parish established circa 1873 under the name of St. Cecilia. Rev. Thomas J. Barry, who changed the location and name of the church, was appointed pastor in 1875., Not in Wainwright., Philadelphia on Stone, POSP 33, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, Our Lady of the Visitation
Church of Our Saviour, Reed and Eigth [i.e., Eighth] Sts. Philadelphia.
Exterior view of the Gothic revival Protestant Episcopal church built in 1856 in South Philadelphia. Building is adorned with a bell tower and a one-story building stands behind it. Parish reorganized in 1870 into the Church of St. Timothy, Not in Wainwright., Philadelphia on Stone, POS 123, American Antiquarian Society: Graphic Arts Lithf Chur OS
Church of St. Charles Borremeo. Philadelphia, Pa.
Certificate showing the interior of the Roman Catholic Church built 1868-1876 in a High Victorian baroque style after the designs of Edwin Forest Durang at 900 S. 20th Street. View looks toward the ornate rectangular chancel, with sculptural details, including angels, and a crucifix icon. Side altars include religious icons and sculptural details. Also shows a crucifix adorning a side wall, low-hanging chandelier in front of the altar, stained glass windows, pews, and balconies. Image contains ornamented cornices, including one containing "IHS.", Not in Wainwright., Philadelphia on Stone, POSP 34, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, St. Charles Borromeo
Church of St. Charles Borremeo. Twentieth and Christian Streets Philadelphia.
View showing the Roman Catholic Church built 1868-1876 in a High Victorian baroque style after the designs of Edwin Forest Durang at 900 S. 20th Street. Building contains a French-roof tower, domed tower with clock faces, and gable roof. Two men converse at the corner near a fire hydrant. An iron-work fence lines the side of the building., Not in Wainwright., Label pasted on recto: Presented by Martin J. Griffin., Philadelphia on Stone, POSP 35, PAHRC: United States, Pennsylvania, Philadelphia, St. Charles Borromeo, Griffin, a Catholic historian, writer and editor of The Catholic Standard and Times, was founder of the America Catholic Historical Society, in 1884. The Philadelphia Archdiocesan Historical Research Center provides research access to the collections of the society.
Church of St. Edward the Confessor Philadelphia, Penna.
View showing the Roman Catholic Church at 2401-2427 North 8th Street built as an Episcopal church and bought by the Archdiocese for the parish established in 1865. Also shows the adjacent church school. The church, which does not contain a tower, and school are surrounded by a yard with trees that is protected by a picket fence. A few pedestrians, including a woman and child, walk on the sidewalk in front of the property. Rev. P. F. Sullivan assumed the pastorship of the church in 1873. A cornerstone for a new church was laid in 1883., Not in Wainwright., Philadelphia on Stone, POSP 36, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, Church of St. Edward the Confessor
Church of St. Philip Neri. Philadelphia, Penna.
View showing the Roman Catholic church built in 1840 after designs by architect Eugene Napoleon Le Brun. View includes two horse-drawn coaches travelling Queen Street, pedestrians promenading, and a church rectory or convent building immediately west of the church building. Damaged during the Nativist Riots in the spring of 1844, the church maintained most of its original appearance. Reverend Nicholas Cantwell served as pastor of the church from 1845 until his death in 1899., Not in Wainwright., Philadelphia on Stone, POSP 37, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, St. Philip Neri
Church of St. Vincent de Paul, Germantown, Phila. Pa.
View showing the ornate interior of the Catholic church built 1849-1851 and enlarged in 1857 at 109 East Price Street. Looking toward the nave, the view includes the chancel, crucifix, wineglass pulpit, pews, stained glass windows, icons and angels depicted in murals and framed paintings, and the frescoed base of the church's dome. The church was the first parish named after St. Vincent de Paul, the 17th-century French priest and founder of the Congregation of the Mission., Contains dashed lines below the image., Not in Wainwright., Philadelphia on Stone, POSP 38, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, St. Vincent de Paul interior
Church of the Assumption. Spring Garden St. betw. 11th & 12th St. Philadelphia.
View showing the front elevation of the Gothic-style church built 1848-1849 after the designs of Patrick Neeley at 1133 Spring Garden Street. An iron work fence lines the building that contains two towers. Church closed by the Archdiocese of Philadelphia in 1995., Not in Wainwright., Philadelphia on Stone, PAHRC: United States, Pennsylvania, Philadelphia, Church of the Assumption
Church of the Evangelists. Catharine St. west of 7th., Philadelphia.
View of the Episcopal church built 1856-1857 at 711-721 Catharine Street. Church property contains side courtyards enclosed by iron gates. Also show partial views of neighboring buildings and street and pedestrian traffic. Traffic includes a horse-drawn carriage, three men conversing on the sidewalk, a man on horseback, and a man walking, a coat over his arm, who is followed by a dog. Congregation formed in 1837 and admitted to the Episcopal church in 1842. The church was the last consecrated by Bishop Potter in the Philadelphia diocese in 1864. The building was razed in 1885, rebuilt in 1886 after the designs of Furness, Evans & Co., and in 1922 incorporated into the Fleisher Art Memorial., Artist possibly French-born lithographer Leonard Crepson (b. 1837)., Philadelphia on Stone, POS 125, Historical Society of Pennsylvania: Bc 132 E 92
Church of the Holy Trinity, Rittenhouse Square, Philadelphia
Floor plan of the Protestant Episcopal church built 1856-1859 after the designs of John Notman at 200 South 19th Street. Includes the chancel; vestibules; towers; the center, South, and North galleries of pews; and a porch. Pews are printed with a row number, "value," "seats," and "rent." Values range from $1200 to $200 and pews 146 and 147 are annotated in ink: "3 for rent" and "1 for rent." In March 1859, an auction administered by M. Thomas & Sons was arranged by the vestry to raise funds to complete the construction of the church, particularly a steeple. The steeple was never completed., Philadelphia on Stone, POS 126, Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., For a description of the auction and church, see Poulson's scrapbooks, vol. 1, pp. 46, 48 1/2, and 50.
[Church of the Nativity]
Exterior view of the Gothic-style Episcopal church completed in 1846 after the designs of Napoleon LeBrun at the northwest corner of 11th and Mount Vernon streets., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 127, Originally part of a McAllister scrapbook of views of Philadelphia., Wainwright retrospective conversion project., Free Library of Philadelphia: Castner 22:93. With title and printer's imprint., Duplicate in the collections of the Historical Society of Pennsylvania [Ba 132 N278] contains printed caption on recto: This Church is to be built of stone, is 50 by 80 feet exclusive of the tower. It will cost $9,000 and seat without side galleries 600 persons. Subscriptions for its erection will be gratefully acknowledged by the wardens and vestry. Brethren will ye not aid as God has prospered you in extending the Gospel in the Church?
Church of the Resurrection. Rising Sun Village. Revd. Thos. J. Davis, rector.
View showing the small stone Protestant Episcopal church built in 1853 on North Broad and Tioga streets. Fenced pasture land surrounds the building. Congregation was organized under Rev. Thomas J. Davis in 1849., Title annotated with pencil inscription: Phila Pa., Not in Wainwright., Philadelphia on Stone, POS 128, Historical Society of Pennsylvania: Bb 132 K 952
Circular and catalogue of the Oakland Female Institute, Norristown, Pa. for the year ending September 26th, 1850.
Contains frontispiece titled "Oakland, Female Institute." of an exterior view of the institute printed by "P.S. Duval Steam Lith. Press" and with the artist's credit line "From nature and on stone by W.E. Hitckcock [i.e. Hitchcock]." Students stroll on the lawn. A passenger train of the Philadelphia, Germantown, and Norrristown (later Philadelphia & Reading) Railroad passes in the foreground and a boat is moored on the river bank. The institute was established in 1845. This view issued shortly before the building underwent major renovation and enlargement 1852-1855. Image with variant imprint used on sheet music cover published by Lee & Walker in 1852. [GC - Education]., Philadelphia on Stone, POSP 155.1
Circular of Oakland Female Institute Norristown, Pa. :
Frontispiece signed: Lehman & Bolton Phila. Lithograph titled "Oakland Female Institute" depicts an exterior view of the institute and tree-covered grounds. Students stroll on the lawn and pedestrians walk on the sidewalk in front of the property. A horse-drawn buggy and a passenger train of the Philadelphia & Reading Railroad passes in the foreground. The institute was established in 1845 and underwent major renovation and enlargement 1852-1855., Title and text printed inside ornamental borders., In printed paper wrapper., Library Company copy wanting the back wrapper., Philadelphia on Stone, POSP 157
Citizens Volunteer Hospital Association of Philadelphia. Instituted, September 5th 1862.
Certificate containing a view showing a bustling street scene around the hospital situated opposite the Philadelphia, Wilmington, and Baltimore Railroad depot at the corner of Broad Street and Washington Avenue. On the sidewalk, soldiers converse, men and women pedestrians stroll, and a female peddler and vendor sell their goods and wares, the latter patronized by Zouaves. In the street, medical personnel and doctors accompany injured soldiers, by stretcher, foot, and on crutches toward the hospital. Men, women, and children walk, converse, and greet each other, and horse-drawn carriages, including possibly an ambulance, travel past and stop near the hospital. Children include a boy carrying a basket and two attempting to help a man with his valise. Also shows surrounding buildings in the background. The hospital provided care to the most seriously injured before their reassignment to other hospitals. The hospital closed on August 11, 1865., Signed Thomas T. Tasker Junr President and F. Bayle Secretary pro tem., Philadelphia on Stone, POS 129, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:, Variant of image used as central scene in Wainwright 69.
Citizens Volunteer Hospital, corner of Broad St. & Washington Avenue.
Print containing a montage of 11 exterior and interior views of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Central view shows a bustling street scene outside of the hospital. Horse-drawn carriages, possibly including an ambulance, arrive and depart; injured soldiers are carried by stretcher and assisted by fellow soldiers to the building; male and female pedestrians converse and traverse the streets; two boys attempt to help a man with his valise; and Zouaves patronize a female vendor's stand. Other views show the "Interior of Hospital" where women volunteers and doctors attend to bed-ridden soldiers; the "Kitchen" equipped with an ice box, cooking stove, and heating stove where two women prepare food on a counter; the "Dining Room" in which several soldiers eat at three long rows of tables near a heating stove; the "Laundry" room where women sort, fold, and wash cloths in a sink, near a large vat of boiling water; the "Ladies Kitchen" containing cupboards of dishware, a small cooking stove, and a rack of cooking utensils in which three women work; the "Wash Room" in which four men wash up at a trough of sinks; the "Drug Room" in which a pharmacist distills drugs for a soldier and women volunteer in front of a wall of medicinal bottles; a female volunteer at the counter of the "Store Room" attended by a man surrounded by several shelves packed with supplies; the "Bath Room" lined with tubs in which a soldier begins to undress; and female volunteers setting tables in the "Officers Dining Room.", Also includes two American flags draped over the borders of one of the views. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865., Philadelphia on Stone, Library of Congress: PGA - Queen--Citizens ... (D size) [P&P], Historical Society of Pennsylvania: Bc 15 C 581 b copy 1, Historical Society of Pennsylvania: Bc 15 C 581 b copy 2, HSP copy 2 missing blue tint stone.
Citizens Volunteer Hospital. Corner of Broad St. and Washington Avenue.
Fundraising certificate containing views of the exterior and interior of the volunteer hospital opened September 5, 1862 opposite the Philadelphia, Wilmington, and Baltimore Railroad depot. Exterior view shows civilians and a troop of Union soldiers standing in front of the hospital as a train arrives. Interior view shows rows of beds lining a central hallway. Women volunteers attend to bed-ridden soldiers and set a long table for a meal. Framed by decorative motifs including the seal of Philadelphia; angels hovering above an able-bodied and an injured soldier in front of columns inscribed "The Glory of the Volunteer"; American flags; and floral elements. The hospital provided care to the most seriously injured before their reassignment to other hospitals. Closed on August 11, 1865., Philadelphia on Stone, POS 130, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc 15 C 581, Originally part of a McAllister scrapbook of material concerning Civil War volunteer saloons and hospitals.
City Hotel, 41 North Third Street Philadelphia by Heiskell & Niblo, from Virginia.
Advertisement showing the very busy four-and-a-half story hotel opened in 1807 on Third Street below Arch Street. Several male guests sit, stand, and put their feet up on the porch of the hotel that is covered by an awning. Also shows guests at the first and second floor windows and a couple strolling on the sidewalk. The hotel closed soon before the Civil War., Philadelphia on Stone, POS 132, Historical Society of Pennsylvania: Bb 862 B 756 #41
The City Hotel, No. 41 North Third St. near Market St. Philadelphia.
Advertisement showing the very busy four-and-a-half story hotel opened in 1807 on Third Street below Arch Street. Includes partial views of adjacent buildings. Several male guests lounge on the porch as a gentleman enters the hotel. Also shows pedestrians and a valet hauling luggage with a hand cart. Contains a N.B. about "charges moderate" for a "ladies' dining room, for the accommodation of families, that do not wish a private parlor." The hotel closed soon before the Civil War., Not in Wainwright., Philadelphia on Stone, POS 133, Historical Society of Pennsylvania: Bb 32 B 813
City Marble Works and Steam Mantel Factory. Corner Tenth and Vine Streets Philadelphia. J.E. & B. Schell.
Advertisement depicting a corner view of the three-building showroom and factory operated by the Schells from 1853 until 1856. J.E. Schell continued the business as J.E. Schell & Company starting in 1857. On Tenth Street, patrons enter the four-story storefront and mantle room adorned with signage and statuary displayed on a second floor veranda. At the corner, a coach waits, the disembarked African American man driver standing at the ready. On Vine Street, behind the showroom, a family of passerby admire the marble statuary, monuments, and headstones in the factory's fenced-in yard. White men factory laborers load a headstone onto a horse-drawn cart, inspect open crates lining the street, and review slabs of marble outside the factory's storage building. Partial views of adjacent buildings and the "10th" Street carriage are visible., Title from item., Although Wainwright suggests date of publication as circa 1855, date of circa 1854 is used since Rease relocated to the new business address of 97 Chestnut Street as of 1855., Text printed on recto: Having greatly improved their facilities for the Manufacture of every variety of Marble Works embracing the best styles of Mantels, Table Tops, Flooring, Tombs and Monuments, are prepared to supply all orders upon reasonable terms., Philadelphia on Stone, POS 134, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
City Museum, Callowhill St. below Fifth St. Philadelphia.
View showing the museum originally built as a church in 1823 at 415-417 Callowhill Street. A group of men and women enter one of the seventh entrances in the left of the image. A sign reading "Star Hall" hangs above the door and a flag marked "City Museum" adorns the roof of the building. Materials are displayed in several of the windows and two men stand at another entrance. Also includes pedestrians on the sidewalk walking near a street lamp. The museum opened in 1854 and housed natural history, science and portrait exhibits on the lower floor and a theatre on the upper floor. Museum burned in 1868., Philadelphia on Stone, POS 135, Historical Society of Pennsylvania: Bb 09 C 581
City Museum polka /
Copyrighted by G. Vogt., Cover illustration is a lithograph showing a view of the fancifully adorned City Museum originally built as a church in 1823 at 415-417 Callowhill Street. Several individuals, including families, gentlemen, and a b'hoy enter, process, and stand in front of the building. Lamps line the street and a few men are visible on the balcony. Building includes a series of painted billboards across the roof designed as a frieze. Billboards depict animal scenes including a ram, donkey, and a goat; a jungle scene with a giraffe, snake, and a man riding an elephant; a mother tiger with her cubs; and a lion tamer with his big cat. The roof piece also contains two model alligators entwined by snakes, architectural embellishments, and flags. The museum opened in 1854 and housed natural history, science and portrait exhibits on the lower floor and a theatre on the upper floor. Museum burned in 1868., Artist: P. Kramer; Printer: T. Sinclair's Lith., Philadelphia on Stone, POS 136, Wainwright retrospective project, edited., LCP AR [Annual Report] 1986, p. 47-48.
The city of Philadelphia.
Bird's eye view looking east from West Philadelphia showing the city between West Philadelphia, the Schuylkill River, East Falls/Germantown, and Southwark/Grey's Ferry. Shows the residential, commercial, industrial, religious, educational, and cultural buildings lining the streets and outer lying areas of Center City. Also shows the Schuylkill River, grounds of the Centennial Exhibition (West Fairmount Park); Treaty, Smith, and Windmill islands; Camden, NJ. and public utilities, bridges, railroad depots, and reservoirs. Includes from north to south, Glenwood and Oddfellows Cemetery, Columbia Bridge, Centennial buildings (Art Gallery, Memorial Hall, Main Hall), Connecting R.R. Bridge, Reading R.R. coal wharves (Port Richmond), Germantown, Girard Avenue Bridge, Fairmount Park, Kensington Depot, House of Refuge, Eastern Penitentiary, Fairmount Water Works, Wire Bridge, Reading Depot, Penn. R.R. Depots & Car Works (West Philadelphia), Franklin Square, Cathedral of Saints Peter & Paul, Logan Square, Market Street Bridge, New York Depot, New Post Office, Masonic Temple, future City Hall, Chestnut Street Bridge, Independence Hall, Public Ledger Building, Continental Hotel, La Pierre House, Washington Square, Academy of Music, Rittenhouse Square, Pennsylvania General Hospital, Philadelphia and Baltimore R.R., South Street Bridge, Navy Yard, Jefferson Square, Moyamensing Prison, Baltimore Depot, and U. S. Arsenal and Naval Asylum Building. Masts of docked ships line the piers along the Delaware and vessels sail on the waters of both rivers. Train, pedestrian, and street traffic is also visible on the city road ways and railroads. Key to major landmarks and streets printed below the image. Streets include Girard Avenue, Westminster Avenue, Aspen Street, Fadline Street, Haverford Street, Bridge Street, Powelton Street, Lancaster Avenue, Market Street, Chestnut Street, Walnut Street, and South Street., Philadelphia on Stone, POS 137, Historical Society of Pennsylvania: Bc 865 P 267
City of Philadelphia, 1867
Advertisement souvenir print distributed by the Philadelphia furniture dealers containing a montage of 3 panoramas, 3 views, and 2 allegorical vignettes. Panoramas show schematic views of Philadelphia, and the views show Independence Hall, 1867 and Gould & Company's Union Depots located at N.E. cor. 9th & Market Sts. and at 37 & 39 N. Second Street. Panoramic views predominately show the Eastern, Western, and Central portions of the city from across the Schuylkill and Delaware rivers. Major landmarks are visually highlighted and identified by text below the images. Includes (lower view) the U.S. Mint, Market St. Bridge, Academy of Music, St. Mark's Church, Academy of Natural Science, Pennsylvania College, New Chestnut St. Bridge, Deaf & Dumb Asylum, Naval Asylum, Alms House, County Prison, Insane Asylum, Nth. Pennsylvania Bridge, Woodland Cemetery, U.S. Arsenal, Gray's Ferry Bridge, Navy Yard, Pennsylvania Hospital, and League Island; (center view) Laurel Hill Cemetery, Fairmount Park, Girard College, Fairmount & Water Works, Wire Bridge, Eastern Penitentiary, House of Refuge, Blind Asylum, [Central] High School, Cathedral (Sts. Peter & Paul), 7th Presbyterian Church, Gas Works, and Philadelphia Library (Library Company); (upper view) Merchant's Exchange, Girard Bank, Custom House, Smith's Island, Post Office, State House, Continental Hotel, Penn Cottage, Girard Hotel, Christ Church, Masonic Hall, Penn Treaty Monument, Petty's Island, Reading Coal Depot, and Port Richmond. Panoramas also contain maritime traffic., Vignettes show an allegorical view of "Peace" represented by a social gathering with food, drink, and music in a parlor and one of "War" represented by a marine battle. "Union Depot" vignettes show the busy storefronts. Merchandise lines the sidewalks of the businesses in which patrons enter, and in front of which heavy street and pedestrian traffic passes. Traffic includes horse and hand-drawn carts loaded with crates and furniture. Also shows the Market Street depot covered in advertising text. Independence Hall view contains heavy street traffic. Horse-drawn carts, carriages, delivery wagons, and omnibuses congest the street aside laborers pushing hand-carts, people on horseback, and pedestrians crossing the street. Pedestrians also walk in front of Independence Hall. American flags adorn the storefronts and Independence Hall. Other pictorial elements include the allegorical figure of peace, a cannon surrounded by other instruments of war, and borders comprised of vinery and filigree., Retrospective conversion record: original entry, edited., Philadelphia on Stone, POS 138, Free Library of Philadelphia: Oversize Philadelphiana - Views

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